Inuit & First Nations Art Auction of May 16, 2018
Previous Page Listing ID#: 72517

Auction Location
Ottawa, ON K1V 1B8
Full Address Available on Tuesday, May 15
Auction Dates and TimesSALE IS COMPLETED
Wednesday May 16, 2018 Completed
Auction Type
 Live Auction with Online Bidding  VIEW ONLINE CATALOG
Company Information
Walker's Fine Art & Estate Auctioneers

Website: walkersauctions.com

GoToAuction.com ID#: 3284
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Listing Terms and Conditions
The following are Walker's standard Terms & Sales conditions which apply to all buyers and agents intending to purchase at any sales. TERMS AND CONDITIONS 1. DEFINITIONS: The term "Auctioneer", wherever used in this catalogue, means Walker's Fine Art & Estate Auctioneers Inc. 2. PROPERTY INSPECTION: Prospective bidders should inspect the property before bidding to determine its size, condition and whether or not it has been repaired, restored or altered. We strongly recommend that all lots be viewed personally. Imperfections are not necessarily stated in any version of the auction catalogue, however, specific condition reports are provided upon request. (All statements are solely the opinion of the Auctioneer who is neither a professional restorer nor conservator). 3. ACCURACY OF INFORMATION: The Auctioneer has made a reasonable attempt to ensure accuracy in the description of every lot to be sold. However, guarantee is not made as to the correctness of the catalogue entries and no sale shall be set aside on account of any imperfections not noted. Each lot is sold on an "AS IS," "WHERE IS" basis. 4. BID INCREMENTS: Prospective buyers are required to know and understand the bid increment schedule below, before bidding on any lot. The auctioneer may vary the increments at his/her direction. BID RANGE -- > BID INCREMENT $0 - $100 -- > $10 $100 - $500 -- > $25 $500 - $1,000 -- > $50 $1,000 - $2,000 -- > $100 $2,000 - $5,000 -- > $250 $5,000 - $10,000 -- > $500 $10,000 - $20,000 -- > $1,000 $20,000 - $50,000 -- > $2,500 $50,000 - $100,000 -- > $5,000 $100,000 - $200,000 -- > $10,000 $200,000 and above -- > $20,000 5. AUCTIONEER'S RIGHTS: a) All bids are per lot as listed in the catalogue. However, the Auctioneer reserves the right to divide or join lots, without prior warning, as they may see fit upon announcement of same. b) The Auctioneer reserves the right to withdraw or add to the items as listed in prepared catalogues without notice. c) The Auctioneer has the right to advance the bidding at their absolute discretion. The highest bidder is to be deemed the Buyer. If a dispute arises, the Auctioneer may, at their discretion, resell the lot or announce a decision immediately. d) The Auctioneer may refuse to accept a bid from any individual or party at their absolute discretion. e) The Auctioneer has the right to restrict attendance or participation in the auction rooms or during preview or to any party without explanation. f) The Auctioneer shall have the right to bid or commission their staff to bid on behalf of any consignor up to the reserve price if applicable, but not above. 6. TITLE: Title to the offered lot immediately passes to the highest bidder upon full payment by the Buyer to the Auctioneer; however, the Buyer assumes full risk and responsibility from the fall of the auction hammer. 7. FAULTS AND DEFECTS: All lots are sold by the Auctioneer with all faults and defects, with all errors of description and are to be paid for whether genuine and authentic or not. No compensation shall be paid for same. Frames on artwork are not included as part of purchase or condition. The auctioneer does not warrant the condition or availability of frames or any associated glass. 8. DETERMINATION OF FORGERY: Notwithstanding the previous conditions of sale, if within (14) fourteen days after the auction the Buyer gives notice in writing to the Auctioneer that the lot sold is a deliberate forgery and within (7) seven days of such notification the Buyer returns the same to the Auctioneer in the same condition as at the time of sale and satisfies the Auctioneer that the claim is justified, pursuant to any special requests the Auctioneer may make, then the sale of the lot will be rescinded and the purchase price, Buyer's premium & sales tax on the purchase price of the same will be refunded. All action and decisions made by the Auctioneer are final and will not be influenced by the opinion of either the seller or Buyer. (All packing, handling, customs fees, taxes, insurance, valuations, opinions, lodging or travel directly or indirectly related to any returned & refunded lots will be the sole responsibility of the Buyer and no compensation will be paid for same). Any judicial proceedings deemed necessary to resolve a dispute or claim will be settled in the Province of Ontario, jurisdiction of Ottawa. 9. BUYER'S PREMIUM: Each lot is sold subject to a Buyer's premium payable by all Buyers in addition to the purchase price. This premium is expressed as a percentage of the purchase(hammer) price and varies according to type of auction and whether bidding is live, absentee, telephone or by internet. Refer to either our website or the absentee bid form for the specific auction to determine the actual amount of the Buyer's premium. This premium is also announced by the Auctioneer at the start of each auction. 10. SALES TAXES: The Buyer must pay Ontario Harmonized Sales Tax (HST - 13%) on the total purchase price (aggregate of hammer price & Buyer's premium) if the Buyer takes possession of their purchase at the time of the auction, or if they are resident in Ontario and have their purchase shipped to a location in Ontario, or if they pick up their purchase at the Auctioneer's offices in Ottawa after the sale. If the Buyer is from another province in Canada and have their purchase shipped to them by registered carrier, then the appropriate HST/GST (Goods and Services Tax) applicable to their province will be charged. Buyers not resident in Canada are exempt from paying HST or GST on the purchase price of property IF the lot(s) is shipped by registered carrier directly from the Auctioneer to the Buyer's address outside of Canada. 11. PAYMENT OPTIONS: Payment is to be made by cash, pre-approved cheque, Visa, MasterCard, Interac/Debit Card or wire transfer, and within 72 hours (3 business days) after the auction ends. For each wire transfer, there is an additional charge of $25 to cover bank administration charges. Property is released only after all funds have cleared our bank. Local purchases must be removed immediately after the sale provided payment has been received by the Auctioneer. Items sold to foreign and non-local Buyers will be transported to our offices where they must be removed within three (3) working days. Buyers not known to the Auctioneer are required to provide financial and banking details at least three (3) days prior to the auction. The Auctioneer will send an invoice by email or fax after the auction but your credit card may be used immediately to settle your purchase account. A maximum of $20,000 per client per auction may be paid using a credit card if presenting the card in person with photo identification; $5,000 is the maximum for 'not in person' credit card payments within North America. 12. FINANCE CHARGE: If the Buyer's account is not settled in full with regard to fore-mentioned conditions, then a finance charge of 5% per month above the Bank of Canada base rate will be applied to the purchase price until settled in addition to a 2% monthly charge for storage and insurance. If in the opinion of the Auctioneer the lot or lots must be resold then any deficiencies or handling charges against same will be charged to the original Buyer. 13. CULTURAL PROPERTY: In order to export certain property from Canada, a Cultural Property Export Permit may be required. Various objects and values are affected and it is incumbent on a prospective Buyer to fully understand any restrictions prior to sale. It is the Buyer's responsibility to obtain the required permit(s). No sale shall be rescinded if a Cultural Property Export Permit cannot be obtained. Without limitation, and further to the terms of paragraph 12 above, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). Based on certain criteria including, but not limited to, value and the length of time in which an object has been in Canada, a Cultural Property Export permit may be required in order to temporarily or permanently export an object from Canada. The buyer must pay for all purchases whether an export permit is issued or declined. 14. RESTRICTED MATERIALS: Under the Convention on International Trade in Endangered Species of Wild Fauna and Flora Agreement (CITES), items offered for sale which contain restricted materials such as ivory, tortoiseshell, whalebone, sealskin, rhinoceros horn or other animal parts are not allowed by law to leave Canada or to be imported to most countries. It is the Buyer's responsibility to verify whether this restriction applies to their purchases prior to bidding. No sale shall be rescinded if the Buyer is remiss in this regard. You must ensure that you have reviewed your country's laws before you purchase or ship any works made from, or containing parts made from these restricted materials. It is your responsibility to obtain any necessary permits. No sale shall be rescinded if a permit (CITES or otherwise) cannot be obtained. We encourage you to visit the CITES website www.cites.org. If you wish us to apply for a CITES permit on your behalf after the auction, there is a $50 charge for each application. Submitting an application does not guarantee the issuance of a CITES permit. 15. DIGITAL IMAGES: Colour balance may vary with the digital photos posted to any of our online auction catalogues. We strongly recommend inspecting the object in person as you will notice a variance. 16. ESTIMATES: Pre-sale auction estimates are educated approximations based upon the sale of similar items. These are not necessarily selling prices, as the final bid may be above or below any estimate. 17. LIABILITY: Persons attending a preview, the auction or collecting goods, assume all risks of damage of or loss to person and property and specifically release the Auctioneer from liability. Neither the Auctioneer nor his principle shall be liable by reason of any defect in or condition of the premises on which the sale is held. 18. REGISTRATION: All bidders are required to provide full name, address, phone number(s) and postal code in addition to government issued photo identification. The registrant is fully and solely responsible for all bids placed using their bidding number. Registered Buyers are not permitted to bid for third parties or to transfer purchased lots from one account to another. The Auctioneer reserves the right to determine credit worthiness prior to registering a Buyer and may require banking or credit information and/or credit card information when doing so. 19. REMOVAL OF GOODS: Once the Buyer's account is settled, the Buyer then has the responsibility for the removal of their purchases. This transaction is separate from the purchase transaction. The Auctioneer may provide assistance to the buyer with packing or removing goods from the auction floor once sold but we are not responsible for any damage which may occur during that time. Clients are further advised that removal of large furniture, rugs, sets of china and crystal, large paintings, etc. may only be removed at the end of the sale session. It is the responsibility of the buyer to bring sufficient wrapping material and boxes, etc. In the event of fire or theft of goods the Auctioneer's liability will be to the amount of the hammer price only. All purchases must be removed from the Auctioneer's premises within ten (10) days of the date of the sale. After this time, storage charges in the amount of $5 per lot per day will accrue and other charges may be incurred. We are not responsible for the security of goods left after the removal deadline. 20. PACKING and SHIPPING OF GOODS: The Auctioneer offers a packing and shipping service as a beneficial service to its Buyers. This is an optional service and Buyers should feel free to have others handle their packing and shipping needs provided the purchased item(s) are picked up within tem (10) working days of the date of sale. Our packing and shipping service is provided on a 'Best Efforts' basis and turnaround times will vary depending on the volume of lots sold during the various times of the year. There will be fees for this service and the Auctioneer or handler will proceed only at the Buyer's risk and expense. Please inquire directly with the Auctioneer for a packing/shipping/insurance estimate prior to sale. All estimates are provided on a best-efforts basis and the actual packing and shipping charge may be greater or less than the estimate. There is a minimum charge of $30 plus applicable sales taxes per shipment. Customs duty, sales taxes and brokerage fees as assessed by Government or third party firms are separate from any shipping quote the Auctioneer may provide and are the sole responsibility of the Buyer. For international shipments leaving Canada, WALKERS will only state the actual value of an item on Customs documentation. It is illegal in Canada to declare a false value for an item knowing the item has a higher value (as shown by recent sale). Lots damaged in transit as a result of Customs or Government inspection or improper repacking are not covered by any insurance offered by the Auctioneer or shipper regardless if insurance has been paid for or not. All shipping inquires should be directed to: shipping@walkersauctions.com. 21. ABANDONMENT: It is a Buyer's responsibility to either pick up their item(s) within ten (10) days of the date of sale, or to arrange shipping of their item(s) with our shipping department or using a shipper of the Buyer's choice. In the event purchased item(s) are still in our warehouse and in our possession six (6) months after the auction end date, regardless of payment being received or not, the item(s) will be considered to be 'abandoned' and 'surrendered' to the Auctioneer. The Auctioneer shall have the right to sell or donate the item(s) as he sees fit with any proceeds from sale going to the account of the Auctioneer. 22. CONSIGNOR COVENANT: On no account is a consignor of goods to Auctioneer, allowed to bid on his or her own merchandise. 23. CONDITION STATEMENTS: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition reports/statements are provided by request as a courtesy to Walker's clients and should be considered as an opinion only. Walker's are not professional conservators and no warranty is expressed through issuing condition statements. Prospective bidders are encouraged to inspect objects personally or have their conservator inspect objects on their behalf. All lots are offered for sale subject to Walker's conditions of business. 24. JURISDICTION: Ontario law applies and jurisdiction and venue over all disputes involving these Terms and Conditions shall be adjudicated at Ottawa, Ontario, Canada. 25. ACKNOWLEDGEMENT: All bidders and others attending this sale agree that they have read and have full knowledge and understanding of these Terms and Conditions of Business, and agree to be bound by same. --- Revised: November 17, 2017 ---
Listing Information
Walker's is pleased and proud to present our fourteenth collection of Inuit and First Nations art, Wednesday, May 16, 2018 in Ottawa. It's another terrific selection of works gathered from North American and European collections. We are happy to offer more masterpieces from several important American collections including the Albrecht Collection in Scottsdale, the Sam Wagonfeld Collection in Denver and the Joshua Pruzansky Collection in New York, as well as collections from Chicago, Minneapolis and other cities. We are also pleased to offer important works from Canadian collections including the estate of Peter Murdoch. In 1947, at the tender age of eighteen, Murdoch began a ten-year career as a Hudson's Bay Company trading clerk and manager in several Arctic communities, managed the Patient Rehabilitation Centre in Frobisher Bay in the early 1960s (where many Inuit began carving), and devoted the rest of his life to building and nurturing FCNQ, the co-operative federation in Nunavik (Arctic Quebec). Peter Murdoch was inducted into the Order of Canada in 2015. Another collection of note is from the estate of the renowned pharmacologist Mark Nickerson, who came to Canada as a political refugee from the U.S. in the 1950s. He created one of the North America's foremost departments of Pharmacology at the University of Manitoba, befriended George Swinton, and became an enthusiastic Inuit art collector. We are truly grateful to all of our Canadian and international consignors. The Inuit auction highlights are almost too numerous to mention. They include a rare and lively Boat with Hunters and Dogs by Joe Talirunili; the gorgeous and important large Untitled hanging by Jessie Oonark; a brilliant Figure by Karoo Ashevak; a fabulous Owl-Bear by Latcholassie; the stunning Owl and Walking Caribou by Osuitok Ipeelee; a powerful Salluit Mother Nursing a Child by Mary Irqiquq Sorusiluk; the imposing Janus-Faced Head by John Tiktak; a compelling Dancing Bear by Pauta Saila; two important early sculptures by Henry Evaluardjuk; an outstanding Mother and Two Children by Johnny Inukpuk; an important early Mother and Child by Judas Ullulaq; a riveting Mother and Child by an anonymous Inukjuak master; the wonderful Umiaq Adventure by Davidialuk; important sculptures by Luke Iksiktaaryuk, John Tiktak, John Kavik, John Pangnark, Lucy Tasseor and Jackoposie Oopakak; superb early Cape Dorset graphics by Kenojuak, Sheouak, Pudlo and Qabaroak; lovely Baker Lake drawings by Luke Anguhadluq, Oonark and others; beautiful textile hangings and a beaded amautiq; and terrific contemporary drawings and sculptures. First Nations highlights include a varied and important selection of paintings by Norval Morrisseau, including Onaman Beaver Blood Legend and Legendary Animals (both c. 1965) and Looking Above Oneself c. 1980; a rare, early and stunning Haida figural argillite composition c. 1830-1850; an important Haida model canoe with figures from the 1890s; a moving religious-themed Tlingit pole from the 1870s; and other lovely historical and contemporary sculptures and paintings. We offer our sincere thanks to the many collectors who support our efforts to bring Canadian Inuit and First Nations art to the world. We hope that you will enjoy viewing and reading this latest catalogue. Your questions, comments and suggestions are always welcome. Please feel to contact me anytime. Ingo Hessel Head, Inuit & First Nations Art ingo@walkersauctions.com 1.613.818.2100

1
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Bear Climbing a Boulder c. late 1970s, stone, signed "HENRY" and in syllabics, 4.25 x 3.75 x 2.75 in, 11 x 9.7 x 7 cm Provenance: an Ottawa private collection

2
Qavaroak Tunnillie (1928-1993) m.
CAPE DORSET Spirit 1973, stone, 3 x 5 x 1.75 in, 7.2 x 12.6 x 4.4 cm Provenance: a Montreal private collection

3
Unidentified Artist
SANIKILUAQ Composition with Three Birds c. 1950-52, stone, ivory, inlay and pigment, 3.75 x 9 x 2.75 in, 9.5 x 23 x 7.5 cm Provenance: a prominent Toronto private collection

4
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1960s, stone and antler, signed in syllabics, 3.5 x 4.75 x 5.25 in, 9.5 x 12 x 13.4 cm Provenance: an Ottawa private collection

5
Unidentified Artist
SANIKILUAQ Dog c. 1950, stone and inlay, 2 x 4 x 1 in, 4.8 x 10 x 2.8 cm Provenance: a prominent Toronto private collection

6
Possibly Pauta Saila RCA (1916-2009) m.
CAPE DORSET Polar Bear 1950s or earlier, ivory, 2 x 4 x 1 in, 5.2 x 9.8 x 2.7 cm Provenance: an Ottawa private collection

7
Possibly Syollie (Sarollie) Weetaluktuk
(1906-1962) m. INUKJUAK (PORT HARRISON) Rearing Polar Bear early 1950s, stone and ivory, 7.75 x 3 x 2.75 in, 19.4 x 7.8 x 7.3 cm Provenance: a prominent Toronto private collection

8
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 1970, stone, signed in syllabics, 4.25 x 3 x 1.75 in, 10.5 x 7.8 x 4.6 cm Provenance: a Toronto area private collection; Innuit Gallery of Eskimo Art; ex collection of Razie Brownstone

9
Unidentified Artist
INUKJUAK (PORT HARRISON) Bird at its Nest c. 1950-51, stone, ivory and soap inlay, 2 x 5.5 x 8.5 in, 5.1 x 14.2 x 21.3 cm Provenance: an Ottawa private collection

10
Sharky Nuna (1918-1979) m.
CAPE DORSET Mother Kissing Her Child c. 1960, stone, signed in syllabics, 6 x 3 x 5.25 in, 15.3 x 7.3 x 13.5 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

12
Aisapik Quma Igauja (1915-1979) m.
PUVIRNITUQ Resting Bird early 1960s, stone, signed "ISAPIK" and with disc no., 3.25 x 8 x 3 in, 7.9 x 19.9 x 7.7 cm Provenance: a Montreal private collection

13
Aibilie Echalook (1940-) m.
INUKJUAK (PORT HARRISON) Standing Caribou c. 1960, stone and antler, signed in syllabics and with disc no., 5.25 x 9.5 x 3.5 in, 13.3 x 24 x 8.7 cm Provenance: Nickerson Collection; purchased from George Swinton

14
Unidentified Artist
POSSIBLY KANGIQSUJUAQ (WAKEHAM BAY) Hunter c. mid 1950s, stone and ivory, 6.5 x 4.25 x 3.5 in, 16.4 x 10.5 x 9.1 cm Provenance: Pruzansky Collection

15
Unidentified Artist
INUKJUAK (PORT HARRISON) OR PUVIRNITUQ Seated Man early-mid 1950s, stone, 3 x 2 x 1.25 in, 7.7 x 5.1 x 3 cm Provenance: Balshine Collection

16
Possibly Levi Amidlak (1931-1998)
INUKJUAK (PORT HARRISON) Standing Man early-mid 1950s, stone and soap inlay, 2.5 x 1.25 x 1 in, 6.5 x 3.3 x 2.6 cm Provenance: an Ottawa private collection

17
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET The Return of the Sun 1961 #81, stonecut print, 24/50, 24 x 30 in, 60.7 x 75.8 cm Provenance: an Ottawa private collection

18
Egevadluq Ragee (1920-1983) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Two-Faced Sea Spirit 1960 #7, stonecut print, framed, 8 x 12.5 in, 20.5 x 32 cm (sight) Provenance: an Ottawa private collection

19
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Arctic Shore Birds 1959, stencil print, 20/30, framed, 15.25 x 13.75 in, 38.5 x 35 cm (sight) Provenance: an Ottawa private collection

20
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Fish and Spear 1961 #20, stencil print, 48/50, framed, 19 x 25.25 in, 48 x 64.1 cm Provenance: a Montreal private collection

21
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Owl mid 1960s, stone, 7.25 x 6.25 x 3.75 in, 18.5 x 15.5 x 9.8 cm Provenance: an Ottawa private collection

22
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Umiaq Adventure c. 1970-72, stone and antler, signed in syllabics, 6.25 x 5.5 x 4.25 in, 15.3 x 14 x 10.7 cm Provenance: Estate of Peter Murdoch, Montreal

23
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Walking Bear early-mid 1960s, stone, signed in syllabics, 7.5 x 13.25 x 5.5 in, 19.1 x 33.5 x 14 cm Provenance: an Ottawa private collection

24
Dominic Kingilik (1939-1990)
BAKER LAKE Owl 1963, stone, antler, metal and pigment, 6.25 x 5.5 x 5 in, 15.8 x 13.8 x 12.7 cm Provenance: Albrecht Collection; Feheley Fine Arts

25
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Birds 1974, stone, signed in syllabics and dated, 10 x 7.5 x 2.5 in, 25.4 x 19 x 6.4 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

26
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother and Child mid-late 1970s, stone, signed in syllabics and with disc no., 6.25 x 6.75 x 6.25 in, 16 x 17.4 x 15.7 cm Provenance: a Montreal collection

27
Victoria Mamnguqsualuk (1930-2016)
BAKER LAKE Legend of Qiviuq c. early 1990s, wool stroud, felt and embroidery floss, signed in syllabics, 37 x 59 in, 94 x 150 cm

28
Mary Kuutsiq (1926-2011)
BAKER LAKE All Eyes on Fishing 2009, wool duffel, felt and embroidery floss, signed in syllabics, 34.5 x 28.25 in, 87.5 x 72 cm Provenance: an Ottawa private collection

29
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1975, graphite, coloured pencil and felt pen drawing, signed in syllabics, 22.25 x 30 in, 56.3 x 76.3 cm Provenance: a Swiss private collection

30
Luke Anguhadluq (1895-1982)
BAKER LAKE Untitled early 1970s, graphite and coloured pencil drawing, framed, signed in syllabics and with disc no., 29.25 x 21.5 in, 74.4 x 54.7 cm (sight) Provenance: a Swiss private collection

31
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Multi-Feathered Bird 1961 #43, stonecut print, 19/50, 13 x 24 in, 32.5 x 61 cm Provenance: an Ottawa private collection

32
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: EEGYVUDLUK POOTOOGOOK (1931-1999) m., CAPE DORSET Caribou Chased by Wolf 1961 #18, stencil print, 1/50, 19 x 25.5 in, 48 x 64.7 cm Provenance: Albrecht Collection

33
Qabaroak Qatsiya (1942-) m.
ELIJAH POOTOOGOOK (1943-), CAPE DORSET Two Men Discussing Coming Hunt 1961 #44, stencil print, 36/50, framed, 20 x 26.25 in, 50.7 x 66.7 cm Provenance: a Montreal private collection

34
Sheouak Petaulassie (1923-1961) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Dog and Seagull 1961 #30, stencil print, 5/50, framed, 18.75 x 25 in, 47.6 x 63.7 cm Provenance: a Montreal private collection

35
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Figure 1972-73, whale bone and inlay, signed in syllabics, 16.25 x 13.75 x 7.75 in, 41.3 x 34.8 x 19.9 cm Provenance: a Montreal private collection; Lippel Gallery, Montreal

36
Luke Iksiktaaryuk (1909-1977)
BAKER LAKE Travelling Figures early 1970s, antler and metal, 9.25 x 12.75 x 5.75 in, 23.5 x 32 x 14.7 cm Provenance: a Montreal collection

37
Jacob Irkok (1937-2011)
ARVIAT (ESKIMO POINT) Fisherman 2007, antler and cord, main section: 13 x 15 x 10.75 in, 33 x 38.3 x 27 cm Provenance: Albrecht Collection; purchased from the artist

38
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Composition: Spirits c. early 1990s, antler, 12.5 x 21 x 10 in, 31.75 x 53 x 25.5 cm Provenance: a Toronto collection

39
Elisapee Kingaruyak Alareak (1943-)
ARVIAT (ESKIMO POINT) Beaded Amautiq c. 2000, wool duffel, wool stroud, fabric trim, beads, fringe, yarn, ribbon and thread, 46 x 27 x 17 in, 117 x 69 x 43 cm (as shown) Provenance: Albrecht Collection

40
Norval Morrisseau CM (1931-2007)
ANISHNAABE Looking Above Oneself c. 1980, acrylic on canvas, signed in syllabics, 48 x 40 in, 122 x 101.5 cm Provenance: Webster Collection, Iqaluit; Leona Lattimer Gallery

41
Unidentified Artist
TLINGIT, SITKA SOUND, ALASKA HAIDA Model Totem Pole c. 1870-1880, wood (probably alder) and paint, 17.25 x 3.5 x 2.75 in, 44 x 8.9 x 6.5 cm (verso ink inscription: 49223 Sitka JJMcLean, also inscribed: A 128) Provenance: a succession of Toronto corpo...

42
Unidentified Artist
HAIDA Two Figures: Man and Boy c. 1830-1850, argillite, 7.5 x 6 x 2.25 in, 19.3 x 15.2 x 5.8 cm Provenance: a B.C. private collection

43
Attributed to Alfred Davidson
HAIDA, MASSET Canoe Model with Three Figures c. 1890-1900, wood (probably alder) and paint, 5.75 x 18.75 x 14.5 in, 14.9 x 47.8 x 36.8 cm Provenance: a Quebec City private collection

44
Unidentified Artist
HAIDA Pipe with Kneeling Figure 1880s or 1890s, argillite, 2.25 x 8.75 x 1 in, 6 x 22.5 x 2.5 cm Provenance: a Montreal private collection

45
Unidentified Artist
HAIDA Figurative Pipe c. 1850-1880, argillite, 1.5 x 7.75 x .75 in, 3.7 x 19.5 x 1.7 cm Provenance: a Montreal private collection

46
Unidentified Artist
HAIDA Platter with Dogfish and Halibut c. 1880s, argillite, .75 x 7.75 x 4.25 in, 2.3 x 19.5 x 10.8 cm Provenance: a B.C. private collection

47
Norval Morrisseau CM (1931-2007)
ANISHNAABE Onaman Beaver Blood Legend c. 1964, tempera and/or acrylic on paper, signed in syllabics, framed, 49.5 x 29.5 in, 125.7 x 75 cm (sight) Provenance: a succession of Toronto corporate collections

49
Arthur Shilling (1941-1986)
OJIBWA Self-Portrait 1974, oil on canvas board, framed, signed and dated, 29.5 x 21.5 in, 74.5 x 54.3 cm Provenance: an Ottawa private collection

50
Arthur Shilling (1941-1986)
OJIBWA Meditation (Portrait of Millie) 1977, oil on board, framed, signed and dated, 35.5 x 30 in, 90.3 x 76.3 cm Provenance: an Ottawa private collection

51
Arthur Shilling (1941-1986)
OJIBWA Landscape 1974, oil on masonite, framed, signed and dated, 29.5 x 34.25 in, 75 x 87 cm Provenance: an Ottawa private collection

52
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Shaman 1997, antler, bone, hair and hide, signed in syllabics and dated, 10 x 14 x 11.75 in, 25.6 x 35.5 x 30 cm Provenance: a Toronto collection

53
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Spirit Playing with a Whirligig (Buzz Toy) 1998, antler, muskox horn and sinew, signed in syllabics and dated, 4.75 x 6.5 x 2.5 in, 12.2 x 16.5 x 6.5 cm Provenance: Albrecht Collection; Images Art Gallery

54
Judas Ullulaq (1937-1999)
GJOA HAVEN Bear-Shaman c. 1988-90, stone, antler and muskox horn, signed in syllabics, 9.75 x 12.75 x 5 in, 24.7 x 32.4 x 12.6 cm Provenance: Albrecht Collection

55
Joe Talirunili (1893-1976)
PUVIRNITUQ Boat with Hunters and Dogs c. 1967-68, stone and ivory, 4.25 x 9.75 x 4.25 in, 11 x 24.8 x 10.8 cm Provenance: a Swiss private collection; Innuit Gallery of Eskimo Art

56
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Birds From the Sea 1960, early experimental stencil proof print, 9.75 x 11.75 in, 24.5 x 30 cm Provenance: a Toronto private collection

57
Kiakshuk (1886-1966) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Untitled [Hunting Whales] 1961; released in Cape Dorset Revisited collection (1994 #9), stone-cut print, 38/50, framed, 22.5 x 31 in, 56.8 x 78.5 cm Provenance: Wagonfeld Collection; Upstairs ...

58
Parr (1893-1969) m.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET Dog Teams 1963 #45, stonecut print, 26/50, 17 x 24.5 in, 43.2 x 62.2 cm Provenance: Albrecht Collection; Waddington's Nov. 2005

59
Anirnik Oshuitoq (1902-1983) f.
CAPE DORSET Animal and Bird 1964, engraving, 8/50, framed, 18 x 12.5 in, 45.5 x 31.7 cm Provenance: a Montreal private collection

60
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Bird 1963, engraving, 9/50, framed, 12.25 x 20 in, 31.2 x 50.8 cm Provenance: a Montreal private collection

61
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Dancing Bear c. 1980, stone, signed "PAOTA SAILA", 15 x 11 x 7.75 in, 38.2 x 27.8 x 19.9 cm Provenance: a prominent European private collection; Feheley Fine Arts; a Canadian private collection

62
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird with Outstretched Wings c. 1980, stone, signed in syllabics, 6.5 x 9.75 x 3.75 in, 16.7 x 24.8 x 9.8 cm Provenance: a Montreal private collection

63
Toonoo Sharky RCA (1970-) m.
CAPE DORSET Bird Spirit 1998, stone and inlay, dated and signed "TOONOO SHARKY" and in syllabics, 8 x 9.75 x 10.25 in, 20.3 x 24.7 x 25.9 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

64
Eegyvudluk Pootoogook (1931-1999) m.
CAPE DORSET Muskox c. 1960-61, stone, 5.5 x 8.75 x 3.25 in, 14 x 22.2 x 8.2 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

65
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Standing Bird 1980, stone, signed in syllabics, 11.5 x 8.5 x 3 in, 29.2 x 21.4 x 7.8 cm Provenance: a Montreal private collection

66
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl-Bear Transformation c. 1970, stone, 8.5 x 6 x 10.5, 21.4 x 14.9 x 26.6 cm Provenance: a Montreal private collection

67
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKERS: PITSEOLAK NIVIAQSI (1947-2015) m. and AOUDLA PUDLAT (1951-2006), m., CAPE DORSET Portfolio of Twelve Lithographs 1979 Special Commission, set 7/50, framed, each: 22.25 x 30.75 in, 56.5 x 78.2 cm Provenance: a Montreal private collection

68
Unidentified Artist
INUKJUAK (PORT HARRISON) Standing Woman and Child c. 1955-58, stone, soap inlay and sinew, 13.5 x 14.5 x 7 in, 34.3 x 37 x 17.8 cm Provenance: Nickerson Collection

69
Unidentified Artist
INUKJUAK (PORT HARRISON) Hunter Harpooning Walrus c. 1950-51, stone, ivory, wood, metal and soap inlay, 6.25 x 6.75 x 9.5 in, 16 x 17.4 x 24.2 cm Provenance: Pruzansky Collection; Waddington's Nov. 2011

70
Akeeaktashuk (1898-1954) or Camp of Akeeaktashuk
INUKJUAK (PORT HARRISON) Hunter with Harpoon early 1950s, stone, ivory and soap inlay, 6.75 x 4.25 x 4.5 in, 17.5 x 9.75 x 11.4 cm Provenance: Pruzansky Collection; Waddington's Nov. 1993

71
Victor Sangitsi Tongelik (1924-d)
REPULSE BAY Standing Hunter c. late 1950s, whale bone and ivory, 6.5 x 3.5 x 4 in, 16.5 x 9.5 x 10 cm Provenance: a Toronto area private collection; Waddington's; ex TD Bank Collection

72
Puhalook
ARCTIC BAY Dog and Two Arctic Hares c. 1960, whale bone, 4.25 x 7.75 x 4.75 in, 10.8 x 19.6 x 12 cm Provenance: Nickerson Collection

73
Unidentified Artist
REPULSE BAY Drum Dancer c. 1958-60, stone and antler, 5.75 x 2.5 x 3.75 in, 14.8 x 6.2 x 9 cm Provenance: Nickerson Collection

74
Lucie Angalakte Mapsalak (1931-)
REPULSE BAY Owl early 1960s, stone, signed in syllabics and with disc no., 5 x 2.5 x 3.75 in, 13 x 6 x 9.7 cm Provenance: Pruzansky Collection

75
Louise Angugatsiark Tungilik (1917-1985)
REPULSE BAY Mother Nursing a Child c. late 1960s, stone, 5.5 x 2.25 x 4.75 in, 14.5 x 5.3 x 12 cm Provenance: Pruzansky Collection

76
John Tiktak RCA (1916-1981)
RANKIN INLET Janus-Faced Head c. 1969-mid 1970s, stone, 15.5 x 13.75 x 4.75 in, 39.5 x 32.6 x 9.7 cm Provenance: an Ottawa private collection since the mid-late 1970s; by descent to a family member in the late 1990s

77
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 12.5 x 6.25 x 5.25 in, 31.7 x 15.8 x 13.3 cm Provenance: a Swiss private collection

78
Eric Niuqtuk (1937-1994)
BAKER LAKE Muskox-Shaman Mother and Child mid 1970s, stone, signed in syllabics, 12.5 x 9.25 x 7.5 in, 31.2 x 23.6 x 18.8 cm Provenance: a Montreal private collection

79
David Ikutaaq (1929-1984)
BAKER LAKE Ptarmigan c. 1966-68, signed in syllabics and with disc no., 5.75 x 7.5 x 8 in, 14.1 x 19.2 x 20.3 cm Provenance: a Quebec private collection

80
George Tatanniq (1910-1991)
BAKER LAKE Muskox c. 1972, stone and antler, signed in syllabics, 4.5 x 7.25 x 3.25 in, 11.5 x 18.5 x 8.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

81
George Tatanniq (1910-1991)
BAKER LAKE Bear stone, signed in syllabics, 4.5 x 8 x 3.5 in, 11.7 x 20.2 x 9.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2015; Albrecht Collection

82
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1973-75, wool stroud, felt, embroidery floss and thread, signed in syllabics, 38.5 x 105 in, 98 x 267 cm Provenance: a Toronto area private collection

83
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early 1970s, stone, signed in syllabics, 5 x 3.5 x 6.5 in, 12.5 x 9 x 16.5 cm Provenance: a Montreal private collection

84
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Hunter and Seal c. 1971-72, stone, 3.75 x 6 x 2.5 in, 9.5 x 15.3 x 6.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

85
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family early 1970s, stone, signed in syllabics, 5 x 5.5 x 3 in, 12.5 x 14 x 7.5 cm Provenance: a Montreal private collection

86
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Mother and Child 1969, stone, signed in syllabics, 4.75 x 2.25 x 3.25 in, 12.2 x 5.6 x 8.3 cm Provenance: a Quebec private collection; purchased at the Eskimo Point Co-op

87
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother and Two Children c. mid 1960s, stone, signed in syllabics and with disc no., 16.5 x 12.5 x 7.25 in, 41.8 x 32 x 18.3 cm Provenance: an Ottawa private collection

88
Isa Qumalu Sivuarapi (1925-1979) m.
PUVIRNITUQ Hunter Skinning a Wolf late 1950s, stone, 6 x 5.75 x 10 in, 15.3 x 14.3 x 25.2 cm Provenance: Wagonfeld Collection; Waddington's June 1996

89
Attributed to Charlie Sivuarapik (1911-1968)
PUVIRNITUQ Seated Hunter c. 1953-54, stone, sinew and inlay, 5.5 x 5.5 x 7.75 in, 14.2 x 14.4 x 19.7 cm Provenance: an Ottawa private collection

90
Mary Irqiquq Sorusiluk (1897-1966)
SALLUIT (SUGLUK) Mother Nursing a Child c. 1953-55, stone, signed in syllabics and with disc no., 11.5 x 5 x 9 in, 29.4 x 12.7 x 22.9 cm Provenance: an American private collection; ex collection of Dr. William Moss, Portland, Oregon

91
Noah Tatirillak Kumak (1932-d)
SALLUIT (SUGLUK) Hunter Skinning a Fox c. 1956-57, stone, signed "NOAH" and with disc no., 7 x 5.5 x 8.75 in, 18.8 x 13.7 x 22.3 cm Provenance: Nickerson Collection

92
Kululak Tayarak (1933-) m.
SALLUIT (SUGLUK) Woman Taking Off Her Boot c. 1960, stone, signed with disc no., 6.25 x 3.25 x 6 in, 15.8 x 8.3 x 13.2 cm Provenance: an Ottawa private collection

93
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Animals, People and Bear c. early 1990s, antler and stone, signed "JACKOPOSIE", 31.5 x 26 x 31 in, 80 x 66 x 78.7 cm Provenance: a Montreal collection; a prominent European collection; Arctic Inuit Art, Richmond, VA; Iqaluit F...

94
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Fox Hunter with Dog 1963, stone, signed "HENRY" and in syllabics, dated, 14.25 x 7.25 x 7 in, 36.3 x 18.6 x 17.7 cm Provenance: Estate of Peter Murdoch, Montreal; presented to him in appreciation of his work as Superintendent ...

95
Eleeshushe Parr (1896-1975) f.
CAPE DORSET Families Asleep in Igloo 1968, coloured pencil drawing, signed in syllabics, 19.75 x 25.75 in, 50.5 x 65.2 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

96
Kiakshuk (1886-1966) m.
CAPE DORSET Dog Team Hunters Pursuing Caribou c. 1960, graphite pencil drawing, framed, 15.5 x 22 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

97
Pudlo Pudlat (1916-1992) m.
CAPE DORSET Sedna in a Boat c. mid 1970s, coloured pencil drawing, framed, 18.75 x 25 in, 48 x 63.3 (sight) Provenance: Wagonfeld Collection

98
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Seal Hunters on Land and Sea c. late 1960s, graphite pencil drawing, framed, signed in syllabics, 17.75 x 24.25 in, 45 x 61.5 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

99
Pitaloosie Saila RCA (1942-) f.
CAPE DORSET Female Shaman with Owl 1976, ink drawing, signed in syllabics, 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

100
Sorosiluto Ashoona (1941-) f.
PRINTMAKER: SAGIATUK SAGIATUK (1932-) m., CAPE DORSET Woman of the Sea 1976 #10, stonecut print, 50/50, 24.75 x 34 in, 63 x 86 cm Provenance: Wagonfeld Collection; Galerie Elca London

101
Kenojuak Ashevak CC RCA (1927-2013) f. and/or
Johnniebo Ashevak (1923-1972) m. CAPE DORSET Bird People 1963 #3, engraving, 9/50, framed, 12.25 x 19.5 in, 31 x 49.7 cm Provenance: a Montreal private collection

102
Judas Ullulaq (1937-1999)
GJOA HAVEN Mother and Child 1982, stone and antler, signed in syllabics, 12 x 8.25 x 11 in, 31 x 20.7 x 28 cm Provenance: a Saskatchewan private collection

103
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Bird at Its Nest c. 1971-72, whale bone, 7 x 13.25 x 6.25 in, 17.7 x 33.7 x 15.9 cm Provenance: a Montreal private collection

104
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walrus-Bird Transformation c. 1970, stone and antler, signed in syllabics, 8.25 x 5.25 x 3.75 in, 21 x 13.2 x 9.8 cm Provenance: an American private collection

105
Mannumi Shaqu (1917-2000) m.
CAPE DORSET Basking Walruses early 1970s, stone and ivory, signed in syllabics, 10.25 x 17.5 x 11.75 in, 26 x 44.6 x 29.8 cm Provenance: an Ottawa private collection

106
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird 1970s, stone, signed in syllabics, 4.25 x 4.5 x 3 in, 10.7 x 11.5 x 7.6 cm Provenance: a Toronto collection

107
Kumakuluk Saggiak (1944-) m.
CAPE DORSET Animal Composition 1973, stone, signed "KUMAKULUK CAPE DORSET 1973", 12.75 x 18.5 x 8.25 in, 30.1 x 46.8 x 21.3 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

108
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1970s, stone, signed in syllabics, 11.75 x 10.5 x 6 in, 29.5 x 26.3 x 15.5 cm Provenance: a Montreal private collection

109
Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox-Bird Transformation early 1990s, stone, signed in syllabics, 2.5 x 6.25 x 1.5 in, 6.3 x 15.7 x 3.8 cm Provenance: Albrecht Collection; Marion Scott Gallery

110
Marie Kuunnuaq (1933-1990)
BAKER LAKE Kneeling Mother and Child c. 1971-73, stone, signed in syllabics and with disc no., 9.5 x 7.75 x 10.5 in, 24.1 x 19.7 x 26.7 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

111
Nancy Kangeryuaq (1936-)
BAKER LAKE Standing Mother and Child c. late 1970s, stone, signed in syllabics, 6.25 x 4.25 x 3.5 in, 15.8 x 10.7 x 9.1 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

113
Luke Anguhadluq (1895-1982)
BAKER LAKE Caribou Hunter and Wolf 1970, coloured pencil drawing, framed, signed in syllabics, 17 x 23 in, 43 x 58.8 cm (sight) Provenance: Wagonfeld Collection; Feheley Fine Arts

114
Luke Anguhadluq (1895-1982)
BAKER LAKE Swimming Caribou c. 1973-75, coloured pencil drawing, framed, 15.25 x 21 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Upstairs Gallery

115
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Untitled (Returning to Camp and Hunting Caribou by Kayak) c. late 1970s, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Wagonfeld Collection; Galerie Elca London

116
Elizabeth Angrnaqquaq (1916-2003)
BAKER LAKE Untitled (People, Caribou, Seals and Spirits) c. 1981, wool duffel, felt and embroidery floss, signed in syllabics, 25.5 x 29 in, 64.8 x 73.7 cm Provenance: Albrecht Collection; Feheley Fine Arts; Upstairs Gallery

117
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Hunter Spearing a Bear 1970s, felt and embroidery floss, signed in syllabics and "Q", 18 x 16.5 in, 45.7 x 42 cm Provenance: Albrecht Collection; Marion Scott Gallery; Upstairs Gallery

118
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Prowling Bear c. 1963, stone, signed "HENRY" and in syllabics, 3.75 x 8 x 3.5 in, 9.5 x 20.5 x 6.4 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

119
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walking Caribou c. 1991-92, stone and antler, signed in syllabics, 18.25 x 19.5 x 9 in, 46.4 x 49.6 x 22.8 cm Provenance: an Iqaluit private collection

120
Eva Atammiq Keatainak (1919-1988)
SALLUIT (SUGLUK) Kneeling Mother with Child's Parka c. mid 1950s, stone, signed with disc no., 9.5 x 6 x 3.5 in, 24.2 x 15.1 x 21.6 cm Provenance: a Swiss private collection

121
Joe Talirunili (1893-1976)
PUVIRNITUQ Walrus late 1960s, stone and ivory, signed "JOE 818" and in syllabics, 3.75 x 5.5 x 2 in, 9.5 x 13.8 x 5.3 cm Provenance: Estate of Peter Murdoch, Montreal

122
Joe Talirunili (1893-1976)
PUVIRNITUQ Caribou c. 1965, stone and antler, signed "JOE 818", 4.75 x 6.5 x 2 in, 12 x 17.2 x 5 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

123
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal 1972, stone, 7.75 x 3.75 x 1.25 in, 20 x 9.5 x 3.4 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

124
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal early 1970s, stone, 4.75 x 4.25 x 2.75 in, 12.2 x 10.8 x 6.8 cm Provenance: Albrecht Collection; Waddington's Nov. 2004

125
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early-mid 1970s, stone, 4.5 x .75 x 3.5 in, 11.5 x 1.8 x 8.8 cm Provenance: an American private collection; The Shop, Minneapolis

126
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 2000, stone, signed in syllabics, 15 x 16 x 6.75 in, 38.3 x 40.7 x 17.2 cm Provenance: an American private collection

127
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pregnant Sedna 2008, stone, signed "Bill NASOGALUAK" and dated, 20.75 x 19.75 x 8 in, 52.7 x 49.8 x 20 cm Provenance: a Toronto collection

128
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Lost Soul 2003, stone, resting on a wooden base, signed "DAVID RUBEN PIQTOUKUN" and dated, 18.25 x 10 x 4 in, 46.4 x 25.5 x 10.1 cm Provenance: a Toronto collection

129
Alec Lawson Tuckatuck (1976-)
KUUJJUARAAPIK (GREAT WHALE RIVER)/MONTREAL Lumack 2009, stone and muskox horn, dated and signed "Alec Lawson Tuckatuck" and in syllabics, 19.25 x 18 x 9.5 in, 49.2 45.5 x 24.4 cm Provenance: a Toronto collection

130
Manasie Akpaliapik (1955-) m.
ARCTIC BAY/TORONTO/OTTAWA Qalupiluk c. 1996, stone, baleen, hair and inlay, 14.5 x 4.75 x 10.75 in, 36.6 x 12 x 27.5 cm Provenance: Pruzansky Collection; Galerie Elca London

131
Unidentified Artist
POND INLET Man and Dog Sled Team c. 1900-1920, ivory and cord, 3.5 x 15 x 4 in, 9 x 38 x 10 cm as shown Provenance: a succession of Toronto corporate collections

132
Josephee Kopalie (1933-d)
PANGNIRTUNG/IQALUIT (FROBISHER BAY) Rookery 1985, ivory and whale bone, signed "J KOPALEE", 3.25 x 4.5 x 4 in, 7.8 x 11 x 9.3 cm Provenance: a Toronto area private collection

133
Mark Tungilik (1913-1986)
REPULSE BAY Two Birds 1970s, ivory and stone, one signed in syllabics, larger: 1 x 2.5 x 1.5 in, 2.4 x 6.3 x 3.6 cm Provenance: a Toronto private collection

134
Unidentified Artist
EASTERN CANADIAN ARCTIC Dog Sled Team with Kayak mid 1950s, ivory and sinew, 2.25 x 11.5 x 2.25 in, 5.5 x 29 x 5.5 cm as shown Provenance: a Quebec private collection

135
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Scrimshaw Composition early 1960s, bone, stone and pigment, 14.5 x 4.5 x 4.25 in, 36.5 x 11.4 x 10.9 cm Provenance: Nickerson Collection

136
Mark Tungilik (1913-1986)
REPULSE BAY Hunter and Bear early 1970s, ivory and antler, 2.75 x 3.75 x 1.5 in, 7.3 x 9.5 x 3.6 cm Provenance: an Ottawa private collection

137
Norval Morrisseau CM (1931-2007)
ANISHNAABE Thunderbird c. 1961-62, tempera on watercolour paper, framed, 29.25 x 21.75 in, 74.3 x 55.7 cm (sight) Provenance: a succession of Toronto corporate collections

138
Norval Morrisseau CM (1931-2007)
ANISHNAABE Buffalo early 1960s (possibly earlier), acrylic on kraft paper, signed in syllabics, framed, 25.25 x 35 in, 64 x 89 cm (sight) Provenance: a succession of Toronto corporate collections

139
Unidentified Artist
EASTERN WOODLANDS Two Female Dolls c. late 19th century, wood, hide, fabric, beads, hair, string, thread and pigment, larger: 5 x 2.25 x 1.5 in, 12.2 x 5.8 x 3.7 cm Provenance: a succession of Toronto corporate collections

140
Unidentified Artist
EASTERN WOODLANDS Cane with Human Effigy Face c. 1820s to 1840s, wood and metal, 36 x 4 x 1.5 in, 91.5 x 10 x 3.8 cm Provenance: a B.C. private collection

141
Unidentified Artist
CREE, GARDEN HILL, MANITOBA Transforming Shaman 1969, stone, 13.5 x 3.5 x 4.75 in, 34.3 x 8.9 x 12.1 cm Provenance: Pruzansky Collection

142
Robert Davidson CM OBC (1946-)
HAIDA, MASSETT/WHITE ROCK Salmon Trout Head Two 2013, epoxy powder-coated aluminum, edition 12/20, granite base, 10 x 13.75 x 5.5 in, 25.7 x 35.8 x 14.2 cm Provenance: a Toronto collection

143
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Eagle, Bear and Man 1999, argillite, bone and shell, signed, titled and dated, 11 x 2.75 x 3.75 in, 28.3 x 7.2 x 9.5 cm Provenance: Albrecht Collection; Tribalcrafts

144
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Salmon mid-late 1990s, argillite, bone and shell, signed and titled, 5 x 9.5 x 4.75 in, 12.7 x 23.8 x 12.1 cm Provenance: Albrecht Collection; Tribalcrafts

145
Norval Morrisseau CM (1931-2007)
ANISHNAABE Legendary Animals c. 1965, tempera or acrylic on kraft paper, framed, signed in syllabics, 31 x 41.5 in, 78.7 x 105.4 cm Provenance: a succession of Toronto corporate collections

147
Unidentified Artist
EASTERN CANADIAN ARCTIC Model Sled and Rifle early 20th century, wood, hide and ivory, 5 x 15.75 x 5.75 in, 13 x 40 x 12 cm Provenance: a Montreal private collection

148
Unidentified Artist
POSSIBLY BERING STRAIT, ALASKA Two-Man Kayak Model 19th century, wood, hide, gut, fur and ivory, 6.25 x 25.75 x 4 in, 15.8 x 65.4 x 10.1 cm Provenance: a succession of Toronto corporate collections

149
Unidentified Artist
ALASKA Ash Case or Snuff Box late 19th century, ivory, wood and inlay, 3.25 x 2.25 x 1.5 in, 8.3 x 5.5 x 3.8 cm Provenance: a Montreal private collection

150
Lawrence (Larry) Ulaaq Ahvakana
INUPIAQ, BARROW, ALASKA/SUQUAMISH, WA Walrus Man 1993, wood, signed "L. Ahvakana", 52 x 29 x 3.5 in, 133 x 73.7 x 8.9 cm Provenance: a Montreal collection

152
Norval Morrisseau CM (1931-2007)
ANISHNAABE Hunting Bear c. 1961-62, tempera on paper, framed, signed in syllabics, 15 x 20.5 in, 37.7 x 52 cm (sight) Provenance: a succession of Toronto corporate collections

153
Goyce Kakegamic (1948-) m.
ANISHNAABE Ojibwa Hunter Legend c. 1970, acrylic on board, framed, signed in syllabics, 31.25 x 23.5 in, 79.5 x 59.7 cm Provenance: a succession of Toronto corporate collections

154
Carl Beam RCA (1943-2005)
OJIBWA Untitled 1980, mixed media on paper, framed, signed and dated, 24 x 32.25 in, 61 x 82 cm Provenance: an Ottawa private collection

155
Robert Houle RCA (1947-)
SALTEAUX Untitled late 1980s, steel, hide, acrylic paint and feather, 27.5 x 26 x 2 in, 70 x 66 x 5 cm Provenance: an Ottawa private collection; purchased from the artist

156
Robert Houle RCA (1947-)
SALTEAUX Beothuk (Parfleche) c. late 1980s, mixed media on paper, framed, 15.75 x 11.75 in, 39.7 x 29.5 cm Provenance: an Ottawa private collection; purchased from the artist

157
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Hunter at a Seal Hole c. 1952, stone, hide and soap inlay, 4 x 4 x 4.75 in, 10.5 x 10.3 x 12.4 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2009

158
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Basking Walrus early 1950s, stone, ivory and inlay, 2.5 x 5 x 3 in, 6.5 x 12.5 x 8 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

159
Ennutsiak (1896-1967) m.
IQALUIT (FROBISHER BAY) Hunter with Pack late 1950s, stone, ivory and cord, 4.5 x 2.75 x 4 in, 11.5 x 7 x 11 cm Provenance: Wagonfeld Collection; Waddington's April 2009

160
Abraham Etungat RCA (1911-1999)
CAPE DORSET Couple c. 1960, stone, each signed in syllabics, woman: 4 x 1.5 x 1 in, 10.2 x 3.6 x 2.8 cm Provenance: Albrecht Collection; Feheley Fine Arts; Terry Ryan Collection

161
Possibly Bobby Quppapik Tarkirk (1934-2000)
SALLUIT (SUGLUK) Tree with Birds early-mid 1960s, antler and stone, on a driftwood base, 26 x 34 x 18 in, 66 x 86 x 45.5 cm (including base) (Note: one of the birds has been lost.) Provenance: Nickerson Collection

162
Isa Smiler (1921-1986) m.
INUKJUAK (PORT HARRISON) Muskox c. 1964, stone and ivory, signed "ISA S" and with disc no., 5.25 x 7.25 x2.75 in, 13.3 x 18.3 x 7.7 cm Provenance: Pruzansky Collection; Waddington's Nov. 2012

163
Noah Echalook (1946-)
INUKJUAK (PORT HARRISON) Mother and Child 1988, stone, antler and hide, signed in syllabics and dated, 9.5 x 11.5 x 10 in, 24.3 x 29.2 x 25.3 cm Provenance: a Montreal private collection

164
Thomasie Angutigirk (1920-)
SALLUIT (SUGLUK) Bust of a Woman c. early 1970s, stone and antler, signed in syllabics and with disc no., 06.25 x 4.25 x 5.5 in, 15.7 x 10.7 x 14 cm Provenance: a Montreal private collection

165
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Untitled (Composition of Animals and People) 2014/15, antler, 40 x 26.5 x 32 in, 101.5 x 67.3 x 81.3 cm Provenance: Webster Collection; purchased from the artist

166
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Standing Bear c. early-mid 1970s, stone, 9.75 x 3 x 4.75 in, 24.8 x 7.6 x 12.2 cm Provenance: an Ottawa private collection

167
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Walking Bear c. 1990, stone, 5 x 8.25 x 3.25 in, 12.7 x 21.2 x 8.3 cm Provenance: an Ottawa private collection

168
David Ikutaaq (1929-1984)
BAKER LAKE Standing Man early 1970s, stone, signed in syllabics, 10.5 x 7 x 4.5 in, 26.5 x 17.6 x 11.5 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

169
David Ikutaaq (1929-1984)
BAKER LAKE Family and Animals c. 1973-75, stone, signed in syllabics, 7 x 10.25 x 6.75 in, 17.7 x 26 x 17.25 cm Provenance: an American private collection; The Shop, Minneapolis

170
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Spear Hunter c. 1990, stone and antler, 12 x 7 x 5.5 in, 30.6 x 17.8 x 14 cm Provenance: a Toronto collection

171
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother, Child and Bird c. late 1980s, stone, 10.75 x 9.75 x 12.25 in, 27.3 x 24.7 x 31.4 cm Provenance: a Swiss private collection

172
Luke Anguhadluq (1895-1982)
BAKER LAKE Dog Eating a Fish c. 1973-75, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 26 in, 50.8 x 66 cm Provenance: Wagonfeld Collection; Waddington's June 1996

173
Ruth Annaqtuusi Tulurialik (1934-)
BAKER LAKE Legend of the Sea Spirit c. early 1990s, coloured pencil drawing, signed in syllabics, framed, 22 x 30 in, 56 x 76.2 cm Provenance: Wagonfeld Collection; Ookpiktuyuk Art

174
Ruth Annaqtuusi Tulurialik (1934-)
PRINTMAKER: SIMON TOOKOOME (1934-2010), BAKER LAKE The Sunset/Sikrinerk Nipingmat 1987 #2, stonecut and stencil print, 9/34, framed, 25.75 x 35.25 in, 65.5 x 89.5 cm Provenance: Wagonfeld Collection

175
Jessie Oonark OC RCA (1906-1985)
PRINTMAKER: WILLIAM NOAH (1943-), BAKER LAKE Flying Woman 1978 #12, serigraph print, 25/60, 22 x 30 in, 56.2 x 76 cm Provenance: Wagonfeld Collection

176
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: FRANCIS KALURAQ (1931-1990), BAKER LAKE Riding Dogs 1969 (1970 #8), stonecut print, 27/50, framed, 14.75 x 11 in, 37.7 x 27.6 cm (sight) Provenance: an Ottawa private collection

177
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: MADELEINE UKPATIKU (1931-1999), BAKER LAKE The Boy and His Grandmother Tricks the Mean People 1980 #25, linocut and stencil print, 33/60, framed, 23 x 34 in, 58 x 86.2 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

178
John Tiktak RCA (1916-1981)
RANKIN INLET Figure Holding a Bowl c. 1967-69, stone, signed in syllabics, 7.5 x 3.75 x 3.75 in, 19.2 x 9.4 x 9.3 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

179
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 6.5 x 3.75 x 4 in, 16.5 x 9.6 x 9.8 cm Provenance: an American private collection; The Shop, Minneapolis

180
John Kavik (1897-1993)
RANKIN INLET Figure early-mid 1970s, stone, signed in syllabics, 4.25 x 4.75 x 1.25 in, 10.8 x 12 x 3.5 cm Provenance: an Ottawa private collection

181
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Standing Bear c. 1955-60, stone, signed with disc no., 3.25 x 2 x .75 in, 8.4 x 5.3 x 2 cm Provenance: a Quebec private collection; purchased at the Puvirnituq Co-op

182
Possibly Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox early 1960s, stone, 3 x 7.5 x 1.5 in, 7.9 x 19 x 3.6 cm Provenance: an Ottawa private collection

183
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear 1950s, stone, inlay and pigment, 3.25 x 5.5 x 2 in, 8.3 x 14 x 5 cm Provenance: a Montreal private collection

184
Unidentified Artist
PROBABLY INUKJUAK (PORT HARRISON) Kneeling Caribou c. 1951-52, stone and ivory, 14.5 x 6.25 x 3.25 in, 11.5 x 15.8 x 8.3 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

185
George Tatanniq (1910-1991)
BAKER LAKE Dog early 1960s, stone, signed in syllabics and with disc no., 1.75 x 4.5 x .75 in, 4.6 x 11.4 x 2.2 cm Provenance: Pruzansky Collection

186
Unidentified Artist
POSSIBLY BAKER LAKE Bear with Fish early 1960s, stone and ivory, 2.25 x 4.5 x 1.5 in, 5.7 x 11.5 x 4.2 cm Provenance: an American private collection

187
Mungitok Kellypalik (1940-) m.
CAPE DORSET Owl 1966, stone, signed in syllabics, 10 x 5.5 x 4.25 in, 25.3 x 14.2 x 10.7 cm Provenance: a Montreal private collection

188
Mary Qayuaryuk (1908-1982)
CAPE DORSET Bird Spirit c. mid 1960s, stone, 8.25 x 6.5 x 5.75 in, 21.1 x 16.3 x 14.4 cm Provenance: an Ottawa private collection

189
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Loon mid-late 1980s, stone, signed in syllabics, 5.75 x 10.25 x 2.5 in, 14.2 x 26 x 6.5 cm Provenance: a Montreal private collection

190
Latcholassie Akesuk (1919-2000) m.
or TUDLIK (1890-1966) m., CAPE DORSET Standing Bird c. early-mid 1960s, stone, 5.25 x 2.5 x 2 in, 13.7 x 6.2 x 4.8 cm Provenance: a Montreal collection

191
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Four Ravens on a Platform 1991-92, ink and coloured pencil drawing, signed in syllabics, 20 x 26 in, 50.6 x 66 cm Provenance: Albrecht Collection; Feheley Fine Arts

192
Kananginak Pootoogook RCA (1935-2010) m.
CAPE DORSET Grazing Bull Caribou 1999, ink and coloured pencil drawing, signed in syllabics and dated, 20 x 26 in, 50.5 x 66 cm Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

193
Itee Pootoogook (1951-2014) m.
CAPE DORSET Landscape: Floe Edge, Early Morning 2007, graphite and coloured pencil drawing, signed and dated, 11.25 x 30.25 in, 28.2 x 76.4 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver

194
Ningiukulu Teevee (1963-) f.
CAPE DORSET Wanting to Be On the Land 2012, graphite, ink and coloured pencil drawing, signed in syllabics, museum-quality frame, 47.5 x 51 in, 120.6 x 129.5 cm Provenance: a Montreal private collection

195
Lukasi Ukusirala Anauta (1912-d) m.
PUVIRNITUQ Two Seal Hunters with Catch late 1950s, stone and sinew, signed in syllabics and with disc no., 7.75 x 9 x 5.25 in, 19.8 x 23.3 x 13.4 cm Provenance: Nickerson Collection

196
Pingu Alaku (1930-1975) m.
KANGIQSUJUAQ (WAKEHAM BAY) Wrestlers early 1960s, stone, signed "PINGOOK" and with syllabics and disc no., 5.5 x 7.5 x 5.5 in, 14 x 19 x 14.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

197
Levi Qumaluk (1919-1997)
PUVIRNITUQ Hunter with Pack early-mid 1970s, stone, signed "LEVI", 9.75 x 7.25 x 7.5 in, 24.8 x 18.3 x 19 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

198
Unidentified Artist
PUVIRNITUQ Boy with First Seal late 1950s, stone and hide, 6 x 6.25 x 5.25 in, 14.9 x 16.2 x 13.4 cm Provenance: Nickerson Collection

199
Abraham Pov (1927-1994)
INUKJUAK (PORT HARRISON) Hunter and Seal c. 1972-74, stone, signed in syllabics, 8 x 10.5 x 3.5 in, 20.3 x 26.6 x 8.8 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

200
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure 1974, stone, signed in syllabics, 5.75 x 7.5 x 5.75 in, 14.7 x 19 x 14.5 cm Provenance: an Ottawa private collection

201
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox Shaman 1980, stone, signed in syllabics and dated, 7 x 12.5 x 4.75 in, 17.8 x 31.6 x 12.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2013; Balshine Collection

202
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother Holding a Child c. 1985, stone, 9.5 x 6.5 x 3.75 in, 24.2 x 16.5 x 9.5 cm Provenance: a Toronto collection

203
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Spotted Loon 2006 #9, lithograph print, 25/50, 22 x 28 in, 56 x 71 cm Provenance: Albrecht Collection

204
Pauta Saila RCA (1916-2009) m.
PRINTMAKER: QIATSUQ NIVIAQSI (1941-) m. CAPE DORSET Startled Loons 2004 #30, stonecut and stencil print, 17/50, 20 x 24 in, 50.6 x 61 cm Provenance: Albrecht Collection

205
Tim Pitsiulak (1967-2016)
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Family of Eight 2008 #34, lithograph print, 18/50, 15 x 22.25 in, 38 x 56.1 cm Provenance: Albrecht Collection

206
Lucy Qinnuayuak (1915-1982)
PRINTMAKER: QABAROAK QATSIYA (1942-) m., CAPE DORSET The Family Speaks of the Owl 1976 #30, stonecut print, 45/50, framed, 20 x 26.5 in, 51 x 67.5 cm (sight) Provenance: a succession of Toronto corporate collections

207
Eliyakota Samualie (1939-1987) f.
PRINTMAKER: TIMOTHY OTTOCHIE (1904-1982), CAPE DORSET Kopigno 1974 #59, stonecut print, 42/50, framed, 19.25 x 28 in, 48.5 x 71 cm (sight) Provenance: a succession of Toronto corporate collections

208
Kingmeata Etidlooie (1915-1989) f.
PRINTMAKER: PEE MIKKIGAK (1940-1996) m. CAPE DORSET Talelayou and Spirit Fish 1981 #28, stonecut and stencil print, 4/50, framed, 24 x 34 in, 60.8 x 87 cm Provenance: a succession of Toronto corporate collections

209
Jamasie Teevee (1910-1985) m.
PRINTMAKER: AOUDLA PUDLAT (1951-2006) m., CAPE DORSET Family Hunting Caribou 1975 #55, lithograph print, framed, 20.25 x 27.75 in, 51.3 x 70.2 cm (sight) Provenance: a succession of Toronto corporate collections

210
Judas Ullulaq (1937-1999)
GJOA HAVEN Female Shaman Bitten by a Worm early-mid 1990s, stone, antler and muskox horn, signed in syllabics, 13.75 x 12.75 x 6.5 in, 35.2 x 32.3 x 16.5 cm Provenance: Pruzansky Collection; Inuit Gallery of Vancouver

211
Uriash Puqiqnak CM (1946-) m.
GJOA HAVEN Mother and Child (Starvation Scene) late 1980s, stone, antler, muskox horn and leather, signed in syllabics and "UP", 19 x 11.75 x 9.25 in, 47.8 x 29.5 x 23.6 cm Provenance: Albrecht Collection; Marion Scott Gallery

212
Samuel Nahaulaituq (1923-1999)
TALOYOAK (SPENCE BAY) Woman with Water Pail and Spirit Scoop 1996, stone, antler and cord, signed in syllabics, 16.25 x 9.75 x 5.25 in, 41.3 x 24.6 x 13.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

213
John Kavik (1897-1993)
RANKIN INLET Standing Man c. mid-late 1970s, stone, signed in syllabics, 5 x 2.25 x 1 in, 13 x 5.8 x 2.5 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994

214
Unidentified Artist
EASTERN CANADIAN ARCTIC Father and Child c. late 1950s, stone, 3 x 3 x 2 in, 7.5 x 7.7 x 5.4 cm Provenance: an Ottawa private collection

215
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Standing Man 1980s, whale bone, 5 x 2.5 x 1.5 in, 12.5 x 6.3 x 4 cm Provenance: Webster Collection; purchased from the artist

215
Rachel Ottuk Otukpalanak (1915-d)
ARVIAT (ESKIMO POINT) Mother and Child late 1960s, stone, signed in syllabics, 4.75 x 4.75 x 3.25 in, 12 x 12.4 x 9.4 cm Provenance: a Quebec private collection

216
Juaniapi Angutigulu Uqaitu (1937-) m.
PUVIRNITUQ Mythological Figure (Naked Man) early 1960s, stone, signed with disc no., 4.5 x 3.5 x 2.5 in, 11.3 x 8.8 x 6.5 cm Provenance: Nickerson Collection

217
Possibly Lizzie Makimak (1939-)
SALLUIT (SUGLUK) Woman Scraping a Skin 1977, stone, dated and signed with indistinct syllabics, 3.25 x 4.25 x 2 in, 8.3 x 10.8 x 5.2 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2005

218
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Woman with Two Birds early 1990s, stone, signed "MIRIAM QIYUK", 4.25 x 10.25 x 2.25 in, 10.7 x 26 x 5.7 cm Provenance: a Toronto collection

219
Mary Yuusipik Singaqti (1936-2017)
BAKER LAKE Man and Pack Dog 2001, stone, 16 x 7.75 x 5 in, 40.3 x 19.8 x 12.8 cm Provenance: Galerie Elca London

220
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox c. 1968-70, stone, signed in syllabics, 5.5 x 8.25 x 4.5 in, 14 x 22.5 x 11.3 cm Provenance: a Quebec private collection

221
Irene Avaalaaqiaq Tiktaalaaq RCA (1941-)
BAKER LAKE Transformation c. 1980, stone, signed in syllabics, 6.5 x 6.5 x 2 in, 16.4 x 16.6 x 4.8 cm Provenance: Wagonfeld Collection; Waddington's April 2009

221
Basil Tatanniq Aptanik (1952-)
BAKER LAKE Mother and Child c. 1980, stone, signed in syllabics, 6.75 x 3.5 x 4.5 in, 14.6 x 9 x 10.8 cm Provenance: Pruzansky Collection; Spirit Wrestler Gallery

222
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother Softening a Skin 1988, stone, signed in syllabics, 11.25 x 9.25 x 4.5 in, 28.4 x 23.5 x 11.3 cm Provenance: Wagonfeld Collection; Waddington's June 1993

223
Simon Kasudluak (1925-d)
INUKJUAK (PORT HARRISON) Man Constructing a Kayak c. late 1960s, stone, signed in syllabics and with disc no., 8.75 x 17.5 x 6.25, 22.3 x 44.3 x 15.8 cm Provenance: Albrecht Collection; Alaska on Madison

224
Possibly Eli Elijassiapik (1936-)
INUKJUAK (PORT HARRISON) Two Hunters Cutting a Skin early 1960s, stone and ivory, 6.25 x 13.5 x 6 in, 15.9 x 34.5 x 15.3 cm Provenance: Pruzansky Collection; Waddington's May 2008

225
Pauloosie Kanaju (1937-)
PUVIRNITUQ Man and Seal 1973, stone, signed "KANAYOOK" and dated, 9 x 9.75 x 9.75 in, 22.8 x 25.3 x 25.7 cm Provenance: a succession of Toronto corporate collections; Waddington's March 1980

226
Jimmy Inarulik Arnamissak (1946-2003)
INUKJUAK (PORT HARRISON) Nursing Mother Cutting Up a Seal 1975, stone, signed "Jimmy Smith" and dated, 12 x 11.75 x 6.25 in, 30.5 x 29.6 x 16 cm Provenance: a succession of Toronto corporate collections

227
Unidentified Artist
PANGNIRTUNG Harpoon Hunter early 1970s, whale bone, 22.25 x 17.5 x 11.5 in, 56.6 x 44.7 x 29.3 cm Provenance: a succession of Toronto corporate collections

228
Possibly Sakkiassee Anaija (1913-1980) m.
TALOYOAK (SPENCE BAY) Shaman and Bird Helping Spirit c. 1968-70, whale bone, 5.75 x 6 x 4.75 in, 14.4 x 15.3 x 12 cm Provenance: a Toronto area private collection

229
Unidentified Artist
POSSIBLY PANGNIRTUNG Mother and Child early 1970s, whale bone, 21.25 x 8.5 x 7.25 in, 53.8 x 21.5 x 18.5 cm Provenance: a succession of Toronto corporate collections

230
Peter Ahlooloo (1908-d)
ARCTIC BAY Crouching Polar Bear mid 1950s, whale bone, signed with disc no., 2.5 x 7.5 x 2.75 in, 6.4 x 16.7 x 7 cm Provenance: a Quebec private collection

231
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear c. 1970, whale bone, 8.5 x 5.5 x 4 in, 21.4 x 14 x 10.1 cm Provenance: an Ottawa private collection

232
Pootoogook Qiatsuk (1959-) m.
CAPE DORSET Composition: Hunter, Bear and Caribou c. mid-late 1980s, stone and antler, signed in syllabics, 18 x 15.25 x 8 in, 45.7 x 38.7 x 20 cm Provenance: Pruzansky Collection; Waddington's Nov. 2000

233
Ashevak Tunnillie (1956-) m.
CAPE DORSET Bear-Spirit Woman with Water Pail 1995, stone, signed in syllabics and dated, 13.75 x 9.75 x 8.75 in, 34.8 x 24.5 x 22.3 cm Provenance: Pruzansky Collection; Art Space Gallery

234
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Drum Dancer c. 1995-97, stone and antler, 16.25 x 24.75 x 9.75 in, 41.2 x 41.2 x 63.1 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

235
Shorty Killiktee (1949-1993) m.
KIMMIRUT (LAKE HARBOUR)/CAPE DORSET Hawk 1992, stone, signed in syllabics and dated, 15.5 x 9.5 x 5.75 in, 39.5 x 24 x 14.5 cm Provenance: Pruzansky Collection

236
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Seal c. 1970, stone, signed "HENRY EVALUARDJUK", 2 x 6.25 x 2 in, 4.8 x 15.8 x 5 cm Provenance: Pruzansky Collection; Galerie Elca London

237
Samwillie Amidlak (1902-1984) m.
INUKJUAK (PORT HARRISON) Bird mid-late 1950s, stone, signed "SAMWILLIE" and with disc no., 4 x 4.25 x 3 in, 10 x 10.8 x 7.6 cm Provenance: a Quebec private collection

238
Lucassie Oqaituq (1921-d) m.
SANIKILUAQ Resting Dog c. 1965, stone, signed in syllabics and with disc no., 3.25 x 6.75 x 4 in, 8.5 x 17 x 9.6 cm Provenance: a Quebec private collection

239
Peter Pitseolak (1902-1973)
CAPE DORSET Polar Bear late 1960s, stone, signed in syllabics, 2.75 x 4.5 x 1.25 in, 7 x 11.4 x 3.4 cm Provenance: Pruzansky Collection; Waddington's May 2006

240
Joanassie Qayuaryuk (1928-d) m.
CAPE DORSET Fox c. 1960, stone, signed in syllabics and with disc no., 1.75 x 3.5 x 2 in, 4.6 x 9 x 5.3 cm Provenance: a Quebec private collection

241
Geeshee Akulukjuk (1945-) m.
PANGNIRTUNG Loon early 1960s, stone, signed in syllabics and with disc no., 3.5 x 5 x 1.5 in, 8.9 x 12.8 x 3.8 cm Provenance: a Quebec private collection

242
John Kavik (1897-1993)
RANKIN INLET Pot with Human and Animal Figures late 1960s, glazed ceramic, 6.5 x 4 x 5.25 in, 16.3 x 10.4 x 13.5 cm Provenance: an American private collection; The Shop, Minneapolis

243
Yvo Samgushak (1942-) m.
RANKIN INLET Dog-Woman late 1960s, glazed ceramic, signed in syllabics and with disc no., 5.25 x 3.25 x 3.75 in, 13.3 x 8.2 x 9.5 cm Provenance: Estate of Peter Murdoch, Montreal

244
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Three Faces stone, c. early-mid 1970s, signed in syllabics and with disc no., 7.25 x 5.5 x 10 in, 18.4 x 13.6 x 25.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery

245
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Shaman Initiate and Worm 1970, antler and colour, signed in syllabics, 5 x 6 x 1 in, 13.1 x 15.1 x 2.5 cm Provenance: Balshine Collection

246
Olive Mamak Innakatsik (1915-1994)
BAKER LAKE Ajagaq Game with Faces early 1970s, antler and sinew, main section: .75 x 3.5 x 1 in, 2.1 x 8.8 x 2.5 cm Provenance: a prominent Toronto private collection

247
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family mid 1970s, stone, 2.5 x 3.75 x .75 in, 6.4 x 9.5 x 2.2 cm Provenance: an American private collection; The Shop, Minneapolis

248
Marc Alikaswa (1928-2007)
ARVIAT (ESKIMO POINT) Girl with Outstretched Arms early 1980s, stone, 7 x 7 x 3.75 in, 17.2 x 18 x 9 cm Provenance: Webster Collection; purchased from the artist

249
George Arluk (1949-)
ARVIAT/RANKIN INLET/BAKER LAKE Figure early 1970s, stone, signed in syllabics, 8.75 x 4 x 3 in, 22.2 x 10.4 x 7.8 cm Provenance: a Swiss private collection

250
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Untitled (Faces) 2005, coloured pencil drawing, framed, 9 x 12 in, 22.5 x 30.3 cm Provenance: Albrecht Collection

251
Lukasi Uitanga (1917-)
PUVIRNITUQ Untitled (Man and Woman) 1961, experimental stonecut print, 45/50, framed, artist listed as "L. Weetunga," 7.75 x 10.75 in, 19.6 x 27 cm (sight) Provenance: a succession of Toronto corporate collections

252
Jacques-Nicolas Bellin (1703-1772)
PARIS Carte de la Baye de Hudson, Pour servir à l'Histoire Générale des Voyages c. 1757, copper plate map, matted, 9 x 12.25 in, 23 x 31 cm (sight) Provenance: Wagonfeld Collection; Old Map Gallery

253
John Arrowsmith (1790-1873)
LONDON Map of a Portion of the Arctic Shores of America to Accompany Captn. McClintock's Narrative 1859, 21.25 x 14.75 in, 53.8 x 37.3 cm Provenance: Wagonfeld Collection; Old Map Gallery

254
Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m.
CAPE DORSET Sea Goddess c. early 1970s, stone, 12.5 x 12.75 x 3.5 in, 31.8 x 32.4 x 8.8 cm Provenance: Pruzansky Collection; Arctic Artistry

255
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Standing Woman c. 1963-65, stone, 15.5 x 5.75 x 4.5 in, 39.4 x 14.6 x 11.5 cm Provenance: Pruzansky Collection; Waddington's May 2013; Isaacs Gallery (1960s)

256
Qaqaq (Kaka) Ashoona RCA (1928-1996) m.
CAPE DORSET Woman with Bird Helping Spirit c. 1991-92, stone, signed "KAKA A" and in syllabics, 14.25 x 10.75 x 6 in, 36.4 x 27.3 x 15 cm Provenance: an Iqaluit private collection

257
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Bear and Transforming Bear-Shaman 1974, stone, signed in syllabics and dated, 13 x 13.5 x 8 in, 33 x 34.3 x 20.4 cm Provenance: Albrecht Collection; a Montreal collection EXHIBITED AT MIA

258
Annie Michael (1935-1999)
KIMMIRUT (LAKE HARBOUR) Mother and Child 1978, stone and ivory, signed in syllabics and dated, 12 x 9 x 10.5 in, 30.4 x 22.7 x 26.5 cm Provenance: Albrecht Collection; an Ontario private collection

259
Bessie Kakagon (1914-1958)
KUGLUKTUK (COPPERMINE) Man c. 1955-57, stone, 3.75 x 3 x 2 in, 9.4 x 7.5 x 5 cm Provenance: Pruzansky Collection

260
Peggy Ekagina (1919-1993)
KUGLUKTUK (COPPERMINE) Sea Goddess c. 1970, stone, signed "PEGGY EKA", 1 x 4.5 x 1 in, 2.5 x 11.5 x 2.4 cm Provenance: Albrecht Collection; Waddington's Nov. 2006

261
Mary Evehoak Akana (1936-)
KUGLUKTUK (COPPERMINE) Hunter, Dog and Seal 1960s, stone, metal, sinew and pigment, signed "MARY EVEHOAK", 3.75 x 4 x 3.5 in, 9.4 x 10.2 x 8.5 cm Provenance: Pruzansky Collection

262
Unidentified Artist
KUGLUKTUK (COPPERMINE) OR ULUKHAKTOK (HOLMAN) Woman Preparing Fish c. 1960, stone and metal, 4.25 x 6.25 x 4.5 in, 10.7 x 16 x 11.5 cm Provenance: an Ottawa private collection

263
Unidentified Artist
POSSIBLY KUGLUKTUK (COPPERMINE) Camp Scene c. 1955, stone, ivory and sinew, 4.5 x 11.5 x 5 in, 11.4 x 29.2 x 13 cm Provenance: a Toronto private collection

264
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Bear Shaman 1995, stone and inlay, signed "ANGHIK" and dated, 13 x 12.75 x 9.75 in 33.3 x 32.4 x 25 cm Provenance: Pruzansky Collection

265
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Family 2002, stone, signed "ANGHIK" and dated, 11.75 x 7.75 3.5 in, 29.7 x 19.8 x 8.7 cm Provenance: a Montreal private collection

266
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pollution 2009, stone, signed "Bill NASOGALUAK" and dated, 9.75 x 13 x 7.25 in, 24.7 x 33 x 18.5 cm Provenance: a Toronto collection

267
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Mask 2000, stone, signed "DAVID RUBEN PIQTOUKUN" and dated, 5.5 x 2 x 4.5 in, 14.5 x 5.4 x 12 cm Provenance: Pruzansky Collection

268
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl early 1970s, stone, 11 x 8 x 6 in, 27.6 x 20 x 15 cm Provenance: a Toronto collection

269
Aoudla Pee (1920-1988) m.
CAPE DORSET Walrus Giving Birth c. 1960-62, stone, 5.5 x 11.5 x 6.5 in, 14 x 29.3 x 16.4 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; Macmillan-Bloedel Collection; Paul Duval

270
Kalai Adla (1927-d.) m.
CAPE DORSET Seal c. 1960-62, stone, signed in syllabics, 4 x 11.75 x 3.75 in, 10.3 x 27.5 x 9.4 cm Provenance: an Ottawa private collection

271
Simeonee Qayaq (1920-1971) m.
CLYDE RIVER Musing Walrus late 1960s, stone, 8.25 x 5.5 x 3.5 in, 21 x 13.7 x 8.9 cm Provenance: Webster Collection; purchased from the artist

272
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Rearing Caribou c. 1980, stone and antler, signed in syllabics and with disc no., 9.5 x 3.75 x 4 in, 24.1 x 9.8 x 10 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

273
Jacob Kadluk (1952-)
IGLOOLIK Polar Bear 2007, stone and inlay, signed "J. KADLUK" and dated, 7.75 x 14.5 x 6 in, 19.8 x 36.7 x 15.5 cm Provenance: Albrecht Collection

274
Tommy Tukpanie Sr. (1936-2013)
IQALUIT Polar Bear 1980s, stone, signed "TOMMY" and in syllabics, 4.75 x 7.75 x 3.75 in, 11.8 x 19.7 x 9.5 cm Provenance: a Quebec private collection

275
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Dancing Bear 1980s, stone, signed in syllabics, 10 x 5.75 x 3.5 in, 25.8 x 12.4 x 9.1 cm Provenance: Webster Collection; purchased from the artist

276
Johnnyboo Ulluakulluk (1923-d) m.
IQALUIT (FROBISHER BAY) Bust of a Bear c. 1980, stone, signed in syllabics, 7.25 x 6.75 x 7.75 in, 18.4 x 17.3 x 19.5 cm Provenance: Webster Collection; purchased from the artist

277
Attributed to Mannumi Shaqu (1917-2000) m.
CAPE DORSET Bear early 1970s, stone, 6 x 12.25 x 4 in, 15.3 x 31.2 x 10.3 cm Provenance: a Montreal private collection

278
Towatuga Sagouk (1934-1996) m.
IQALUIT (FROBISHER BAY) Standing Woman 1970s, stone, 13.25 x 7.5 x 3.5 in, 33.3 x 16.5 x 8.6 cm Provenance: Webster Collection; purchased from the artist

279
Thomassie Ohadlak (1939-d) m.
CLYDE RIVER Standing Woman 1960s, stone, signed in syllabics and with disc no., 8.75 x 3.75 x 2.5 in, 19.8 x 9.3 x 6.5 cm Provenance: Webster Collection; purchased from the artist

280
Manno (1923-1973) m.
CAPE DORSET/IQALUIT (FROBISHER BAY) Family mid 1960s, stone, signed "MANNO" and with disc number, 6.5 x 6.25 x 3.75 in, 16.5 x 15.6 x 9.5 cm Provenance: a Montreal private collection

281
Omalluq Oshutsiaq (1948-2014)
CAPE DORSET Birthing Scene 1987, stone, signed in syllabics, 3 x 6.75 x 6.5 in, 7.8 x 17.2 x 16.5 cm Provenance: a Toronto area private collection

282
Unidentified Artist
KIMMIRUT (LAKE HARBOUR) Standing Couple early 1960s, stone and pigment, 7 x 5.75 x 3 in, 18.1 x 14.6 x 7.5 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

283
Unidentified Artist
POSSIBLY SALLUIT (SUGLUK) OR KANGIQSUJUAQ (WAKEHAM BAY) Bear and Seal late 1950s, stone, 3 x 8.25 x 3.5 in, 7.2 x 21 x 8.6 cm Provenance: an Ottawa private collection

284
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Mother and Child early 1980s, stone, 4.5 x 2.5 x 2.25 in, 11.4 x 6.4 x 5.5 cm Provenance: an Ottawa private collection

285
Jeannie Shauk (1920-d)
KUUJJUARAAPIK (GREAT WHALE RIVER) Composition: Two People and Two Seals 1970s, stone, 6.25 x 4.5 x 4 in, 15.9 x 11.4 x 10.1 cm, signed in syllabics Provenance: a Montreal private collection

286
Unidentified Artist
PROBABLY SALLUIT (SUGLUK) Standing Man early-mid 1950s, stone and graphite, 4.5 x 2.75 x 1.5 in, 11.5 x 7.3 x 3.6 cm Provenance: Pruzansky Collection; Walker's Nov. 2000

287
Joy Kiluvigyuak Hallauk (1940-2000)
ARVIAT (ESKIMO POINT) Muskox c. 1968-72, stone, signed in syllabics, 4 x 5.75 x 2 in, 10.2 x 14.5 x 4.8 cm Provenance: an Ottawa private collection

289
Malaya Korgak (1923-d) f.
IQALUIT (FROBISHER BAY) Kneeling Mother and Children 1960s, stone, signed "MALAEYA" and with disc no., 3.5 x 6.5 x 1 in, 9 x 16.5 x 2.7 cm Provenance: Webster Collection; purchased from the artist

290
Annie Niviaxie (1930-1989)
KUUJJUARAAPIK (GREAT WHALE RIVER) Mother and Child late 1970s, stone and ivory, signed in syllabics, 6.25 x 3 x 3 in, 15.7 x 7.5 x 7.7 cm Provenance: an Ottawa private collection

291
Natar Ungalaaq (1959-) m.
IGLOOLIK Muskox 1983, stone and hide, signed "NATAR U" and dated, 2.25 x 3.5 x 1.75 in, 5.8 x 9.1 x 4.5 cm Provenance: Balshine Collection

292
Maria Tuitark
EASTERN CANADIAN ARCTIC (POSSIBLY IQALUIT) Legend of Lumaaq c. 1980s, antler, 2.25 x 3 x 1 in, 5.7 x 7.6 x 2.5 cm Provenance: a Toronto private collection

293
Pudloo Josephie (1931-) m.
IQALUIT (FROBISHER BAY) Pendant (Mother and Child) early 1980s, ivory and stone, signed in syllabics, 1.25 x 2.25 x .5 in, 3 x 5.3 x 1.5 cm Provenance: Webster Collection; purchased from the artist

294
Maudie Rachel Okittuq (1944-)
TALOYOAK (SPENCE BAY) Totem: Owl and Seal c. 1990, ivory and stone, signed in syllabics, 4.25 x 2 x 2.25 in, 10.7 x 5 x 5.7 cm Provenance: a Toronto private collection

295
Pauloosie Tukpanie (1960-2017) m.
IQALUIT (FROBISHER BAY) Polar Bear c. 1980, stone, signed "PAUL" and in syllabics, 1.5 x 1.75 x 1.5 in, 3.7 x 4.5 x 3.7 cm Provenance: Webster Collection; purchased from the artist

296
Unidentified Artist
POSSIBLY PANGNIRTUNG Shaman 1980s, whale bone, 5.25 x 10.5 x 6 in, 13.3 x 26.7 x 15.2 cm Provenance: a Toronto collection

297
Unidentified Artist
GREENLAND Mask c. 1970, wood and teeth, inscribed: "Umelik", 10 x 5.75 x 2.25 in, 25.3 x 14.7 x 5.7 in Provenance: Balshine Collection

298
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Woman Carrying a Child c. 1948, ivory, 4.75 x 2.75 x 1.5 in, 12.2 x 5.5 x 4 cm Provenance: Balshine Collection

299
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Shaman Wearing a Bearskin c. 1948, ivory, 3.5 x 1.5 x 2.5 in, 9.1 x 3.8 x 6.6 cm Provenance: Balshine Collection

300
Aron Kleist (1923-1989)
QAQORTOQ (JULIANEHAB), GREENLAND Bird Angakok ivory, signed AK", 4.5 x 3.75 x 2.25 in, 11.4 x 7 x 5.6 cm Provenance: a Montreal private collection

301
Cecilie Kleist (1948-1987)
QAQORTOQ (JULIANEHAB), GREENLAND Tornak Drum Dancer 1973, ivory, signed "C.K.", 4.25 x 3 x 2 in, 10.8 x 7.9 x 4.9 cm Provenance: Balshine Collection

302
Ole Kreutzmann (1898-1983) m.
KANGAAMIUT, GREENLAND Standing Figure with Half-Beard c. 1949, ivory, signed "OK", 4.5 x 1.5 x 1.5 in, 11.7 x 3.7 x 3.6 cm Provenance: Balshine Collection

303
Unidentified Artist
Provenance: Balshine Collection

304
Unidentified Artist
TASIILAQ (AMMASSALIK), GREENLAND Seated Skeletal Figure c. 1960, ivory, 4.5 x 1 x 1.25 in, 11.4 x 2.5 x 3 cm Provenance: Balshine Collection

305
Johan Elio
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4 x 1 x 1.5 in, 10.3 x 2.3 x 3.5 cm Provenance: Balshine Collection

306
Hans Kuitse
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4.25 x 1 x 1 in, 10.9 x 2.5 x 2.7 cm Provenance: Balshine Collection

307
Unidentified Artist
GREENLAND Bear-Man Transformation c. 1972, stone, 3 x 8.5 x 2.5 in, 7.5 x 22.1 x 6.5 cm Provenance: Balshine Collection

308
Unidentified Artist
GREENLAND Two-Headed Mythical Creature c. 1972, stone, 2.75 x 8.75 x 1.5 in, 7.2 x 22.4 x 3.7 cm Provenance: Balshine Collection

309
Unidentified Artist
GREENLAND Standing Male Figure c. 1950, stone, 5.5 x 2 x 2 in, 14.3 x 5 x 5.4 cm Provenance: Balshine Collection

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Inuit & First Nations Art Auction of May 16, 2018

Walker's Fine Art & Estate Auctioneers

Walker's Fine Art & Estate Auctioneers


Contact:
Phone:
Sale Location
Ottawa, ON K1V 1B8
Full Address Available after 9 am
on Tuesday, May 15
Sale Dates and Times
Wednesday May 16, 2018 Completed
Sale Terms and Conditions
The following are Walker's standard Terms & Sales conditions which apply to all buyers and agents intending to purchase at any sales. TERMS AND CONDITIONS 1. DEFINITIONS: The term "Auctioneer", wherever used in this catalogue, means Walker's Fine Art & Estate Auctioneers Inc. 2. PROPERTY INSPECTION: Prospective bidders should inspect the property before bidding to determine its size, condition and whether or not it has been repaired, restored or altered. We strongly recommend that all lots be viewed personally. Imperfections are not necessarily stated in any version of the auction catalogue, however, specific condition reports are provided upon request. (All statements are solely the opinion of the Auctioneer who is neither a professional restorer nor conservator). 3. ACCURACY OF INFORMATION: The Auctioneer has made a reasonable attempt to ensure accuracy in the description of every lot to be sold. However, guarantee is not made as to the correctness of the catalogue entries and no sale shall be set aside on account of any imperfections not noted. Each lot is sold on an "AS IS," "WHERE IS" basis. 4. BID INCREMENTS: Prospective buyers are required to know and understand the bid increment schedule below, before bidding on any lot. The auctioneer may vary the increments at his/her direction. BID RANGE -- > BID INCREMENT $0 - $100 -- > $10 $100 - $500 -- > $25 $500 - $1,000 -- > $50 $1,000 - $2,000 -- > $100 $2,000 - $5,000 -- > $250 $5,000 - $10,000 -- > $500 $10,000 - $20,000 -- > $1,000 $20,000 - $50,000 -- > $2,500 $50,000 - $100,000 -- > $5,000 $100,000 - $200,000 -- > $10,000 $200,000 and above -- > $20,000 5. AUCTIONEER'S RIGHTS: a) All bids are per lot as listed in the catalogue. However, the Auctioneer reserves the right to divide or join lots, without prior warning, as they may see fit upon announcement of same. b) The Auctioneer reserves the right to withdraw or add to the items as listed in prepared catalogues without notice. c) The Auctioneer has the right to advance the bidding at their absolute discretion. The highest bidder is to be deemed the Buyer. If a dispute arises, the Auctioneer may, at their discretion, resell the lot or announce a decision immediately. d) The Auctioneer may refuse to accept a bid from any individual or party at their absolute discretion. e) The Auctioneer has the right to restrict attendance or participation in the auction rooms or during preview or to any party without explanation. f) The Auctioneer shall have the right to bid or commission their staff to bid on behalf of any consignor up to the reserve price if applicable, but not above. 6. TITLE: Title to the offered lot immediately passes to the highest bidder upon full payment by the Buyer to the Auctioneer; however, the Buyer assumes full risk and responsibility from the fall of the auction hammer. 7. FAULTS AND DEFECTS: All lots are sold by the Auctioneer with all faults and defects, with all errors of description and are to be paid for whether genuine and authentic or not. No compensation shall be paid for same. Frames on artwork are not included as part of purchase or condition. The auctioneer does not warrant the condition or availability of frames or any associated glass. 8. DETERMINATION OF FORGERY: Notwithstanding the previous conditions of sale, if within (14) fourteen days after the auction the Buyer gives notice in writing to the Auctioneer that the lot sold is a deliberate forgery and within (7) seven days of such notification the Buyer returns the same to the Auctioneer in the same condition as at the time of sale and satisfies the Auctioneer that the claim is justified, pursuant to any special requests the Auctioneer may make, then the sale of the lot will be rescinded and the purchase price, Buyer's premium & sales tax on the purchase price of the same will be refunded. All action and decisions made by the Auctioneer are final and will not be influenced by the opinion of either the seller or Buyer. (All packing, handling, customs fees, taxes, insurance, valuations, opinions, lodging or travel directly or indirectly related to any returned & refunded lots will be the sole responsibility of the Buyer and no compensation will be paid for same). Any judicial proceedings deemed necessary to resolve a dispute or claim will be settled in the Province of Ontario, jurisdiction of Ottawa. 9. BUYER'S PREMIUM: Each lot is sold subject to a Buyer's premium payable by all Buyers in addition to the purchase price. This premium is expressed as a percentage of the purchase(hammer) price and varies according to type of auction and whether bidding is live, absentee, telephone or by internet. Refer to either our website or the absentee bid form for the specific auction to determine the actual amount of the Buyer's premium. This premium is also announced by the Auctioneer at the start of each auction. 10. SALES TAXES: The Buyer must pay Ontario Harmonized Sales Tax (HST - 13%) on the total purchase price (aggregate of hammer price & Buyer's premium) if the Buyer takes possession of their purchase at the time of the auction, or if they are resident in Ontario and have their purchase shipped to a location in Ontario, or if they pick up their purchase at the Auctioneer's offices in Ottawa after the sale. If the Buyer is from another province in Canada and have their purchase shipped to them by registered carrier, then the appropriate HST/GST (Goods and Services Tax) applicable to their province will be charged. Buyers not resident in Canada are exempt from paying HST or GST on the purchase price of property IF the lot(s) is shipped by registered carrier directly from the Auctioneer to the Buyer's address outside of Canada. 11. PAYMENT OPTIONS: Payment is to be made by cash, pre-approved cheque, Visa, MasterCard, Interac/Debit Card or wire transfer, and within 72 hours (3 business days) after the auction ends. For each wire transfer, there is an additional charge of $25 to cover bank administration charges. Property is released only after all funds have cleared our bank. Local purchases must be removed immediately after the sale provided payment has been received by the Auctioneer. Items sold to foreign and non-local Buyers will be transported to our offices where they must be removed within three (3) working days. Buyers not known to the Auctioneer are required to provide financial and banking details at least three (3) days prior to the auction. The Auctioneer will send an invoice by email or fax after the auction but your credit card may be used immediately to settle your purchase account. A maximum of $20,000 per client per auction may be paid using a credit card if presenting the card in person with photo identification; $5,000 is the maximum for 'not in person' credit card payments within North America. 12. FINANCE CHARGE: If the Buyer's account is not settled in full with regard to fore-mentioned conditions, then a finance charge of 5% per month above the Bank of Canada base rate will be applied to the purchase price until settled in addition to a 2% monthly charge for storage and insurance. If in the opinion of the Auctioneer the lot or lots must be resold then any deficiencies or handling charges against same will be charged to the original Buyer. 13. CULTURAL PROPERTY: In order to export certain property from Canada, a Cultural Property Export Permit may be required. Various objects and values are affected and it is incumbent on a prospective Buyer to fully understand any restrictions prior to sale. It is the Buyer's responsibility to obtain the required permit(s). No sale shall be rescinded if a Cultural Property Export Permit cannot be obtained. Without limitation, and further to the terms of paragraph 12 above, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). Based on certain criteria including, but not limited to, value and the length of time in which an object has been in Canada, a Cultural Property Export permit may be required in order to temporarily or permanently export an object from Canada. The buyer must pay for all purchases whether an export permit is issued or declined. 14. RESTRICTED MATERIALS: Under the Convention on International Trade in Endangered Species of Wild Fauna and Flora Agreement (CITES), items offered for sale which contain restricted materials such as ivory, tortoiseshell, whalebone, sealskin, rhinoceros horn or other animal parts are not allowed by law to leave Canada or to be imported to most countries. It is the Buyer's responsibility to verify whether this restriction applies to their purchases prior to bidding. No sale shall be rescinded if the Buyer is remiss in this regard. You must ensure that you have reviewed your country's laws before you purchase or ship any works made from, or containing parts made from these restricted materials. It is your responsibility to obtain any necessary permits. No sale shall be rescinded if a permit (CITES or otherwise) cannot be obtained. We encourage you to visit the CITES website www.cites.org. If you wish us to apply for a CITES permit on your behalf after the auction, there is a $50 charge for each application. Submitting an application does not guarantee the issuance of a CITES permit. 15. DIGITAL IMAGES: Colour balance may vary with the digital photos posted to any of our online auction catalogues. We strongly recommend inspecting the object in person as you will notice a variance. 16. ESTIMATES: Pre-sale auction estimates are educated approximations based upon the sale of similar items. These are not necessarily selling prices, as the final bid may be above or below any estimate. 17. LIABILITY: Persons attending a preview, the auction or collecting goods, assume all risks of damage of or loss to person and property and specifically release the Auctioneer from liability. Neither the Auctioneer nor his principle shall be liable by reason of any defect in or condition of the premises on which the sale is held. 18. REGISTRATION: All bidders are required to provide full name, address, phone number(s) and postal code in addition to government issued photo identification. The registrant is fully and solely responsible for all bids placed using their bidding number. Registered Buyers are not permitted to bid for third parties or to transfer purchased lots from one account to another. The Auctioneer reserves the right to determine credit worthiness prior to registering a Buyer and may require banking or credit information and/or credit card information when doing so. 19. REMOVAL OF GOODS: Once the Buyer's account is settled, the Buyer then has the responsibility for the removal of their purchases. This transaction is separate from the purchase transaction. The Auctioneer may provide assistance to the buyer with packing or removing goods from the auction floor once sold but we are not responsible for any damage which may occur during that time. Clients are further advised that removal of large furniture, rugs, sets of china and crystal, large paintings, etc. may only be removed at the end of the sale session. It is the responsibility of the buyer to bring sufficient wrapping material and boxes, etc. In the event of fire or theft of goods the Auctioneer's liability will be to the amount of the hammer price only. All purchases must be removed from the Auctioneer's premises within ten (10) days of the date of the sale. After this time, storage charges in the amount of $5 per lot per day will accrue and other charges may be incurred. We are not responsible for the security of goods left after the removal deadline. 20. PACKING and SHIPPING OF GOODS: The Auctioneer offers a packing and shipping service as a beneficial service to its Buyers. This is an optional service and Buyers should feel free to have others handle their packing and shipping needs provided the purchased item(s) are picked up within tem (10) working days of the date of sale. Our packing and shipping service is provided on a 'Best Efforts' basis and turnaround times will vary depending on the volume of lots sold during the various times of the year. There will be fees for this service and the Auctioneer or handler will proceed only at the Buyer's risk and expense. Please inquire directly with the Auctioneer for a packing/shipping/insurance estimate prior to sale. All estimates are provided on a best-efforts basis and the actual packing and shipping charge may be greater or less than the estimate. There is a minimum charge of $30 plus applicable sales taxes per shipment. Customs duty, sales taxes and brokerage fees as assessed by Government or third party firms are separate from any shipping quote the Auctioneer may provide and are the sole responsibility of the Buyer. For international shipments leaving Canada, WALKERS will only state the actual value of an item on Customs documentation. It is illegal in Canada to declare a false value for an item knowing the item has a higher value (as shown by recent sale). Lots damaged in transit as a result of Customs or Government inspection or improper repacking are not covered by any insurance offered by the Auctioneer or shipper regardless if insurance has been paid for or not. All shipping inquires should be directed to: shipping@walkersauctions.com. 21. ABANDONMENT: It is a Buyer's responsibility to either pick up their item(s) within ten (10) days of the date of sale, or to arrange shipping of their item(s) with our shipping department or using a shipper of the Buyer's choice. In the event purchased item(s) are still in our warehouse and in our possession six (6) months after the auction end date, regardless of payment being received or not, the item(s) will be considered to be 'abandoned' and 'surrendered' to the Auctioneer. The Auctioneer shall have the right to sell or donate the item(s) as he sees fit with any proceeds from sale going to the account of the Auctioneer. 22. CONSIGNOR COVENANT: On no account is a consignor of goods to Auctioneer, allowed to bid on his or her own merchandise. 23. CONDITION STATEMENTS: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition reports/statements are provided by request as a courtesy to Walker's clients and should be considered as an opinion only. Walker's are not professional conservators and no warranty is expressed through issuing condition statements. Prospective bidders are encouraged to inspect objects personally or have their conservator inspect objects on their behalf. All lots are offered for sale subject to Walker's conditions of business. 24. JURISDICTION: Ontario law applies and jurisdiction and venue over all disputes involving these Terms and Conditions shall be adjudicated at Ottawa, Ontario, Canada. 25. ACKNOWLEDGEMENT: All bidders and others attending this sale agree that they have read and have full knowledge and understanding of these Terms and Conditions of Business, and agree to be bound by same. --- Revised: November 17, 2017 ---
Listing Details
Walker's is pleased and proud to present our fourteenth collection of Inuit and First Nations art, Wednesday, May 16, 2018 in Ottawa. It's another terrific selection of works gathered from North American and European collections. We are happy to offer more masterpieces from several important American collections including the Albrecht Collection in Scottsdale, the Sam Wagonfeld Collection in Denver and the Joshua Pruzansky Collection in New York, as well as collections from Chicago, Minneapolis and other cities. We are also pleased to offer important works from Canadian collections including the estate of Peter Murdoch. In 1947, at the tender age of eighteen, Murdoch began a ten-year career as a Hudson's Bay Company trading clerk and manager in several Arctic communities, managed the Patient Rehabilitation Centre in Frobisher Bay in the early 1960s (where many Inuit began carving), and devoted the rest of his life to building and nurturing FCNQ, the co-operative federation in Nunavik (Arctic Quebec). Peter Murdoch was inducted into the Order of Canada in 2015. Another collection of note is from the estate of the renowned pharmacologist Mark Nickerson, who came to Canada as a political refugee from the U.S. in the 1950s. He created one of the North America's foremost departments of Pharmacology at the University of Manitoba, befriended George Swinton, and became an enthusiastic Inuit art collector. We are truly grateful to all of our Canadian and international consignors. The Inuit auction highlights are almost too numerous to mention. They include a rare and lively Boat with Hunters and Dogs by Joe Talirunili; the gorgeous and important large Untitled hanging by Jessie Oonark; a brilliant Figure by Karoo Ashevak; a fabulous Owl-Bear by Latcholassie; the stunning Owl and Walking Caribou by Osuitok Ipeelee; a powerful Salluit Mother Nursing a Child by Mary Irqiquq Sorusiluk; the imposing Janus-Faced Head by John Tiktak; a compelling Dancing Bear by Pauta Saila; two important early sculptures by Henry Evaluardjuk; an outstanding Mother and Two Children by Johnny Inukpuk; an important early Mother and Child by Judas Ullulaq; a riveting Mother and Child by an anonymous Inukjuak master; the wonderful Umiaq Adventure by Davidialuk; important sculptures by Luke Iksiktaaryuk, John Tiktak, John Kavik, John Pangnark, Lucy Tasseor and Jackoposie Oopakak; superb early Cape Dorset graphics by Kenojuak, Sheouak, Pudlo and Qabaroak; lovely Baker Lake drawings by Luke Anguhadluq, Oonark and others; beautiful textile hangings and a beaded amautiq; and terrific contemporary drawings and sculptures. First Nations highlights include a varied and important selection of paintings by Norval Morrisseau, including Onaman Beaver Blood Legend and Legendary Animals (both c. 1965) and Looking Above Oneself c. 1980; a rare, early and stunning Haida figural argillite composition c. 1830-1850; an important Haida model canoe with figures from the 1890s; a moving religious-themed Tlingit pole from the 1870s; and other lovely historical and contemporary sculptures and paintings. We offer our sincere thanks to the many collectors who support our efforts to bring Canadian Inuit and First Nations art to the world. We hope that you will enjoy viewing and reading this latest catalogue. Your questions, comments and suggestions are always welcome. Please feel to contact me anytime. Ingo Hessel Head, Inuit & First Nations Art ingo@walkersauctions.com 1.613.818.2100

1
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Bear Climbing a Boulder c. late 1970s, stone, signed "HENRY" and in syllabics, 4.25 x 3.75 x 2.75 in, 11 x 9.7 x 7 cm Provenance: an Ottawa private collection

2
Qavaroak Tunnillie (1928-1993) m.
CAPE DORSET Spirit 1973, stone, 3 x 5 x 1.75 in, 7.2 x 12.6 x 4.4 cm Provenance: a Montreal private collection

3
Unidentified Artist
SANIKILUAQ Composition with Three Birds c. 1950-52, stone, ivory, inlay and pigment, 3.75 x 9 x 2.75 in, 9.5 x 23 x 7.5 cm Provenance: a prominent Toronto private collection

4
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1960s, stone and antler, signed in syllabics, 3.5 x 4.75 x 5.25 in, 9.5 x 12 x 13.4 cm Provenance: an Ottawa private collection

5
Unidentified Artist
SANIKILUAQ Dog c. 1950, stone and inlay, 2 x 4 x 1 in, 4.8 x 10 x 2.8 cm Provenance: a prominent Toronto private collection

6
Possibly Pauta Saila RCA (1916-2009) m.
CAPE DORSET Polar Bear 1950s or earlier, ivory, 2 x 4 x 1 in, 5.2 x 9.8 x 2.7 cm Provenance: an Ottawa private collection

7
Possibly Syollie (Sarollie) Weetaluktuk
(1906-1962) m. INUKJUAK (PORT HARRISON) Rearing Polar Bear early 1950s, stone and ivory, 7.75 x 3 x 2.75 in, 19.4 x 7.8 x 7.3 cm Provenance: a prominent Toronto private collection

8
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 1970, stone, signed in syllabics, 4.25 x 3 x 1.75 in, 10.5 x 7.8 x 4.6 cm Provenance: a Toronto area private collection; Innuit Gallery of Eskimo Art; ex collection of Razie Brownstone

9
Unidentified Artist
INUKJUAK (PORT HARRISON) Bird at its Nest c. 1950-51, stone, ivory and soap inlay, 2 x 5.5 x 8.5 in, 5.1 x 14.2 x 21.3 cm Provenance: an Ottawa private collection

10
Sharky Nuna (1918-1979) m.
CAPE DORSET Mother Kissing Her Child c. 1960, stone, signed in syllabics, 6 x 3 x 5.25 in, 15.3 x 7.3 x 13.5 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

12
Aisapik Quma Igauja (1915-1979) m.
PUVIRNITUQ Resting Bird early 1960s, stone, signed "ISAPIK" and with disc no., 3.25 x 8 x 3 in, 7.9 x 19.9 x 7.7 cm Provenance: a Montreal private collection

13
Aibilie Echalook (1940-) m.
INUKJUAK (PORT HARRISON) Standing Caribou c. 1960, stone and antler, signed in syllabics and with disc no., 5.25 x 9.5 x 3.5 in, 13.3 x 24 x 8.7 cm Provenance: Nickerson Collection; purchased from George Swinton

14
Unidentified Artist
POSSIBLY KANGIQSUJUAQ (WAKEHAM BAY) Hunter c. mid 1950s, stone and ivory, 6.5 x 4.25 x 3.5 in, 16.4 x 10.5 x 9.1 cm Provenance: Pruzansky Collection

15
Unidentified Artist
INUKJUAK (PORT HARRISON) OR PUVIRNITUQ Seated Man early-mid 1950s, stone, 3 x 2 x 1.25 in, 7.7 x 5.1 x 3 cm Provenance: Balshine Collection

16
Possibly Levi Amidlak (1931-1998)
INUKJUAK (PORT HARRISON) Standing Man early-mid 1950s, stone and soap inlay, 2.5 x 1.25 x 1 in, 6.5 x 3.3 x 2.6 cm Provenance: an Ottawa private collection

17
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET The Return of the Sun 1961 #81, stonecut print, 24/50, 24 x 30 in, 60.7 x 75.8 cm Provenance: an Ottawa private collection

18
Egevadluq Ragee (1920-1983) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Two-Faced Sea Spirit 1960 #7, stonecut print, framed, 8 x 12.5 in, 20.5 x 32 cm (sight) Provenance: an Ottawa private collection

19
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Arctic Shore Birds 1959, stencil print, 20/30, framed, 15.25 x 13.75 in, 38.5 x 35 cm (sight) Provenance: an Ottawa private collection

20
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Fish and Spear 1961 #20, stencil print, 48/50, framed, 19 x 25.25 in, 48 x 64.1 cm Provenance: a Montreal private collection

21
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Owl mid 1960s, stone, 7.25 x 6.25 x 3.75 in, 18.5 x 15.5 x 9.8 cm Provenance: an Ottawa private collection

22
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Umiaq Adventure c. 1970-72, stone and antler, signed in syllabics, 6.25 x 5.5 x 4.25 in, 15.3 x 14 x 10.7 cm Provenance: Estate of Peter Murdoch, Montreal

23
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Walking Bear early-mid 1960s, stone, signed in syllabics, 7.5 x 13.25 x 5.5 in, 19.1 x 33.5 x 14 cm Provenance: an Ottawa private collection

24
Dominic Kingilik (1939-1990)
BAKER LAKE Owl 1963, stone, antler, metal and pigment, 6.25 x 5.5 x 5 in, 15.8 x 13.8 x 12.7 cm Provenance: Albrecht Collection; Feheley Fine Arts

25
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Birds 1974, stone, signed in syllabics and dated, 10 x 7.5 x 2.5 in, 25.4 x 19 x 6.4 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

26
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother and Child mid-late 1970s, stone, signed in syllabics and with disc no., 6.25 x 6.75 x 6.25 in, 16 x 17.4 x 15.7 cm Provenance: a Montreal collection

27
Victoria Mamnguqsualuk (1930-2016)
BAKER LAKE Legend of Qiviuq c. early 1990s, wool stroud, felt and embroidery floss, signed in syllabics, 37 x 59 in, 94 x 150 cm

28
Mary Kuutsiq (1926-2011)
BAKER LAKE All Eyes on Fishing 2009, wool duffel, felt and embroidery floss, signed in syllabics, 34.5 x 28.25 in, 87.5 x 72 cm Provenance: an Ottawa private collection

29
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1975, graphite, coloured pencil and felt pen drawing, signed in syllabics, 22.25 x 30 in, 56.3 x 76.3 cm Provenance: a Swiss private collection

30
Luke Anguhadluq (1895-1982)
BAKER LAKE Untitled early 1970s, graphite and coloured pencil drawing, framed, signed in syllabics and with disc no., 29.25 x 21.5 in, 74.4 x 54.7 cm (sight) Provenance: a Swiss private collection

31
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Multi-Feathered Bird 1961 #43, stonecut print, 19/50, 13 x 24 in, 32.5 x 61 cm Provenance: an Ottawa private collection

32
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: EEGYVUDLUK POOTOOGOOK (1931-1999) m., CAPE DORSET Caribou Chased by Wolf 1961 #18, stencil print, 1/50, 19 x 25.5 in, 48 x 64.7 cm Provenance: Albrecht Collection

33
Qabaroak Qatsiya (1942-) m.
ELIJAH POOTOOGOOK (1943-), CAPE DORSET Two Men Discussing Coming Hunt 1961 #44, stencil print, 36/50, framed, 20 x 26.25 in, 50.7 x 66.7 cm Provenance: a Montreal private collection

34
Sheouak Petaulassie (1923-1961) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Dog and Seagull 1961 #30, stencil print, 5/50, framed, 18.75 x 25 in, 47.6 x 63.7 cm Provenance: a Montreal private collection

35
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Figure 1972-73, whale bone and inlay, signed in syllabics, 16.25 x 13.75 x 7.75 in, 41.3 x 34.8 x 19.9 cm Provenance: a Montreal private collection; Lippel Gallery, Montreal

36
Luke Iksiktaaryuk (1909-1977)
BAKER LAKE Travelling Figures early 1970s, antler and metal, 9.25 x 12.75 x 5.75 in, 23.5 x 32 x 14.7 cm Provenance: a Montreal collection

37
Jacob Irkok (1937-2011)
ARVIAT (ESKIMO POINT) Fisherman 2007, antler and cord, main section: 13 x 15 x 10.75 in, 33 x 38.3 x 27 cm Provenance: Albrecht Collection; purchased from the artist

38
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Composition: Spirits c. early 1990s, antler, 12.5 x 21 x 10 in, 31.75 x 53 x 25.5 cm Provenance: a Toronto collection

39
Elisapee Kingaruyak Alareak (1943-)
ARVIAT (ESKIMO POINT) Beaded Amautiq c. 2000, wool duffel, wool stroud, fabric trim, beads, fringe, yarn, ribbon and thread, 46 x 27 x 17 in, 117 x 69 x 43 cm (as shown) Provenance: Albrecht Collection

40
Norval Morrisseau CM (1931-2007)
ANISHNAABE Looking Above Oneself c. 1980, acrylic on canvas, signed in syllabics, 48 x 40 in, 122 x 101.5 cm Provenance: Webster Collection, Iqaluit; Leona Lattimer Gallery

41
Unidentified Artist
TLINGIT, SITKA SOUND, ALASKA HAIDA Model Totem Pole c. 1870-1880, wood (probably alder) and paint, 17.25 x 3.5 x 2.75 in, 44 x 8.9 x 6.5 cm (verso ink inscription: 49223 Sitka JJMcLean, also inscribed: A 128) Provenance: a succession of Toronto corpo...

42
Unidentified Artist
HAIDA Two Figures: Man and Boy c. 1830-1850, argillite, 7.5 x 6 x 2.25 in, 19.3 x 15.2 x 5.8 cm Provenance: a B.C. private collection

43
Attributed to Alfred Davidson
HAIDA, MASSET Canoe Model with Three Figures c. 1890-1900, wood (probably alder) and paint, 5.75 x 18.75 x 14.5 in, 14.9 x 47.8 x 36.8 cm Provenance: a Quebec City private collection

44
Unidentified Artist
HAIDA Pipe with Kneeling Figure 1880s or 1890s, argillite, 2.25 x 8.75 x 1 in, 6 x 22.5 x 2.5 cm Provenance: a Montreal private collection

45
Unidentified Artist
HAIDA Figurative Pipe c. 1850-1880, argillite, 1.5 x 7.75 x .75 in, 3.7 x 19.5 x 1.7 cm Provenance: a Montreal private collection

46
Unidentified Artist
HAIDA Platter with Dogfish and Halibut c. 1880s, argillite, .75 x 7.75 x 4.25 in, 2.3 x 19.5 x 10.8 cm Provenance: a B.C. private collection

47
Norval Morrisseau CM (1931-2007)
ANISHNAABE Onaman Beaver Blood Legend c. 1964, tempera and/or acrylic on paper, signed in syllabics, framed, 49.5 x 29.5 in, 125.7 x 75 cm (sight) Provenance: a succession of Toronto corporate collections

49
Arthur Shilling (1941-1986)
OJIBWA Self-Portrait 1974, oil on canvas board, framed, signed and dated, 29.5 x 21.5 in, 74.5 x 54.3 cm Provenance: an Ottawa private collection

50
Arthur Shilling (1941-1986)
OJIBWA Meditation (Portrait of Millie) 1977, oil on board, framed, signed and dated, 35.5 x 30 in, 90.3 x 76.3 cm Provenance: an Ottawa private collection

51
Arthur Shilling (1941-1986)
OJIBWA Landscape 1974, oil on masonite, framed, signed and dated, 29.5 x 34.25 in, 75 x 87 cm Provenance: an Ottawa private collection

52
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Shaman 1997, antler, bone, hair and hide, signed in syllabics and dated, 10 x 14 x 11.75 in, 25.6 x 35.5 x 30 cm Provenance: a Toronto collection

53
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Spirit Playing with a Whirligig (Buzz Toy) 1998, antler, muskox horn and sinew, signed in syllabics and dated, 4.75 x 6.5 x 2.5 in, 12.2 x 16.5 x 6.5 cm Provenance: Albrecht Collection; Images Art Gallery

54
Judas Ullulaq (1937-1999)
GJOA HAVEN Bear-Shaman c. 1988-90, stone, antler and muskox horn, signed in syllabics, 9.75 x 12.75 x 5 in, 24.7 x 32.4 x 12.6 cm Provenance: Albrecht Collection

55
Joe Talirunili (1893-1976)
PUVIRNITUQ Boat with Hunters and Dogs c. 1967-68, stone and ivory, 4.25 x 9.75 x 4.25 in, 11 x 24.8 x 10.8 cm Provenance: a Swiss private collection; Innuit Gallery of Eskimo Art

56
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Birds From the Sea 1960, early experimental stencil proof print, 9.75 x 11.75 in, 24.5 x 30 cm Provenance: a Toronto private collection

57
Kiakshuk (1886-1966) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Untitled [Hunting Whales] 1961; released in Cape Dorset Revisited collection (1994 #9), stone-cut print, 38/50, framed, 22.5 x 31 in, 56.8 x 78.5 cm Provenance: Wagonfeld Collection; Upstairs ...

58
Parr (1893-1969) m.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET Dog Teams 1963 #45, stonecut print, 26/50, 17 x 24.5 in, 43.2 x 62.2 cm Provenance: Albrecht Collection; Waddington's Nov. 2005

59
Anirnik Oshuitoq (1902-1983) f.
CAPE DORSET Animal and Bird 1964, engraving, 8/50, framed, 18 x 12.5 in, 45.5 x 31.7 cm Provenance: a Montreal private collection

60
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Bird 1963, engraving, 9/50, framed, 12.25 x 20 in, 31.2 x 50.8 cm Provenance: a Montreal private collection

61
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Dancing Bear c. 1980, stone, signed "PAOTA SAILA", 15 x 11 x 7.75 in, 38.2 x 27.8 x 19.9 cm Provenance: a prominent European private collection; Feheley Fine Arts; a Canadian private collection

62
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird with Outstretched Wings c. 1980, stone, signed in syllabics, 6.5 x 9.75 x 3.75 in, 16.7 x 24.8 x 9.8 cm Provenance: a Montreal private collection

63
Toonoo Sharky RCA (1970-) m.
CAPE DORSET Bird Spirit 1998, stone and inlay, dated and signed "TOONOO SHARKY" and in syllabics, 8 x 9.75 x 10.25 in, 20.3 x 24.7 x 25.9 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

64
Eegyvudluk Pootoogook (1931-1999) m.
CAPE DORSET Muskox c. 1960-61, stone, 5.5 x 8.75 x 3.25 in, 14 x 22.2 x 8.2 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

65
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Standing Bird 1980, stone, signed in syllabics, 11.5 x 8.5 x 3 in, 29.2 x 21.4 x 7.8 cm Provenance: a Montreal private collection

66
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl-Bear Transformation c. 1970, stone, 8.5 x 6 x 10.5, 21.4 x 14.9 x 26.6 cm Provenance: a Montreal private collection

67
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKERS: PITSEOLAK NIVIAQSI (1947-2015) m. and AOUDLA PUDLAT (1951-2006), m., CAPE DORSET Portfolio of Twelve Lithographs 1979 Special Commission, set 7/50, framed, each: 22.25 x 30.75 in, 56.5 x 78.2 cm Provenance: a Montreal private collection

68
Unidentified Artist
INUKJUAK (PORT HARRISON) Standing Woman and Child c. 1955-58, stone, soap inlay and sinew, 13.5 x 14.5 x 7 in, 34.3 x 37 x 17.8 cm Provenance: Nickerson Collection

69
Unidentified Artist
INUKJUAK (PORT HARRISON) Hunter Harpooning Walrus c. 1950-51, stone, ivory, wood, metal and soap inlay, 6.25 x 6.75 x 9.5 in, 16 x 17.4 x 24.2 cm Provenance: Pruzansky Collection; Waddington's Nov. 2011

70
Akeeaktashuk (1898-1954) or Camp of Akeeaktashuk
INUKJUAK (PORT HARRISON) Hunter with Harpoon early 1950s, stone, ivory and soap inlay, 6.75 x 4.25 x 4.5 in, 17.5 x 9.75 x 11.4 cm Provenance: Pruzansky Collection; Waddington's Nov. 1993

71
Victor Sangitsi Tongelik (1924-d)
REPULSE BAY Standing Hunter c. late 1950s, whale bone and ivory, 6.5 x 3.5 x 4 in, 16.5 x 9.5 x 10 cm Provenance: a Toronto area private collection; Waddington's; ex TD Bank Collection

72
Puhalook
ARCTIC BAY Dog and Two Arctic Hares c. 1960, whale bone, 4.25 x 7.75 x 4.75 in, 10.8 x 19.6 x 12 cm Provenance: Nickerson Collection

73
Unidentified Artist
REPULSE BAY Drum Dancer c. 1958-60, stone and antler, 5.75 x 2.5 x 3.75 in, 14.8 x 6.2 x 9 cm Provenance: Nickerson Collection

74
Lucie Angalakte Mapsalak (1931-)
REPULSE BAY Owl early 1960s, stone, signed in syllabics and with disc no., 5 x 2.5 x 3.75 in, 13 x 6 x 9.7 cm Provenance: Pruzansky Collection

75
Louise Angugatsiark Tungilik (1917-1985)
REPULSE BAY Mother Nursing a Child c. late 1960s, stone, 5.5 x 2.25 x 4.75 in, 14.5 x 5.3 x 12 cm Provenance: Pruzansky Collection

76
John Tiktak RCA (1916-1981)
RANKIN INLET Janus-Faced Head c. 1969-mid 1970s, stone, 15.5 x 13.75 x 4.75 in, 39.5 x 32.6 x 9.7 cm Provenance: an Ottawa private collection since the mid-late 1970s; by descent to a family member in the late 1990s

77
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 12.5 x 6.25 x 5.25 in, 31.7 x 15.8 x 13.3 cm Provenance: a Swiss private collection

78
Eric Niuqtuk (1937-1994)
BAKER LAKE Muskox-Shaman Mother and Child mid 1970s, stone, signed in syllabics, 12.5 x 9.25 x 7.5 in, 31.2 x 23.6 x 18.8 cm Provenance: a Montreal private collection

79
David Ikutaaq (1929-1984)
BAKER LAKE Ptarmigan c. 1966-68, signed in syllabics and with disc no., 5.75 x 7.5 x 8 in, 14.1 x 19.2 x 20.3 cm Provenance: a Quebec private collection

80
George Tatanniq (1910-1991)
BAKER LAKE Muskox c. 1972, stone and antler, signed in syllabics, 4.5 x 7.25 x 3.25 in, 11.5 x 18.5 x 8.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

81
George Tatanniq (1910-1991)
BAKER LAKE Bear stone, signed in syllabics, 4.5 x 8 x 3.5 in, 11.7 x 20.2 x 9.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2015; Albrecht Collection

82
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1973-75, wool stroud, felt, embroidery floss and thread, signed in syllabics, 38.5 x 105 in, 98 x 267 cm Provenance: a Toronto area private collection

83
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early 1970s, stone, signed in syllabics, 5 x 3.5 x 6.5 in, 12.5 x 9 x 16.5 cm Provenance: a Montreal private collection

84
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Hunter and Seal c. 1971-72, stone, 3.75 x 6 x 2.5 in, 9.5 x 15.3 x 6.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

85
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family early 1970s, stone, signed in syllabics, 5 x 5.5 x 3 in, 12.5 x 14 x 7.5 cm Provenance: a Montreal private collection

86
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Mother and Child 1969, stone, signed in syllabics, 4.75 x 2.25 x 3.25 in, 12.2 x 5.6 x 8.3 cm Provenance: a Quebec private collection; purchased at the Eskimo Point Co-op

87
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother and Two Children c. mid 1960s, stone, signed in syllabics and with disc no., 16.5 x 12.5 x 7.25 in, 41.8 x 32 x 18.3 cm Provenance: an Ottawa private collection

88
Isa Qumalu Sivuarapi (1925-1979) m.
PUVIRNITUQ Hunter Skinning a Wolf late 1950s, stone, 6 x 5.75 x 10 in, 15.3 x 14.3 x 25.2 cm Provenance: Wagonfeld Collection; Waddington's June 1996

89
Attributed to Charlie Sivuarapik (1911-1968)
PUVIRNITUQ Seated Hunter c. 1953-54, stone, sinew and inlay, 5.5 x 5.5 x 7.75 in, 14.2 x 14.4 x 19.7 cm Provenance: an Ottawa private collection

90
Mary Irqiquq Sorusiluk (1897-1966)
SALLUIT (SUGLUK) Mother Nursing a Child c. 1953-55, stone, signed in syllabics and with disc no., 11.5 x 5 x 9 in, 29.4 x 12.7 x 22.9 cm Provenance: an American private collection; ex collection of Dr. William Moss, Portland, Oregon

91
Noah Tatirillak Kumak (1932-d)
SALLUIT (SUGLUK) Hunter Skinning a Fox c. 1956-57, stone, signed "NOAH" and with disc no., 7 x 5.5 x 8.75 in, 18.8 x 13.7 x 22.3 cm Provenance: Nickerson Collection

92
Kululak Tayarak (1933-) m.
SALLUIT (SUGLUK) Woman Taking Off Her Boot c. 1960, stone, signed with disc no., 6.25 x 3.25 x 6 in, 15.8 x 8.3 x 13.2 cm Provenance: an Ottawa private collection

93
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Animals, People and Bear c. early 1990s, antler and stone, signed "JACKOPOSIE", 31.5 x 26 x 31 in, 80 x 66 x 78.7 cm Provenance: a Montreal collection; a prominent European collection; Arctic Inuit Art, Richmond, VA; Iqaluit F...

94
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Fox Hunter with Dog 1963, stone, signed "HENRY" and in syllabics, dated, 14.25 x 7.25 x 7 in, 36.3 x 18.6 x 17.7 cm Provenance: Estate of Peter Murdoch, Montreal; presented to him in appreciation of his work as Superintendent ...

95
Eleeshushe Parr (1896-1975) f.
CAPE DORSET Families Asleep in Igloo 1968, coloured pencil drawing, signed in syllabics, 19.75 x 25.75 in, 50.5 x 65.2 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

96
Kiakshuk (1886-1966) m.
CAPE DORSET Dog Team Hunters Pursuing Caribou c. 1960, graphite pencil drawing, framed, 15.5 x 22 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

97
Pudlo Pudlat (1916-1992) m.
CAPE DORSET Sedna in a Boat c. mid 1970s, coloured pencil drawing, framed, 18.75 x 25 in, 48 x 63.3 (sight) Provenance: Wagonfeld Collection

98
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Seal Hunters on Land and Sea c. late 1960s, graphite pencil drawing, framed, signed in syllabics, 17.75 x 24.25 in, 45 x 61.5 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

99
Pitaloosie Saila RCA (1942-) f.
CAPE DORSET Female Shaman with Owl 1976, ink drawing, signed in syllabics, 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

100
Sorosiluto Ashoona (1941-) f.
PRINTMAKER: SAGIATUK SAGIATUK (1932-) m., CAPE DORSET Woman of the Sea 1976 #10, stonecut print, 50/50, 24.75 x 34 in, 63 x 86 cm Provenance: Wagonfeld Collection; Galerie Elca London

101
Kenojuak Ashevak CC RCA (1927-2013) f. and/or
Johnniebo Ashevak (1923-1972) m. CAPE DORSET Bird People 1963 #3, engraving, 9/50, framed, 12.25 x 19.5 in, 31 x 49.7 cm Provenance: a Montreal private collection

102
Judas Ullulaq (1937-1999)
GJOA HAVEN Mother and Child 1982, stone and antler, signed in syllabics, 12 x 8.25 x 11 in, 31 x 20.7 x 28 cm Provenance: a Saskatchewan private collection

103
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Bird at Its Nest c. 1971-72, whale bone, 7 x 13.25 x 6.25 in, 17.7 x 33.7 x 15.9 cm Provenance: a Montreal private collection

104
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walrus-Bird Transformation c. 1970, stone and antler, signed in syllabics, 8.25 x 5.25 x 3.75 in, 21 x 13.2 x 9.8 cm Provenance: an American private collection

105
Mannumi Shaqu (1917-2000) m.
CAPE DORSET Basking Walruses early 1970s, stone and ivory, signed in syllabics, 10.25 x 17.5 x 11.75 in, 26 x 44.6 x 29.8 cm Provenance: an Ottawa private collection

106
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird 1970s, stone, signed in syllabics, 4.25 x 4.5 x 3 in, 10.7 x 11.5 x 7.6 cm Provenance: a Toronto collection

107
Kumakuluk Saggiak (1944-) m.
CAPE DORSET Animal Composition 1973, stone, signed "KUMAKULUK CAPE DORSET 1973", 12.75 x 18.5 x 8.25 in, 30.1 x 46.8 x 21.3 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

108
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1970s, stone, signed in syllabics, 11.75 x 10.5 x 6 in, 29.5 x 26.3 x 15.5 cm Provenance: a Montreal private collection

109
Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox-Bird Transformation early 1990s, stone, signed in syllabics, 2.5 x 6.25 x 1.5 in, 6.3 x 15.7 x 3.8 cm Provenance: Albrecht Collection; Marion Scott Gallery

110
Marie Kuunnuaq (1933-1990)
BAKER LAKE Kneeling Mother and Child c. 1971-73, stone, signed in syllabics and with disc no., 9.5 x 7.75 x 10.5 in, 24.1 x 19.7 x 26.7 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

111
Nancy Kangeryuaq (1936-)
BAKER LAKE Standing Mother and Child c. late 1970s, stone, signed in syllabics, 6.25 x 4.25 x 3.5 in, 15.8 x 10.7 x 9.1 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

113
Luke Anguhadluq (1895-1982)
BAKER LAKE Caribou Hunter and Wolf 1970, coloured pencil drawing, framed, signed in syllabics, 17 x 23 in, 43 x 58.8 cm (sight) Provenance: Wagonfeld Collection; Feheley Fine Arts

114
Luke Anguhadluq (1895-1982)
BAKER LAKE Swimming Caribou c. 1973-75, coloured pencil drawing, framed, 15.25 x 21 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Upstairs Gallery

115
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Untitled (Returning to Camp and Hunting Caribou by Kayak) c. late 1970s, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Wagonfeld Collection; Galerie Elca London

116
Elizabeth Angrnaqquaq (1916-2003)
BAKER LAKE Untitled (People, Caribou, Seals and Spirits) c. 1981, wool duffel, felt and embroidery floss, signed in syllabics, 25.5 x 29 in, 64.8 x 73.7 cm Provenance: Albrecht Collection; Feheley Fine Arts; Upstairs Gallery

117
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Hunter Spearing a Bear 1970s, felt and embroidery floss, signed in syllabics and "Q", 18 x 16.5 in, 45.7 x 42 cm Provenance: Albrecht Collection; Marion Scott Gallery; Upstairs Gallery

118
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Prowling Bear c. 1963, stone, signed "HENRY" and in syllabics, 3.75 x 8 x 3.5 in, 9.5 x 20.5 x 6.4 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

119
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walking Caribou c. 1991-92, stone and antler, signed in syllabics, 18.25 x 19.5 x 9 in, 46.4 x 49.6 x 22.8 cm Provenance: an Iqaluit private collection

120
Eva Atammiq Keatainak (1919-1988)
SALLUIT (SUGLUK) Kneeling Mother with Child's Parka c. mid 1950s, stone, signed with disc no., 9.5 x 6 x 3.5 in, 24.2 x 15.1 x 21.6 cm Provenance: a Swiss private collection

121
Joe Talirunili (1893-1976)
PUVIRNITUQ Walrus late 1960s, stone and ivory, signed "JOE 818" and in syllabics, 3.75 x 5.5 x 2 in, 9.5 x 13.8 x 5.3 cm Provenance: Estate of Peter Murdoch, Montreal

122
Joe Talirunili (1893-1976)
PUVIRNITUQ Caribou c. 1965, stone and antler, signed "JOE 818", 4.75 x 6.5 x 2 in, 12 x 17.2 x 5 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

123
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal 1972, stone, 7.75 x 3.75 x 1.25 in, 20 x 9.5 x 3.4 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

124
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal early 1970s, stone, 4.75 x 4.25 x 2.75 in, 12.2 x 10.8 x 6.8 cm Provenance: Albrecht Collection; Waddington's Nov. 2004

125
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early-mid 1970s, stone, 4.5 x .75 x 3.5 in, 11.5 x 1.8 x 8.8 cm Provenance: an American private collection; The Shop, Minneapolis

126
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 2000, stone, signed in syllabics, 15 x 16 x 6.75 in, 38.3 x 40.7 x 17.2 cm Provenance: an American private collection

127
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pregnant Sedna 2008, stone, signed "Bill NASOGALUAK" and dated, 20.75 x 19.75 x 8 in, 52.7 x 49.8 x 20 cm Provenance: a Toronto collection

128
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Lost Soul 2003, stone, resting on a wooden base, signed "DAVID RUBEN PIQTOUKUN" and dated, 18.25 x 10 x 4 in, 46.4 x 25.5 x 10.1 cm Provenance: a Toronto collection

129
Alec Lawson Tuckatuck (1976-)
KUUJJUARAAPIK (GREAT WHALE RIVER)/MONTREAL Lumack 2009, stone and muskox horn, dated and signed "Alec Lawson Tuckatuck" and in syllabics, 19.25 x 18 x 9.5 in, 49.2 45.5 x 24.4 cm Provenance: a Toronto collection

130
Manasie Akpaliapik (1955-) m.
ARCTIC BAY/TORONTO/OTTAWA Qalupiluk c. 1996, stone, baleen, hair and inlay, 14.5 x 4.75 x 10.75 in, 36.6 x 12 x 27.5 cm Provenance: Pruzansky Collection; Galerie Elca London

131
Unidentified Artist
POND INLET Man and Dog Sled Team c. 1900-1920, ivory and cord, 3.5 x 15 x 4 in, 9 x 38 x 10 cm as shown Provenance: a succession of Toronto corporate collections

132
Josephee Kopalie (1933-d)
PANGNIRTUNG/IQALUIT (FROBISHER BAY) Rookery 1985, ivory and whale bone, signed "J KOPALEE", 3.25 x 4.5 x 4 in, 7.8 x 11 x 9.3 cm Provenance: a Toronto area private collection

133
Mark Tungilik (1913-1986)
REPULSE BAY Two Birds 1970s, ivory and stone, one signed in syllabics, larger: 1 x 2.5 x 1.5 in, 2.4 x 6.3 x 3.6 cm Provenance: a Toronto private collection

134
Unidentified Artist
EASTERN CANADIAN ARCTIC Dog Sled Team with Kayak mid 1950s, ivory and sinew, 2.25 x 11.5 x 2.25 in, 5.5 x 29 x 5.5 cm as shown Provenance: a Quebec private collection

135
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Scrimshaw Composition early 1960s, bone, stone and pigment, 14.5 x 4.5 x 4.25 in, 36.5 x 11.4 x 10.9 cm Provenance: Nickerson Collection

136
Mark Tungilik (1913-1986)
REPULSE BAY Hunter and Bear early 1970s, ivory and antler, 2.75 x 3.75 x 1.5 in, 7.3 x 9.5 x 3.6 cm Provenance: an Ottawa private collection

137
Norval Morrisseau CM (1931-2007)
ANISHNAABE Thunderbird c. 1961-62, tempera on watercolour paper, framed, 29.25 x 21.75 in, 74.3 x 55.7 cm (sight) Provenance: a succession of Toronto corporate collections

138
Norval Morrisseau CM (1931-2007)
ANISHNAABE Buffalo early 1960s (possibly earlier), acrylic on kraft paper, signed in syllabics, framed, 25.25 x 35 in, 64 x 89 cm (sight) Provenance: a succession of Toronto corporate collections

139
Unidentified Artist
EASTERN WOODLANDS Two Female Dolls c. late 19th century, wood, hide, fabric, beads, hair, string, thread and pigment, larger: 5 x 2.25 x 1.5 in, 12.2 x 5.8 x 3.7 cm Provenance: a succession of Toronto corporate collections

140
Unidentified Artist
EASTERN WOODLANDS Cane with Human Effigy Face c. 1820s to 1840s, wood and metal, 36 x 4 x 1.5 in, 91.5 x 10 x 3.8 cm Provenance: a B.C. private collection

141
Unidentified Artist
CREE, GARDEN HILL, MANITOBA Transforming Shaman 1969, stone, 13.5 x 3.5 x 4.75 in, 34.3 x 8.9 x 12.1 cm Provenance: Pruzansky Collection

142
Robert Davidson CM OBC (1946-)
HAIDA, MASSETT/WHITE ROCK Salmon Trout Head Two 2013, epoxy powder-coated aluminum, edition 12/20, granite base, 10 x 13.75 x 5.5 in, 25.7 x 35.8 x 14.2 cm Provenance: a Toronto collection

143
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Eagle, Bear and Man 1999, argillite, bone and shell, signed, titled and dated, 11 x 2.75 x 3.75 in, 28.3 x 7.2 x 9.5 cm Provenance: Albrecht Collection; Tribalcrafts

144
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Salmon mid-late 1990s, argillite, bone and shell, signed and titled, 5 x 9.5 x 4.75 in, 12.7 x 23.8 x 12.1 cm Provenance: Albrecht Collection; Tribalcrafts

145
Norval Morrisseau CM (1931-2007)
ANISHNAABE Legendary Animals c. 1965, tempera or acrylic on kraft paper, framed, signed in syllabics, 31 x 41.5 in, 78.7 x 105.4 cm Provenance: a succession of Toronto corporate collections

147
Unidentified Artist
EASTERN CANADIAN ARCTIC Model Sled and Rifle early 20th century, wood, hide and ivory, 5 x 15.75 x 5.75 in, 13 x 40 x 12 cm Provenance: a Montreal private collection

148
Unidentified Artist
POSSIBLY BERING STRAIT, ALASKA Two-Man Kayak Model 19th century, wood, hide, gut, fur and ivory, 6.25 x 25.75 x 4 in, 15.8 x 65.4 x 10.1 cm Provenance: a succession of Toronto corporate collections

149
Unidentified Artist
ALASKA Ash Case or Snuff Box late 19th century, ivory, wood and inlay, 3.25 x 2.25 x 1.5 in, 8.3 x 5.5 x 3.8 cm Provenance: a Montreal private collection

150
Lawrence (Larry) Ulaaq Ahvakana
INUPIAQ, BARROW, ALASKA/SUQUAMISH, WA Walrus Man 1993, wood, signed "L. Ahvakana", 52 x 29 x 3.5 in, 133 x 73.7 x 8.9 cm Provenance: a Montreal collection

152
Norval Morrisseau CM (1931-2007)
ANISHNAABE Hunting Bear c. 1961-62, tempera on paper, framed, signed in syllabics, 15 x 20.5 in, 37.7 x 52 cm (sight) Provenance: a succession of Toronto corporate collections

153
Goyce Kakegamic (1948-) m.
ANISHNAABE Ojibwa Hunter Legend c. 1970, acrylic on board, framed, signed in syllabics, 31.25 x 23.5 in, 79.5 x 59.7 cm Provenance: a succession of Toronto corporate collections

154
Carl Beam RCA (1943-2005)
OJIBWA Untitled 1980, mixed media on paper, framed, signed and dated, 24 x 32.25 in, 61 x 82 cm Provenance: an Ottawa private collection

155
Robert Houle RCA (1947-)
SALTEAUX Untitled late 1980s, steel, hide, acrylic paint and feather, 27.5 x 26 x 2 in, 70 x 66 x 5 cm Provenance: an Ottawa private collection; purchased from the artist

156
Robert Houle RCA (1947-)
SALTEAUX Beothuk (Parfleche) c. late 1980s, mixed media on paper, framed, 15.75 x 11.75 in, 39.7 x 29.5 cm Provenance: an Ottawa private collection; purchased from the artist

157
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Hunter at a Seal Hole c. 1952, stone, hide and soap inlay, 4 x 4 x 4.75 in, 10.5 x 10.3 x 12.4 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2009

158
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Basking Walrus early 1950s, stone, ivory and inlay, 2.5 x 5 x 3 in, 6.5 x 12.5 x 8 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

159
Ennutsiak (1896-1967) m.
IQALUIT (FROBISHER BAY) Hunter with Pack late 1950s, stone, ivory and cord, 4.5 x 2.75 x 4 in, 11.5 x 7 x 11 cm Provenance: Wagonfeld Collection; Waddington's April 2009

160
Abraham Etungat RCA (1911-1999)
CAPE DORSET Couple c. 1960, stone, each signed in syllabics, woman: 4 x 1.5 x 1 in, 10.2 x 3.6 x 2.8 cm Provenance: Albrecht Collection; Feheley Fine Arts; Terry Ryan Collection

161
Possibly Bobby Quppapik Tarkirk (1934-2000)
SALLUIT (SUGLUK) Tree with Birds early-mid 1960s, antler and stone, on a driftwood base, 26 x 34 x 18 in, 66 x 86 x 45.5 cm (including base) (Note: one of the birds has been lost.) Provenance: Nickerson Collection

162
Isa Smiler (1921-1986) m.
INUKJUAK (PORT HARRISON) Muskox c. 1964, stone and ivory, signed "ISA S" and with disc no., 5.25 x 7.25 x2.75 in, 13.3 x 18.3 x 7.7 cm Provenance: Pruzansky Collection; Waddington's Nov. 2012

163
Noah Echalook (1946-)
INUKJUAK (PORT HARRISON) Mother and Child 1988, stone, antler and hide, signed in syllabics and dated, 9.5 x 11.5 x 10 in, 24.3 x 29.2 x 25.3 cm Provenance: a Montreal private collection

164
Thomasie Angutigirk (1920-)
SALLUIT (SUGLUK) Bust of a Woman c. early 1970s, stone and antler, signed in syllabics and with disc no., 06.25 x 4.25 x 5.5 in, 15.7 x 10.7 x 14 cm Provenance: a Montreal private collection

165
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Untitled (Composition of Animals and People) 2014/15, antler, 40 x 26.5 x 32 in, 101.5 x 67.3 x 81.3 cm Provenance: Webster Collection; purchased from the artist

166
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Standing Bear c. early-mid 1970s, stone, 9.75 x 3 x 4.75 in, 24.8 x 7.6 x 12.2 cm Provenance: an Ottawa private collection

167
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Walking Bear c. 1990, stone, 5 x 8.25 x 3.25 in, 12.7 x 21.2 x 8.3 cm Provenance: an Ottawa private collection

168
David Ikutaaq (1929-1984)
BAKER LAKE Standing Man early 1970s, stone, signed in syllabics, 10.5 x 7 x 4.5 in, 26.5 x 17.6 x 11.5 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

169
David Ikutaaq (1929-1984)
BAKER LAKE Family and Animals c. 1973-75, stone, signed in syllabics, 7 x 10.25 x 6.75 in, 17.7 x 26 x 17.25 cm Provenance: an American private collection; The Shop, Minneapolis

170
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Spear Hunter c. 1990, stone and antler, 12 x 7 x 5.5 in, 30.6 x 17.8 x 14 cm Provenance: a Toronto collection

171
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother, Child and Bird c. late 1980s, stone, 10.75 x 9.75 x 12.25 in, 27.3 x 24.7 x 31.4 cm Provenance: a Swiss private collection

172
Luke Anguhadluq (1895-1982)
BAKER LAKE Dog Eating a Fish c. 1973-75, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 26 in, 50.8 x 66 cm Provenance: Wagonfeld Collection; Waddington's June 1996

173
Ruth Annaqtuusi Tulurialik (1934-)
BAKER LAKE Legend of the Sea Spirit c. early 1990s, coloured pencil drawing, signed in syllabics, framed, 22 x 30 in, 56 x 76.2 cm Provenance: Wagonfeld Collection; Ookpiktuyuk Art

174
Ruth Annaqtuusi Tulurialik (1934-)
PRINTMAKER: SIMON TOOKOOME (1934-2010), BAKER LAKE The Sunset/Sikrinerk Nipingmat 1987 #2, stonecut and stencil print, 9/34, framed, 25.75 x 35.25 in, 65.5 x 89.5 cm Provenance: Wagonfeld Collection

175
Jessie Oonark OC RCA (1906-1985)
PRINTMAKER: WILLIAM NOAH (1943-), BAKER LAKE Flying Woman 1978 #12, serigraph print, 25/60, 22 x 30 in, 56.2 x 76 cm Provenance: Wagonfeld Collection

176
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: FRANCIS KALURAQ (1931-1990), BAKER LAKE Riding Dogs 1969 (1970 #8), stonecut print, 27/50, framed, 14.75 x 11 in, 37.7 x 27.6 cm (sight) Provenance: an Ottawa private collection

177
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: MADELEINE UKPATIKU (1931-1999), BAKER LAKE The Boy and His Grandmother Tricks the Mean People 1980 #25, linocut and stencil print, 33/60, framed, 23 x 34 in, 58 x 86.2 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

178
John Tiktak RCA (1916-1981)
RANKIN INLET Figure Holding a Bowl c. 1967-69, stone, signed in syllabics, 7.5 x 3.75 x 3.75 in, 19.2 x 9.4 x 9.3 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

179
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 6.5 x 3.75 x 4 in, 16.5 x 9.6 x 9.8 cm Provenance: an American private collection; The Shop, Minneapolis

180
John Kavik (1897-1993)
RANKIN INLET Figure early-mid 1970s, stone, signed in syllabics, 4.25 x 4.75 x 1.25 in, 10.8 x 12 x 3.5 cm Provenance: an Ottawa private collection

181
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Standing Bear c. 1955-60, stone, signed with disc no., 3.25 x 2 x .75 in, 8.4 x 5.3 x 2 cm Provenance: a Quebec private collection; purchased at the Puvirnituq Co-op

182
Possibly Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox early 1960s, stone, 3 x 7.5 x 1.5 in, 7.9 x 19 x 3.6 cm Provenance: an Ottawa private collection

183
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear 1950s, stone, inlay and pigment, 3.25 x 5.5 x 2 in, 8.3 x 14 x 5 cm Provenance: a Montreal private collection

184
Unidentified Artist
PROBABLY INUKJUAK (PORT HARRISON) Kneeling Caribou c. 1951-52, stone and ivory, 14.5 x 6.25 x 3.25 in, 11.5 x 15.8 x 8.3 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

185
George Tatanniq (1910-1991)
BAKER LAKE Dog early 1960s, stone, signed in syllabics and with disc no., 1.75 x 4.5 x .75 in, 4.6 x 11.4 x 2.2 cm Provenance: Pruzansky Collection

186
Unidentified Artist
POSSIBLY BAKER LAKE Bear with Fish early 1960s, stone and ivory, 2.25 x 4.5 x 1.5 in, 5.7 x 11.5 x 4.2 cm Provenance: an American private collection

187
Mungitok Kellypalik (1940-) m.
CAPE DORSET Owl 1966, stone, signed in syllabics, 10 x 5.5 x 4.25 in, 25.3 x 14.2 x 10.7 cm Provenance: a Montreal private collection

188
Mary Qayuaryuk (1908-1982)
CAPE DORSET Bird Spirit c. mid 1960s, stone, 8.25 x 6.5 x 5.75 in, 21.1 x 16.3 x 14.4 cm Provenance: an Ottawa private collection

189
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Loon mid-late 1980s, stone, signed in syllabics, 5.75 x 10.25 x 2.5 in, 14.2 x 26 x 6.5 cm Provenance: a Montreal private collection

190
Latcholassie Akesuk (1919-2000) m.
or TUDLIK (1890-1966) m., CAPE DORSET Standing Bird c. early-mid 1960s, stone, 5.25 x 2.5 x 2 in, 13.7 x 6.2 x 4.8 cm Provenance: a Montreal collection

191
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Four Ravens on a Platform 1991-92, ink and coloured pencil drawing, signed in syllabics, 20 x 26 in, 50.6 x 66 cm Provenance: Albrecht Collection; Feheley Fine Arts

192
Kananginak Pootoogook RCA (1935-2010) m.
CAPE DORSET Grazing Bull Caribou 1999, ink and coloured pencil drawing, signed in syllabics and dated, 20 x 26 in, 50.5 x 66 cm Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

193
Itee Pootoogook (1951-2014) m.
CAPE DORSET Landscape: Floe Edge, Early Morning 2007, graphite and coloured pencil drawing, signed and dated, 11.25 x 30.25 in, 28.2 x 76.4 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver

194
Ningiukulu Teevee (1963-) f.
CAPE DORSET Wanting to Be On the Land 2012, graphite, ink and coloured pencil drawing, signed in syllabics, museum-quality frame, 47.5 x 51 in, 120.6 x 129.5 cm Provenance: a Montreal private collection

195
Lukasi Ukusirala Anauta (1912-d) m.
PUVIRNITUQ Two Seal Hunters with Catch late 1950s, stone and sinew, signed in syllabics and with disc no., 7.75 x 9 x 5.25 in, 19.8 x 23.3 x 13.4 cm Provenance: Nickerson Collection

196
Pingu Alaku (1930-1975) m.
KANGIQSUJUAQ (WAKEHAM BAY) Wrestlers early 1960s, stone, signed "PINGOOK" and with syllabics and disc no., 5.5 x 7.5 x 5.5 in, 14 x 19 x 14.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

197
Levi Qumaluk (1919-1997)
PUVIRNITUQ Hunter with Pack early-mid 1970s, stone, signed "LEVI", 9.75 x 7.25 x 7.5 in, 24.8 x 18.3 x 19 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

198
Unidentified Artist
PUVIRNITUQ Boy with First Seal late 1950s, stone and hide, 6 x 6.25 x 5.25 in, 14.9 x 16.2 x 13.4 cm Provenance: Nickerson Collection

199
Abraham Pov (1927-1994)
INUKJUAK (PORT HARRISON) Hunter and Seal c. 1972-74, stone, signed in syllabics, 8 x 10.5 x 3.5 in, 20.3 x 26.6 x 8.8 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

200
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure 1974, stone, signed in syllabics, 5.75 x 7.5 x 5.75 in, 14.7 x 19 x 14.5 cm Provenance: an Ottawa private collection

201
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox Shaman 1980, stone, signed in syllabics and dated, 7 x 12.5 x 4.75 in, 17.8 x 31.6 x 12.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2013; Balshine Collection

202
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother Holding a Child c. 1985, stone, 9.5 x 6.5 x 3.75 in, 24.2 x 16.5 x 9.5 cm Provenance: a Toronto collection

203
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Spotted Loon 2006 #9, lithograph print, 25/50, 22 x 28 in, 56 x 71 cm Provenance: Albrecht Collection

204
Pauta Saila RCA (1916-2009) m.
PRINTMAKER: QIATSUQ NIVIAQSI (1941-) m. CAPE DORSET Startled Loons 2004 #30, stonecut and stencil print, 17/50, 20 x 24 in, 50.6 x 61 cm Provenance: Albrecht Collection

205
Tim Pitsiulak (1967-2016)
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Family of Eight 2008 #34, lithograph print, 18/50, 15 x 22.25 in, 38 x 56.1 cm Provenance: Albrecht Collection

206
Lucy Qinnuayuak (1915-1982)
PRINTMAKER: QABAROAK QATSIYA (1942-) m., CAPE DORSET The Family Speaks of the Owl 1976 #30, stonecut print, 45/50, framed, 20 x 26.5 in, 51 x 67.5 cm (sight) Provenance: a succession of Toronto corporate collections

207
Eliyakota Samualie (1939-1987) f.
PRINTMAKER: TIMOTHY OTTOCHIE (1904-1982), CAPE DORSET Kopigno 1974 #59, stonecut print, 42/50, framed, 19.25 x 28 in, 48.5 x 71 cm (sight) Provenance: a succession of Toronto corporate collections

208
Kingmeata Etidlooie (1915-1989) f.
PRINTMAKER: PEE MIKKIGAK (1940-1996) m. CAPE DORSET Talelayou and Spirit Fish 1981 #28, stonecut and stencil print, 4/50, framed, 24 x 34 in, 60.8 x 87 cm Provenance: a succession of Toronto corporate collections

209
Jamasie Teevee (1910-1985) m.
PRINTMAKER: AOUDLA PUDLAT (1951-2006) m., CAPE DORSET Family Hunting Caribou 1975 #55, lithograph print, framed, 20.25 x 27.75 in, 51.3 x 70.2 cm (sight) Provenance: a succession of Toronto corporate collections

210
Judas Ullulaq (1937-1999)
GJOA HAVEN Female Shaman Bitten by a Worm early-mid 1990s, stone, antler and muskox horn, signed in syllabics, 13.75 x 12.75 x 6.5 in, 35.2 x 32.3 x 16.5 cm Provenance: Pruzansky Collection; Inuit Gallery of Vancouver

211
Uriash Puqiqnak CM (1946-) m.
GJOA HAVEN Mother and Child (Starvation Scene) late 1980s, stone, antler, muskox horn and leather, signed in syllabics and "UP", 19 x 11.75 x 9.25 in, 47.8 x 29.5 x 23.6 cm Provenance: Albrecht Collection; Marion Scott Gallery

212
Samuel Nahaulaituq (1923-1999)
TALOYOAK (SPENCE BAY) Woman with Water Pail and Spirit Scoop 1996, stone, antler and cord, signed in syllabics, 16.25 x 9.75 x 5.25 in, 41.3 x 24.6 x 13.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

213
John Kavik (1897-1993)
RANKIN INLET Standing Man c. mid-late 1970s, stone, signed in syllabics, 5 x 2.25 x 1 in, 13 x 5.8 x 2.5 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994

214
Unidentified Artist
EASTERN CANADIAN ARCTIC Father and Child c. late 1950s, stone, 3 x 3 x 2 in, 7.5 x 7.7 x 5.4 cm Provenance: an Ottawa private collection

215
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Standing Man 1980s, whale bone, 5 x 2.5 x 1.5 in, 12.5 x 6.3 x 4 cm Provenance: Webster Collection; purchased from the artist

215
Rachel Ottuk Otukpalanak (1915-d)
ARVIAT (ESKIMO POINT) Mother and Child late 1960s, stone, signed in syllabics, 4.75 x 4.75 x 3.25 in, 12 x 12.4 x 9.4 cm Provenance: a Quebec private collection

216
Juaniapi Angutigulu Uqaitu (1937-) m.
PUVIRNITUQ Mythological Figure (Naked Man) early 1960s, stone, signed with disc no., 4.5 x 3.5 x 2.5 in, 11.3 x 8.8 x 6.5 cm Provenance: Nickerson Collection

217
Possibly Lizzie Makimak (1939-)
SALLUIT (SUGLUK) Woman Scraping a Skin 1977, stone, dated and signed with indistinct syllabics, 3.25 x 4.25 x 2 in, 8.3 x 10.8 x 5.2 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2005

218
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Woman with Two Birds early 1990s, stone, signed "MIRIAM QIYUK", 4.25 x 10.25 x 2.25 in, 10.7 x 26 x 5.7 cm Provenance: a Toronto collection

219
Mary Yuusipik Singaqti (1936-2017)
BAKER LAKE Man and Pack Dog 2001, stone, 16 x 7.75 x 5 in, 40.3 x 19.8 x 12.8 cm Provenance: Galerie Elca London

220
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox c. 1968-70, stone, signed in syllabics, 5.5 x 8.25 x 4.5 in, 14 x 22.5 x 11.3 cm Provenance: a Quebec private collection

221
Irene Avaalaaqiaq Tiktaalaaq RCA (1941-)
BAKER LAKE Transformation c. 1980, stone, signed in syllabics, 6.5 x 6.5 x 2 in, 16.4 x 16.6 x 4.8 cm Provenance: Wagonfeld Collection; Waddington's April 2009

221
Basil Tatanniq Aptanik (1952-)
BAKER LAKE Mother and Child c. 1980, stone, signed in syllabics, 6.75 x 3.5 x 4.5 in, 14.6 x 9 x 10.8 cm Provenance: Pruzansky Collection; Spirit Wrestler Gallery

222
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother Softening a Skin 1988, stone, signed in syllabics, 11.25 x 9.25 x 4.5 in, 28.4 x 23.5 x 11.3 cm Provenance: Wagonfeld Collection; Waddington's June 1993

223
Simon Kasudluak (1925-d)
INUKJUAK (PORT HARRISON) Man Constructing a Kayak c. late 1960s, stone, signed in syllabics and with disc no., 8.75 x 17.5 x 6.25, 22.3 x 44.3 x 15.8 cm Provenance: Albrecht Collection; Alaska on Madison

224
Possibly Eli Elijassiapik (1936-)
INUKJUAK (PORT HARRISON) Two Hunters Cutting a Skin early 1960s, stone and ivory, 6.25 x 13.5 x 6 in, 15.9 x 34.5 x 15.3 cm Provenance: Pruzansky Collection; Waddington's May 2008

225
Pauloosie Kanaju (1937-)
PUVIRNITUQ Man and Seal 1973, stone, signed "KANAYOOK" and dated, 9 x 9.75 x 9.75 in, 22.8 x 25.3 x 25.7 cm Provenance: a succession of Toronto corporate collections; Waddington's March 1980

226
Jimmy Inarulik Arnamissak (1946-2003)
INUKJUAK (PORT HARRISON) Nursing Mother Cutting Up a Seal 1975, stone, signed "Jimmy Smith" and dated, 12 x 11.75 x 6.25 in, 30.5 x 29.6 x 16 cm Provenance: a succession of Toronto corporate collections

227
Unidentified Artist
PANGNIRTUNG Harpoon Hunter early 1970s, whale bone, 22.25 x 17.5 x 11.5 in, 56.6 x 44.7 x 29.3 cm Provenance: a succession of Toronto corporate collections

228
Possibly Sakkiassee Anaija (1913-1980) m.
TALOYOAK (SPENCE BAY) Shaman and Bird Helping Spirit c. 1968-70, whale bone, 5.75 x 6 x 4.75 in, 14.4 x 15.3 x 12 cm Provenance: a Toronto area private collection

229
Unidentified Artist
POSSIBLY PANGNIRTUNG Mother and Child early 1970s, whale bone, 21.25 x 8.5 x 7.25 in, 53.8 x 21.5 x 18.5 cm Provenance: a succession of Toronto corporate collections

230
Peter Ahlooloo (1908-d)
ARCTIC BAY Crouching Polar Bear mid 1950s, whale bone, signed with disc no., 2.5 x 7.5 x 2.75 in, 6.4 x 16.7 x 7 cm Provenance: a Quebec private collection

231
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear c. 1970, whale bone, 8.5 x 5.5 x 4 in, 21.4 x 14 x 10.1 cm Provenance: an Ottawa private collection

232
Pootoogook Qiatsuk (1959-) m.
CAPE DORSET Composition: Hunter, Bear and Caribou c. mid-late 1980s, stone and antler, signed in syllabics, 18 x 15.25 x 8 in, 45.7 x 38.7 x 20 cm Provenance: Pruzansky Collection; Waddington's Nov. 2000

233
Ashevak Tunnillie (1956-) m.
CAPE DORSET Bear-Spirit Woman with Water Pail 1995, stone, signed in syllabics and dated, 13.75 x 9.75 x 8.75 in, 34.8 x 24.5 x 22.3 cm Provenance: Pruzansky Collection; Art Space Gallery

234
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Drum Dancer c. 1995-97, stone and antler, 16.25 x 24.75 x 9.75 in, 41.2 x 41.2 x 63.1 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

235
Shorty Killiktee (1949-1993) m.
KIMMIRUT (LAKE HARBOUR)/CAPE DORSET Hawk 1992, stone, signed in syllabics and dated, 15.5 x 9.5 x 5.75 in, 39.5 x 24 x 14.5 cm Provenance: Pruzansky Collection

236
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Seal c. 1970, stone, signed "HENRY EVALUARDJUK", 2 x 6.25 x 2 in, 4.8 x 15.8 x 5 cm Provenance: Pruzansky Collection; Galerie Elca London

237
Samwillie Amidlak (1902-1984) m.
INUKJUAK (PORT HARRISON) Bird mid-late 1950s, stone, signed "SAMWILLIE" and with disc no., 4 x 4.25 x 3 in, 10 x 10.8 x 7.6 cm Provenance: a Quebec private collection

238
Lucassie Oqaituq (1921-d) m.
SANIKILUAQ Resting Dog c. 1965, stone, signed in syllabics and with disc no., 3.25 x 6.75 x 4 in, 8.5 x 17 x 9.6 cm Provenance: a Quebec private collection

239
Peter Pitseolak (1902-1973)
CAPE DORSET Polar Bear late 1960s, stone, signed in syllabics, 2.75 x 4.5 x 1.25 in, 7 x 11.4 x 3.4 cm Provenance: Pruzansky Collection; Waddington's May 2006

240
Joanassie Qayuaryuk (1928-d) m.
CAPE DORSET Fox c. 1960, stone, signed in syllabics and with disc no., 1.75 x 3.5 x 2 in, 4.6 x 9 x 5.3 cm Provenance: a Quebec private collection

241
Geeshee Akulukjuk (1945-) m.
PANGNIRTUNG Loon early 1960s, stone, signed in syllabics and with disc no., 3.5 x 5 x 1.5 in, 8.9 x 12.8 x 3.8 cm Provenance: a Quebec private collection

242
John Kavik (1897-1993)
RANKIN INLET Pot with Human and Animal Figures late 1960s, glazed ceramic, 6.5 x 4 x 5.25 in, 16.3 x 10.4 x 13.5 cm Provenance: an American private collection; The Shop, Minneapolis

243
Yvo Samgushak (1942-) m.
RANKIN INLET Dog-Woman late 1960s, glazed ceramic, signed in syllabics and with disc no., 5.25 x 3.25 x 3.75 in, 13.3 x 8.2 x 9.5 cm Provenance: Estate of Peter Murdoch, Montreal

244
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Three Faces stone, c. early-mid 1970s, signed in syllabics and with disc no., 7.25 x 5.5 x 10 in, 18.4 x 13.6 x 25.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery

245
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Shaman Initiate and Worm 1970, antler and colour, signed in syllabics, 5 x 6 x 1 in, 13.1 x 15.1 x 2.5 cm Provenance: Balshine Collection

246
Olive Mamak Innakatsik (1915-1994)
BAKER LAKE Ajagaq Game with Faces early 1970s, antler and sinew, main section: .75 x 3.5 x 1 in, 2.1 x 8.8 x 2.5 cm Provenance: a prominent Toronto private collection

247
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family mid 1970s, stone, 2.5 x 3.75 x .75 in, 6.4 x 9.5 x 2.2 cm Provenance: an American private collection; The Shop, Minneapolis

248
Marc Alikaswa (1928-2007)
ARVIAT (ESKIMO POINT) Girl with Outstretched Arms early 1980s, stone, 7 x 7 x 3.75 in, 17.2 x 18 x 9 cm Provenance: Webster Collection; purchased from the artist

249
George Arluk (1949-)
ARVIAT/RANKIN INLET/BAKER LAKE Figure early 1970s, stone, signed in syllabics, 8.75 x 4 x 3 in, 22.2 x 10.4 x 7.8 cm Provenance: a Swiss private collection

250
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Untitled (Faces) 2005, coloured pencil drawing, framed, 9 x 12 in, 22.5 x 30.3 cm Provenance: Albrecht Collection

251
Lukasi Uitanga (1917-)
PUVIRNITUQ Untitled (Man and Woman) 1961, experimental stonecut print, 45/50, framed, artist listed as "L. Weetunga," 7.75 x 10.75 in, 19.6 x 27 cm (sight) Provenance: a succession of Toronto corporate collections

252
Jacques-Nicolas Bellin (1703-1772)
PARIS Carte de la Baye de Hudson, Pour servir à l'Histoire Générale des Voyages c. 1757, copper plate map, matted, 9 x 12.25 in, 23 x 31 cm (sight) Provenance: Wagonfeld Collection; Old Map Gallery

253
John Arrowsmith (1790-1873)
LONDON Map of a Portion of the Arctic Shores of America to Accompany Captn. McClintock's Narrative 1859, 21.25 x 14.75 in, 53.8 x 37.3 cm Provenance: Wagonfeld Collection; Old Map Gallery

254
Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m.
CAPE DORSET Sea Goddess c. early 1970s, stone, 12.5 x 12.75 x 3.5 in, 31.8 x 32.4 x 8.8 cm Provenance: Pruzansky Collection; Arctic Artistry

255
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Standing Woman c. 1963-65, stone, 15.5 x 5.75 x 4.5 in, 39.4 x 14.6 x 11.5 cm Provenance: Pruzansky Collection; Waddington's May 2013; Isaacs Gallery (1960s)

256
Qaqaq (Kaka) Ashoona RCA (1928-1996) m.
CAPE DORSET Woman with Bird Helping Spirit c. 1991-92, stone, signed "KAKA A" and in syllabics, 14.25 x 10.75 x 6 in, 36.4 x 27.3 x 15 cm Provenance: an Iqaluit private collection

257
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Bear and Transforming Bear-Shaman 1974, stone, signed in syllabics and dated, 13 x 13.5 x 8 in, 33 x 34.3 x 20.4 cm Provenance: Albrecht Collection; a Montreal collection EXHIBITED AT MIA

258
Annie Michael (1935-1999)
KIMMIRUT (LAKE HARBOUR) Mother and Child 1978, stone and ivory, signed in syllabics and dated, 12 x 9 x 10.5 in, 30.4 x 22.7 x 26.5 cm Provenance: Albrecht Collection; an Ontario private collection

259
Bessie Kakagon (1914-1958)
KUGLUKTUK (COPPERMINE) Man c. 1955-57, stone, 3.75 x 3 x 2 in, 9.4 x 7.5 x 5 cm Provenance: Pruzansky Collection

260
Peggy Ekagina (1919-1993)
KUGLUKTUK (COPPERMINE) Sea Goddess c. 1970, stone, signed "PEGGY EKA", 1 x 4.5 x 1 in, 2.5 x 11.5 x 2.4 cm Provenance: Albrecht Collection; Waddington's Nov. 2006

261
Mary Evehoak Akana (1936-)
KUGLUKTUK (COPPERMINE) Hunter, Dog and Seal 1960s, stone, metal, sinew and pigment, signed "MARY EVEHOAK", 3.75 x 4 x 3.5 in, 9.4 x 10.2 x 8.5 cm Provenance: Pruzansky Collection

262
Unidentified Artist
KUGLUKTUK (COPPERMINE) OR ULUKHAKTOK (HOLMAN) Woman Preparing Fish c. 1960, stone and metal, 4.25 x 6.25 x 4.5 in, 10.7 x 16 x 11.5 cm Provenance: an Ottawa private collection

263
Unidentified Artist
POSSIBLY KUGLUKTUK (COPPERMINE) Camp Scene c. 1955, stone, ivory and sinew, 4.5 x 11.5 x 5 in, 11.4 x 29.2 x 13 cm Provenance: a Toronto private collection

264
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Bear Shaman 1995, stone and inlay, signed "ANGHIK" and dated, 13 x 12.75 x 9.75 in 33.3 x 32.4 x 25 cm Provenance: Pruzansky Collection

265
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Family 2002, stone, signed "ANGHIK" and dated, 11.75 x 7.75 3.5 in, 29.7 x 19.8 x 8.7 cm Provenance: a Montreal private collection

266
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pollution 2009, stone, signed "Bill NASOGALUAK" and dated, 9.75 x 13 x 7.25 in, 24.7 x 33 x 18.5 cm Provenance: a Toronto collection

267
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Mask 2000, stone, signed "DAVID RUBEN PIQTOUKUN" and dated, 5.5 x 2 x 4.5 in, 14.5 x 5.4 x 12 cm Provenance: Pruzansky Collection

268
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl early 1970s, stone, 11 x 8 x 6 in, 27.6 x 20 x 15 cm Provenance: a Toronto collection

269
Aoudla Pee (1920-1988) m.
CAPE DORSET Walrus Giving Birth c. 1960-62, stone, 5.5 x 11.5 x 6.5 in, 14 x 29.3 x 16.4 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; Macmillan-Bloedel Collection; Paul Duval

270
Kalai Adla (1927-d.) m.
CAPE DORSET Seal c. 1960-62, stone, signed in syllabics, 4 x 11.75 x 3.75 in, 10.3 x 27.5 x 9.4 cm Provenance: an Ottawa private collection

271
Simeonee Qayaq (1920-1971) m.
CLYDE RIVER Musing Walrus late 1960s, stone, 8.25 x 5.5 x 3.5 in, 21 x 13.7 x 8.9 cm Provenance: Webster Collection; purchased from the artist

272
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Rearing Caribou c. 1980, stone and antler, signed in syllabics and with disc no., 9.5 x 3.75 x 4 in, 24.1 x 9.8 x 10 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

273
Jacob Kadluk (1952-)
IGLOOLIK Polar Bear 2007, stone and inlay, signed "J. KADLUK" and dated, 7.75 x 14.5 x 6 in, 19.8 x 36.7 x 15.5 cm Provenance: Albrecht Collection

274
Tommy Tukpanie Sr. (1936-2013)
IQALUIT Polar Bear 1980s, stone, signed "TOMMY" and in syllabics, 4.75 x 7.75 x 3.75 in, 11.8 x 19.7 x 9.5 cm Provenance: a Quebec private collection

275
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Dancing Bear 1980s, stone, signed in syllabics, 10 x 5.75 x 3.5 in, 25.8 x 12.4 x 9.1 cm Provenance: Webster Collection; purchased from the artist

276
Johnnyboo Ulluakulluk (1923-d) m.
IQALUIT (FROBISHER BAY) Bust of a Bear c. 1980, stone, signed in syllabics, 7.25 x 6.75 x 7.75 in, 18.4 x 17.3 x 19.5 cm Provenance: Webster Collection; purchased from the artist

277
Attributed to Mannumi Shaqu (1917-2000) m.
CAPE DORSET Bear early 1970s, stone, 6 x 12.25 x 4 in, 15.3 x 31.2 x 10.3 cm Provenance: a Montreal private collection

278
Towatuga Sagouk (1934-1996) m.
IQALUIT (FROBISHER BAY) Standing Woman 1970s, stone, 13.25 x 7.5 x 3.5 in, 33.3 x 16.5 x 8.6 cm Provenance: Webster Collection; purchased from the artist

279
Thomassie Ohadlak (1939-d) m.
CLYDE RIVER Standing Woman 1960s, stone, signed in syllabics and with disc no., 8.75 x 3.75 x 2.5 in, 19.8 x 9.3 x 6.5 cm Provenance: Webster Collection; purchased from the artist

280
Manno (1923-1973) m.
CAPE DORSET/IQALUIT (FROBISHER BAY) Family mid 1960s, stone, signed "MANNO" and with disc number, 6.5 x 6.25 x 3.75 in, 16.5 x 15.6 x 9.5 cm Provenance: a Montreal private collection

281
Omalluq Oshutsiaq (1948-2014)
CAPE DORSET Birthing Scene 1987, stone, signed in syllabics, 3 x 6.75 x 6.5 in, 7.8 x 17.2 x 16.5 cm Provenance: a Toronto area private collection

282
Unidentified Artist
KIMMIRUT (LAKE HARBOUR) Standing Couple early 1960s, stone and pigment, 7 x 5.75 x 3 in, 18.1 x 14.6 x 7.5 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

283
Unidentified Artist
POSSIBLY SALLUIT (SUGLUK) OR KANGIQSUJUAQ (WAKEHAM BAY) Bear and Seal late 1950s, stone, 3 x 8.25 x 3.5 in, 7.2 x 21 x 8.6 cm Provenance: an Ottawa private collection

284
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Mother and Child early 1980s, stone, 4.5 x 2.5 x 2.25 in, 11.4 x 6.4 x 5.5 cm Provenance: an Ottawa private collection

285
Jeannie Shauk (1920-d)
KUUJJUARAAPIK (GREAT WHALE RIVER) Composition: Two People and Two Seals 1970s, stone, 6.25 x 4.5 x 4 in, 15.9 x 11.4 x 10.1 cm, signed in syllabics Provenance: a Montreal private collection

286
Unidentified Artist
PROBABLY SALLUIT (SUGLUK) Standing Man early-mid 1950s, stone and graphite, 4.5 x 2.75 x 1.5 in, 11.5 x 7.3 x 3.6 cm Provenance: Pruzansky Collection; Walker's Nov. 2000

287
Joy Kiluvigyuak Hallauk (1940-2000)
ARVIAT (ESKIMO POINT) Muskox c. 1968-72, stone, signed in syllabics, 4 x 5.75 x 2 in, 10.2 x 14.5 x 4.8 cm Provenance: an Ottawa private collection

289
Malaya Korgak (1923-d) f.
IQALUIT (FROBISHER BAY) Kneeling Mother and Children 1960s, stone, signed "MALAEYA" and with disc no., 3.5 x 6.5 x 1 in, 9 x 16.5 x 2.7 cm Provenance: Webster Collection; purchased from the artist

290
Annie Niviaxie (1930-1989)
KUUJJUARAAPIK (GREAT WHALE RIVER) Mother and Child late 1970s, stone and ivory, signed in syllabics, 6.25 x 3 x 3 in, 15.7 x 7.5 x 7.7 cm Provenance: an Ottawa private collection

291
Natar Ungalaaq (1959-) m.
IGLOOLIK Muskox 1983, stone and hide, signed "NATAR U" and dated, 2.25 x 3.5 x 1.75 in, 5.8 x 9.1 x 4.5 cm Provenance: Balshine Collection

292
Maria Tuitark
EASTERN CANADIAN ARCTIC (POSSIBLY IQALUIT) Legend of Lumaaq c. 1980s, antler, 2.25 x 3 x 1 in, 5.7 x 7.6 x 2.5 cm Provenance: a Toronto private collection

293
Pudloo Josephie (1931-) m.
IQALUIT (FROBISHER BAY) Pendant (Mother and Child) early 1980s, ivory and stone, signed in syllabics, 1.25 x 2.25 x .5 in, 3 x 5.3 x 1.5 cm Provenance: Webster Collection; purchased from the artist

294
Maudie Rachel Okittuq (1944-)
TALOYOAK (SPENCE BAY) Totem: Owl and Seal c. 1990, ivory and stone, signed in syllabics, 4.25 x 2 x 2.25 in, 10.7 x 5 x 5.7 cm Provenance: a Toronto private collection

295
Pauloosie Tukpanie (1960-2017) m.
IQALUIT (FROBISHER BAY) Polar Bear c. 1980, stone, signed "PAUL" and in syllabics, 1.5 x 1.75 x 1.5 in, 3.7 x 4.5 x 3.7 cm Provenance: Webster Collection; purchased from the artist

296
Unidentified Artist
POSSIBLY PANGNIRTUNG Shaman 1980s, whale bone, 5.25 x 10.5 x 6 in, 13.3 x 26.7 x 15.2 cm Provenance: a Toronto collection

297
Unidentified Artist
GREENLAND Mask c. 1970, wood and teeth, inscribed: "Umelik", 10 x 5.75 x 2.25 in, 25.3 x 14.7 x 5.7 in Provenance: Balshine Collection

298
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Woman Carrying a Child c. 1948, ivory, 4.75 x 2.75 x 1.5 in, 12.2 x 5.5 x 4 cm Provenance: Balshine Collection

299
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Shaman Wearing a Bearskin c. 1948, ivory, 3.5 x 1.5 x 2.5 in, 9.1 x 3.8 x 6.6 cm Provenance: Balshine Collection

300
Aron Kleist (1923-1989)
QAQORTOQ (JULIANEHAB), GREENLAND Bird Angakok ivory, signed AK", 4.5 x 3.75 x 2.25 in, 11.4 x 7 x 5.6 cm Provenance: a Montreal private collection

301
Cecilie Kleist (1948-1987)
QAQORTOQ (JULIANEHAB), GREENLAND Tornak Drum Dancer 1973, ivory, signed "C.K.", 4.25 x 3 x 2 in, 10.8 x 7.9 x 4.9 cm Provenance: Balshine Collection

302
Ole Kreutzmann (1898-1983) m.
KANGAAMIUT, GREENLAND Standing Figure with Half-Beard c. 1949, ivory, signed "OK", 4.5 x 1.5 x 1.5 in, 11.7 x 3.7 x 3.6 cm Provenance: Balshine Collection

303
Unidentified Artist
Provenance: Balshine Collection

304
Unidentified Artist
TASIILAQ (AMMASSALIK), GREENLAND Seated Skeletal Figure c. 1960, ivory, 4.5 x 1 x 1.25 in, 11.4 x 2.5 x 3 cm Provenance: Balshine Collection

305
Johan Elio
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4 x 1 x 1.5 in, 10.3 x 2.3 x 3.5 cm Provenance: Balshine Collection

306
Hans Kuitse
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4.25 x 1 x 1 in, 10.9 x 2.5 x 2.7 cm Provenance: Balshine Collection

307
Unidentified Artist
GREENLAND Bear-Man Transformation c. 1972, stone, 3 x 8.5 x 2.5 in, 7.5 x 22.1 x 6.5 cm Provenance: Balshine Collection

308
Unidentified Artist
GREENLAND Two-Headed Mythical Creature c. 1972, stone, 2.75 x 8.75 x 1.5 in, 7.2 x 22.4 x 3.7 cm Provenance: Balshine Collection

309
Unidentified Artist
GREENLAND Standing Male Figure c. 1950, stone, 5.5 x 2 x 2 in, 14.3 x 5 x 5.4 cm Provenance: Balshine Collection

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Inuit & First Nations Art Auction of May 16, 2018
 Live Auction w/Online Bidding
Auction Date(s)
Wednesday May 16, 2018 Completed
Auction Location
Ottawa, ON K1V 1B8
Full Address Available on Tuesday, May 15
Company
Walker's Fine Art & Estate Auctioneers

Website: walkersauctions.com

Listing Terms and Conditions
The following are Walker's standard Terms & Sales conditions which apply to all buyers and agents intending to purchase at any sales. TERMS AND CONDITIONS 1. DEFINITIONS: The term "Auctioneer", wherever used in this catalogue, means Walker's Fine Art & Estate Auctioneers Inc. 2. PROPERTY INSPECTION: Prospective bidders should inspect the property before bidding to determine its size, condition and whether or not it has been repaired, restored or altered. We strongly recommend that all lots be viewed personally. Imperfections are not necessarily stated in any version of the auction catalogue, however, specific condition reports are provided upon request. (All statements are solely the opinion of the Auctioneer who is neither a professional restorer nor conservator). 3. ACCURACY OF INFORMATION: The Auctioneer has made a reasonable attempt to ensure accuracy in the description of every lot to be sold. However, guarantee is not made as to the correctness of the catalogue entries and no sale shall be set aside on account of any imperfections not noted. Each lot is sold on an "AS IS," "WHERE IS" basis. 4. BID INCREMENTS: Prospective buyers are required to know and understand the bid increment schedule below, before bidding on any lot. The auctioneer may vary the increments at his/her direction. BID RANGE -- > BID INCREMENT $0 - $100 -- > $10 $100 - $500 -- > $25 $500 - $1,000 -- > $50 $1,000 - $2,000 -- > $100 $2,000 - $5,000 -- > $250 $5,000 - $10,000 -- > $500 $10,000 - $20,000 -- > $1,000 $20,000 - $50,000 -- > $2,500 $50,000 - $100,000 -- > $5,000 $100,000 - $200,000 -- > $10,000 $200,000 and above -- > $20,000 5. AUCTIONEER'S RIGHTS: a) All bids are per lot as listed in the catalogue. However, the Auctioneer reserves the right to divide or join lots, without prior warning, as they may see fit upon announcement of same. b) The Auctioneer reserves the right to withdraw or add to the items as listed in prepared catalogues without notice. c) The Auctioneer has the right to advance the bidding at their absolute discretion. The highest bidder is to be deemed the Buyer. If a dispute arises, the Auctioneer may, at their discretion, resell the lot or announce a decision immediately. d) The Auctioneer may refuse to accept a bid from any individual or party at their absolute discretion. e) The Auctioneer has the right to restrict attendance or participation in the auction rooms or during preview or to any party without explanation. f) The Auctioneer shall have the right to bid or commission their staff to bid on behalf of any consignor up to the reserve price if applicable, but not above. 6. TITLE: Title to the offered lot immediately passes to the highest bidder upon full payment by the Buyer to the Auctioneer; however, the Buyer assumes full risk and responsibility from the fall of the auction hammer. 7. FAULTS AND DEFECTS: All lots are sold by the Auctioneer with all faults and defects, with all errors of description and are to be paid for whether genuine and authentic or not. No compensation shall be paid for same. Frames on artwork are not included as part of purchase or condition. The auctioneer does not warrant the condition or availability of frames or any associated glass. 8. DETERMINATION OF FORGERY: Notwithstanding the previous conditions of sale, if within (14) fourteen days after the auction the Buyer gives notice in writing to the Auctioneer that the lot sold is a deliberate forgery and within (7) seven days of such notification the Buyer returns the same to the Auctioneer in the same condition as at the time of sale and satisfies the Auctioneer that the claim is justified, pursuant to any special requests the Auctioneer may make, then the sale of the lot will be rescinded and the purchase price, Buyer's premium & sales tax on the purchase price of the same will be refunded. All action and decisions made by the Auctioneer are final and will not be influenced by the opinion of either the seller or Buyer. (All packing, handling, customs fees, taxes, insurance, valuations, opinions, lodging or travel directly or indirectly related to any returned & refunded lots will be the sole responsibility of the Buyer and no compensation will be paid for same). Any judicial proceedings deemed necessary to resolve a dispute or claim will be settled in the Province of Ontario, jurisdiction of Ottawa. 9. BUYER'S PREMIUM: Each lot is sold subject to a Buyer's premium payable by all Buyers in addition to the purchase price. This premium is expressed as a percentage of the purchase(hammer) price and varies according to type of auction and whether bidding is live, absentee, telephone or by internet. Refer to either our website or the absentee bid form for the specific auction to determine the actual amount of the Buyer's premium. This premium is also announced by the Auctioneer at the start of each auction. 10. SALES TAXES: The Buyer must pay Ontario Harmonized Sales Tax (HST - 13%) on the total purchase price (aggregate of hammer price & Buyer's premium) if the Buyer takes possession of their purchase at the time of the auction, or if they are resident in Ontario and have their purchase shipped to a location in Ontario, or if they pick up their purchase at the Auctioneer's offices in Ottawa after the sale. If the Buyer is from another province in Canada and have their purchase shipped to them by registered carrier, then the appropriate HST/GST (Goods and Services Tax) applicable to their province will be charged. Buyers not resident in Canada are exempt from paying HST or GST on the purchase price of property IF the lot(s) is shipped by registered carrier directly from the Auctioneer to the Buyer's address outside of Canada. 11. 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It is the Buyer's responsibility to obtain the required permit(s). No sale shall be rescinded if a Cultural Property Export Permit cannot be obtained. Without limitation, and further to the terms of paragraph 12 above, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). Based on certain criteria including, but not limited to, value and the length of time in which an object has been in Canada, a Cultural Property Export permit may be required in order to temporarily or permanently export an object from Canada. The buyer must pay for all purchases whether an export permit is issued or declined. 14. RESTRICTED MATERIALS: Under the Convention on International Trade in Endangered Species of Wild Fauna and Flora Agreement (CITES), items offered for sale which contain restricted materials such as ivory, tortoiseshell, whalebone, sealskin, rhinoceros horn or other animal parts are not allowed by law to leave Canada or to be imported to most countries. It is the Buyer's responsibility to verify whether this restriction applies to their purchases prior to bidding. No sale shall be rescinded if the Buyer is remiss in this regard. You must ensure that you have reviewed your country's laws before you purchase or ship any works made from, or containing parts made from these restricted materials. It is your responsibility to obtain any necessary permits. No sale shall be rescinded if a permit (CITES or otherwise) cannot be obtained. We encourage you to visit the CITES website www.cites.org. If you wish us to apply for a CITES permit on your behalf after the auction, there is a $50 charge for each application. Submitting an application does not guarantee the issuance of a CITES permit. 15. DIGITAL IMAGES: Colour balance may vary with the digital photos posted to any of our online auction catalogues. We strongly recommend inspecting the object in person as you will notice a variance. 16. ESTIMATES: Pre-sale auction estimates are educated approximations based upon the sale of similar items. These are not necessarily selling prices, as the final bid may be above or below any estimate. 17. LIABILITY: Persons attending a preview, the auction or collecting goods, assume all risks of damage of or loss to person and property and specifically release the Auctioneer from liability. Neither the Auctioneer nor his principle shall be liable by reason of any defect in or condition of the premises on which the sale is held. 18. REGISTRATION: All bidders are required to provide full name, address, phone number(s) and postal code in addition to government issued photo identification. The registrant is fully and solely responsible for all bids placed using their bidding number. Registered Buyers are not permitted to bid for third parties or to transfer purchased lots from one account to another. The Auctioneer reserves the right to determine credit worthiness prior to registering a Buyer and may require banking or credit information and/or credit card information when doing so. 19. REMOVAL OF GOODS: Once the Buyer's account is settled, the Buyer then has the responsibility for the removal of their purchases. This transaction is separate from the purchase transaction. The Auctioneer may provide assistance to the buyer with packing or removing goods from the auction floor once sold but we are not responsible for any damage which may occur during that time. Clients are further advised that removal of large furniture, rugs, sets of china and crystal, large paintings, etc. may only be removed at the end of the sale session. It is the responsibility of the buyer to bring sufficient wrapping material and boxes, etc. In the event of fire or theft of goods the Auctioneer's liability will be to the amount of the hammer price only. All purchases must be removed from the Auctioneer's premises within ten (10) days of the date of the sale. After this time, storage charges in the amount of $5 per lot per day will accrue and other charges may be incurred. We are not responsible for the security of goods left after the removal deadline. 20. PACKING and SHIPPING OF GOODS: The Auctioneer offers a packing and shipping service as a beneficial service to its Buyers. This is an optional service and Buyers should feel free to have others handle their packing and shipping needs provided the purchased item(s) are picked up within tem (10) working days of the date of sale. Our packing and shipping service is provided on a 'Best Efforts' basis and turnaround times will vary depending on the volume of lots sold during the various times of the year. There will be fees for this service and the Auctioneer or handler will proceed only at the Buyer's risk and expense. Please inquire directly with the Auctioneer for a packing/shipping/insurance estimate prior to sale. All estimates are provided on a best-efforts basis and the actual packing and shipping charge may be greater or less than the estimate. There is a minimum charge of $30 plus applicable sales taxes per shipment. Customs duty, sales taxes and brokerage fees as assessed by Government or third party firms are separate from any shipping quote the Auctioneer may provide and are the sole responsibility of the Buyer. For international shipments leaving Canada, WALKERS will only state the actual value of an item on Customs documentation. It is illegal in Canada to declare a false value for an item knowing the item has a higher value (as shown by recent sale). Lots damaged in transit as a result of Customs or Government inspection or improper repacking are not covered by any insurance offered by the Auctioneer or shipper regardless if insurance has been paid for or not. All shipping inquires should be directed to: shipping@walkersauctions.com. 21. ABANDONMENT: It is a Buyer's responsibility to either pick up their item(s) within ten (10) days of the date of sale, or to arrange shipping of their item(s) with our shipping department or using a shipper of the Buyer's choice. In the event purchased item(s) are still in our warehouse and in our possession six (6) months after the auction end date, regardless of payment being received or not, the item(s) will be considered to be 'abandoned' and 'surrendered' to the Auctioneer. The Auctioneer shall have the right to sell or donate the item(s) as he sees fit with any proceeds from sale going to the account of the Auctioneer. 22. CONSIGNOR COVENANT: On no account is a consignor of goods to Auctioneer, allowed to bid on his or her own merchandise. 23. CONDITION STATEMENTS: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition reports/statements are provided by request as a courtesy to Walker's clients and should be considered as an opinion only. Walker's are not professional conservators and no warranty is expressed through issuing condition statements. Prospective bidders are encouraged to inspect objects personally or have their conservator inspect objects on their behalf. All lots are offered for sale subject to Walker's conditions of business. 24. JURISDICTION: Ontario law applies and jurisdiction and venue over all disputes involving these Terms and Conditions shall be adjudicated at Ottawa, Ontario, Canada. 25. ACKNOWLEDGEMENT: All bidders and others attending this sale agree that they have read and have full knowledge and understanding of these Terms and Conditions of Business, and agree to be bound by same. --- Revised: November 17, 2017 ---
Walker's is pleased and proud to present our fourteenth collection of Inuit and First Nations art, Wednesday, May 16, 2018 in Ottawa. It's another terrific selection of works gathered from North American and European collections. We are happy to offer more masterpieces from several important American collections including the Albrecht Collection in Scottsdale, the Sam Wagonfeld Collection in Denver and the Joshua Pruzansky Collection in New York, as well as collections from Chicago, Minneapolis and other cities. We are also pleased to offer important works from Canadian collections including the estate of Peter Murdoch. In 1947, at the tender age of eighteen, Murdoch began a ten-year career as a Hudson's Bay Company trading clerk and manager in several Arctic communities, managed the Patient Rehabilitation Centre in Frobisher Bay in the early 1960s (where many Inuit began carving), and devoted the rest of his life to building and nurturing FCNQ, the co-operative federation in Nunavik (Arctic Quebec). Peter Murdoch was inducted into the Order of Canada in 2015. Another collection of note is from the estate of the renowned pharmacologist Mark Nickerson, who came to Canada as a political refugee from the U.S. in the 1950s. He created one of the North America's foremost departments of Pharmacology at the University of Manitoba, befriended George Swinton, and became an enthusiastic Inuit art collector. We are truly grateful to all of our Canadian and international consignors. The Inuit auction highlights are almost too numerous to mention. They include a rare and lively Boat with Hunters and Dogs by Joe Talirunili; the gorgeous and important large Untitled hanging by Jessie Oonark; a brilliant Figure by Karoo Ashevak; a fabulous Owl-Bear by Latcholassie; the stunning Owl and Walking Caribou by Osuitok Ipeelee; a powerful Salluit Mother Nursing a Child by Mary Irqiquq Sorusiluk; the imposing Janus-Faced Head by John Tiktak; a compelling Dancing Bear by Pauta Saila; two important early sculptures by Henry Evaluardjuk; an outstanding Mother and Two Children by Johnny Inukpuk; an important early Mother and Child by Judas Ullulaq; a riveting Mother and Child by an anonymous Inukjuak master; the wonderful Umiaq Adventure by Davidialuk; important sculptures by Luke Iksiktaaryuk, John Tiktak, John Kavik, John Pangnark, Lucy Tasseor and Jackoposie Oopakak; superb early Cape Dorset graphics by Kenojuak, Sheouak, Pudlo and Qabaroak; lovely Baker Lake drawings by Luke Anguhadluq, Oonark and others; beautiful textile hangings and a beaded amautiq; and terrific contemporary drawings and sculptures. First Nations highlights include a varied and important selection of paintings by Norval Morrisseau, including Onaman Beaver Blood Legend and Legendary Animals (both c. 1965) and Looking Above Oneself c. 1980; a rare, early and stunning Haida figural argillite composition c. 1830-1850; an important Haida model canoe with figures from the 1890s; a moving religious-themed Tlingit pole from the 1870s; and other lovely historical and contemporary sculptures and paintings. We offer our sincere thanks to the many collectors who support our efforts to bring Canadian Inuit and First Nations art to the world. We hope that you will enjoy viewing and reading this latest catalogue. Your questions, comments and suggestions are always welcome. Please feel to contact me anytime. Ingo Hessel Head, Inuit & First Nations Art ingo@walkersauctions.com 1.613.818.2100

1
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Bear Climbing a Boulder c. late 1970s, stone, signed "HENRY" and in syllabics, 4.25 x 3.75 x 2.75 in, 11 x 9.7 x 7 cm Provenance: an Ottawa private collection

2
Qavaroak Tunnillie (1928-1993) m.
CAPE DORSET Spirit 1973, stone, 3 x 5 x 1.75 in, 7.2 x 12.6 x 4.4 cm Provenance: a Montreal private collection

3
Unidentified Artist
SANIKILUAQ Composition with Three Birds c. 1950-52, stone, ivory, inlay and pigment, 3.75 x 9 x 2.75 in, 9.5 x 23 x 7.5 cm Provenance: a prominent Toronto private collection

4
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1960s, stone and antler, signed in syllabics, 3.5 x 4.75 x 5.25 in, 9.5 x 12 x 13.4 cm Provenance: an Ottawa private collection

5
Unidentified Artist
SANIKILUAQ Dog c. 1950, stone and inlay, 2 x 4 x 1 in, 4.8 x 10 x 2.8 cm Provenance: a prominent Toronto private collection

6
Possibly Pauta Saila RCA (1916-2009) m.
CAPE DORSET Polar Bear 1950s or earlier, ivory, 2 x 4 x 1 in, 5.2 x 9.8 x 2.7 cm Provenance: an Ottawa private collection

7
Possibly Syollie (Sarollie) Weetaluktuk
(1906-1962) m. INUKJUAK (PORT HARRISON) Rearing Polar Bear early 1950s, stone and ivory, 7.75 x 3 x 2.75 in, 19.4 x 7.8 x 7.3 cm Provenance: a prominent Toronto private collection

8
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 1970, stone, signed in syllabics, 4.25 x 3 x 1.75 in, 10.5 x 7.8 x 4.6 cm Provenance: a Toronto area private collection; Innuit Gallery of Eskimo Art; ex collection of Razie Brownstone

9
Unidentified Artist
INUKJUAK (PORT HARRISON) Bird at its Nest c. 1950-51, stone, ivory and soap inlay, 2 x 5.5 x 8.5 in, 5.1 x 14.2 x 21.3 cm Provenance: an Ottawa private collection

10
Sharky Nuna (1918-1979) m.
CAPE DORSET Mother Kissing Her Child c. 1960, stone, signed in syllabics, 6 x 3 x 5.25 in, 15.3 x 7.3 x 13.5 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

12
Aisapik Quma Igauja (1915-1979) m.
PUVIRNITUQ Resting Bird early 1960s, stone, signed "ISAPIK" and with disc no., 3.25 x 8 x 3 in, 7.9 x 19.9 x 7.7 cm Provenance: a Montreal private collection

13
Aibilie Echalook (1940-) m.
INUKJUAK (PORT HARRISON) Standing Caribou c. 1960, stone and antler, signed in syllabics and with disc no., 5.25 x 9.5 x 3.5 in, 13.3 x 24 x 8.7 cm Provenance: Nickerson Collection; purchased from George Swinton

14
Unidentified Artist
POSSIBLY KANGIQSUJUAQ (WAKEHAM BAY) Hunter c. mid 1950s, stone and ivory, 6.5 x 4.25 x 3.5 in, 16.4 x 10.5 x 9.1 cm Provenance: Pruzansky Collection

15
Unidentified Artist
INUKJUAK (PORT HARRISON) OR PUVIRNITUQ Seated Man early-mid 1950s, stone, 3 x 2 x 1.25 in, 7.7 x 5.1 x 3 cm Provenance: Balshine Collection

16
Possibly Levi Amidlak (1931-1998)
INUKJUAK (PORT HARRISON) Standing Man early-mid 1950s, stone and soap inlay, 2.5 x 1.25 x 1 in, 6.5 x 3.3 x 2.6 cm Provenance: an Ottawa private collection

17
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET The Return of the Sun 1961 #81, stonecut print, 24/50, 24 x 30 in, 60.7 x 75.8 cm Provenance: an Ottawa private collection

18
Egevadluq Ragee (1920-1983) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Two-Faced Sea Spirit 1960 #7, stonecut print, framed, 8 x 12.5 in, 20.5 x 32 cm (sight) Provenance: an Ottawa private collection

19
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Arctic Shore Birds 1959, stencil print, 20/30, framed, 15.25 x 13.75 in, 38.5 x 35 cm (sight) Provenance: an Ottawa private collection

20
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Fish and Spear 1961 #20, stencil print, 48/50, framed, 19 x 25.25 in, 48 x 64.1 cm Provenance: a Montreal private collection

21
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Owl mid 1960s, stone, 7.25 x 6.25 x 3.75 in, 18.5 x 15.5 x 9.8 cm Provenance: an Ottawa private collection

22
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Umiaq Adventure c. 1970-72, stone and antler, signed in syllabics, 6.25 x 5.5 x 4.25 in, 15.3 x 14 x 10.7 cm Provenance: Estate of Peter Murdoch, Montreal

23
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Walking Bear early-mid 1960s, stone, signed in syllabics, 7.5 x 13.25 x 5.5 in, 19.1 x 33.5 x 14 cm Provenance: an Ottawa private collection

24
Dominic Kingilik (1939-1990)
BAKER LAKE Owl 1963, stone, antler, metal and pigment, 6.25 x 5.5 x 5 in, 15.8 x 13.8 x 12.7 cm Provenance: Albrecht Collection; Feheley Fine Arts

25
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Birds 1974, stone, signed in syllabics and dated, 10 x 7.5 x 2.5 in, 25.4 x 19 x 6.4 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

26
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother and Child mid-late 1970s, stone, signed in syllabics and with disc no., 6.25 x 6.75 x 6.25 in, 16 x 17.4 x 15.7 cm Provenance: a Montreal collection

27
Victoria Mamnguqsualuk (1930-2016)
BAKER LAKE Legend of Qiviuq c. early 1990s, wool stroud, felt and embroidery floss, signed in syllabics, 37 x 59 in, 94 x 150 cm

28
Mary Kuutsiq (1926-2011)
BAKER LAKE All Eyes on Fishing 2009, wool duffel, felt and embroidery floss, signed in syllabics, 34.5 x 28.25 in, 87.5 x 72 cm Provenance: an Ottawa private collection

29
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1975, graphite, coloured pencil and felt pen drawing, signed in syllabics, 22.25 x 30 in, 56.3 x 76.3 cm Provenance: a Swiss private collection

30
Luke Anguhadluq (1895-1982)
BAKER LAKE Untitled early 1970s, graphite and coloured pencil drawing, framed, signed in syllabics and with disc no., 29.25 x 21.5 in, 74.4 x 54.7 cm (sight) Provenance: a Swiss private collection

31
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Multi-Feathered Bird 1961 #43, stonecut print, 19/50, 13 x 24 in, 32.5 x 61 cm Provenance: an Ottawa private collection

32
Pudlo Pudlat (1916-1992) m.
PRINTMAKER: EEGYVUDLUK POOTOOGOOK (1931-1999) m., CAPE DORSET Caribou Chased by Wolf 1961 #18, stencil print, 1/50, 19 x 25.5 in, 48 x 64.7 cm Provenance: Albrecht Collection

33
Qabaroak Qatsiya (1942-) m.
ELIJAH POOTOOGOOK (1943-), CAPE DORSET Two Men Discussing Coming Hunt 1961 #44, stencil print, 36/50, framed, 20 x 26.25 in, 50.7 x 66.7 cm Provenance: a Montreal private collection

34
Sheouak Petaulassie (1923-1961) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Dog and Seagull 1961 #30, stencil print, 5/50, framed, 18.75 x 25 in, 47.6 x 63.7 cm Provenance: a Montreal private collection

35
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Figure 1972-73, whale bone and inlay, signed in syllabics, 16.25 x 13.75 x 7.75 in, 41.3 x 34.8 x 19.9 cm Provenance: a Montreal private collection; Lippel Gallery, Montreal

36
Luke Iksiktaaryuk (1909-1977)
BAKER LAKE Travelling Figures early 1970s, antler and metal, 9.25 x 12.75 x 5.75 in, 23.5 x 32 x 14.7 cm Provenance: a Montreal collection

37
Jacob Irkok (1937-2011)
ARVIAT (ESKIMO POINT) Fisherman 2007, antler and cord, main section: 13 x 15 x 10.75 in, 33 x 38.3 x 27 cm Provenance: Albrecht Collection; purchased from the artist

38
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Composition: Spirits c. early 1990s, antler, 12.5 x 21 x 10 in, 31.75 x 53 x 25.5 cm Provenance: a Toronto collection

39
Elisapee Kingaruyak Alareak (1943-)
ARVIAT (ESKIMO POINT) Beaded Amautiq c. 2000, wool duffel, wool stroud, fabric trim, beads, fringe, yarn, ribbon and thread, 46 x 27 x 17 in, 117 x 69 x 43 cm (as shown) Provenance: Albrecht Collection

40
Norval Morrisseau CM (1931-2007)
ANISHNAABE Looking Above Oneself c. 1980, acrylic on canvas, signed in syllabics, 48 x 40 in, 122 x 101.5 cm Provenance: Webster Collection, Iqaluit; Leona Lattimer Gallery

41
Unidentified Artist
TLINGIT, SITKA SOUND, ALASKA HAIDA Model Totem Pole c. 1870-1880, wood (probably alder) and paint, 17.25 x 3.5 x 2.75 in, 44 x 8.9 x 6.5 cm (verso ink inscription: 49223 Sitka JJMcLean, also inscribed: A 128) Provenance: a succession of Toronto corpo...

42
Unidentified Artist
HAIDA Two Figures: Man and Boy c. 1830-1850, argillite, 7.5 x 6 x 2.25 in, 19.3 x 15.2 x 5.8 cm Provenance: a B.C. private collection

43
Attributed to Alfred Davidson
HAIDA, MASSET Canoe Model with Three Figures c. 1890-1900, wood (probably alder) and paint, 5.75 x 18.75 x 14.5 in, 14.9 x 47.8 x 36.8 cm Provenance: a Quebec City private collection

44
Unidentified Artist
HAIDA Pipe with Kneeling Figure 1880s or 1890s, argillite, 2.25 x 8.75 x 1 in, 6 x 22.5 x 2.5 cm Provenance: a Montreal private collection

45
Unidentified Artist
HAIDA Figurative Pipe c. 1850-1880, argillite, 1.5 x 7.75 x .75 in, 3.7 x 19.5 x 1.7 cm Provenance: a Montreal private collection

46
Unidentified Artist
HAIDA Platter with Dogfish and Halibut c. 1880s, argillite, .75 x 7.75 x 4.25 in, 2.3 x 19.5 x 10.8 cm Provenance: a B.C. private collection

47
Norval Morrisseau CM (1931-2007)
ANISHNAABE Onaman Beaver Blood Legend c. 1964, tempera and/or acrylic on paper, signed in syllabics, framed, 49.5 x 29.5 in, 125.7 x 75 cm (sight) Provenance: a succession of Toronto corporate collections

49
Arthur Shilling (1941-1986)
OJIBWA Self-Portrait 1974, oil on canvas board, framed, signed and dated, 29.5 x 21.5 in, 74.5 x 54.3 cm Provenance: an Ottawa private collection

50
Arthur Shilling (1941-1986)
OJIBWA Meditation (Portrait of Millie) 1977, oil on board, framed, signed and dated, 35.5 x 30 in, 90.3 x 76.3 cm Provenance: an Ottawa private collection

51
Arthur Shilling (1941-1986)
OJIBWA Landscape 1974, oil on masonite, framed, signed and dated, 29.5 x 34.25 in, 75 x 87 cm Provenance: an Ottawa private collection

52
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Shaman 1997, antler, bone, hair and hide, signed in syllabics and dated, 10 x 14 x 11.75 in, 25.6 x 35.5 x 30 cm Provenance: a Toronto collection

53
Nick Sikkuark (1943-2014)
KUGAARUK (PELLY BAY) Spirit Playing with a Whirligig (Buzz Toy) 1998, antler, muskox horn and sinew, signed in syllabics and dated, 4.75 x 6.5 x 2.5 in, 12.2 x 16.5 x 6.5 cm Provenance: Albrecht Collection; Images Art Gallery

54
Judas Ullulaq (1937-1999)
GJOA HAVEN Bear-Shaman c. 1988-90, stone, antler and muskox horn, signed in syllabics, 9.75 x 12.75 x 5 in, 24.7 x 32.4 x 12.6 cm Provenance: Albrecht Collection

55
Joe Talirunili (1893-1976)
PUVIRNITUQ Boat with Hunters and Dogs c. 1967-68, stone and ivory, 4.25 x 9.75 x 4.25 in, 11 x 24.8 x 10.8 cm Provenance: a Swiss private collection; Innuit Gallery of Eskimo Art

56
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Birds From the Sea 1960, early experimental stencil proof print, 9.75 x 11.75 in, 24.5 x 30 cm Provenance: a Toronto private collection

57
Kiakshuk (1886-1966) m.
PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Untitled [Hunting Whales] 1961; released in Cape Dorset Revisited collection (1994 #9), stone-cut print, 38/50, framed, 22.5 x 31 in, 56.8 x 78.5 cm Provenance: Wagonfeld Collection; Upstairs ...

58
Parr (1893-1969) m.
PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET Dog Teams 1963 #45, stonecut print, 26/50, 17 x 24.5 in, 43.2 x 62.2 cm Provenance: Albrecht Collection; Waddington's Nov. 2005

59
Anirnik Oshuitoq (1902-1983) f.
CAPE DORSET Animal and Bird 1964, engraving, 8/50, framed, 18 x 12.5 in, 45.5 x 31.7 cm Provenance: a Montreal private collection

60
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Bird 1963, engraving, 9/50, framed, 12.25 x 20 in, 31.2 x 50.8 cm Provenance: a Montreal private collection

61
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Dancing Bear c. 1980, stone, signed "PAOTA SAILA", 15 x 11 x 7.75 in, 38.2 x 27.8 x 19.9 cm Provenance: a prominent European private collection; Feheley Fine Arts; a Canadian private collection

62
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird with Outstretched Wings c. 1980, stone, signed in syllabics, 6.5 x 9.75 x 3.75 in, 16.7 x 24.8 x 9.8 cm Provenance: a Montreal private collection

63
Toonoo Sharky RCA (1970-) m.
CAPE DORSET Bird Spirit 1998, stone and inlay, dated and signed "TOONOO SHARKY" and in syllabics, 8 x 9.75 x 10.25 in, 20.3 x 24.7 x 25.9 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

64
Eegyvudluk Pootoogook (1931-1999) m.
CAPE DORSET Muskox c. 1960-61, stone, 5.5 x 8.75 x 3.25 in, 14 x 22.2 x 8.2 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

65
Lukta Qiatsuk (1928-2004) m.
CAPE DORSET Standing Bird 1980, stone, signed in syllabics, 11.5 x 8.5 x 3 in, 29.2 x 21.4 x 7.8 cm Provenance: a Montreal private collection

66
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl-Bear Transformation c. 1970, stone, 8.5 x 6 x 10.5, 21.4 x 14.9 x 26.6 cm Provenance: a Montreal private collection

67
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKERS: PITSEOLAK NIVIAQSI (1947-2015) m. and AOUDLA PUDLAT (1951-2006), m., CAPE DORSET Portfolio of Twelve Lithographs 1979 Special Commission, set 7/50, framed, each: 22.25 x 30.75 in, 56.5 x 78.2 cm Provenance: a Montreal private collection

68
Unidentified Artist
INUKJUAK (PORT HARRISON) Standing Woman and Child c. 1955-58, stone, soap inlay and sinew, 13.5 x 14.5 x 7 in, 34.3 x 37 x 17.8 cm Provenance: Nickerson Collection

69
Unidentified Artist
INUKJUAK (PORT HARRISON) Hunter Harpooning Walrus c. 1950-51, stone, ivory, wood, metal and soap inlay, 6.25 x 6.75 x 9.5 in, 16 x 17.4 x 24.2 cm Provenance: Pruzansky Collection; Waddington's Nov. 2011

70
Akeeaktashuk (1898-1954) or Camp of Akeeaktashuk
INUKJUAK (PORT HARRISON) Hunter with Harpoon early 1950s, stone, ivory and soap inlay, 6.75 x 4.25 x 4.5 in, 17.5 x 9.75 x 11.4 cm Provenance: Pruzansky Collection; Waddington's Nov. 1993

71
Victor Sangitsi Tongelik (1924-d)
REPULSE BAY Standing Hunter c. late 1950s, whale bone and ivory, 6.5 x 3.5 x 4 in, 16.5 x 9.5 x 10 cm Provenance: a Toronto area private collection; Waddington's; ex TD Bank Collection

72
Puhalook
ARCTIC BAY Dog and Two Arctic Hares c. 1960, whale bone, 4.25 x 7.75 x 4.75 in, 10.8 x 19.6 x 12 cm Provenance: Nickerson Collection

73
Unidentified Artist
REPULSE BAY Drum Dancer c. 1958-60, stone and antler, 5.75 x 2.5 x 3.75 in, 14.8 x 6.2 x 9 cm Provenance: Nickerson Collection

74
Lucie Angalakte Mapsalak (1931-)
REPULSE BAY Owl early 1960s, stone, signed in syllabics and with disc no., 5 x 2.5 x 3.75 in, 13 x 6 x 9.7 cm Provenance: Pruzansky Collection

75
Louise Angugatsiark Tungilik (1917-1985)
REPULSE BAY Mother Nursing a Child c. late 1960s, stone, 5.5 x 2.25 x 4.75 in, 14.5 x 5.3 x 12 cm Provenance: Pruzansky Collection

76
John Tiktak RCA (1916-1981)
RANKIN INLET Janus-Faced Head c. 1969-mid 1970s, stone, 15.5 x 13.75 x 4.75 in, 39.5 x 32.6 x 9.7 cm Provenance: an Ottawa private collection since the mid-late 1970s; by descent to a family member in the late 1990s

77
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 12.5 x 6.25 x 5.25 in, 31.7 x 15.8 x 13.3 cm Provenance: a Swiss private collection

78
Eric Niuqtuk (1937-1994)
BAKER LAKE Muskox-Shaman Mother and Child mid 1970s, stone, signed in syllabics, 12.5 x 9.25 x 7.5 in, 31.2 x 23.6 x 18.8 cm Provenance: a Montreal private collection

79
David Ikutaaq (1929-1984)
BAKER LAKE Ptarmigan c. 1966-68, signed in syllabics and with disc no., 5.75 x 7.5 x 8 in, 14.1 x 19.2 x 20.3 cm Provenance: a Quebec private collection

80
George Tatanniq (1910-1991)
BAKER LAKE Muskox c. 1972, stone and antler, signed in syllabics, 4.5 x 7.25 x 3.25 in, 11.5 x 18.5 x 8.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

81
George Tatanniq (1910-1991)
BAKER LAKE Bear stone, signed in syllabics, 4.5 x 8 x 3.5 in, 11.7 x 20.2 x 9.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2015; Albrecht Collection

82
Jessie Oonark OC RCA (1906-1985)
BAKER LAKE Untitled c. 1973-75, wool stroud, felt, embroidery floss and thread, signed in syllabics, 38.5 x 105 in, 98 x 267 cm Provenance: a Toronto area private collection

83
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early 1970s, stone, signed in syllabics, 5 x 3.5 x 6.5 in, 12.5 x 9 x 16.5 cm Provenance: a Montreal private collection

84
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Hunter and Seal c. 1971-72, stone, 3.75 x 6 x 2.5 in, 9.5 x 15.3 x 6.4 cm Provenance: a Toronto area private collection; Upstairs Gallery

85
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family early 1970s, stone, signed in syllabics, 5 x 5.5 x 3 in, 12.5 x 14 x 7.5 cm Provenance: a Montreal private collection

86
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Mother and Child 1969, stone, signed in syllabics, 4.75 x 2.25 x 3.25 in, 12.2 x 5.6 x 8.3 cm Provenance: a Quebec private collection; purchased at the Eskimo Point Co-op

87
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother and Two Children c. mid 1960s, stone, signed in syllabics and with disc no., 16.5 x 12.5 x 7.25 in, 41.8 x 32 x 18.3 cm Provenance: an Ottawa private collection

88
Isa Qumalu Sivuarapi (1925-1979) m.
PUVIRNITUQ Hunter Skinning a Wolf late 1950s, stone, 6 x 5.75 x 10 in, 15.3 x 14.3 x 25.2 cm Provenance: Wagonfeld Collection; Waddington's June 1996

89
Attributed to Charlie Sivuarapik (1911-1968)
PUVIRNITUQ Seated Hunter c. 1953-54, stone, sinew and inlay, 5.5 x 5.5 x 7.75 in, 14.2 x 14.4 x 19.7 cm Provenance: an Ottawa private collection

90
Mary Irqiquq Sorusiluk (1897-1966)
SALLUIT (SUGLUK) Mother Nursing a Child c. 1953-55, stone, signed in syllabics and with disc no., 11.5 x 5 x 9 in, 29.4 x 12.7 x 22.9 cm Provenance: an American private collection; ex collection of Dr. William Moss, Portland, Oregon

91
Noah Tatirillak Kumak (1932-d)
SALLUIT (SUGLUK) Hunter Skinning a Fox c. 1956-57, stone, signed "NOAH" and with disc no., 7 x 5.5 x 8.75 in, 18.8 x 13.7 x 22.3 cm Provenance: Nickerson Collection

92
Kululak Tayarak (1933-) m.
SALLUIT (SUGLUK) Woman Taking Off Her Boot c. 1960, stone, signed with disc no., 6.25 x 3.25 x 6 in, 15.8 x 8.3 x 13.2 cm Provenance: an Ottawa private collection

93
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Animals, People and Bear c. early 1990s, antler and stone, signed "JACKOPOSIE", 31.5 x 26 x 31 in, 80 x 66 x 78.7 cm Provenance: a Montreal collection; a prominent European collection; Arctic Inuit Art, Richmond, VA; Iqaluit F...

94
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Fox Hunter with Dog 1963, stone, signed "HENRY" and in syllabics, dated, 14.25 x 7.25 x 7 in, 36.3 x 18.6 x 17.7 cm Provenance: Estate of Peter Murdoch, Montreal; presented to him in appreciation of his work as Superintendent ...

95
Eleeshushe Parr (1896-1975) f.
CAPE DORSET Families Asleep in Igloo 1968, coloured pencil drawing, signed in syllabics, 19.75 x 25.75 in, 50.5 x 65.2 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

96
Kiakshuk (1886-1966) m.
CAPE DORSET Dog Team Hunters Pursuing Caribou c. 1960, graphite pencil drawing, framed, 15.5 x 22 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

97
Pudlo Pudlat (1916-1992) m.
CAPE DORSET Sedna in a Boat c. mid 1970s, coloured pencil drawing, framed, 18.75 x 25 in, 48 x 63.3 (sight) Provenance: Wagonfeld Collection

98
Pauta Saila RCA (1916-2009) m.
CAPE DORSET Seal Hunters on Land and Sea c. late 1960s, graphite pencil drawing, framed, signed in syllabics, 17.75 x 24.25 in, 45 x 61.5 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

99
Pitaloosie Saila RCA (1942-) f.
CAPE DORSET Female Shaman with Owl 1976, ink drawing, signed in syllabics, 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

100
Sorosiluto Ashoona (1941-) f.
PRINTMAKER: SAGIATUK SAGIATUK (1932-) m., CAPE DORSET Woman of the Sea 1976 #10, stonecut print, 50/50, 24.75 x 34 in, 63 x 86 cm Provenance: Wagonfeld Collection; Galerie Elca London

101
Kenojuak Ashevak CC RCA (1927-2013) f. and/or
Johnniebo Ashevak (1923-1972) m. CAPE DORSET Bird People 1963 #3, engraving, 9/50, framed, 12.25 x 19.5 in, 31 x 49.7 cm Provenance: a Montreal private collection

102
Judas Ullulaq (1937-1999)
GJOA HAVEN Mother and Child 1982, stone and antler, signed in syllabics, 12 x 8.25 x 11 in, 31 x 20.7 x 28 cm Provenance: a Saskatchewan private collection

103
Karoo Ashevak (1940-1974) m.
TALOYOAK (SPENCE BAY) Bird at Its Nest c. 1971-72, whale bone, 7 x 13.25 x 6.25 in, 17.7 x 33.7 x 15.9 cm Provenance: a Montreal private collection

104
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walrus-Bird Transformation c. 1970, stone and antler, signed in syllabics, 8.25 x 5.25 x 3.75 in, 21 x 13.2 x 9.8 cm Provenance: an American private collection

105
Mannumi Shaqu (1917-2000) m.
CAPE DORSET Basking Walruses early 1970s, stone and ivory, signed in syllabics, 10.25 x 17.5 x 11.75 in, 26 x 44.6 x 29.8 cm Provenance: an Ottawa private collection

106
Abraham Etungat RCA (1911-1999)
CAPE DORSET Bird 1970s, stone, signed in syllabics, 4.25 x 4.5 x 3 in, 10.7 x 11.5 x 7.6 cm Provenance: a Toronto collection

107
Kumakuluk Saggiak (1944-) m.
CAPE DORSET Animal Composition 1973, stone, signed "KUMAKULUK CAPE DORSET 1973", 12.75 x 18.5 x 8.25 in, 30.1 x 46.8 x 21.3 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery

108
Tuna Iquliq (1935-2015) m.
BAKER LAKE/RANKIN INLET Bird early 1970s, stone, signed in syllabics, 11.75 x 10.5 x 6 in, 29.5 x 26.3 x 15.5 cm Provenance: a Montreal private collection

109
Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox-Bird Transformation early 1990s, stone, signed in syllabics, 2.5 x 6.25 x 1.5 in, 6.3 x 15.7 x 3.8 cm Provenance: Albrecht Collection; Marion Scott Gallery

110
Marie Kuunnuaq (1933-1990)
BAKER LAKE Kneeling Mother and Child c. 1971-73, stone, signed in syllabics and with disc no., 9.5 x 7.75 x 10.5 in, 24.1 x 19.7 x 26.7 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

111
Nancy Kangeryuaq (1936-)
BAKER LAKE Standing Mother and Child c. late 1970s, stone, signed in syllabics, 6.25 x 4.25 x 3.5 in, 15.8 x 10.7 x 9.1 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

113
Luke Anguhadluq (1895-1982)
BAKER LAKE Caribou Hunter and Wolf 1970, coloured pencil drawing, framed, signed in syllabics, 17 x 23 in, 43 x 58.8 cm (sight) Provenance: Wagonfeld Collection; Feheley Fine Arts

114
Luke Anguhadluq (1895-1982)
BAKER LAKE Swimming Caribou c. 1973-75, coloured pencil drawing, framed, 15.25 x 21 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Upstairs Gallery

115
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Untitled (Returning to Camp and Hunting Caribou by Kayak) c. late 1970s, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Wagonfeld Collection; Galerie Elca London

116
Elizabeth Angrnaqquaq (1916-2003)
BAKER LAKE Untitled (People, Caribou, Seals and Spirits) c. 1981, wool duffel, felt and embroidery floss, signed in syllabics, 25.5 x 29 in, 64.8 x 73.7 cm Provenance: Albrecht Collection; Feheley Fine Arts; Upstairs Gallery

117
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Hunter Spearing a Bear 1970s, felt and embroidery floss, signed in syllabics and "Q", 18 x 16.5 in, 45.7 x 42 cm Provenance: Albrecht Collection; Marion Scott Gallery; Upstairs Gallery

118
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Prowling Bear c. 1963, stone, signed "HENRY" and in syllabics, 3.75 x 8 x 3.5 in, 9.5 x 20.5 x 6.4 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist

119
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Walking Caribou c. 1991-92, stone and antler, signed in syllabics, 18.25 x 19.5 x 9 in, 46.4 x 49.6 x 22.8 cm Provenance: an Iqaluit private collection

120
Eva Atammiq Keatainak (1919-1988)
SALLUIT (SUGLUK) Kneeling Mother with Child's Parka c. mid 1950s, stone, signed with disc no., 9.5 x 6 x 3.5 in, 24.2 x 15.1 x 21.6 cm Provenance: a Swiss private collection

121
Joe Talirunili (1893-1976)
PUVIRNITUQ Walrus late 1960s, stone and ivory, signed "JOE 818" and in syllabics, 3.75 x 5.5 x 2 in, 9.5 x 13.8 x 5.3 cm Provenance: Estate of Peter Murdoch, Montreal

122
Joe Talirunili (1893-1976)
PUVIRNITUQ Caribou c. 1965, stone and antler, signed "JOE 818", 4.75 x 6.5 x 2 in, 12 x 17.2 x 5 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

123
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal 1972, stone, 7.75 x 3.75 x 1.25 in, 20 x 9.5 x 3.4 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery

124
Andy Miki (1918-1983)
ARVIAT (ESKIMO POINT) Animal early 1970s, stone, 4.75 x 4.25 x 2.75 in, 12.2 x 10.8 x 6.8 cm Provenance: Albrecht Collection; Waddington's Nov. 2004

125
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure early-mid 1970s, stone, 4.5 x .75 x 3.5 in, 11.5 x 1.8 x 8.8 cm Provenance: an American private collection; The Shop, Minneapolis

126
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family c. 2000, stone, signed in syllabics, 15 x 16 x 6.75 in, 38.3 x 40.7 x 17.2 cm Provenance: an American private collection

127
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pregnant Sedna 2008, stone, signed "Bill NASOGALUAK" and dated, 20.75 x 19.75 x 8 in, 52.7 x 49.8 x 20 cm Provenance: a Toronto collection

128
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Lost Soul 2003, stone, resting on a wooden base, signed "DAVID RUBEN PIQTOUKUN" and dated, 18.25 x 10 x 4 in, 46.4 x 25.5 x 10.1 cm Provenance: a Toronto collection

129
Alec Lawson Tuckatuck (1976-)
KUUJJUARAAPIK (GREAT WHALE RIVER)/MONTREAL Lumack 2009, stone and muskox horn, dated and signed "Alec Lawson Tuckatuck" and in syllabics, 19.25 x 18 x 9.5 in, 49.2 45.5 x 24.4 cm Provenance: a Toronto collection

130
Manasie Akpaliapik (1955-) m.
ARCTIC BAY/TORONTO/OTTAWA Qalupiluk c. 1996, stone, baleen, hair and inlay, 14.5 x 4.75 x 10.75 in, 36.6 x 12 x 27.5 cm Provenance: Pruzansky Collection; Galerie Elca London

131
Unidentified Artist
POND INLET Man and Dog Sled Team c. 1900-1920, ivory and cord, 3.5 x 15 x 4 in, 9 x 38 x 10 cm as shown Provenance: a succession of Toronto corporate collections

132
Josephee Kopalie (1933-d)
PANGNIRTUNG/IQALUIT (FROBISHER BAY) Rookery 1985, ivory and whale bone, signed "J KOPALEE", 3.25 x 4.5 x 4 in, 7.8 x 11 x 9.3 cm Provenance: a Toronto area private collection

133
Mark Tungilik (1913-1986)
REPULSE BAY Two Birds 1970s, ivory and stone, one signed in syllabics, larger: 1 x 2.5 x 1.5 in, 2.4 x 6.3 x 3.6 cm Provenance: a Toronto private collection

134
Unidentified Artist
EASTERN CANADIAN ARCTIC Dog Sled Team with Kayak mid 1950s, ivory and sinew, 2.25 x 11.5 x 2.25 in, 5.5 x 29 x 5.5 cm as shown Provenance: a Quebec private collection

135
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Scrimshaw Composition early 1960s, bone, stone and pigment, 14.5 x 4.5 x 4.25 in, 36.5 x 11.4 x 10.9 cm Provenance: Nickerson Collection

136
Mark Tungilik (1913-1986)
REPULSE BAY Hunter and Bear early 1970s, ivory and antler, 2.75 x 3.75 x 1.5 in, 7.3 x 9.5 x 3.6 cm Provenance: an Ottawa private collection

137
Norval Morrisseau CM (1931-2007)
ANISHNAABE Thunderbird c. 1961-62, tempera on watercolour paper, framed, 29.25 x 21.75 in, 74.3 x 55.7 cm (sight) Provenance: a succession of Toronto corporate collections

138
Norval Morrisseau CM (1931-2007)
ANISHNAABE Buffalo early 1960s (possibly earlier), acrylic on kraft paper, signed in syllabics, framed, 25.25 x 35 in, 64 x 89 cm (sight) Provenance: a succession of Toronto corporate collections

139
Unidentified Artist
EASTERN WOODLANDS Two Female Dolls c. late 19th century, wood, hide, fabric, beads, hair, string, thread and pigment, larger: 5 x 2.25 x 1.5 in, 12.2 x 5.8 x 3.7 cm Provenance: a succession of Toronto corporate collections

140
Unidentified Artist
EASTERN WOODLANDS Cane with Human Effigy Face c. 1820s to 1840s, wood and metal, 36 x 4 x 1.5 in, 91.5 x 10 x 3.8 cm Provenance: a B.C. private collection

141
Unidentified Artist
CREE, GARDEN HILL, MANITOBA Transforming Shaman 1969, stone, 13.5 x 3.5 x 4.75 in, 34.3 x 8.9 x 12.1 cm Provenance: Pruzansky Collection

142
Robert Davidson CM OBC (1946-)
HAIDA, MASSETT/WHITE ROCK Salmon Trout Head Two 2013, epoxy powder-coated aluminum, edition 12/20, granite base, 10 x 13.75 x 5.5 in, 25.7 x 35.8 x 14.2 cm Provenance: a Toronto collection

143
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Eagle, Bear and Man 1999, argillite, bone and shell, signed, titled and dated, 11 x 2.75 x 3.75 in, 28.3 x 7.2 x 9.5 cm Provenance: Albrecht Collection; Tribalcrafts

144
Glen Pollard (1957-)
HAIDA, SKIDEGATE Haida Salmon mid-late 1990s, argillite, bone and shell, signed and titled, 5 x 9.5 x 4.75 in, 12.7 x 23.8 x 12.1 cm Provenance: Albrecht Collection; Tribalcrafts

145
Norval Morrisseau CM (1931-2007)
ANISHNAABE Legendary Animals c. 1965, tempera or acrylic on kraft paper, framed, signed in syllabics, 31 x 41.5 in, 78.7 x 105.4 cm Provenance: a succession of Toronto corporate collections

147
Unidentified Artist
EASTERN CANADIAN ARCTIC Model Sled and Rifle early 20th century, wood, hide and ivory, 5 x 15.75 x 5.75 in, 13 x 40 x 12 cm Provenance: a Montreal private collection

148
Unidentified Artist
POSSIBLY BERING STRAIT, ALASKA Two-Man Kayak Model 19th century, wood, hide, gut, fur and ivory, 6.25 x 25.75 x 4 in, 15.8 x 65.4 x 10.1 cm Provenance: a succession of Toronto corporate collections

149
Unidentified Artist
ALASKA Ash Case or Snuff Box late 19th century, ivory, wood and inlay, 3.25 x 2.25 x 1.5 in, 8.3 x 5.5 x 3.8 cm Provenance: a Montreal private collection

150
Lawrence (Larry) Ulaaq Ahvakana
INUPIAQ, BARROW, ALASKA/SUQUAMISH, WA Walrus Man 1993, wood, signed "L. Ahvakana", 52 x 29 x 3.5 in, 133 x 73.7 x 8.9 cm Provenance: a Montreal collection

152
Norval Morrisseau CM (1931-2007)
ANISHNAABE Hunting Bear c. 1961-62, tempera on paper, framed, signed in syllabics, 15 x 20.5 in, 37.7 x 52 cm (sight) Provenance: a succession of Toronto corporate collections

153
Goyce Kakegamic (1948-) m.
ANISHNAABE Ojibwa Hunter Legend c. 1970, acrylic on board, framed, signed in syllabics, 31.25 x 23.5 in, 79.5 x 59.7 cm Provenance: a succession of Toronto corporate collections

154
Carl Beam RCA (1943-2005)
OJIBWA Untitled 1980, mixed media on paper, framed, signed and dated, 24 x 32.25 in, 61 x 82 cm Provenance: an Ottawa private collection

155
Robert Houle RCA (1947-)
SALTEAUX Untitled late 1980s, steel, hide, acrylic paint and feather, 27.5 x 26 x 2 in, 70 x 66 x 5 cm Provenance: an Ottawa private collection; purchased from the artist

156
Robert Houle RCA (1947-)
SALTEAUX Beothuk (Parfleche) c. late 1980s, mixed media on paper, framed, 15.75 x 11.75 in, 39.7 x 29.5 cm Provenance: an Ottawa private collection; purchased from the artist

157
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Hunter at a Seal Hole c. 1952, stone, hide and soap inlay, 4 x 4 x 4.75 in, 10.5 x 10.3 x 12.4 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2009

158
Akeeaktashuk (1898-1954) m.
INUKJUAK (PORT HARRISON) Basking Walrus early 1950s, stone, ivory and inlay, 2.5 x 5 x 3 in, 6.5 x 12.5 x 8 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

159
Ennutsiak (1896-1967) m.
IQALUIT (FROBISHER BAY) Hunter with Pack late 1950s, stone, ivory and cord, 4.5 x 2.75 x 4 in, 11.5 x 7 x 11 cm Provenance: Wagonfeld Collection; Waddington's April 2009

160
Abraham Etungat RCA (1911-1999)
CAPE DORSET Couple c. 1960, stone, each signed in syllabics, woman: 4 x 1.5 x 1 in, 10.2 x 3.6 x 2.8 cm Provenance: Albrecht Collection; Feheley Fine Arts; Terry Ryan Collection

161
Possibly Bobby Quppapik Tarkirk (1934-2000)
SALLUIT (SUGLUK) Tree with Birds early-mid 1960s, antler and stone, on a driftwood base, 26 x 34 x 18 in, 66 x 86 x 45.5 cm (including base) (Note: one of the birds has been lost.) Provenance: Nickerson Collection

162
Isa Smiler (1921-1986) m.
INUKJUAK (PORT HARRISON) Muskox c. 1964, stone and ivory, signed "ISA S" and with disc no., 5.25 x 7.25 x2.75 in, 13.3 x 18.3 x 7.7 cm Provenance: Pruzansky Collection; Waddington's Nov. 2012

163
Noah Echalook (1946-)
INUKJUAK (PORT HARRISON) Mother and Child 1988, stone, antler and hide, signed in syllabics and dated, 9.5 x 11.5 x 10 in, 24.3 x 29.2 x 25.3 cm Provenance: a Montreal private collection

164
Thomasie Angutigirk (1920-)
SALLUIT (SUGLUK) Bust of a Woman c. early 1970s, stone and antler, signed in syllabics and with disc no., 06.25 x 4.25 x 5.5 in, 15.7 x 10.7 x 14 cm Provenance: a Montreal private collection

165
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Untitled (Composition of Animals and People) 2014/15, antler, 40 x 26.5 x 32 in, 101.5 x 67.3 x 81.3 cm Provenance: Webster Collection; purchased from the artist

166
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Standing Bear c. early-mid 1970s, stone, 9.75 x 3 x 4.75 in, 24.8 x 7.6 x 12.2 cm Provenance: an Ottawa private collection

167
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Walking Bear c. 1990, stone, 5 x 8.25 x 3.25 in, 12.7 x 21.2 x 8.3 cm Provenance: an Ottawa private collection

168
David Ikutaaq (1929-1984)
BAKER LAKE Standing Man early 1970s, stone, signed in syllabics, 10.5 x 7 x 4.5 in, 26.5 x 17.6 x 11.5 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

169
David Ikutaaq (1929-1984)
BAKER LAKE Family and Animals c. 1973-75, stone, signed in syllabics, 7 x 10.25 x 6.75 in, 17.7 x 26 x 17.25 cm Provenance: an American private collection; The Shop, Minneapolis

170
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Spear Hunter c. 1990, stone and antler, 12 x 7 x 5.5 in, 30.6 x 17.8 x 14 cm Provenance: a Toronto collection

171
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother, Child and Bird c. late 1980s, stone, 10.75 x 9.75 x 12.25 in, 27.3 x 24.7 x 31.4 cm Provenance: a Swiss private collection

172
Luke Anguhadluq (1895-1982)
BAKER LAKE Dog Eating a Fish c. 1973-75, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 26 in, 50.8 x 66 cm Provenance: Wagonfeld Collection; Waddington's June 1996

173
Ruth Annaqtuusi Tulurialik (1934-)
BAKER LAKE Legend of the Sea Spirit c. early 1990s, coloured pencil drawing, signed in syllabics, framed, 22 x 30 in, 56 x 76.2 cm Provenance: Wagonfeld Collection; Ookpiktuyuk Art

174
Ruth Annaqtuusi Tulurialik (1934-)
PRINTMAKER: SIMON TOOKOOME (1934-2010), BAKER LAKE The Sunset/Sikrinerk Nipingmat 1987 #2, stonecut and stencil print, 9/34, framed, 25.75 x 35.25 in, 65.5 x 89.5 cm Provenance: Wagonfeld Collection

175
Jessie Oonark OC RCA (1906-1985)
PRINTMAKER: WILLIAM NOAH (1943-), BAKER LAKE Flying Woman 1978 #12, serigraph print, 25/60, 22 x 30 in, 56.2 x 76 cm Provenance: Wagonfeld Collection

176
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: FRANCIS KALURAQ (1931-1990), BAKER LAKE Riding Dogs 1969 (1970 #8), stonecut print, 27/50, framed, 14.75 x 11 in, 37.7 x 27.6 cm (sight) Provenance: an Ottawa private collection

177
Victoria Mamnguqsualuk (1930-2016)
PRINTMAKER: MADELEINE UKPATIKU (1931-1999), BAKER LAKE The Boy and His Grandmother Tricks the Mean People 1980 #25, linocut and stencil print, 33/60, framed, 23 x 34 in, 58 x 86.2 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

178
John Tiktak RCA (1916-1981)
RANKIN INLET Figure Holding a Bowl c. 1967-69, stone, signed in syllabics, 7.5 x 3.75 x 3.75 in, 19.2 x 9.4 x 9.3 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

179
John Kavik (1897-1993)
RANKIN INLET Mother and Child early 1970s, stone, 6.5 x 3.75 x 4 in, 16.5 x 9.6 x 9.8 cm Provenance: an American private collection; The Shop, Minneapolis

180
John Kavik (1897-1993)
RANKIN INLET Figure early-mid 1970s, stone, signed in syllabics, 4.25 x 4.75 x 1.25 in, 10.8 x 12 x 3.5 cm Provenance: an Ottawa private collection

181
Davidialuk Alasua Amittu (1910-1976) m.
PUVIRNITUQ Standing Bear c. 1955-60, stone, signed with disc no., 3.25 x 2 x .75 in, 8.4 x 5.3 x 2 cm Provenance: a Quebec private collection; purchased at the Puvirnituq Co-op

182
Possibly Josiah Nuilaalik RCA (1928-2005)
BAKER LAKE Fox early 1960s, stone, 3 x 7.5 x 1.5 in, 7.9 x 19 x 3.6 cm Provenance: an Ottawa private collection

183
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear 1950s, stone, inlay and pigment, 3.25 x 5.5 x 2 in, 8.3 x 14 x 5 cm Provenance: a Montreal private collection

184
Unidentified Artist
PROBABLY INUKJUAK (PORT HARRISON) Kneeling Caribou c. 1951-52, stone and ivory, 14.5 x 6.25 x 3.25 in, 11.5 x 15.8 x 8.3 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma

185
George Tatanniq (1910-1991)
BAKER LAKE Dog early 1960s, stone, signed in syllabics and with disc no., 1.75 x 4.5 x .75 in, 4.6 x 11.4 x 2.2 cm Provenance: Pruzansky Collection

186
Unidentified Artist
POSSIBLY BAKER LAKE Bear with Fish early 1960s, stone and ivory, 2.25 x 4.5 x 1.5 in, 5.7 x 11.5 x 4.2 cm Provenance: an American private collection

187
Mungitok Kellypalik (1940-) m.
CAPE DORSET Owl 1966, stone, signed in syllabics, 10 x 5.5 x 4.25 in, 25.3 x 14.2 x 10.7 cm Provenance: a Montreal private collection

188
Mary Qayuaryuk (1908-1982)
CAPE DORSET Bird Spirit c. mid 1960s, stone, 8.25 x 6.5 x 5.75 in, 21.1 x 16.3 x 14.4 cm Provenance: an Ottawa private collection

189
Osuitok Ipeelee RCA (1922-2005) m.
CAPE DORSET Loon mid-late 1980s, stone, signed in syllabics, 5.75 x 10.25 x 2.5 in, 14.2 x 26 x 6.5 cm Provenance: a Montreal private collection

190
Latcholassie Akesuk (1919-2000) m.
or TUDLIK (1890-1966) m., CAPE DORSET Standing Bird c. early-mid 1960s, stone, 5.25 x 2.5 x 2 in, 13.7 x 6.2 x 4.8 cm Provenance: a Montreal collection

191
Kenojuak Ashevak CC RCA (1927-2013) f.
CAPE DORSET Four Ravens on a Platform 1991-92, ink and coloured pencil drawing, signed in syllabics, 20 x 26 in, 50.6 x 66 cm Provenance: Albrecht Collection; Feheley Fine Arts

192
Kananginak Pootoogook RCA (1935-2010) m.
CAPE DORSET Grazing Bull Caribou 1999, ink and coloured pencil drawing, signed in syllabics and dated, 20 x 26 in, 50.5 x 66 cm Provenance: Wagonfeld Collection; Spirit Wrestler Gallery

193
Itee Pootoogook (1951-2014) m.
CAPE DORSET Landscape: Floe Edge, Early Morning 2007, graphite and coloured pencil drawing, signed and dated, 11.25 x 30.25 in, 28.2 x 76.4 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver

194
Ningiukulu Teevee (1963-) f.
CAPE DORSET Wanting to Be On the Land 2012, graphite, ink and coloured pencil drawing, signed in syllabics, museum-quality frame, 47.5 x 51 in, 120.6 x 129.5 cm Provenance: a Montreal private collection

195
Lukasi Ukusirala Anauta (1912-d) m.
PUVIRNITUQ Two Seal Hunters with Catch late 1950s, stone and sinew, signed in syllabics and with disc no., 7.75 x 9 x 5.25 in, 19.8 x 23.3 x 13.4 cm Provenance: Nickerson Collection

196
Pingu Alaku (1930-1975) m.
KANGIQSUJUAQ (WAKEHAM BAY) Wrestlers early 1960s, stone, signed "PINGOOK" and with syllabics and disc no., 5.5 x 7.5 x 5.5 in, 14 x 19 x 14.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

197
Levi Qumaluk (1919-1997)
PUVIRNITUQ Hunter with Pack early-mid 1970s, stone, signed "LEVI", 9.75 x 7.25 x 7.5 in, 24.8 x 18.3 x 19 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

198
Unidentified Artist
PUVIRNITUQ Boy with First Seal late 1950s, stone and hide, 6 x 6.25 x 5.25 in, 14.9 x 16.2 x 13.4 cm Provenance: Nickerson Collection

199
Abraham Pov (1927-1994)
INUKJUAK (PORT HARRISON) Hunter and Seal c. 1972-74, stone, signed in syllabics, 8 x 10.5 x 3.5 in, 20.3 x 26.6 x 8.8 cm Provenance: a Chicago private collection; Alaska Shop, Chicago

200
John Pangnark (1920-1980)
ARVIAT (ESKIMO POINT) Figure 1974, stone, signed in syllabics, 5.75 x 7.5 x 5.75 in, 14.7 x 19 x 14.5 cm Provenance: an Ottawa private collection

201
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox Shaman 1980, stone, signed in syllabics and dated, 7 x 12.5 x 4.75 in, 17.8 x 31.6 x 12.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2013; Balshine Collection

202
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Mother Holding a Child c. 1985, stone, 9.5 x 6.5 x 3.75 in, 24.2 x 16.5 x 9.5 cm Provenance: a Toronto collection

203
Kenojuak Ashevak CC RCA (1927-2013) f.
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Spotted Loon 2006 #9, lithograph print, 25/50, 22 x 28 in, 56 x 71 cm Provenance: Albrecht Collection

204
Pauta Saila RCA (1916-2009) m.
PRINTMAKER: QIATSUQ NIVIAQSI (1941-) m. CAPE DORSET Startled Loons 2004 #30, stonecut and stencil print, 17/50, 20 x 24 in, 50.6 x 61 cm Provenance: Albrecht Collection

205
Tim Pitsiulak (1967-2016)
PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Family of Eight 2008 #34, lithograph print, 18/50, 15 x 22.25 in, 38 x 56.1 cm Provenance: Albrecht Collection

206
Lucy Qinnuayuak (1915-1982)
PRINTMAKER: QABAROAK QATSIYA (1942-) m., CAPE DORSET The Family Speaks of the Owl 1976 #30, stonecut print, 45/50, framed, 20 x 26.5 in, 51 x 67.5 cm (sight) Provenance: a succession of Toronto corporate collections

207
Eliyakota Samualie (1939-1987) f.
PRINTMAKER: TIMOTHY OTTOCHIE (1904-1982), CAPE DORSET Kopigno 1974 #59, stonecut print, 42/50, framed, 19.25 x 28 in, 48.5 x 71 cm (sight) Provenance: a succession of Toronto corporate collections

208
Kingmeata Etidlooie (1915-1989) f.
PRINTMAKER: PEE MIKKIGAK (1940-1996) m. CAPE DORSET Talelayou and Spirit Fish 1981 #28, stonecut and stencil print, 4/50, framed, 24 x 34 in, 60.8 x 87 cm Provenance: a succession of Toronto corporate collections

209
Jamasie Teevee (1910-1985) m.
PRINTMAKER: AOUDLA PUDLAT (1951-2006) m., CAPE DORSET Family Hunting Caribou 1975 #55, lithograph print, framed, 20.25 x 27.75 in, 51.3 x 70.2 cm (sight) Provenance: a succession of Toronto corporate collections

210
Judas Ullulaq (1937-1999)
GJOA HAVEN Female Shaman Bitten by a Worm early-mid 1990s, stone, antler and muskox horn, signed in syllabics, 13.75 x 12.75 x 6.5 in, 35.2 x 32.3 x 16.5 cm Provenance: Pruzansky Collection; Inuit Gallery of Vancouver

211
Uriash Puqiqnak CM (1946-) m.
GJOA HAVEN Mother and Child (Starvation Scene) late 1980s, stone, antler, muskox horn and leather, signed in syllabics and "UP", 19 x 11.75 x 9.25 in, 47.8 x 29.5 x 23.6 cm Provenance: Albrecht Collection; Marion Scott Gallery

212
Samuel Nahaulaituq (1923-1999)
TALOYOAK (SPENCE BAY) Woman with Water Pail and Spirit Scoop 1996, stone, antler and cord, signed in syllabics, 16.25 x 9.75 x 5.25 in, 41.3 x 24.6 x 13.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery

213
John Kavik (1897-1993)
RANKIN INLET Standing Man c. mid-late 1970s, stone, signed in syllabics, 5 x 2.25 x 1 in, 13 x 5.8 x 2.5 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994

214
Unidentified Artist
EASTERN CANADIAN ARCTIC Father and Child c. late 1950s, stone, 3 x 3 x 2 in, 7.5 x 7.7 x 5.4 cm Provenance: an Ottawa private collection

215
Jackoposie Oopakak (1948-2015) m.
IQALUIT (FROBISHER BAY) Standing Man 1980s, whale bone, 5 x 2.5 x 1.5 in, 12.5 x 6.3 x 4 cm Provenance: Webster Collection; purchased from the artist

215
Rachel Ottuk Otukpalanak (1915-d)
ARVIAT (ESKIMO POINT) Mother and Child late 1960s, stone, signed in syllabics, 4.75 x 4.75 x 3.25 in, 12 x 12.4 x 9.4 cm Provenance: a Quebec private collection

216
Juaniapi Angutigulu Uqaitu (1937-) m.
PUVIRNITUQ Mythological Figure (Naked Man) early 1960s, stone, signed with disc no., 4.5 x 3.5 x 2.5 in, 11.3 x 8.8 x 6.5 cm Provenance: Nickerson Collection

217
Possibly Lizzie Makimak (1939-)
SALLUIT (SUGLUK) Woman Scraping a Skin 1977, stone, dated and signed with indistinct syllabics, 3.25 x 4.25 x 2 in, 8.3 x 10.8 x 5.2 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2005

218
Miriam Nanurluk Qiyuk (1933-)
BAKER LAKE Woman with Two Birds early 1990s, stone, signed "MIRIAM QIYUK", 4.25 x 10.25 x 2.25 in, 10.7 x 26 x 5.7 cm Provenance: a Toronto collection

219
Mary Yuusipik Singaqti (1936-2017)
BAKER LAKE Man and Pack Dog 2001, stone, 16 x 7.75 x 5 in, 40.3 x 19.8 x 12.8 cm Provenance: Galerie Elca London

220
Mathew Aqigaaq (1940-2010)
BAKER LAKE Muskox c. 1968-70, stone, signed in syllabics, 5.5 x 8.25 x 4.5 in, 14 x 22.5 x 11.3 cm Provenance: a Quebec private collection

221
Irene Avaalaaqiaq Tiktaalaaq RCA (1941-)
BAKER LAKE Transformation c. 1980, stone, signed in syllabics, 6.5 x 6.5 x 2 in, 16.4 x 16.6 x 4.8 cm Provenance: Wagonfeld Collection; Waddington's April 2009

221
Basil Tatanniq Aptanik (1952-)
BAKER LAKE Mother and Child c. 1980, stone, signed in syllabics, 6.75 x 3.5 x 4.5 in, 14.6 x 9 x 10.8 cm Provenance: Pruzansky Collection; Spirit Wrestler Gallery

222
Johnny Inukpuk RCA (1911-2007)
INUKJUAK (PORT HARRISON) Mother Softening a Skin 1988, stone, signed in syllabics, 11.25 x 9.25 x 4.5 in, 28.4 x 23.5 x 11.3 cm Provenance: Wagonfeld Collection; Waddington's June 1993

223
Simon Kasudluak (1925-d)
INUKJUAK (PORT HARRISON) Man Constructing a Kayak c. late 1960s, stone, signed in syllabics and with disc no., 8.75 x 17.5 x 6.25, 22.3 x 44.3 x 15.8 cm Provenance: Albrecht Collection; Alaska on Madison

224
Possibly Eli Elijassiapik (1936-)
INUKJUAK (PORT HARRISON) Two Hunters Cutting a Skin early 1960s, stone and ivory, 6.25 x 13.5 x 6 in, 15.9 x 34.5 x 15.3 cm Provenance: Pruzansky Collection; Waddington's May 2008

225
Pauloosie Kanaju (1937-)
PUVIRNITUQ Man and Seal 1973, stone, signed "KANAYOOK" and dated, 9 x 9.75 x 9.75 in, 22.8 x 25.3 x 25.7 cm Provenance: a succession of Toronto corporate collections; Waddington's March 1980

226
Jimmy Inarulik Arnamissak (1946-2003)
INUKJUAK (PORT HARRISON) Nursing Mother Cutting Up a Seal 1975, stone, signed "Jimmy Smith" and dated, 12 x 11.75 x 6.25 in, 30.5 x 29.6 x 16 cm Provenance: a succession of Toronto corporate collections

227
Unidentified Artist
PANGNIRTUNG Harpoon Hunter early 1970s, whale bone, 22.25 x 17.5 x 11.5 in, 56.6 x 44.7 x 29.3 cm Provenance: a succession of Toronto corporate collections

228
Possibly Sakkiassee Anaija (1913-1980) m.
TALOYOAK (SPENCE BAY) Shaman and Bird Helping Spirit c. 1968-70, whale bone, 5.75 x 6 x 4.75 in, 14.4 x 15.3 x 12 cm Provenance: a Toronto area private collection

229
Unidentified Artist
POSSIBLY PANGNIRTUNG Mother and Child early 1970s, whale bone, 21.25 x 8.5 x 7.25 in, 53.8 x 21.5 x 18.5 cm Provenance: a succession of Toronto corporate collections

230
Peter Ahlooloo (1908-d)
ARCTIC BAY Crouching Polar Bear mid 1950s, whale bone, signed with disc no., 2.5 x 7.5 x 2.75 in, 6.4 x 16.7 x 7 cm Provenance: a Quebec private collection

231
Unidentified Artist
EASTERN CANADIAN ARCTIC Polar Bear c. 1970, whale bone, 8.5 x 5.5 x 4 in, 21.4 x 14 x 10.1 cm Provenance: an Ottawa private collection

232
Pootoogook Qiatsuk (1959-) m.
CAPE DORSET Composition: Hunter, Bear and Caribou c. mid-late 1980s, stone and antler, signed in syllabics, 18 x 15.25 x 8 in, 45.7 x 38.7 x 20 cm Provenance: Pruzansky Collection; Waddington's Nov. 2000

233
Ashevak Tunnillie (1956-) m.
CAPE DORSET Bear-Spirit Woman with Water Pail 1995, stone, signed in syllabics and dated, 13.75 x 9.75 x 8.75 in, 34.8 x 24.5 x 22.3 cm Provenance: Pruzansky Collection; Art Space Gallery

234
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Drum Dancer c. 1995-97, stone and antler, 16.25 x 24.75 x 9.75 in, 41.2 x 41.2 x 63.1 cm Provenance: Albrecht Collection; Galerie d'Art Vincent

235
Shorty Killiktee (1949-1993) m.
KIMMIRUT (LAKE HARBOUR)/CAPE DORSET Hawk 1992, stone, signed in syllabics and dated, 15.5 x 9.5 x 5.75 in, 39.5 x 24 x 14.5 cm Provenance: Pruzansky Collection

236
Henry Evaluardjuk (1923-2007)
IQALUIT (FROBISHER BAY) Seal c. 1970, stone, signed "HENRY EVALUARDJUK", 2 x 6.25 x 2 in, 4.8 x 15.8 x 5 cm Provenance: Pruzansky Collection; Galerie Elca London

237
Samwillie Amidlak (1902-1984) m.
INUKJUAK (PORT HARRISON) Bird mid-late 1950s, stone, signed "SAMWILLIE" and with disc no., 4 x 4.25 x 3 in, 10 x 10.8 x 7.6 cm Provenance: a Quebec private collection

238
Lucassie Oqaituq (1921-d) m.
SANIKILUAQ Resting Dog c. 1965, stone, signed in syllabics and with disc no., 3.25 x 6.75 x 4 in, 8.5 x 17 x 9.6 cm Provenance: a Quebec private collection

239
Peter Pitseolak (1902-1973)
CAPE DORSET Polar Bear late 1960s, stone, signed in syllabics, 2.75 x 4.5 x 1.25 in, 7 x 11.4 x 3.4 cm Provenance: Pruzansky Collection; Waddington's May 2006

240
Joanassie Qayuaryuk (1928-d) m.
CAPE DORSET Fox c. 1960, stone, signed in syllabics and with disc no., 1.75 x 3.5 x 2 in, 4.6 x 9 x 5.3 cm Provenance: a Quebec private collection

241
Geeshee Akulukjuk (1945-) m.
PANGNIRTUNG Loon early 1960s, stone, signed in syllabics and with disc no., 3.5 x 5 x 1.5 in, 8.9 x 12.8 x 3.8 cm Provenance: a Quebec private collection

242
John Kavik (1897-1993)
RANKIN INLET Pot with Human and Animal Figures late 1960s, glazed ceramic, 6.5 x 4 x 5.25 in, 16.3 x 10.4 x 13.5 cm Provenance: an American private collection; The Shop, Minneapolis

243
Yvo Samgushak (1942-) m.
RANKIN INLET Dog-Woman late 1960s, glazed ceramic, signed in syllabics and with disc no., 5.25 x 3.25 x 3.75 in, 13.3 x 8.2 x 9.5 cm Provenance: Estate of Peter Murdoch, Montreal

244
Janet Kigusiuq RCA (1926-2005)
BAKER LAKE Three Faces stone, c. early-mid 1970s, signed in syllabics and with disc no., 7.25 x 5.5 x 10 in, 18.4 x 13.6 x 25.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery

245
Barnabus Arnasungaaq (1924-2017)
BAKER LAKE Shaman Initiate and Worm 1970, antler and colour, signed in syllabics, 5 x 6 x 1 in, 13.1 x 15.1 x 2.5 cm Provenance: Balshine Collection

246
Olive Mamak Innakatsik (1915-1994)
BAKER LAKE Ajagaq Game with Faces early 1970s, antler and sinew, main section: .75 x 3.5 x 1 in, 2.1 x 8.8 x 2.5 cm Provenance: a prominent Toronto private collection

247
Lucy Tasseor Tutsweetok (1934-2012)
ARVIAT (ESKIMO POINT) Family mid 1970s, stone, 2.5 x 3.75 x .75 in, 6.4 x 9.5 x 2.2 cm Provenance: an American private collection; The Shop, Minneapolis

248
Marc Alikaswa (1928-2007)
ARVIAT (ESKIMO POINT) Girl with Outstretched Arms early 1980s, stone, 7 x 7 x 3.75 in, 17.2 x 18 x 9 cm Provenance: Webster Collection; purchased from the artist

249
George Arluk (1949-)
ARVIAT/RANKIN INLET/BAKER LAKE Figure early 1970s, stone, signed in syllabics, 8.75 x 4 x 3 in, 22.2 x 10.4 x 7.8 cm Provenance: a Swiss private collection

250
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Untitled (Faces) 2005, coloured pencil drawing, framed, 9 x 12 in, 22.5 x 30.3 cm Provenance: Albrecht Collection

251
Lukasi Uitanga (1917-)
PUVIRNITUQ Untitled (Man and Woman) 1961, experimental stonecut print, 45/50, framed, artist listed as "L. Weetunga," 7.75 x 10.75 in, 19.6 x 27 cm (sight) Provenance: a succession of Toronto corporate collections

252
Jacques-Nicolas Bellin (1703-1772)
PARIS Carte de la Baye de Hudson, Pour servir à l'Histoire Générale des Voyages c. 1757, copper plate map, matted, 9 x 12.25 in, 23 x 31 cm (sight) Provenance: Wagonfeld Collection; Old Map Gallery

253
John Arrowsmith (1790-1873)
LONDON Map of a Portion of the Arctic Shores of America to Accompany Captn. McClintock's Narrative 1859, 21.25 x 14.75 in, 53.8 x 37.3 cm Provenance: Wagonfeld Collection; Old Map Gallery

254
Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m.
CAPE DORSET Sea Goddess c. early 1970s, stone, 12.5 x 12.75 x 3.5 in, 31.8 x 32.4 x 8.8 cm Provenance: Pruzansky Collection; Arctic Artistry

255
Aqjangajuk (Axangayu) Shaa RCA (1937-) m.
CAPE DORSET Standing Woman c. 1963-65, stone, 15.5 x 5.75 x 4.5 in, 39.4 x 14.6 x 11.5 cm Provenance: Pruzansky Collection; Waddington's May 2013; Isaacs Gallery (1960s)

256
Qaqaq (Kaka) Ashoona RCA (1928-1996) m.
CAPE DORSET Woman with Bird Helping Spirit c. 1991-92, stone, signed "KAKA A" and in syllabics, 14.25 x 10.75 x 6 in, 36.4 x 27.3 x 15 cm Provenance: an Iqaluit private collection

257
Nuyaliaq Qimirpik (1937-2007) m.
KIMMIRUT (LAKE HARBOUR) Bear and Transforming Bear-Shaman 1974, stone, signed in syllabics and dated, 13 x 13.5 x 8 in, 33 x 34.3 x 20.4 cm Provenance: Albrecht Collection; a Montreal collection EXHIBITED AT MIA

258
Annie Michael (1935-1999)
KIMMIRUT (LAKE HARBOUR) Mother and Child 1978, stone and ivory, signed in syllabics and dated, 12 x 9 x 10.5 in, 30.4 x 22.7 x 26.5 cm Provenance: Albrecht Collection; an Ontario private collection

259
Bessie Kakagon (1914-1958)
KUGLUKTUK (COPPERMINE) Man c. 1955-57, stone, 3.75 x 3 x 2 in, 9.4 x 7.5 x 5 cm Provenance: Pruzansky Collection

260
Peggy Ekagina (1919-1993)
KUGLUKTUK (COPPERMINE) Sea Goddess c. 1970, stone, signed "PEGGY EKA", 1 x 4.5 x 1 in, 2.5 x 11.5 x 2.4 cm Provenance: Albrecht Collection; Waddington's Nov. 2006

261
Mary Evehoak Akana (1936-)
KUGLUKTUK (COPPERMINE) Hunter, Dog and Seal 1960s, stone, metal, sinew and pigment, signed "MARY EVEHOAK", 3.75 x 4 x 3.5 in, 9.4 x 10.2 x 8.5 cm Provenance: Pruzansky Collection

262
Unidentified Artist
KUGLUKTUK (COPPERMINE) OR ULUKHAKTOK (HOLMAN) Woman Preparing Fish c. 1960, stone and metal, 4.25 x 6.25 x 4.5 in, 10.7 x 16 x 11.5 cm Provenance: an Ottawa private collection

263
Unidentified Artist
POSSIBLY KUGLUKTUK (COPPERMINE) Camp Scene c. 1955, stone, ivory and sinew, 4.5 x 11.5 x 5 in, 11.4 x 29.2 x 13 cm Provenance: a Toronto private collection

264
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Bear Shaman 1995, stone and inlay, signed "ANGHIK" and dated, 13 x 12.75 x 9.75 in 33.3 x 32.4 x 25 cm Provenance: Pruzansky Collection

265
Abraham Anghik Ruben OC (1953-)
PAULATUK/SALT SPRING ISLAND Family 2002, stone, signed "ANGHIK" and dated, 11.75 x 7.75 3.5 in, 29.7 x 19.8 x 8.7 cm Provenance: a Montreal private collection

266
Bill Nasogaluak (1953-)
TUKTOYAKTUK/TORONTO Pollution 2009, stone, signed "Bill NASOGALUAK" and dated, 9.75 x 13 x 7.25 in, 24.7 x 33 x 18.5 cm Provenance: a Toronto collection

267
David Ruben Piqtoukun (1950-)
PAULATUK/ONTARIO Mask 2000, stone, signed "DAVID RUBEN PIQTOUKUN" and dated, 5.5 x 2 x 4.5 in, 14.5 x 5.4 x 12 cm Provenance: Pruzansky Collection

268
Latcholassie Akesuk (1919-2000) m.
CAPE DORSET Owl early 1970s, stone, 11 x 8 x 6 in, 27.6 x 20 x 15 cm Provenance: a Toronto collection

269
Aoudla Pee (1920-1988) m.
CAPE DORSET Walrus Giving Birth c. 1960-62, stone, 5.5 x 11.5 x 6.5 in, 14 x 29.3 x 16.4 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; Macmillan-Bloedel Collection; Paul Duval

270
Kalai Adla (1927-d.) m.
CAPE DORSET Seal c. 1960-62, stone, signed in syllabics, 4 x 11.75 x 3.75 in, 10.3 x 27.5 x 9.4 cm Provenance: an Ottawa private collection

271
Simeonee Qayaq (1920-1971) m.
CLYDE RIVER Musing Walrus late 1960s, stone, 8.25 x 5.5 x 3.5 in, 21 x 13.7 x 8.9 cm Provenance: Webster Collection; purchased from the artist

272
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Rearing Caribou c. 1980, stone and antler, signed in syllabics and with disc no., 9.5 x 3.75 x 4 in, 24.1 x 9.8 x 10 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

273
Jacob Kadluk (1952-)
IGLOOLIK Polar Bear 2007, stone and inlay, signed "J. KADLUK" and dated, 7.75 x 14.5 x 6 in, 19.8 x 36.7 x 15.5 cm Provenance: Albrecht Collection

274
Tommy Tukpanie Sr. (1936-2013)
IQALUIT Polar Bear 1980s, stone, signed "TOMMY" and in syllabics, 4.75 x 7.75 x 3.75 in, 11.8 x 19.7 x 9.5 cm Provenance: a Quebec private collection

275
Enook Manomie (1941-2006) m.
IQALUIT (FROBISHER BAY) Dancing Bear 1980s, stone, signed in syllabics, 10 x 5.75 x 3.5 in, 25.8 x 12.4 x 9.1 cm Provenance: Webster Collection; purchased from the artist

276
Johnnyboo Ulluakulluk (1923-d) m.
IQALUIT (FROBISHER BAY) Bust of a Bear c. 1980, stone, signed in syllabics, 7.25 x 6.75 x 7.75 in, 18.4 x 17.3 x 19.5 cm Provenance: Webster Collection; purchased from the artist

277
Attributed to Mannumi Shaqu (1917-2000) m.
CAPE DORSET Bear early 1970s, stone, 6 x 12.25 x 4 in, 15.3 x 31.2 x 10.3 cm Provenance: a Montreal private collection

278
Towatuga Sagouk (1934-1996) m.
IQALUIT (FROBISHER BAY) Standing Woman 1970s, stone, 13.25 x 7.5 x 3.5 in, 33.3 x 16.5 x 8.6 cm Provenance: Webster Collection; purchased from the artist

279
Thomassie Ohadlak (1939-d) m.
CLYDE RIVER Standing Woman 1960s, stone, signed in syllabics and with disc no., 8.75 x 3.75 x 2.5 in, 19.8 x 9.3 x 6.5 cm Provenance: Webster Collection; purchased from the artist

280
Manno (1923-1973) m.
CAPE DORSET/IQALUIT (FROBISHER BAY) Family mid 1960s, stone, signed "MANNO" and with disc number, 6.5 x 6.25 x 3.75 in, 16.5 x 15.6 x 9.5 cm Provenance: a Montreal private collection

281
Omalluq Oshutsiaq (1948-2014)
CAPE DORSET Birthing Scene 1987, stone, signed in syllabics, 3 x 6.75 x 6.5 in, 7.8 x 17.2 x 16.5 cm Provenance: a Toronto area private collection

282
Unidentified Artist
KIMMIRUT (LAKE HARBOUR) Standing Couple early 1960s, stone and pigment, 7 x 5.75 x 3 in, 18.1 x 14.6 x 7.5 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004

283
Unidentified Artist
POSSIBLY SALLUIT (SUGLUK) OR KANGIQSUJUAQ (WAKEHAM BAY) Bear and Seal late 1950s, stone, 3 x 8.25 x 3.5 in, 7.2 x 21 x 8.6 cm Provenance: an Ottawa private collection

284
Luke Anowtalik (1932-2006)
ARVIAT (ESKIMO POINT) Mother and Child early 1980s, stone, 4.5 x 2.5 x 2.25 in, 11.4 x 6.4 x 5.5 cm Provenance: an Ottawa private collection

285
Jeannie Shauk (1920-d)
KUUJJUARAAPIK (GREAT WHALE RIVER) Composition: Two People and Two Seals 1970s, stone, 6.25 x 4.5 x 4 in, 15.9 x 11.4 x 10.1 cm, signed in syllabics Provenance: a Montreal private collection

286
Unidentified Artist
PROBABLY SALLUIT (SUGLUK) Standing Man early-mid 1950s, stone and graphite, 4.5 x 2.75 x 1.5 in, 11.5 x 7.3 x 3.6 cm Provenance: Pruzansky Collection; Walker's Nov. 2000

287
Joy Kiluvigyuak Hallauk (1940-2000)
ARVIAT (ESKIMO POINT) Muskox c. 1968-72, stone, signed in syllabics, 4 x 5.75 x 2 in, 10.2 x 14.5 x 4.8 cm Provenance: an Ottawa private collection

289
Malaya Korgak (1923-d) f.
IQALUIT (FROBISHER BAY) Kneeling Mother and Children 1960s, stone, signed "MALAEYA" and with disc no., 3.5 x 6.5 x 1 in, 9 x 16.5 x 2.7 cm Provenance: Webster Collection; purchased from the artist

290
Annie Niviaxie (1930-1989)
KUUJJUARAAPIK (GREAT WHALE RIVER) Mother and Child late 1970s, stone and ivory, signed in syllabics, 6.25 x 3 x 3 in, 15.7 x 7.5 x 7.7 cm Provenance: an Ottawa private collection

291
Natar Ungalaaq (1959-) m.
IGLOOLIK Muskox 1983, stone and hide, signed "NATAR U" and dated, 2.25 x 3.5 x 1.75 in, 5.8 x 9.1 x 4.5 cm Provenance: Balshine Collection

292
Maria Tuitark
EASTERN CANADIAN ARCTIC (POSSIBLY IQALUIT) Legend of Lumaaq c. 1980s, antler, 2.25 x 3 x 1 in, 5.7 x 7.6 x 2.5 cm Provenance: a Toronto private collection

293
Pudloo Josephie (1931-) m.
IQALUIT (FROBISHER BAY) Pendant (Mother and Child) early 1980s, ivory and stone, signed in syllabics, 1.25 x 2.25 x .5 in, 3 x 5.3 x 1.5 cm Provenance: Webster Collection; purchased from the artist

294
Maudie Rachel Okittuq (1944-)
TALOYOAK (SPENCE BAY) Totem: Owl and Seal c. 1990, ivory and stone, signed in syllabics, 4.25 x 2 x 2.25 in, 10.7 x 5 x 5.7 cm Provenance: a Toronto private collection

295
Pauloosie Tukpanie (1960-2017) m.
IQALUIT (FROBISHER BAY) Polar Bear c. 1980, stone, signed "PAUL" and in syllabics, 1.5 x 1.75 x 1.5 in, 3.7 x 4.5 x 3.7 cm Provenance: Webster Collection; purchased from the artist

296
Unidentified Artist
POSSIBLY PANGNIRTUNG Shaman 1980s, whale bone, 5.25 x 10.5 x 6 in, 13.3 x 26.7 x 15.2 cm Provenance: a Toronto collection

297
Unidentified Artist
GREENLAND Mask c. 1970, wood and teeth, inscribed: "Umelik", 10 x 5.75 x 2.25 in, 25.3 x 14.7 x 5.7 in Provenance: Balshine Collection

298
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Woman Carrying a Child c. 1948, ivory, 4.75 x 2.75 x 1.5 in, 12.2 x 5.5 x 4 cm Provenance: Balshine Collection

299
Esra Abraham Berthelsen (1889-1954)
KANGAAMIUT, GREENLAND Shaman Wearing a Bearskin c. 1948, ivory, 3.5 x 1.5 x 2.5 in, 9.1 x 3.8 x 6.6 cm Provenance: Balshine Collection

300
Aron Kleist (1923-1989)
QAQORTOQ (JULIANEHAB), GREENLAND Bird Angakok ivory, signed AK", 4.5 x 3.75 x 2.25 in, 11.4 x 7 x 5.6 cm Provenance: a Montreal private collection

301
Cecilie Kleist (1948-1987)
QAQORTOQ (JULIANEHAB), GREENLAND Tornak Drum Dancer 1973, ivory, signed "C.K.", 4.25 x 3 x 2 in, 10.8 x 7.9 x 4.9 cm Provenance: Balshine Collection

302
Ole Kreutzmann (1898-1983) m.
KANGAAMIUT, GREENLAND Standing Figure with Half-Beard c. 1949, ivory, signed "OK", 4.5 x 1.5 x 1.5 in, 11.7 x 3.7 x 3.6 cm Provenance: Balshine Collection

303
Unidentified Artist
Provenance: Balshine Collection

304
Unidentified Artist
TASIILAQ (AMMASSALIK), GREENLAND Seated Skeletal Figure c. 1960, ivory, 4.5 x 1 x 1.25 in, 11.4 x 2.5 x 3 cm Provenance: Balshine Collection

305
Johan Elio
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4 x 1 x 1.5 in, 10.3 x 2.3 x 3.5 cm Provenance: Balshine Collection

306
Hans Kuitse
KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4.25 x 1 x 1 in, 10.9 x 2.5 x 2.7 cm Provenance: Balshine Collection

307
Unidentified Artist
GREENLAND Bear-Man Transformation c. 1972, stone, 3 x 8.5 x 2.5 in, 7.5 x 22.1 x 6.5 cm Provenance: Balshine Collection

308
Unidentified Artist
GREENLAND Two-Headed Mythical Creature c. 1972, stone, 2.75 x 8.75 x 1.5 in, 7.2 x 22.4 x 3.7 cm Provenance: Balshine Collection

309
Unidentified Artist
GREENLAND Standing Male Figure c. 1950, stone, 5.5 x 2 x 2 in, 14.3 x 5 x 5.4 cm Provenance: Balshine Collection