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Inuit & First Nations Art Auction of May 16, 2018
Previous Page Listing ID#: 72517
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Auction Location |
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Ottawa, ON K1V 1B8 Full Address Available on Tuesday, May 15 |
Auction Dates and Times |
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Wednesday May 16, 2018 Completed |
Auction Type |
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Company Information |
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Walker's Fine Art & Estate Auctioneers Website: walkersauctions.com GoToAuction.com ID#: 3284 View company information and listings |
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Listing Terms and Conditions |
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The following are Walker's standard Terms & Sales conditions which apply to all buyers and agents intending to purchase at any sales.
TERMS AND CONDITIONS
1. DEFINITIONS: The term "Auctioneer", wherever used in this catalogue, means Walker's Fine Art & Estate Auctioneers Inc.
2. PROPERTY INSPECTION: Prospective bidders should inspect the property before bidding to determine its size, condition and whether or not it has been repaired, restored or altered. We strongly recommend that all lots be viewed personally. Imperfections are not necessarily stated in any version of the auction catalogue, however, specific condition reports are provided upon request. (All statements are solely the opinion of the Auctioneer who is neither a professional restorer nor conservator).
3. ACCURACY OF INFORMATION: The Auctioneer has made a reasonable attempt to ensure accuracy in the description of every lot to be sold. However, guarantee is not made as to the correctness of the catalogue entries and no sale shall be set aside on account of any imperfections not noted. Each lot is sold on an "AS IS," "WHERE IS" basis.
4. BID INCREMENTS: Prospective buyers are required to know and understand the bid increment schedule below, before bidding on any lot. The auctioneer may vary the increments at his/her direction.
BID RANGE -- > BID INCREMENT
$0 - $100 -- > $10
$100 - $500 -- > $25
$500 - $1,000 -- > $50
$1,000 - $2,000 -- > $100
$2,000 - $5,000 -- > $250
$5,000 - $10,000 -- > $500
$10,000 - $20,000 -- > $1,000
$20,000 - $50,000 -- > $2,500
$50,000 - $100,000 -- > $5,000
$100,000 - $200,000 -- > $10,000
$200,000 and above -- > $20,000
5. AUCTIONEER'S RIGHTS:
a) All bids are per lot as listed in the catalogue. However, the Auctioneer reserves the right to divide or join lots, without prior warning, as they may see fit upon announcement of same.
b) The Auctioneer reserves the right to withdraw or add to the items as listed in prepared catalogues without notice.
c) The Auctioneer has the right to advance the bidding at their absolute discretion. The highest bidder is to be deemed the Buyer. If a dispute arises, the Auctioneer may, at their discretion, resell the lot or announce a decision immediately.
d) The Auctioneer may refuse to accept a bid from any individual or party at their absolute discretion.
e) The Auctioneer has the right to restrict attendance or participation in the auction rooms or during preview or to any party without explanation.
f) The Auctioneer shall have the right to bid or commission their staff to bid on behalf of any consignor up to the reserve price if applicable, but not above.
6. TITLE: Title to the offered lot immediately passes to the highest bidder upon full payment by the Buyer to the Auctioneer; however, the Buyer assumes full risk and responsibility from the fall of the auction hammer.
7. FAULTS AND DEFECTS: All lots are sold by the Auctioneer with all faults and defects, with all errors of description and are to be paid for whether genuine and authentic or not. No compensation shall be paid for same. Frames on artwork are not included as part of purchase or condition. The auctioneer does not warrant the condition or availability of frames or any associated glass.
8. DETERMINATION OF FORGERY: Notwithstanding the previous conditions of sale, if within (14) fourteen days after the auction the Buyer gives notice in writing to the Auctioneer that the lot sold is a deliberate forgery and within (7) seven days of such notification the Buyer returns the same to the Auctioneer in the same condition as at the time of sale and satisfies the Auctioneer that the claim is justified, pursuant to any special requests the Auctioneer may make, then the sale of the lot will be rescinded and the purchase price, Buyer's premium & sales tax on the purchase price of the same will be refunded. All action and decisions made by the Auctioneer are final and will not be influenced by the opinion of either the seller or Buyer. (All packing, handling, customs fees, taxes, insurance, valuations, opinions, lodging or travel directly or indirectly related to any returned & refunded lots will be the sole responsibility of the Buyer and no compensation will be paid for same). Any judicial proceedings deemed necessary to resolve a dispute or claim will be settled in the Province of Ontario, jurisdiction of Ottawa.
9. BUYER'S PREMIUM: Each lot is sold subject to a Buyer's premium payable by all Buyers in addition to the purchase price. This premium is expressed as a percentage of the purchase(hammer) price and varies according to type of auction and whether bidding is live, absentee, telephone or by internet. Refer to either our website or the absentee bid form for the specific auction to determine the actual amount of the Buyer's premium. This premium is also announced by the Auctioneer at the start of each auction.
10. SALES TAXES: The Buyer must pay Ontario Harmonized Sales Tax (HST - 13%) on the total purchase price (aggregate of hammer price & Buyer's premium) if the Buyer takes possession of their purchase at the time of the auction, or if they are resident in Ontario and have their purchase shipped to a location in Ontario, or if they pick up their purchase at the Auctioneer's offices in Ottawa after the sale. If the Buyer is from another province in Canada and have their purchase shipped to them by registered carrier, then the appropriate HST/GST (Goods and Services Tax) applicable to their province will be charged. Buyers not resident in Canada are exempt from paying HST or GST on the purchase price of property IF the lot(s) is shipped by registered carrier directly from the Auctioneer to the Buyer's address outside of Canada.
11. PAYMENT OPTIONS: Payment is to be made by cash, pre-approved cheque, Visa, MasterCard, Interac/Debit Card or wire transfer, and within 72 hours (3 business days) after the auction ends. For each wire transfer, there is an additional charge of $25 to cover bank administration charges. Property is released only after all funds have cleared our bank. Local purchases must be removed immediately after the sale provided payment has been received by the Auctioneer. Items sold to foreign and non-local Buyers will be transported to our offices where they must be removed within three (3) working days. Buyers not known to the Auctioneer are required to provide financial and banking details at least three (3) days prior to the auction. The Auctioneer will send an invoice by email or fax after the auction but your credit card may be used immediately to settle your purchase account. A maximum of $20,000 per client per auction may be paid using a credit card if presenting the card in person with photo identification; $5,000 is the maximum for 'not in person' credit card payments within North America.
12. FINANCE CHARGE: If the Buyer's account is not settled in full with regard to fore-mentioned conditions, then a finance charge of 5% per month above the Bank of Canada base rate will be applied to the purchase price until settled in addition to a 2% monthly charge for storage and insurance. If in the opinion of the Auctioneer the lot or lots must be resold then any deficiencies or handling charges against same will be charged to the original Buyer.
13. CULTURAL PROPERTY: In order to export certain property from Canada, a Cultural Property Export Permit may be required. Various objects and values are affected and it is incumbent on a prospective Buyer to fully understand any restrictions prior to sale. It is the Buyer's responsibility to obtain the required permit(s). No sale shall be rescinded if a Cultural Property Export Permit cannot be obtained.
Without limitation, and further to the terms of paragraph 12 above, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). Based on certain criteria including, but not limited to, value and the length of time in which an object has been in Canada, a Cultural Property Export permit may be required in order to temporarily or permanently export an object from Canada. The buyer must pay for all purchases whether an export permit is issued or declined.
14. RESTRICTED MATERIALS: Under the Convention on International Trade in Endangered Species of Wild Fauna and Flora Agreement (CITES), items offered for sale which contain restricted materials such as ivory, tortoiseshell, whalebone, sealskin, rhinoceros horn or other animal parts are not allowed by law to leave Canada or to be imported to most countries. It is the Buyer's responsibility to verify whether this restriction applies to their purchases prior to bidding. No sale shall be rescinded if the Buyer is remiss in this regard. You must ensure that you have reviewed your country's laws before you purchase or ship any works made from, or containing parts made from these restricted materials. It is your responsibility to obtain any necessary permits. No sale shall be rescinded if a permit (CITES or otherwise) cannot be obtained. We encourage you to visit the CITES website www.cites.org. If you wish us to apply for a CITES permit on your behalf after the auction, there is a $50 charge for each application. Submitting an application does not guarantee the issuance of a CITES permit.
15. DIGITAL IMAGES: Colour balance may vary with the digital photos posted to any of our online auction catalogues. We strongly recommend inspecting the object in person as you will notice a variance.
16. ESTIMATES: Pre-sale auction estimates are educated approximations based upon the sale of similar items. These are not necessarily selling prices, as the final bid may be above or below any estimate.
17. LIABILITY: Persons attending a preview, the auction or collecting goods, assume all risks of damage of or loss to person and property and specifically release the Auctioneer from liability. Neither the Auctioneer nor his principle shall be liable by reason of any defect in or condition of the premises on which the sale is held.
18. REGISTRATION: All bidders are required to provide full name, address, phone number(s) and postal code in addition to government issued photo identification. The registrant is fully and solely responsible for all bids placed using their bidding number. Registered Buyers are not permitted to bid for third parties or to transfer purchased lots from one account to another. The Auctioneer reserves the right to determine credit worthiness prior to registering a Buyer and may require banking or credit information and/or credit card information when doing so.
19. REMOVAL OF GOODS: Once the Buyer's account is settled, the Buyer then has the responsibility for the removal of their purchases. This transaction is separate from the purchase transaction.
The Auctioneer may provide assistance to the buyer with packing or removing goods from the auction floor once sold but we are not responsible for any damage which may occur during that time. Clients are further advised that removal of large furniture, rugs, sets of china and crystal, large paintings, etc. may only be removed at the end of the sale session. It is the responsibility of the buyer to bring sufficient wrapping material and boxes, etc. In the event of fire or theft of goods the Auctioneer's liability will be to the amount of the hammer price only.
All purchases must be removed from the Auctioneer's premises within ten (10) days of the date of the sale. After this time, storage charges in the amount of $5 per lot per day will accrue and other charges may be incurred. We are not responsible for the security of goods left after the removal deadline.
20. PACKING and SHIPPING OF GOODS: The Auctioneer offers a packing and shipping service as a beneficial service to its Buyers. This is an optional service and Buyers should feel free to have others handle their packing and shipping needs provided the purchased item(s) are picked up within tem (10) working days of the date of sale. Our packing and shipping service is provided on a 'Best Efforts' basis and turnaround times will vary depending on the volume of lots sold during the various times of the year. There will be fees for this service and the Auctioneer or handler will proceed only at the Buyer's risk and expense. Please inquire directly with the Auctioneer for a packing/shipping/insurance estimate prior to sale. All estimates are provided on a best-efforts basis and the actual packing and shipping charge may be greater or less than the estimate. There is a minimum charge of $30 plus applicable sales taxes per shipment.
Customs duty, sales taxes and brokerage fees as assessed by Government or third party firms are separate from any shipping quote the Auctioneer may provide and are the sole responsibility of the Buyer. For international shipments leaving Canada, WALKERS will only state the actual value of an item on Customs documentation. It is illegal in Canada to declare a false value for an item knowing the item has a higher value (as shown by recent sale). Lots damaged in transit as a result of Customs or Government inspection or improper repacking are not covered by any insurance offered by the Auctioneer or shipper regardless if insurance has been paid for or not.
All shipping inquires should be directed to: shipping@walkersauctions.com.
21. ABANDONMENT: It is a Buyer's responsibility to either pick up their item(s) within ten (10) days of the date of sale, or to arrange shipping of their item(s) with our shipping department or using a shipper of the Buyer's choice. In the event purchased item(s) are still in our warehouse and in our possession six (6) months after the auction end date, regardless of payment being received or not, the item(s) will be considered to be 'abandoned' and 'surrendered' to the Auctioneer. The Auctioneer shall have the right to sell or donate the item(s) as he sees fit with any proceeds from sale going to the account of the Auctioneer.
22. CONSIGNOR COVENANT: On no account is a consignor of goods to Auctioneer, allowed to bid on his or her own merchandise.
23. CONDITION STATEMENTS: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition reports/statements are provided by request as a courtesy to Walker's clients and should be considered as an opinion only. Walker's are not professional conservators and no warranty is expressed through issuing condition statements. Prospective bidders are encouraged to inspect objects personally or have their conservator inspect objects on their behalf. All lots are offered for sale subject to Walker's conditions of business.
24. JURISDICTION: Ontario law applies and jurisdiction and venue over all disputes involving these Terms and Conditions shall be adjudicated at Ottawa, Ontario, Canada.
25. ACKNOWLEDGEMENT: All bidders and others attending this sale agree that they have read and have full knowledge and understanding of these Terms and Conditions of Business, and agree to be bound by same.
--- Revised: November 17, 2017 ---
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Listing Information |
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Walker's is pleased and proud to present our fourteenth collection of Inuit and First
Nations art, Wednesday, May 16, 2018 in Ottawa. It's another terrific selection of works
gathered from North American and European collections.
We are happy to offer more masterpieces from several important American collections including
the Albrecht Collection in Scottsdale, the Sam Wagonfeld Collection in Denver and the Joshua
Pruzansky Collection in New York, as well as collections from Chicago, Minneapolis and other cities.
We are also pleased to offer important works from Canadian collections including the estate of
Peter Murdoch. In 1947, at the tender age of eighteen, Murdoch began a ten-year career as a
Hudson's Bay Company trading clerk and manager in several Arctic communities, managed the
Patient Rehabilitation Centre in Frobisher Bay in the early 1960s (where many Inuit began carving),
and devoted the rest of his life to building and nurturing FCNQ, the co-operative federation in
Nunavik (Arctic Quebec). Peter Murdoch was inducted into the Order of Canada in 2015. Another
collection of note is from the estate of the renowned pharmacologist Mark Nickerson, who came to
Canada as a political refugee from the U.S. in the 1950s. He created one of the North America's
foremost departments of Pharmacology at the University of Manitoba, befriended George Swinton,
and became an enthusiastic Inuit art collector. We are truly grateful to all of our Canadian and
international consignors.
The Inuit auction highlights are almost too numerous to mention. They include a rare and lively
Boat with Hunters and Dogs by Joe Talirunili; the gorgeous and important large Untitled hanging
by Jessie Oonark; a brilliant Figure by Karoo Ashevak; a fabulous Owl-Bear by Latcholassie; the
stunning Owl and Walking Caribou by Osuitok Ipeelee; a powerful Salluit Mother Nursing a Child
by Mary Irqiquq Sorusiluk; the imposing Janus-Faced Head by John Tiktak; a compelling Dancing
Bear by Pauta Saila; two important early sculptures by Henry Evaluardjuk; an outstanding Mother
and Two Children by Johnny Inukpuk; an important early Mother and Child by Judas Ullulaq; a
riveting Mother and Child by an anonymous Inukjuak master; the wonderful Umiaq Adventure by
Davidialuk; important sculptures by Luke Iksiktaaryuk, John Tiktak, John Kavik, John Pangnark, Lucy
Tasseor and Jackoposie Oopakak; superb early Cape Dorset graphics by Kenojuak, Sheouak, Pudlo and Qabaroak; lovely Baker Lake drawings by Luke Anguhadluq, Oonark and others; beautiful
textile hangings and a beaded amautiq; and terrific contemporary drawings and sculptures.
First Nations highlights include a varied and important selection of paintings by Norval Morrisseau,
including Onaman Beaver Blood Legend and Legendary Animals (both c. 1965) and Looking Above
Oneself c. 1980; a rare, early and stunning Haida figural argillite composition c. 1830-1850; an
important Haida model canoe with figures from the 1890s; a moving religious-themed Tlingit pole
from the 1870s; and other lovely historical and contemporary sculptures and paintings.
We offer our sincere thanks to the many collectors who support our efforts to bring Canadian Inuit
and First Nations art to the world. We hope that you will enjoy viewing and reading this latest
catalogue. Your questions, comments and suggestions are always welcome. Please feel to contact
me anytime.
Ingo Hessel
Head, Inuit & First Nations Art
ingo@walkersauctions.com
1.613.818.2100 1 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Bear Climbing a Boulder c. late 1970s, stone, signed "HENRY" and in syllabics, 4.25 x 3.75 x 2.75 in, 11 x 9.7 x 7 cm Provenance: an Ottawa private collection 2 Qavaroak Tunnillie (1928-1993) m. CAPE DORSET Spirit 1973, stone, 3 x 5 x 1.75 in, 7.2 x 12.6 x 4.4 cm Provenance: a Montreal private collection 3 Unidentified Artist SANIKILUAQ Composition with Three Birds c. 1950-52, stone, ivory, inlay and pigment, 3.75 x 9 x 2.75 in, 9.5 x 23 x 7.5 cm Provenance: a prominent Toronto private collection 4 Tuna Iquliq (1935-2015) m. BAKER LAKE/RANKIN INLET Bird early 1960s, stone and antler, signed in syllabics, 3.5 x 4.75 x 5.25 in, 9.5 x 12 x 13.4 cm Provenance: an Ottawa private collection 5 Unidentified Artist SANIKILUAQ Dog c. 1950, stone and inlay, 2 x 4 x 1 in, 4.8 x 10 x 2.8 cm Provenance: a prominent Toronto private collection 6 Possibly Pauta Saila RCA (1916-2009) m. CAPE DORSET Polar Bear 1950s or earlier, ivory, 2 x 4 x 1 in, 5.2 x 9.8 x 2.7 cm Provenance: an Ottawa private collection 7 Possibly Syollie (Sarollie) Weetaluktuk (1906-1962) m. INUKJUAK (PORT HARRISON) Rearing Polar Bear early 1950s, stone and ivory, 7.75 x 3 x 2.75 in, 19.4 x 7.8 x 7.3 cm Provenance: a prominent Toronto private collection 8 Lucy Tasseor Tutsweetok (1934-2012) ARVIAT (ESKIMO POINT) Family c. 1970, stone, signed in syllabics, 4.25 x 3 x 1.75 in, 10.5 x 7.8 x 4.6 cm Provenance: a Toronto area private collection; Innuit Gallery of Eskimo Art; ex collection of Razie Brownstone 9 Unidentified Artist INUKJUAK (PORT HARRISON) Bird at its Nest c. 1950-51, stone, ivory and soap inlay, 2 x 5.5 x 8.5 in, 5.1 x 14.2 x 21.3 cm Provenance: an Ottawa private collection 10 Sharky Nuna (1918-1979) m. CAPE DORSET Mother Kissing Her Child c. 1960, stone, signed in syllabics, 6 x 3 x 5.25 in, 15.3 x 7.3 x 13.5 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist 12 Aisapik Quma Igauja (1915-1979) m. PUVIRNITUQ Resting Bird early 1960s, stone, signed "ISAPIK" and with disc no., 3.25 x 8 x 3 in, 7.9 x 19.9 x 7.7 cm Provenance: a Montreal private collection 13 Aibilie Echalook (1940-) m. INUKJUAK (PORT HARRISON) Standing Caribou c. 1960, stone and antler, signed in syllabics and with disc no., 5.25 x 9.5 x 3.5 in, 13.3 x 24 x 8.7 cm Provenance: Nickerson Collection; purchased from George Swinton 14 Unidentified Artist POSSIBLY KANGIQSUJUAQ (WAKEHAM BAY) Hunter c. mid 1950s, stone and ivory, 6.5 x 4.25 x 3.5 in, 16.4 x 10.5 x 9.1 cm Provenance: Pruzansky Collection 15 Unidentified Artist INUKJUAK (PORT HARRISON) OR PUVIRNITUQ Seated Man early-mid 1950s, stone, 3 x 2 x 1.25 in, 7.7 x 5.1 x 3 cm Provenance: Balshine Collection 16 Possibly Levi Amidlak (1931-1998) INUKJUAK (PORT HARRISON) Standing Man early-mid 1950s, stone and soap inlay, 2.5 x 1.25 x 1 in, 6.5 x 3.3 x 2.6 cm Provenance: an Ottawa private collection 17 Kenojuak Ashevak CC RCA (1927-2013) f. PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET The Return of the Sun 1961 #81, stonecut print, 24/50, 24 x 30 in, 60.7 x 75.8 cm Provenance: an Ottawa private collection 18 Egevadluq Ragee (1920-1983) f. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Two-Faced Sea Spirit 1960 #7, stonecut print, framed, 8 x 12.5 in, 20.5 x 32 cm (sight) Provenance: an Ottawa private collection 19 Lukta Qiatsuk (1928-2004) m. CAPE DORSET Arctic Shore Birds 1959, stencil print, 20/30, framed, 15.25 x 13.75 in, 38.5 x 35 cm (sight) Provenance: an Ottawa private collection 20 Pudlo Pudlat (1916-1992) m. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Fish and Spear 1961 #20, stencil print, 48/50, framed, 19 x 25.25 in, 48 x 64.1 cm Provenance: a Montreal private collection 21 Osuitok Ipeelee RCA (1922-2005) m. CAPE DORSET Owl mid 1960s, stone, 7.25 x 6.25 x 3.75 in, 18.5 x 15.5 x 9.8 cm Provenance: an Ottawa private collection 22 Davidialuk Alasua Amittu (1910-1976) m. PUVIRNITUQ Umiaq Adventure c. 1970-72, stone and antler, signed in syllabics, 6.25 x 5.5 x 4.25 in, 15.3 x 14 x 10.7 cm Provenance: Estate of Peter Murdoch, Montreal 23 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Walking Bear early-mid 1960s, stone, signed in syllabics, 7.5 x 13.25 x 5.5 in, 19.1 x 33.5 x 14 cm Provenance: an Ottawa private collection 24 Dominic Kingilik (1939-1990) BAKER LAKE Owl 1963, stone, antler, metal and pigment, 6.25 x 5.5 x 5 in, 15.8 x 13.8 x 12.7 cm Provenance: Albrecht Collection; Feheley Fine Arts 25 Miriam Nanurluk Qiyuk (1933-) BAKER LAKE Birds 1974, stone, signed in syllabics and dated, 10 x 7.5 x 2.5 in, 25.4 x 19 x 6.4 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 26 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Mother and Child mid-late 1970s, stone, signed in syllabics and with disc no., 6.25 x 6.75 x 6.25 in, 16 x 17.4 x 15.7 cm Provenance: a Montreal collection 27 Victoria Mamnguqsualuk (1930-2016) BAKER LAKE Legend of Qiviuq c. early 1990s, wool stroud, felt and embroidery floss, signed in syllabics, 37 x 59 in, 94 x 150 cm 28 Mary Kuutsiq (1926-2011) BAKER LAKE All Eyes on Fishing 2009, wool duffel, felt and embroidery floss, signed in syllabics, 34.5 x 28.25 in, 87.5 x 72 cm Provenance: an Ottawa private collection 29 Jessie Oonark OC RCA (1906-1985) BAKER LAKE Untitled c. 1975, graphite, coloured pencil and felt pen drawing, signed in syllabics, 22.25 x 30 in, 56.3 x 76.3 cm Provenance: a Swiss private collection 30 Luke Anguhadluq (1895-1982) BAKER LAKE Untitled early 1970s, graphite and coloured pencil drawing, framed, signed in syllabics and with disc no., 29.25 x 21.5 in, 74.4 x 54.7 cm (sight) Provenance: a Swiss private collection 31 Kenojuak Ashevak CC RCA (1927-2013) f. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Multi-Feathered Bird 1961 #43, stonecut print, 19/50, 13 x 24 in, 32.5 x 61 cm Provenance: an Ottawa private collection 32 Pudlo Pudlat (1916-1992) m. PRINTMAKER: EEGYVUDLUK POOTOOGOOK (1931-1999) m., CAPE DORSET Caribou Chased by Wolf 1961 #18, stencil print, 1/50, 19 x 25.5 in, 48 x 64.7 cm Provenance: Albrecht Collection 33 Qabaroak Qatsiya (1942-) m. ELIJAH POOTOOGOOK (1943-), CAPE DORSET Two Men Discussing Coming Hunt 1961 #44, stencil print, 36/50, framed, 20 x 26.25 in, 50.7 x 66.7 cm Provenance: a Montreal private collection 34 Sheouak Petaulassie (1923-1961) f. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Dog and Seagull 1961 #30, stencil print, 5/50, framed, 18.75 x 25 in, 47.6 x 63.7 cm Provenance: a Montreal private collection 35 Karoo Ashevak (1940-1974) m. TALOYOAK (SPENCE BAY) Figure 1972-73, whale bone and inlay, signed in syllabics, 16.25 x 13.75 x 7.75 in, 41.3 x 34.8 x 19.9 cm Provenance: a Montreal private collection; Lippel Gallery, Montreal 36 Luke Iksiktaaryuk (1909-1977) BAKER LAKE Travelling Figures early 1970s, antler and metal, 9.25 x 12.75 x 5.75 in, 23.5 x 32 x 14.7 cm Provenance: a Montreal collection 37 Jacob Irkok (1937-2011) ARVIAT (ESKIMO POINT) Fisherman 2007, antler and cord, main section: 13 x 15 x 10.75 in, 33 x 38.3 x 27 cm Provenance: Albrecht Collection; purchased from the artist 38 Luke Anowtalik (1932-2006) ARVIAT (ESKIMO POINT) Composition: Spirits c. early 1990s, antler, 12.5 x 21 x 10 in, 31.75 x 53 x 25.5 cm Provenance: a Toronto collection 39 Elisapee Kingaruyak Alareak (1943-) ARVIAT (ESKIMO POINT) Beaded Amautiq c. 2000, wool duffel, wool stroud, fabric trim, beads, fringe, yarn, ribbon and thread, 46 x 27 x 17 in, 117 x 69 x 43 cm (as shown) Provenance: Albrecht Collection 40 Norval Morrisseau CM (1931-2007) ANISHNAABE Looking Above Oneself c. 1980, acrylic on canvas, signed in syllabics, 48 x 40 in, 122 x 101.5 cm Provenance: Webster Collection, Iqaluit; Leona Lattimer Gallery 41 Unidentified Artist TLINGIT, SITKA SOUND, ALASKA HAIDA Model Totem Pole c. 1870-1880, wood (probably alder) and paint, 17.25 x 3.5 x 2.75 in, 44 x 8.9 x 6.5 cm (verso ink inscription: 49223 Sitka JJMcLean, also inscribed: A 128) Provenance: a succession of Toronto corpo... 42 Unidentified Artist HAIDA Two Figures: Man and Boy c. 1830-1850, argillite, 7.5 x 6 x 2.25 in, 19.3 x 15.2 x 5.8 cm Provenance: a B.C. private collection 43 Attributed to Alfred Davidson HAIDA, MASSET Canoe Model with Three Figures c. 1890-1900, wood (probably alder) and paint, 5.75 x 18.75 x 14.5 in, 14.9 x 47.8 x 36.8 cm Provenance: a Quebec City private collection 44 Unidentified Artist HAIDA Pipe with Kneeling Figure 1880s or 1890s, argillite, 2.25 x 8.75 x 1 in, 6 x 22.5 x 2.5 cm Provenance: a Montreal private collection 45 Unidentified Artist HAIDA Figurative Pipe c. 1850-1880, argillite, 1.5 x 7.75 x .75 in, 3.7 x 19.5 x 1.7 cm Provenance: a Montreal private collection 46 Unidentified Artist HAIDA Platter with Dogfish and Halibut c. 1880s, argillite, .75 x 7.75 x 4.25 in, 2.3 x 19.5 x 10.8 cm Provenance: a B.C. private collection 47 Norval Morrisseau CM (1931-2007) ANISHNAABE Onaman Beaver Blood Legend c. 1964, tempera and/or acrylic on paper, signed in syllabics, framed, 49.5 x 29.5 in, 125.7 x 75 cm (sight) Provenance: a succession of Toronto corporate collections 49 Arthur Shilling (1941-1986) OJIBWA Self-Portrait 1974, oil on canvas board, framed, signed and dated, 29.5 x 21.5 in, 74.5 x 54.3 cm Provenance: an Ottawa private collection 50 Arthur Shilling (1941-1986) OJIBWA Meditation (Portrait of Millie) 1977, oil on board, framed, signed and dated, 35.5 x 30 in, 90.3 x 76.3 cm Provenance: an Ottawa private collection 51 Arthur Shilling (1941-1986) OJIBWA Landscape 1974, oil on masonite, framed, signed and dated, 29.5 x 34.25 in, 75 x 87 cm Provenance: an Ottawa private collection 52 Nick Sikkuark (1943-2014) KUGAARUK (PELLY BAY) Shaman 1997, antler, bone, hair and hide, signed in syllabics and dated, 10 x 14 x 11.75 in, 25.6 x 35.5 x 30 cm Provenance: a Toronto collection 53 Nick Sikkuark (1943-2014) KUGAARUK (PELLY BAY) Spirit Playing with a Whirligig (Buzz Toy) 1998, antler, muskox horn and sinew, signed in syllabics and dated, 4.75 x 6.5 x 2.5 in, 12.2 x 16.5 x 6.5 cm Provenance: Albrecht Collection; Images Art Gallery 54 Judas Ullulaq (1937-1999) GJOA HAVEN Bear-Shaman c. 1988-90, stone, antler and muskox horn, signed in syllabics, 9.75 x 12.75 x 5 in, 24.7 x 32.4 x 12.6 cm Provenance: Albrecht Collection 55 Joe Talirunili (1893-1976) PUVIRNITUQ Boat with Hunters and Dogs c. 1967-68, stone and ivory, 4.25 x 9.75 x 4.25 in, 11 x 24.8 x 10.8 cm Provenance: a Swiss private collection; Innuit Gallery of Eskimo Art 56 Kenojuak Ashevak CC RCA (1927-2013) f. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Birds From the Sea 1960, early experimental stencil proof print, 9.75 x 11.75 in, 24.5 x 30 cm Provenance: a Toronto private collection 57 Kiakshuk (1886-1966) m. PRINTMAKER: IYOLA KINGWATSIAK (1933-2000) m., CAPE DORSET Untitled [Hunting Whales] 1961; released in Cape Dorset Revisited collection (1994 #9), stone-cut print, 38/50, framed, 22.5 x 31 in, 56.8 x 78.5 cm Provenance: Wagonfeld Collection; Upstairs ... 58 Parr (1893-1969) m. PRINTMAKER: LUKTA QIATSUK (1928-2004) m., CAPE DORSET Dog Teams 1963 #45, stonecut print, 26/50, 17 x 24.5 in, 43.2 x 62.2 cm Provenance: Albrecht Collection; Waddington's Nov. 2005 59 Anirnik Oshuitoq (1902-1983) f. CAPE DORSET Animal and Bird 1964, engraving, 8/50, framed, 18 x 12.5 in, 45.5 x 31.7 cm Provenance: a Montreal private collection 60 Kenojuak Ashevak CC RCA (1927-2013) f. CAPE DORSET Bird 1963, engraving, 9/50, framed, 12.25 x 20 in, 31.2 x 50.8 cm Provenance: a Montreal private collection 61 Pauta Saila RCA (1916-2009) m. CAPE DORSET Dancing Bear c. 1980, stone, signed "PAOTA SAILA", 15 x 11 x 7.75 in, 38.2 x 27.8 x 19.9 cm Provenance: a prominent European private collection; Feheley Fine Arts; a Canadian private collection 62 Abraham Etungat RCA (1911-1999) CAPE DORSET Bird with Outstretched Wings c. 1980, stone, signed in syllabics, 6.5 x 9.75 x 3.75 in, 16.7 x 24.8 x 9.8 cm Provenance: a Montreal private collection 63 Toonoo Sharky RCA (1970-) m. CAPE DORSET Bird Spirit 1998, stone and inlay, dated and signed "TOONOO SHARKY" and in syllabics, 8 x 9.75 x 10.25 in, 20.3 x 24.7 x 25.9 cm Provenance: Albrecht Collection; Galerie d'Art Vincent 64 Eegyvudluk Pootoogook (1931-1999) m. CAPE DORSET Muskox c. 1960-61, stone, 5.5 x 8.75 x 3.25 in, 14 x 22.2 x 8.2 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 65 Lukta Qiatsuk (1928-2004) m. CAPE DORSET Standing Bird 1980, stone, signed in syllabics, 11.5 x 8.5 x 3 in, 29.2 x 21.4 x 7.8 cm Provenance: a Montreal private collection 66 Latcholassie Akesuk (1919-2000) m. CAPE DORSET Owl-Bear Transformation c. 1970, stone, 8.5 x 6 x 10.5, 21.4 x 14.9 x 26.6 cm Provenance: a Montreal private collection 67 Kenojuak Ashevak CC RCA (1927-2013) f. PRINTMAKERS: PITSEOLAK NIVIAQSI (1947-2015) m. and AOUDLA PUDLAT (1951-2006), m., CAPE DORSET Portfolio of Twelve Lithographs 1979 Special Commission, set 7/50, framed, each: 22.25 x 30.75 in, 56.5 x 78.2 cm Provenance: a Montreal private collection 68 Unidentified Artist INUKJUAK (PORT HARRISON) Standing Woman and Child c. 1955-58, stone, soap inlay and sinew, 13.5 x 14.5 x 7 in, 34.3 x 37 x 17.8 cm Provenance: Nickerson Collection 69 Unidentified Artist INUKJUAK (PORT HARRISON) Hunter Harpooning Walrus c. 1950-51, stone, ivory, wood, metal and soap inlay, 6.25 x 6.75 x 9.5 in, 16 x 17.4 x 24.2 cm Provenance: Pruzansky Collection; Waddington's Nov. 2011 70 Akeeaktashuk (1898-1954) or Camp of Akeeaktashuk INUKJUAK (PORT HARRISON) Hunter with Harpoon early 1950s, stone, ivory and soap inlay, 6.75 x 4.25 x 4.5 in, 17.5 x 9.75 x 11.4 cm Provenance: Pruzansky Collection; Waddington's Nov. 1993 71 Victor Sangitsi Tongelik (1924-d) REPULSE BAY Standing Hunter c. late 1950s, whale bone and ivory, 6.5 x 3.5 x 4 in, 16.5 x 9.5 x 10 cm Provenance: a Toronto area private collection; Waddington's; ex TD Bank Collection 72 Puhalook ARCTIC BAY Dog and Two Arctic Hares c. 1960, whale bone, 4.25 x 7.75 x 4.75 in, 10.8 x 19.6 x 12 cm Provenance: Nickerson Collection 73 Unidentified Artist REPULSE BAY Drum Dancer c. 1958-60, stone and antler, 5.75 x 2.5 x 3.75 in, 14.8 x 6.2 x 9 cm Provenance: Nickerson Collection 74 Lucie Angalakte Mapsalak (1931-) REPULSE BAY Owl early 1960s, stone, signed in syllabics and with disc no., 5 x 2.5 x 3.75 in, 13 x 6 x 9.7 cm Provenance: Pruzansky Collection 75 Louise Angugatsiark Tungilik (1917-1985) REPULSE BAY Mother Nursing a Child c. late 1960s, stone, 5.5 x 2.25 x 4.75 in, 14.5 x 5.3 x 12 cm Provenance: Pruzansky Collection 76 John Tiktak RCA (1916-1981) RANKIN INLET Janus-Faced Head c. 1969-mid 1970s, stone, 15.5 x 13.75 x 4.75 in, 39.5 x 32.6 x 9.7 cm Provenance: an Ottawa private collection since the mid-late 1970s; by descent to a family member in the late 1990s 77 John Kavik (1897-1993) RANKIN INLET Mother and Child early 1970s, stone, 12.5 x 6.25 x 5.25 in, 31.7 x 15.8 x 13.3 cm Provenance: a Swiss private collection 78 Eric Niuqtuk (1937-1994) BAKER LAKE Muskox-Shaman Mother and Child mid 1970s, stone, signed in syllabics, 12.5 x 9.25 x 7.5 in, 31.2 x 23.6 x 18.8 cm Provenance: a Montreal private collection 79 David Ikutaaq (1929-1984) BAKER LAKE Ptarmigan c. 1966-68, signed in syllabics and with disc no., 5.75 x 7.5 x 8 in, 14.1 x 19.2 x 20.3 cm Provenance: a Quebec private collection 80 George Tatanniq (1910-1991) BAKER LAKE Muskox c. 1972, stone and antler, signed in syllabics, 4.5 x 7.25 x 3.25 in, 11.5 x 18.5 x 8.4 cm Provenance: a Toronto area private collection; Upstairs Gallery 81 George Tatanniq (1910-1991) BAKER LAKE Bear stone, signed in syllabics, 4.5 x 8 x 3.5 in, 11.7 x 20.2 x 9.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2015; Albrecht Collection 82 Jessie Oonark OC RCA (1906-1985) BAKER LAKE Untitled c. 1973-75, wool stroud, felt, embroidery floss and thread, signed in syllabics, 38.5 x 105 in, 98 x 267 cm Provenance: a Toronto area private collection 83 John Pangnark (1920-1980) ARVIAT (ESKIMO POINT) Figure early 1970s, stone, signed in syllabics, 5 x 3.5 x 6.5 in, 12.5 x 9 x 16.5 cm Provenance: a Montreal private collection 84 John Pangnark (1920-1980) ARVIAT (ESKIMO POINT) Hunter and Seal c. 1971-72, stone, 3.75 x 6 x 2.5 in, 9.5 x 15.3 x 6.4 cm Provenance: a Toronto area private collection; Upstairs Gallery 85 Lucy Tasseor Tutsweetok (1934-2012) ARVIAT (ESKIMO POINT) Family early 1970s, stone, signed in syllabics, 5 x 5.5 x 3 in, 12.5 x 14 x 7.5 cm Provenance: a Montreal private collection 86 Lucy Tasseor Tutsweetok (1934-2012) ARVIAT (ESKIMO POINT) Mother and Child 1969, stone, signed in syllabics, 4.75 x 2.25 x 3.25 in, 12.2 x 5.6 x 8.3 cm Provenance: a Quebec private collection; purchased at the Eskimo Point Co-op 87 Johnny Inukpuk RCA (1911-2007) INUKJUAK (PORT HARRISON) Mother and Two Children c. mid 1960s, stone, signed in syllabics and with disc no., 16.5 x 12.5 x 7.25 in, 41.8 x 32 x 18.3 cm Provenance: an Ottawa private collection 88 Isa Qumalu Sivuarapi (1925-1979) m. PUVIRNITUQ Hunter Skinning a Wolf late 1950s, stone, 6 x 5.75 x 10 in, 15.3 x 14.3 x 25.2 cm Provenance: Wagonfeld Collection; Waddington's June 1996 89 Attributed to Charlie Sivuarapik (1911-1968) PUVIRNITUQ Seated Hunter c. 1953-54, stone, sinew and inlay, 5.5 x 5.5 x 7.75 in, 14.2 x 14.4 x 19.7 cm Provenance: an Ottawa private collection 90 Mary Irqiquq Sorusiluk (1897-1966) SALLUIT (SUGLUK) Mother Nursing a Child c. 1953-55, stone, signed in syllabics and with disc no., 11.5 x 5 x 9 in, 29.4 x 12.7 x 22.9 cm Provenance: an American private collection; ex collection of Dr. William Moss, Portland, Oregon 91 Noah Tatirillak Kumak (1932-d) SALLUIT (SUGLUK) Hunter Skinning a Fox c. 1956-57, stone, signed "NOAH" and with disc no., 7 x 5.5 x 8.75 in, 18.8 x 13.7 x 22.3 cm Provenance: Nickerson Collection 92 Kululak Tayarak (1933-) m. SALLUIT (SUGLUK) Woman Taking Off Her Boot c. 1960, stone, signed with disc no., 6.25 x 3.25 x 6 in, 15.8 x 8.3 x 13.2 cm Provenance: an Ottawa private collection 93 Jackoposie Oopakak (1948-2015) m. IQALUIT (FROBISHER BAY) Animals, People and Bear c. early 1990s, antler and stone, signed "JACKOPOSIE", 31.5 x 26 x 31 in, 80 x 66 x 78.7 cm Provenance: a Montreal collection; a prominent European collection; Arctic Inuit Art, Richmond, VA; Iqaluit F... 94 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Fox Hunter with Dog 1963, stone, signed "HENRY" and in syllabics, dated, 14.25 x 7.25 x 7 in, 36.3 x 18.6 x 17.7 cm Provenance: Estate of Peter Murdoch, Montreal; presented to him in appreciation of his work as Superintendent ... 95 Eleeshushe Parr (1896-1975) f. CAPE DORSET Families Asleep in Igloo 1968, coloured pencil drawing, signed in syllabics, 19.75 x 25.75 in, 50.5 x 65.2 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery 96 Kiakshuk (1886-1966) m. CAPE DORSET Dog Team Hunters Pursuing Caribou c. 1960, graphite pencil drawing, framed, 15.5 x 22 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery 97 Pudlo Pudlat (1916-1992) m. CAPE DORSET Sedna in a Boat c. mid 1970s, coloured pencil drawing, framed, 18.75 x 25 in, 48 x 63.3 (sight) Provenance: Wagonfeld Collection 98 Pauta Saila RCA (1916-2009) m. CAPE DORSET Seal Hunters on Land and Sea c. late 1960s, graphite pencil drawing, framed, signed in syllabics, 17.75 x 24.25 in, 45 x 61.5 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery 99 Pitaloosie Saila RCA (1942-) f. CAPE DORSET Female Shaman with Owl 1976, ink drawing, signed in syllabics, 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery 100 Sorosiluto Ashoona (1941-) f. PRINTMAKER: SAGIATUK SAGIATUK (1932-) m., CAPE DORSET Woman of the Sea 1976 #10, stonecut print, 50/50, 24.75 x 34 in, 63 x 86 cm Provenance: Wagonfeld Collection; Galerie Elca London 101 Kenojuak Ashevak CC RCA (1927-2013) f. and/or Johnniebo Ashevak (1923-1972) m. CAPE DORSET Bird People 1963 #3, engraving, 9/50, framed, 12.25 x 19.5 in, 31 x 49.7 cm Provenance: a Montreal private collection 102 Judas Ullulaq (1937-1999) GJOA HAVEN Mother and Child 1982, stone and antler, signed in syllabics, 12 x 8.25 x 11 in, 31 x 20.7 x 28 cm Provenance: a Saskatchewan private collection 103 Karoo Ashevak (1940-1974) m. TALOYOAK (SPENCE BAY) Bird at Its Nest c. 1971-72, whale bone, 7 x 13.25 x 6.25 in, 17.7 x 33.7 x 15.9 cm Provenance: a Montreal private collection 104 Osuitok Ipeelee RCA (1922-2005) m. CAPE DORSET Walrus-Bird Transformation c. 1970, stone and antler, signed in syllabics, 8.25 x 5.25 x 3.75 in, 21 x 13.2 x 9.8 cm Provenance: an American private collection 105 Mannumi Shaqu (1917-2000) m. CAPE DORSET Basking Walruses early 1970s, stone and ivory, signed in syllabics, 10.25 x 17.5 x 11.75 in, 26 x 44.6 x 29.8 cm Provenance: an Ottawa private collection 106 Abraham Etungat RCA (1911-1999) CAPE DORSET Bird 1970s, stone, signed in syllabics, 4.25 x 4.5 x 3 in, 10.7 x 11.5 x 7.6 cm Provenance: a Toronto collection 107 Kumakuluk Saggiak (1944-) m. CAPE DORSET Animal Composition 1973, stone, signed "KUMAKULUK CAPE DORSET 1973", 12.75 x 18.5 x 8.25 in, 30.1 x 46.8 x 21.3 cm Provenance: Albrecht Collection; Isaacs/Inuit Gallery 108 Tuna Iquliq (1935-2015) m. BAKER LAKE/RANKIN INLET Bird early 1970s, stone, signed in syllabics, 11.75 x 10.5 x 6 in, 29.5 x 26.3 x 15.5 cm Provenance: a Montreal private collection 109 Josiah Nuilaalik RCA (1928-2005) BAKER LAKE Fox-Bird Transformation early 1990s, stone, signed in syllabics, 2.5 x 6.25 x 1.5 in, 6.3 x 15.7 x 3.8 cm Provenance: Albrecht Collection; Marion Scott Gallery 110 Marie Kuunnuaq (1933-1990) BAKER LAKE Kneeling Mother and Child c. 1971-73, stone, signed in syllabics and with disc no., 9.5 x 7.75 x 10.5 in, 24.1 x 19.7 x 26.7 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 111 Nancy Kangeryuaq (1936-) BAKER LAKE Standing Mother and Child c. late 1970s, stone, signed in syllabics, 6.25 x 4.25 x 3.5 in, 15.8 x 10.7 x 9.1 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 113 Luke Anguhadluq (1895-1982) BAKER LAKE Caribou Hunter and Wolf 1970, coloured pencil drawing, framed, signed in syllabics, 17 x 23 in, 43 x 58.8 cm (sight) Provenance: Wagonfeld Collection; Feheley Fine Arts 114 Luke Anguhadluq (1895-1982) BAKER LAKE Swimming Caribou c. 1973-75, coloured pencil drawing, framed, 15.25 x 21 in, 39 x 53.3 cm (sight) Provenance: Wagonfeld Collection; Upstairs Gallery 115 Janet Kigusiuq RCA (1926-2005) BAKER LAKE Untitled (Returning to Camp and Hunting Caribou by Kayak) c. late 1970s, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 25.75 in, 50.5 x 65.5 cm Provenance: Wagonfeld Collection; Galerie Elca London 116 Elizabeth Angrnaqquaq (1916-2003) BAKER LAKE Untitled (People, Caribou, Seals and Spirits) c. 1981, wool duffel, felt and embroidery floss, signed in syllabics, 25.5 x 29 in, 64.8 x 73.7 cm Provenance: Albrecht Collection; Feheley Fine Arts; Upstairs Gallery 117 Miriam Nanurluk Qiyuk (1933-) BAKER LAKE Hunter Spearing a Bear 1970s, felt and embroidery floss, signed in syllabics and "Q", 18 x 16.5 in, 45.7 x 42 cm Provenance: Albrecht Collection; Marion Scott Gallery; Upstairs Gallery 118 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Prowling Bear c. 1963, stone, signed "HENRY" and in syllabics, 3.75 x 8 x 3.5 in, 9.5 x 20.5 x 6.4 cm Provenance: Estate of Peter Murdoch, Montreal; purchased from the artist 119 Osuitok Ipeelee RCA (1922-2005) m. CAPE DORSET Walking Caribou c. 1991-92, stone and antler, signed in syllabics, 18.25 x 19.5 x 9 in, 46.4 x 49.6 x 22.8 cm Provenance: an Iqaluit private collection 120 Eva Atammiq Keatainak (1919-1988) SALLUIT (SUGLUK) Kneeling Mother with Child's Parka c. mid 1950s, stone, signed with disc no., 9.5 x 6 x 3.5 in, 24.2 x 15.1 x 21.6 cm Provenance: a Swiss private collection 121 Joe Talirunili (1893-1976) PUVIRNITUQ Walrus late 1960s, stone and ivory, signed "JOE 818" and in syllabics, 3.75 x 5.5 x 2 in, 9.5 x 13.8 x 5.3 cm Provenance: Estate of Peter Murdoch, Montreal 122 Joe Talirunili (1893-1976) PUVIRNITUQ Caribou c. 1965, stone and antler, signed "JOE 818", 4.75 x 6.5 x 2 in, 12 x 17.2 x 5 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery 123 Andy Miki (1918-1983) ARVIAT (ESKIMO POINT) Animal 1972, stone, 7.75 x 3.75 x 1.25 in, 20 x 9.5 x 3.4 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery 124 Andy Miki (1918-1983) ARVIAT (ESKIMO POINT) Animal early 1970s, stone, 4.75 x 4.25 x 2.75 in, 12.2 x 10.8 x 6.8 cm Provenance: Albrecht Collection; Waddington's Nov. 2004 125 John Pangnark (1920-1980) ARVIAT (ESKIMO POINT) Figure early-mid 1970s, stone, 4.5 x .75 x 3.5 in, 11.5 x 1.8 x 8.8 cm Provenance: an American private collection; The Shop, Minneapolis 126 Lucy Tasseor Tutsweetok (1934-2012) ARVIAT (ESKIMO POINT) Family c. 2000, stone, signed in syllabics, 15 x 16 x 6.75 in, 38.3 x 40.7 x 17.2 cm Provenance: an American private collection 127 Bill Nasogaluak (1953-) TUKTOYAKTUK/TORONTO Pregnant Sedna 2008, stone, signed "Bill NASOGALUAK" and dated, 20.75 x 19.75 x 8 in, 52.7 x 49.8 x 20 cm Provenance: a Toronto collection 128 David Ruben Piqtoukun (1950-) PAULATUK/ONTARIO Lost Soul 2003, stone, resting on a wooden base, signed "DAVID RUBEN PIQTOUKUN" and dated, 18.25 x 10 x 4 in, 46.4 x 25.5 x 10.1 cm Provenance: a Toronto collection 129 Alec Lawson Tuckatuck (1976-) KUUJJUARAAPIK (GREAT WHALE RIVER)/MONTREAL Lumack 2009, stone and muskox horn, dated and signed "Alec Lawson Tuckatuck" and in syllabics, 19.25 x 18 x 9.5 in, 49.2 45.5 x 24.4 cm Provenance: a Toronto collection 130 Manasie Akpaliapik (1955-) m. ARCTIC BAY/TORONTO/OTTAWA Qalupiluk c. 1996, stone, baleen, hair and inlay, 14.5 x 4.75 x 10.75 in, 36.6 x 12 x 27.5 cm Provenance: Pruzansky Collection; Galerie Elca London 131 Unidentified Artist POND INLET Man and Dog Sled Team c. 1900-1920, ivory and cord, 3.5 x 15 x 4 in, 9 x 38 x 10 cm as shown Provenance: a succession of Toronto corporate collections 132 Josephee Kopalie (1933-d) PANGNIRTUNG/IQALUIT (FROBISHER BAY) Rookery 1985, ivory and whale bone, signed "J KOPALEE", 3.25 x 4.5 x 4 in, 7.8 x 11 x 9.3 cm Provenance: a Toronto area private collection 133 Mark Tungilik (1913-1986) REPULSE BAY Two Birds 1970s, ivory and stone, one signed in syllabics, larger: 1 x 2.5 x 1.5 in, 2.4 x 6.3 x 3.6 cm Provenance: a Toronto private collection 134 Unidentified Artist EASTERN CANADIAN ARCTIC Dog Sled Team with Kayak mid 1950s, ivory and sinew, 2.25 x 11.5 x 2.25 in, 5.5 x 29 x 5.5 cm as shown Provenance: a Quebec private collection 135 Nuyaliaq Qimirpik (1937-2007) m. KIMMIRUT (LAKE HARBOUR) Scrimshaw Composition early 1960s, bone, stone and pigment, 14.5 x 4.5 x 4.25 in, 36.5 x 11.4 x 10.9 cm Provenance: Nickerson Collection 136 Mark Tungilik (1913-1986) REPULSE BAY Hunter and Bear early 1970s, ivory and antler, 2.75 x 3.75 x 1.5 in, 7.3 x 9.5 x 3.6 cm Provenance: an Ottawa private collection 137 Norval Morrisseau CM (1931-2007) ANISHNAABE Thunderbird c. 1961-62, tempera on watercolour paper, framed, 29.25 x 21.75 in, 74.3 x 55.7 cm (sight) Provenance: a succession of Toronto corporate collections 138 Norval Morrisseau CM (1931-2007) ANISHNAABE Buffalo early 1960s (possibly earlier), acrylic on kraft paper, signed in syllabics, framed, 25.25 x 35 in, 64 x 89 cm (sight) Provenance: a succession of Toronto corporate collections 139 Unidentified Artist EASTERN WOODLANDS Two Female Dolls c. late 19th century, wood, hide, fabric, beads, hair, string, thread and pigment, larger: 5 x 2.25 x 1.5 in, 12.2 x 5.8 x 3.7 cm Provenance: a succession of Toronto corporate collections 140 Unidentified Artist EASTERN WOODLANDS Cane with Human Effigy Face c. 1820s to 1840s, wood and metal, 36 x 4 x 1.5 in, 91.5 x 10 x 3.8 cm Provenance: a B.C. private collection 141 Unidentified Artist CREE, GARDEN HILL, MANITOBA Transforming Shaman 1969, stone, 13.5 x 3.5 x 4.75 in, 34.3 x 8.9 x 12.1 cm Provenance: Pruzansky Collection 142 Robert Davidson CM OBC (1946-) HAIDA, MASSETT/WHITE ROCK Salmon Trout Head Two 2013, epoxy powder-coated aluminum, edition 12/20, granite base, 10 x 13.75 x 5.5 in, 25.7 x 35.8 x 14.2 cm Provenance: a Toronto collection 143 Glen Pollard (1957-) HAIDA, SKIDEGATE Haida Eagle, Bear and Man 1999, argillite, bone and shell, signed, titled and dated, 11 x 2.75 x 3.75 in, 28.3 x 7.2 x 9.5 cm Provenance: Albrecht Collection; Tribalcrafts 144 Glen Pollard (1957-) HAIDA, SKIDEGATE Haida Salmon mid-late 1990s, argillite, bone and shell, signed and titled, 5 x 9.5 x 4.75 in, 12.7 x 23.8 x 12.1 cm Provenance: Albrecht Collection; Tribalcrafts 145 Norval Morrisseau CM (1931-2007) ANISHNAABE Legendary Animals c. 1965, tempera or acrylic on kraft paper, framed, signed in syllabics, 31 x 41.5 in, 78.7 x 105.4 cm Provenance: a succession of Toronto corporate collections 147 Unidentified Artist EASTERN CANADIAN ARCTIC Model Sled and Rifle early 20th century, wood, hide and ivory, 5 x 15.75 x 5.75 in, 13 x 40 x 12 cm Provenance: a Montreal private collection 148 Unidentified Artist POSSIBLY BERING STRAIT, ALASKA Two-Man Kayak Model 19th century, wood, hide, gut, fur and ivory, 6.25 x 25.75 x 4 in, 15.8 x 65.4 x 10.1 cm Provenance: a succession of Toronto corporate collections 149 Unidentified Artist ALASKA Ash Case or Snuff Box late 19th century, ivory, wood and inlay, 3.25 x 2.25 x 1.5 in, 8.3 x 5.5 x 3.8 cm Provenance: a Montreal private collection 150 Lawrence (Larry) Ulaaq Ahvakana INUPIAQ, BARROW, ALASKA/SUQUAMISH, WA Walrus Man 1993, wood, signed "L. Ahvakana", 52 x 29 x 3.5 in, 133 x 73.7 x 8.9 cm Provenance: a Montreal collection 152 Norval Morrisseau CM (1931-2007) ANISHNAABE Hunting Bear c. 1961-62, tempera on paper, framed, signed in syllabics, 15 x 20.5 in, 37.7 x 52 cm (sight) Provenance: a succession of Toronto corporate collections 153 Goyce Kakegamic (1948-) m. ANISHNAABE Ojibwa Hunter Legend c. 1970, acrylic on board, framed, signed in syllabics, 31.25 x 23.5 in, 79.5 x 59.7 cm Provenance: a succession of Toronto corporate collections 154 Carl Beam RCA (1943-2005) OJIBWA Untitled 1980, mixed media on paper, framed, signed and dated, 24 x 32.25 in, 61 x 82 cm Provenance: an Ottawa private collection 155 Robert Houle RCA (1947-) SALTEAUX Untitled late 1980s, steel, hide, acrylic paint and feather, 27.5 x 26 x 2 in, 70 x 66 x 5 cm Provenance: an Ottawa private collection; purchased from the artist 156 Robert Houle RCA (1947-) SALTEAUX Beothuk (Parfleche) c. late 1980s, mixed media on paper, framed, 15.75 x 11.75 in, 39.7 x 29.5 cm Provenance: an Ottawa private collection; purchased from the artist 157 Akeeaktashuk (1898-1954) m. INUKJUAK (PORT HARRISON) Hunter at a Seal Hole c. 1952, stone, hide and soap inlay, 4 x 4 x 4.75 in, 10.5 x 10.3 x 12.4 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2009 158 Akeeaktashuk (1898-1954) m. INUKJUAK (PORT HARRISON) Basking Walrus early 1950s, stone, ivory and inlay, 2.5 x 5 x 3 in, 6.5 x 12.5 x 8 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma 159 Ennutsiak (1896-1967) m. IQALUIT (FROBISHER BAY) Hunter with Pack late 1950s, stone, ivory and cord, 4.5 x 2.75 x 4 in, 11.5 x 7 x 11 cm Provenance: Wagonfeld Collection; Waddington's April 2009 160 Abraham Etungat RCA (1911-1999) CAPE DORSET Couple c. 1960, stone, each signed in syllabics, woman: 4 x 1.5 x 1 in, 10.2 x 3.6 x 2.8 cm Provenance: Albrecht Collection; Feheley Fine Arts; Terry Ryan Collection 161 Possibly Bobby Quppapik Tarkirk (1934-2000) SALLUIT (SUGLUK) Tree with Birds early-mid 1960s, antler and stone, on a driftwood base, 26 x 34 x 18 in, 66 x 86 x 45.5 cm (including base) (Note: one of the birds has been lost.) Provenance: Nickerson Collection 162 Isa Smiler (1921-1986) m. INUKJUAK (PORT HARRISON) Muskox c. 1964, stone and ivory, signed "ISA S" and with disc no., 5.25 x 7.25 x2.75 in, 13.3 x 18.3 x 7.7 cm Provenance: Pruzansky Collection; Waddington's Nov. 2012 163 Noah Echalook (1946-) INUKJUAK (PORT HARRISON) Mother and Child 1988, stone, antler and hide, signed in syllabics and dated, 9.5 x 11.5 x 10 in, 24.3 x 29.2 x 25.3 cm Provenance: a Montreal private collection 164 Thomasie Angutigirk (1920-) SALLUIT (SUGLUK) Bust of a Woman c. early 1970s, stone and antler, signed in syllabics and with disc no., 06.25 x 4.25 x 5.5 in, 15.7 x 10.7 x 14 cm Provenance: a Montreal private collection 165 Jackoposie Oopakak (1948-2015) m. IQALUIT (FROBISHER BAY) Untitled (Composition of Animals and People) 2014/15, antler, 40 x 26.5 x 32 in, 101.5 x 67.3 x 81.3 cm Provenance: Webster Collection; purchased from the artist 166 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Standing Bear c. early-mid 1970s, stone, 9.75 x 3 x 4.75 in, 24.8 x 7.6 x 12.2 cm Provenance: an Ottawa private collection 167 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Walking Bear c. 1990, stone, 5 x 8.25 x 3.25 in, 12.7 x 21.2 x 8.3 cm Provenance: an Ottawa private collection 168 David Ikutaaq (1929-1984) BAKER LAKE Standing Man early 1970s, stone, signed in syllabics, 10.5 x 7 x 4.5 in, 26.5 x 17.6 x 11.5 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 169 David Ikutaaq (1929-1984) BAKER LAKE Family and Animals c. 1973-75, stone, signed in syllabics, 7 x 10.25 x 6.75 in, 17.7 x 26 x 17.25 cm Provenance: an American private collection; The Shop, Minneapolis 170 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Spear Hunter c. 1990, stone and antler, 12 x 7 x 5.5 in, 30.6 x 17.8 x 14 cm Provenance: a Toronto collection 171 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Mother, Child and Bird c. late 1980s, stone, 10.75 x 9.75 x 12.25 in, 27.3 x 24.7 x 31.4 cm Provenance: a Swiss private collection 172 Luke Anguhadluq (1895-1982) BAKER LAKE Dog Eating a Fish c. 1973-75, graphite and coloured pencil drawing, signed in syllabics and with disc no., 20 x 26 in, 50.8 x 66 cm Provenance: Wagonfeld Collection; Waddington's June 1996 173 Ruth Annaqtuusi Tulurialik (1934-) BAKER LAKE Legend of the Sea Spirit c. early 1990s, coloured pencil drawing, signed in syllabics, framed, 22 x 30 in, 56 x 76.2 cm Provenance: Wagonfeld Collection; Ookpiktuyuk Art 174 Ruth Annaqtuusi Tulurialik (1934-) PRINTMAKER: SIMON TOOKOOME (1934-2010), BAKER LAKE The Sunset/Sikrinerk Nipingmat 1987 #2, stonecut and stencil print, 9/34, framed, 25.75 x 35.25 in, 65.5 x 89.5 cm Provenance: Wagonfeld Collection 175 Jessie Oonark OC RCA (1906-1985) PRINTMAKER: WILLIAM NOAH (1943-), BAKER LAKE Flying Woman 1978 #12, serigraph print, 25/60, 22 x 30 in, 56.2 x 76 cm Provenance: Wagonfeld Collection 176 Victoria Mamnguqsualuk (1930-2016) PRINTMAKER: FRANCIS KALURAQ (1931-1990), BAKER LAKE Riding Dogs 1969 (1970 #8), stonecut print, 27/50, framed, 14.75 x 11 in, 37.7 x 27.6 cm (sight) Provenance: an Ottawa private collection 177 Victoria Mamnguqsualuk (1930-2016) PRINTMAKER: MADELEINE UKPATIKU (1931-1999), BAKER LAKE The Boy and His Grandmother Tricks the Mean People 1980 #25, linocut and stencil print, 33/60, framed, 23 x 34 in, 58 x 86.2 cm (sight) Provenance: Wagonfeld Collection; Spirit Wrestler Gallery 178 John Tiktak RCA (1916-1981) RANKIN INLET Figure Holding a Bowl c. 1967-69, stone, signed in syllabics, 7.5 x 3.75 x 3.75 in, 19.2 x 9.4 x 9.3 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 179 John Kavik (1897-1993) RANKIN INLET Mother and Child early 1970s, stone, 6.5 x 3.75 x 4 in, 16.5 x 9.6 x 9.8 cm Provenance: an American private collection; The Shop, Minneapolis 180 John Kavik (1897-1993) RANKIN INLET Figure early-mid 1970s, stone, signed in syllabics, 4.25 x 4.75 x 1.25 in, 10.8 x 12 x 3.5 cm Provenance: an Ottawa private collection 181 Davidialuk Alasua Amittu (1910-1976) m. PUVIRNITUQ Standing Bear c. 1955-60, stone, signed with disc no., 3.25 x 2 x .75 in, 8.4 x 5.3 x 2 cm Provenance: a Quebec private collection; purchased at the Puvirnituq Co-op 182 Possibly Josiah Nuilaalik RCA (1928-2005) BAKER LAKE Fox early 1960s, stone, 3 x 7.5 x 1.5 in, 7.9 x 19 x 3.6 cm Provenance: an Ottawa private collection 183 Unidentified Artist EASTERN CANADIAN ARCTIC Polar Bear 1950s, stone, inlay and pigment, 3.25 x 5.5 x 2 in, 8.3 x 14 x 5 cm Provenance: a Montreal private collection 184 Unidentified Artist PROBABLY INUKJUAK (PORT HARRISON) Kneeling Caribou c. 1951-52, stone and ivory, 14.5 x 6.25 x 3.25 in, 11.5 x 15.8 x 8.3 cm Provenance: an American private collection; ex collection of Leonard Good, Oklahoma 185 George Tatanniq (1910-1991) BAKER LAKE Dog early 1960s, stone, signed in syllabics and with disc no., 1.75 x 4.5 x .75 in, 4.6 x 11.4 x 2.2 cm Provenance: Pruzansky Collection 186 Unidentified Artist POSSIBLY BAKER LAKE Bear with Fish early 1960s, stone and ivory, 2.25 x 4.5 x 1.5 in, 5.7 x 11.5 x 4.2 cm Provenance: an American private collection 187 Mungitok Kellypalik (1940-) m. CAPE DORSET Owl 1966, stone, signed in syllabics, 10 x 5.5 x 4.25 in, 25.3 x 14.2 x 10.7 cm Provenance: a Montreal private collection 188 Mary Qayuaryuk (1908-1982) CAPE DORSET Bird Spirit c. mid 1960s, stone, 8.25 x 6.5 x 5.75 in, 21.1 x 16.3 x 14.4 cm Provenance: an Ottawa private collection 189 Osuitok Ipeelee RCA (1922-2005) m. CAPE DORSET Loon mid-late 1980s, stone, signed in syllabics, 5.75 x 10.25 x 2.5 in, 14.2 x 26 x 6.5 cm Provenance: a Montreal private collection 190 Latcholassie Akesuk (1919-2000) m. or TUDLIK (1890-1966) m., CAPE DORSET Standing Bird c. early-mid 1960s, stone, 5.25 x 2.5 x 2 in, 13.7 x 6.2 x 4.8 cm Provenance: a Montreal collection 191 Kenojuak Ashevak CC RCA (1927-2013) f. CAPE DORSET Four Ravens on a Platform 1991-92, ink and coloured pencil drawing, signed in syllabics, 20 x 26 in, 50.6 x 66 cm Provenance: Albrecht Collection; Feheley Fine Arts 192 Kananginak Pootoogook RCA (1935-2010) m. CAPE DORSET Grazing Bull Caribou 1999, ink and coloured pencil drawing, signed in syllabics and dated, 20 x 26 in, 50.5 x 66 cm Provenance: Wagonfeld Collection; Spirit Wrestler Gallery 193 Itee Pootoogook (1951-2014) m. CAPE DORSET Landscape: Floe Edge, Early Morning 2007, graphite and coloured pencil drawing, signed and dated, 11.25 x 30.25 in, 28.2 x 76.4 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver 194 Ningiukulu Teevee (1963-) f. CAPE DORSET Wanting to Be On the Land 2012, graphite, ink and coloured pencil drawing, signed in syllabics, museum-quality frame, 47.5 x 51 in, 120.6 x 129.5 cm Provenance: a Montreal private collection 195 Lukasi Ukusirala Anauta (1912-d) m. PUVIRNITUQ Two Seal Hunters with Catch late 1950s, stone and sinew, signed in syllabics and with disc no., 7.75 x 9 x 5.25 in, 19.8 x 23.3 x 13.4 cm Provenance: Nickerson Collection 196 Pingu Alaku (1930-1975) m. KANGIQSUJUAQ (WAKEHAM BAY) Wrestlers early 1960s, stone, signed "PINGOOK" and with syllabics and disc no., 5.5 x 7.5 x 5.5 in, 14 x 19 x 14.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery 197 Levi Qumaluk (1919-1997) PUVIRNITUQ Hunter with Pack early-mid 1970s, stone, signed "LEVI", 9.75 x 7.25 x 7.5 in, 24.8 x 18.3 x 19 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004 198 Unidentified Artist PUVIRNITUQ Boy with First Seal late 1950s, stone and hide, 6 x 6.25 x 5.25 in, 14.9 x 16.2 x 13.4 cm Provenance: Nickerson Collection 199 Abraham Pov (1927-1994) INUKJUAK (PORT HARRISON) Hunter and Seal c. 1972-74, stone, signed in syllabics, 8 x 10.5 x 3.5 in, 20.3 x 26.6 x 8.8 cm Provenance: a Chicago private collection; Alaska Shop, Chicago 200 John Pangnark (1920-1980) ARVIAT (ESKIMO POINT) Figure 1974, stone, signed in syllabics, 5.75 x 7.5 x 5.75 in, 14.7 x 19 x 14.5 cm Provenance: an Ottawa private collection 201 Mathew Aqigaaq (1940-2010) BAKER LAKE Muskox Shaman 1980, stone, signed in syllabics and dated, 7 x 12.5 x 4.75 in, 17.8 x 31.6 x 12.2 cm Provenance: Pruzansky Collection; Walker's Nov. 2013; Balshine Collection 202 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Mother Holding a Child c. 1985, stone, 9.5 x 6.5 x 3.75 in, 24.2 x 16.5 x 9.5 cm Provenance: a Toronto collection 203 Kenojuak Ashevak CC RCA (1927-2013) f. PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Spotted Loon 2006 #9, lithograph print, 25/50, 22 x 28 in, 56 x 71 cm Provenance: Albrecht Collection 204 Pauta Saila RCA (1916-2009) m. PRINTMAKER: QIATSUQ NIVIAQSI (1941-) m. CAPE DORSET Startled Loons 2004 #30, stonecut and stencil print, 17/50, 20 x 24 in, 50.6 x 61 cm Provenance: Albrecht Collection 205 Tim Pitsiulak (1967-2016) PRINTMAKER: PITSEOLAK NIVIAQSI (1947-2015) m. CAPE DORSET Family of Eight 2008 #34, lithograph print, 18/50, 15 x 22.25 in, 38 x 56.1 cm Provenance: Albrecht Collection 206 Lucy Qinnuayuak (1915-1982) PRINTMAKER: QABAROAK QATSIYA (1942-) m., CAPE DORSET The Family Speaks of the Owl 1976 #30, stonecut print, 45/50, framed, 20 x 26.5 in, 51 x 67.5 cm (sight) Provenance: a succession of Toronto corporate collections 207 Eliyakota Samualie (1939-1987) f. PRINTMAKER: TIMOTHY OTTOCHIE (1904-1982), CAPE DORSET Kopigno 1974 #59, stonecut print, 42/50, framed, 19.25 x 28 in, 48.5 x 71 cm (sight) Provenance: a succession of Toronto corporate collections 208 Kingmeata Etidlooie (1915-1989) f. PRINTMAKER: PEE MIKKIGAK (1940-1996) m. CAPE DORSET Talelayou and Spirit Fish 1981 #28, stonecut and stencil print, 4/50, framed, 24 x 34 in, 60.8 x 87 cm Provenance: a succession of Toronto corporate collections 209 Jamasie Teevee (1910-1985) m. PRINTMAKER: AOUDLA PUDLAT (1951-2006) m., CAPE DORSET Family Hunting Caribou 1975 #55, lithograph print, framed, 20.25 x 27.75 in, 51.3 x 70.2 cm (sight) Provenance: a succession of Toronto corporate collections 210 Judas Ullulaq (1937-1999) GJOA HAVEN Female Shaman Bitten by a Worm early-mid 1990s, stone, antler and muskox horn, signed in syllabics, 13.75 x 12.75 x 6.5 in, 35.2 x 32.3 x 16.5 cm Provenance: Pruzansky Collection; Inuit Gallery of Vancouver 211 Uriash Puqiqnak CM (1946-) m. GJOA HAVEN Mother and Child (Starvation Scene) late 1980s, stone, antler, muskox horn and leather, signed in syllabics and "UP", 19 x 11.75 x 9.25 in, 47.8 x 29.5 x 23.6 cm Provenance: Albrecht Collection; Marion Scott Gallery 212 Samuel Nahaulaituq (1923-1999) TALOYOAK (SPENCE BAY) Woman with Water Pail and Spirit Scoop 1996, stone, antler and cord, signed in syllabics, 16.25 x 9.75 x 5.25 in, 41.3 x 24.6 x 13.2 cm Provenance: Albrecht Collection: Spirit Wrestler Gallery 213 John Kavik (1897-1993) RANKIN INLET Standing Man c. mid-late 1970s, stone, signed in syllabics, 5 x 2.25 x 1 in, 13 x 5.8 x 2.5 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994 214 Unidentified Artist EASTERN CANADIAN ARCTIC Father and Child c. late 1950s, stone, 3 x 3 x 2 in, 7.5 x 7.7 x 5.4 cm Provenance: an Ottawa private collection 215 Jackoposie Oopakak (1948-2015) m. IQALUIT (FROBISHER BAY) Standing Man 1980s, whale bone, 5 x 2.5 x 1.5 in, 12.5 x 6.3 x 4 cm Provenance: Webster Collection; purchased from the artist 215 Rachel Ottuk Otukpalanak (1915-d) ARVIAT (ESKIMO POINT) Mother and Child late 1960s, stone, signed in syllabics, 4.75 x 4.75 x 3.25 in, 12 x 12.4 x 9.4 cm Provenance: a Quebec private collection 216 Juaniapi Angutigulu Uqaitu (1937-) m. PUVIRNITUQ Mythological Figure (Naked Man) early 1960s, stone, signed with disc no., 4.5 x 3.5 x 2.5 in, 11.3 x 8.8 x 6.5 cm Provenance: Nickerson Collection 217 Possibly Lizzie Makimak (1939-) SALLUIT (SUGLUK) Woman Scraping a Skin 1977, stone, dated and signed with indistinct syllabics, 3.25 x 4.25 x 2 in, 8.3 x 10.8 x 5.2 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2005 218 Miriam Nanurluk Qiyuk (1933-) BAKER LAKE Woman with Two Birds early 1990s, stone, signed "MIRIAM QIYUK", 4.25 x 10.25 x 2.25 in, 10.7 x 26 x 5.7 cm Provenance: a Toronto collection 219 Mary Yuusipik Singaqti (1936-2017) BAKER LAKE Man and Pack Dog 2001, stone, 16 x 7.75 x 5 in, 40.3 x 19.8 x 12.8 cm Provenance: Galerie Elca London 220 Mathew Aqigaaq (1940-2010) BAKER LAKE Muskox c. 1968-70, stone, signed in syllabics, 5.5 x 8.25 x 4.5 in, 14 x 22.5 x 11.3 cm Provenance: a Quebec private collection 221 Irene Avaalaaqiaq Tiktaalaaq RCA (1941-) BAKER LAKE Transformation c. 1980, stone, signed in syllabics, 6.5 x 6.5 x 2 in, 16.4 x 16.6 x 4.8 cm Provenance: Wagonfeld Collection; Waddington's April 2009 221 Basil Tatanniq Aptanik (1952-) BAKER LAKE Mother and Child c. 1980, stone, signed in syllabics, 6.75 x 3.5 x 4.5 in, 14.6 x 9 x 10.8 cm Provenance: Pruzansky Collection; Spirit Wrestler Gallery 222 Johnny Inukpuk RCA (1911-2007) INUKJUAK (PORT HARRISON) Mother Softening a Skin 1988, stone, signed in syllabics, 11.25 x 9.25 x 4.5 in, 28.4 x 23.5 x 11.3 cm Provenance: Wagonfeld Collection; Waddington's June 1993 223 Simon Kasudluak (1925-d) INUKJUAK (PORT HARRISON) Man Constructing a Kayak c. late 1960s, stone, signed in syllabics and with disc no., 8.75 x 17.5 x 6.25, 22.3 x 44.3 x 15.8 cm Provenance: Albrecht Collection; Alaska on Madison 224 Possibly Eli Elijassiapik (1936-) INUKJUAK (PORT HARRISON) Two Hunters Cutting a Skin early 1960s, stone and ivory, 6.25 x 13.5 x 6 in, 15.9 x 34.5 x 15.3 cm Provenance: Pruzansky Collection; Waddington's May 2008 225 Pauloosie Kanaju (1937-) PUVIRNITUQ Man and Seal 1973, stone, signed "KANAYOOK" and dated, 9 x 9.75 x 9.75 in, 22.8 x 25.3 x 25.7 cm Provenance: a succession of Toronto corporate collections; Waddington's March 1980 226 Jimmy Inarulik Arnamissak (1946-2003) INUKJUAK (PORT HARRISON) Nursing Mother Cutting Up a Seal 1975, stone, signed "Jimmy Smith" and dated, 12 x 11.75 x 6.25 in, 30.5 x 29.6 x 16 cm Provenance: a succession of Toronto corporate collections 227 Unidentified Artist PANGNIRTUNG Harpoon Hunter early 1970s, whale bone, 22.25 x 17.5 x 11.5 in, 56.6 x 44.7 x 29.3 cm Provenance: a succession of Toronto corporate collections 228 Possibly Sakkiassee Anaija (1913-1980) m. TALOYOAK (SPENCE BAY) Shaman and Bird Helping Spirit c. 1968-70, whale bone, 5.75 x 6 x 4.75 in, 14.4 x 15.3 x 12 cm Provenance: a Toronto area private collection 229 Unidentified Artist POSSIBLY PANGNIRTUNG Mother and Child early 1970s, whale bone, 21.25 x 8.5 x 7.25 in, 53.8 x 21.5 x 18.5 cm Provenance: a succession of Toronto corporate collections 230 Peter Ahlooloo (1908-d) ARCTIC BAY Crouching Polar Bear mid 1950s, whale bone, signed with disc no., 2.5 x 7.5 x 2.75 in, 6.4 x 16.7 x 7 cm Provenance: a Quebec private collection 231 Unidentified Artist EASTERN CANADIAN ARCTIC Polar Bear c. 1970, whale bone, 8.5 x 5.5 x 4 in, 21.4 x 14 x 10.1 cm Provenance: an Ottawa private collection 232 Pootoogook Qiatsuk (1959-) m. CAPE DORSET Composition: Hunter, Bear and Caribou c. mid-late 1980s, stone and antler, signed in syllabics, 18 x 15.25 x 8 in, 45.7 x 38.7 x 20 cm Provenance: Pruzansky Collection; Waddington's Nov. 2000 233 Ashevak Tunnillie (1956-) m. CAPE DORSET Bear-Spirit Woman with Water Pail 1995, stone, signed in syllabics and dated, 13.75 x 9.75 x 8.75 in, 34.8 x 24.5 x 22.3 cm Provenance: Pruzansky Collection; Art Space Gallery 234 Aqjangajuk (Axangayu) Shaa RCA (1937-) m. CAPE DORSET Drum Dancer c. 1995-97, stone and antler, 16.25 x 24.75 x 9.75 in, 41.2 x 41.2 x 63.1 cm Provenance: Albrecht Collection; Galerie d'Art Vincent 235 Shorty Killiktee (1949-1993) m. KIMMIRUT (LAKE HARBOUR)/CAPE DORSET Hawk 1992, stone, signed in syllabics and dated, 15.5 x 9.5 x 5.75 in, 39.5 x 24 x 14.5 cm Provenance: Pruzansky Collection 236 Henry Evaluardjuk (1923-2007) IQALUIT (FROBISHER BAY) Seal c. 1970, stone, signed "HENRY EVALUARDJUK", 2 x 6.25 x 2 in, 4.8 x 15.8 x 5 cm Provenance: Pruzansky Collection; Galerie Elca London 237 Samwillie Amidlak (1902-1984) m. INUKJUAK (PORT HARRISON) Bird mid-late 1950s, stone, signed "SAMWILLIE" and with disc no., 4 x 4.25 x 3 in, 10 x 10.8 x 7.6 cm Provenance: a Quebec private collection 238 Lucassie Oqaituq (1921-d) m. SANIKILUAQ Resting Dog c. 1965, stone, signed in syllabics and with disc no., 3.25 x 6.75 x 4 in, 8.5 x 17 x 9.6 cm Provenance: a Quebec private collection 239 Peter Pitseolak (1902-1973) CAPE DORSET Polar Bear late 1960s, stone, signed in syllabics, 2.75 x 4.5 x 1.25 in, 7 x 11.4 x 3.4 cm Provenance: Pruzansky Collection; Waddington's May 2006 240 Joanassie Qayuaryuk (1928-d) m. CAPE DORSET Fox c. 1960, stone, signed in syllabics and with disc no., 1.75 x 3.5 x 2 in, 4.6 x 9 x 5.3 cm Provenance: a Quebec private collection 241 Geeshee Akulukjuk (1945-) m. PANGNIRTUNG Loon early 1960s, stone, signed in syllabics and with disc no., 3.5 x 5 x 1.5 in, 8.9 x 12.8 x 3.8 cm Provenance: a Quebec private collection 242 John Kavik (1897-1993) RANKIN INLET Pot with Human and Animal Figures late 1960s, glazed ceramic, 6.5 x 4 x 5.25 in, 16.3 x 10.4 x 13.5 cm Provenance: an American private collection; The Shop, Minneapolis 243 Yvo Samgushak (1942-) m. RANKIN INLET Dog-Woman late 1960s, glazed ceramic, signed in syllabics and with disc no., 5.25 x 3.25 x 3.75 in, 13.3 x 8.2 x 9.5 cm Provenance: Estate of Peter Murdoch, Montreal 244 Janet Kigusiuq RCA (1926-2005) BAKER LAKE Three Faces stone, c. early-mid 1970s, signed in syllabics and with disc no., 7.25 x 5.5 x 10 in, 18.4 x 13.6 x 25.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery 245 Barnabus Arnasungaaq (1924-2017) BAKER LAKE Shaman Initiate and Worm 1970, antler and colour, signed in syllabics, 5 x 6 x 1 in, 13.1 x 15.1 x 2.5 cm Provenance: Balshine Collection 246 Olive Mamak Innakatsik (1915-1994) BAKER LAKE Ajagaq Game with Faces early 1970s, antler and sinew, main section: .75 x 3.5 x 1 in, 2.1 x 8.8 x 2.5 cm Provenance: a prominent Toronto private collection 247 Lucy Tasseor Tutsweetok (1934-2012) ARVIAT (ESKIMO POINT) Family mid 1970s, stone, 2.5 x 3.75 x .75 in, 6.4 x 9.5 x 2.2 cm Provenance: an American private collection; The Shop, Minneapolis 248 Marc Alikaswa (1928-2007) ARVIAT (ESKIMO POINT) Girl with Outstretched Arms early 1980s, stone, 7 x 7 x 3.75 in, 17.2 x 18 x 9 cm Provenance: Webster Collection; purchased from the artist 249 George Arluk (1949-) ARVIAT/RANKIN INLET/BAKER LAKE Figure early 1970s, stone, signed in syllabics, 8.75 x 4 x 3 in, 22.2 x 10.4 x 7.8 cm Provenance: a Swiss private collection 250 Luke Anowtalik (1932-2006) ARVIAT (ESKIMO POINT) Untitled (Faces) 2005, coloured pencil drawing, framed, 9 x 12 in, 22.5 x 30.3 cm Provenance: Albrecht Collection 251 Lukasi Uitanga (1917-) PUVIRNITUQ Untitled (Man and Woman) 1961, experimental stonecut print, 45/50, framed, artist listed as "L. Weetunga," 7.75 x 10.75 in, 19.6 x 27 cm (sight) Provenance: a succession of Toronto corporate collections 252 Jacques-Nicolas Bellin (1703-1772) PARIS Carte de la Baye de Hudson, Pour servir à l'Histoire Générale des Voyages c. 1757, copper plate map, matted, 9 x 12.25 in, 23 x 31 cm (sight) Provenance: Wagonfeld Collection; Old Map Gallery 253 John Arrowsmith (1790-1873) LONDON Map of a Portion of the Arctic Shores of America to Accompany Captn. McClintock's Narrative 1859, 21.25 x 14.75 in, 53.8 x 37.3 cm Provenance: Wagonfeld Collection; Old Map Gallery 254 Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m. CAPE DORSET Sea Goddess c. early 1970s, stone, 12.5 x 12.75 x 3.5 in, 31.8 x 32.4 x 8.8 cm Provenance: Pruzansky Collection; Arctic Artistry 255 Aqjangajuk (Axangayu) Shaa RCA (1937-) m. CAPE DORSET Standing Woman c. 1963-65, stone, 15.5 x 5.75 x 4.5 in, 39.4 x 14.6 x 11.5 cm Provenance: Pruzansky Collection; Waddington's May 2013; Isaacs Gallery (1960s) 256 Qaqaq (Kaka) Ashoona RCA (1928-1996) m. CAPE DORSET Woman with Bird Helping Spirit c. 1991-92, stone, signed "KAKA A" and in syllabics, 14.25 x 10.75 x 6 in, 36.4 x 27.3 x 15 cm Provenance: an Iqaluit private collection 257 Nuyaliaq Qimirpik (1937-2007) m. KIMMIRUT (LAKE HARBOUR) Bear and Transforming Bear-Shaman 1974, stone, signed in syllabics and dated, 13 x 13.5 x 8 in, 33 x 34.3 x 20.4 cm Provenance: Albrecht Collection; a Montreal collection EXHIBITED AT MIA 258 Annie Michael (1935-1999) KIMMIRUT (LAKE HARBOUR) Mother and Child 1978, stone and ivory, signed in syllabics and dated, 12 x 9 x 10.5 in, 30.4 x 22.7 x 26.5 cm Provenance: Albrecht Collection; an Ontario private collection 259 Bessie Kakagon (1914-1958) KUGLUKTUK (COPPERMINE) Man c. 1955-57, stone, 3.75 x 3 x 2 in, 9.4 x 7.5 x 5 cm Provenance: Pruzansky Collection 260 Peggy Ekagina (1919-1993) KUGLUKTUK (COPPERMINE) Sea Goddess c. 1970, stone, signed "PEGGY EKA", 1 x 4.5 x 1 in, 2.5 x 11.5 x 2.4 cm Provenance: Albrecht Collection; Waddington's Nov. 2006 261 Mary Evehoak Akana (1936-) KUGLUKTUK (COPPERMINE) Hunter, Dog and Seal 1960s, stone, metal, sinew and pigment, signed "MARY EVEHOAK", 3.75 x 4 x 3.5 in, 9.4 x 10.2 x 8.5 cm Provenance: Pruzansky Collection 262 Unidentified Artist KUGLUKTUK (COPPERMINE) OR ULUKHAKTOK (HOLMAN) Woman Preparing Fish c. 1960, stone and metal, 4.25 x 6.25 x 4.5 in, 10.7 x 16 x 11.5 cm Provenance: an Ottawa private collection 263 Unidentified Artist POSSIBLY KUGLUKTUK (COPPERMINE) Camp Scene c. 1955, stone, ivory and sinew, 4.5 x 11.5 x 5 in, 11.4 x 29.2 x 13 cm Provenance: a Toronto private collection 264 Abraham Anghik Ruben OC (1953-) PAULATUK/SALT SPRING ISLAND Bear Shaman 1995, stone and inlay, signed "ANGHIK" and dated, 13 x 12.75 x 9.75 in 33.3 x 32.4 x 25 cm Provenance: Pruzansky Collection 265 Abraham Anghik Ruben OC (1953-) PAULATUK/SALT SPRING ISLAND Family 2002, stone, signed "ANGHIK" and dated, 11.75 x 7.75 3.5 in, 29.7 x 19.8 x 8.7 cm Provenance: a Montreal private collection 266 Bill Nasogaluak (1953-) TUKTOYAKTUK/TORONTO Pollution 2009, stone, signed "Bill NASOGALUAK" and dated, 9.75 x 13 x 7.25 in, 24.7 x 33 x 18.5 cm Provenance: a Toronto collection 267 David Ruben Piqtoukun (1950-) PAULATUK/ONTARIO Mask 2000, stone, signed "DAVID RUBEN PIQTOUKUN" and dated, 5.5 x 2 x 4.5 in, 14.5 x 5.4 x 12 cm Provenance: Pruzansky Collection 268 Latcholassie Akesuk (1919-2000) m. CAPE DORSET Owl early 1970s, stone, 11 x 8 x 6 in, 27.6 x 20 x 15 cm Provenance: a Toronto collection 269 Aoudla Pee (1920-1988) m. CAPE DORSET Walrus Giving Birth c. 1960-62, stone, 5.5 x 11.5 x 6.5 in, 14 x 29.3 x 16.4 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; Macmillan-Bloedel Collection; Paul Duval 270 Kalai Adla (1927-d.) m. CAPE DORSET Seal c. 1960-62, stone, signed in syllabics, 4 x 11.75 x 3.75 in, 10.3 x 27.5 x 9.4 cm Provenance: an Ottawa private collection 271 Simeonee Qayaq (1920-1971) m. CLYDE RIVER Musing Walrus late 1960s, stone, 8.25 x 5.5 x 3.5 in, 21 x 13.7 x 8.9 cm Provenance: Webster Collection; purchased from the artist 272 Enook Manomie (1941-2006) m. IQALUIT (FROBISHER BAY) Rearing Caribou c. 1980, stone and antler, signed in syllabics and with disc no., 9.5 x 3.75 x 4 in, 24.1 x 9.8 x 10 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004 273 Jacob Kadluk (1952-) IGLOOLIK Polar Bear 2007, stone and inlay, signed "J. KADLUK" and dated, 7.75 x 14.5 x 6 in, 19.8 x 36.7 x 15.5 cm Provenance: Albrecht Collection 274 Tommy Tukpanie Sr. (1936-2013) IQALUIT Polar Bear 1980s, stone, signed "TOMMY" and in syllabics, 4.75 x 7.75 x 3.75 in, 11.8 x 19.7 x 9.5 cm Provenance: a Quebec private collection 275 Enook Manomie (1941-2006) m. IQALUIT (FROBISHER BAY) Dancing Bear 1980s, stone, signed in syllabics, 10 x 5.75 x 3.5 in, 25.8 x 12.4 x 9.1 cm Provenance: Webster Collection; purchased from the artist 276 Johnnyboo Ulluakulluk (1923-d) m. IQALUIT (FROBISHER BAY) Bust of a Bear c. 1980, stone, signed in syllabics, 7.25 x 6.75 x 7.75 in, 18.4 x 17.3 x 19.5 cm Provenance: Webster Collection; purchased from the artist 277 Attributed to Mannumi Shaqu (1917-2000) m. CAPE DORSET Bear early 1970s, stone, 6 x 12.25 x 4 in, 15.3 x 31.2 x 10.3 cm Provenance: a Montreal private collection 278 Towatuga Sagouk (1934-1996) m. IQALUIT (FROBISHER BAY) Standing Woman 1970s, stone, 13.25 x 7.5 x 3.5 in, 33.3 x 16.5 x 8.6 cm Provenance: Webster Collection; purchased from the artist 279 Thomassie Ohadlak (1939-d) m. CLYDE RIVER Standing Woman 1960s, stone, signed in syllabics and with disc no., 8.75 x 3.75 x 2.5 in, 19.8 x 9.3 x 6.5 cm Provenance: Webster Collection; purchased from the artist 280 Manno (1923-1973) m. CAPE DORSET/IQALUIT (FROBISHER BAY) Family mid 1960s, stone, signed "MANNO" and with disc number, 6.5 x 6.25 x 3.75 in, 16.5 x 15.6 x 9.5 cm Provenance: a Montreal private collection 281 Omalluq Oshutsiaq (1948-2014) CAPE DORSET Birthing Scene 1987, stone, signed in syllabics, 3 x 6.75 x 6.5 in, 7.8 x 17.2 x 16.5 cm Provenance: a Toronto area private collection 282 Unidentified Artist KIMMIRUT (LAKE HARBOUR) Standing Couple early 1960s, stone and pigment, 7 x 5.75 x 3 in, 18.1 x 14.6 x 7.5 cm Provenance: Pruzansky Collection; Waddington's Nov. 2004 283 Unidentified Artist POSSIBLY SALLUIT (SUGLUK) OR KANGIQSUJUAQ (WAKEHAM BAY) Bear and Seal late 1950s, stone, 3 x 8.25 x 3.5 in, 7.2 x 21 x 8.6 cm Provenance: an Ottawa private collection 284 Luke Anowtalik (1932-2006) ARVIAT (ESKIMO POINT) Mother and Child early 1980s, stone, 4.5 x 2.5 x 2.25 in, 11.4 x 6.4 x 5.5 cm Provenance: an Ottawa private collection 285 Jeannie Shauk (1920-d) KUUJJUARAAPIK (GREAT WHALE RIVER) Composition: Two People and Two Seals 1970s, stone, 6.25 x 4.5 x 4 in, 15.9 x 11.4 x 10.1 cm, signed in syllabics Provenance: a Montreal private collection 286 Unidentified Artist PROBABLY SALLUIT (SUGLUK) Standing Man early-mid 1950s, stone and graphite, 4.5 x 2.75 x 1.5 in, 11.5 x 7.3 x 3.6 cm Provenance: Pruzansky Collection; Walker's Nov. 2000 287 Joy Kiluvigyuak Hallauk (1940-2000) ARVIAT (ESKIMO POINT) Muskox c. 1968-72, stone, signed in syllabics, 4 x 5.75 x 2 in, 10.2 x 14.5 x 4.8 cm Provenance: an Ottawa private collection 289 Malaya Korgak (1923-d) f. IQALUIT (FROBISHER BAY) Kneeling Mother and Children 1960s, stone, signed "MALAEYA" and with disc no., 3.5 x 6.5 x 1 in, 9 x 16.5 x 2.7 cm Provenance: Webster Collection; purchased from the artist 290 Annie Niviaxie (1930-1989) KUUJJUARAAPIK (GREAT WHALE RIVER) Mother and Child late 1970s, stone and ivory, signed in syllabics, 6.25 x 3 x 3 in, 15.7 x 7.5 x 7.7 cm Provenance: an Ottawa private collection 291 Natar Ungalaaq (1959-) m. IGLOOLIK Muskox 1983, stone and hide, signed "NATAR U" and dated, 2.25 x 3.5 x 1.75 in, 5.8 x 9.1 x 4.5 cm Provenance: Balshine Collection 292 Maria Tuitark EASTERN CANADIAN ARCTIC (POSSIBLY IQALUIT) Legend of Lumaaq c. 1980s, antler, 2.25 x 3 x 1 in, 5.7 x 7.6 x 2.5 cm Provenance: a Toronto private collection 293 Pudloo Josephie (1931-) m. IQALUIT (FROBISHER BAY) Pendant (Mother and Child) early 1980s, ivory and stone, signed in syllabics, 1.25 x 2.25 x .5 in, 3 x 5.3 x 1.5 cm Provenance: Webster Collection; purchased from the artist 294 Maudie Rachel Okittuq (1944-) TALOYOAK (SPENCE BAY) Totem: Owl and Seal c. 1990, ivory and stone, signed in syllabics, 4.25 x 2 x 2.25 in, 10.7 x 5 x 5.7 cm Provenance: a Toronto private collection 295 Pauloosie Tukpanie (1960-2017) m. IQALUIT (FROBISHER BAY) Polar Bear c. 1980, stone, signed "PAUL" and in syllabics, 1.5 x 1.75 x 1.5 in, 3.7 x 4.5 x 3.7 cm Provenance: Webster Collection; purchased from the artist 296 Unidentified Artist POSSIBLY PANGNIRTUNG Shaman 1980s, whale bone, 5.25 x 10.5 x 6 in, 13.3 x 26.7 x 15.2 cm Provenance: a Toronto collection 297 Unidentified Artist GREENLAND Mask c. 1970, wood and teeth, inscribed: "Umelik", 10 x 5.75 x 2.25 in, 25.3 x 14.7 x 5.7 in Provenance: Balshine Collection 298 Esra Abraham Berthelsen (1889-1954) KANGAAMIUT, GREENLAND Woman Carrying a Child c. 1948, ivory, 4.75 x 2.75 x 1.5 in, 12.2 x 5.5 x 4 cm Provenance: Balshine Collection 299 Esra Abraham Berthelsen (1889-1954) KANGAAMIUT, GREENLAND Shaman Wearing a Bearskin c. 1948, ivory, 3.5 x 1.5 x 2.5 in, 9.1 x 3.8 x 6.6 cm Provenance: Balshine Collection 300 Aron Kleist (1923-1989) QAQORTOQ (JULIANEHAB), GREENLAND Bird Angakok ivory, signed AK", 4.5 x 3.75 x 2.25 in, 11.4 x 7 x 5.6 cm Provenance: a Montreal private collection 301 Cecilie Kleist (1948-1987) QAQORTOQ (JULIANEHAB), GREENLAND Tornak Drum Dancer 1973, ivory, signed "C.K.", 4.25 x 3 x 2 in, 10.8 x 7.9 x 4.9 cm Provenance: Balshine Collection 302 Ole Kreutzmann (1898-1983) m. KANGAAMIUT, GREENLAND Standing Figure with Half-Beard c. 1949, ivory, signed "OK", 4.5 x 1.5 x 1.5 in, 11.7 x 3.7 x 3.6 cm Provenance: Balshine Collection 303 Unidentified Artist Provenance: Balshine Collection 304 Unidentified Artist TASIILAQ (AMMASSALIK), GREENLAND Seated Skeletal Figure c. 1960, ivory, 4.5 x 1 x 1.25 in, 11.4 x 2.5 x 3 cm Provenance: Balshine Collection 305 Johan Elio KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4 x 1 x 1.5 in, 10.3 x 2.3 x 3.5 cm Provenance: Balshine Collection 306 Hans Kuitse KULUSUK (KAP DAN), GREENLAND Tupilak with Large Head c. 1972, horn and ivory, 4.25 x 1 x 1 in, 10.9 x 2.5 x 2.7 cm Provenance: Balshine Collection 307 Unidentified Artist GREENLAND Bear-Man Transformation c. 1972, stone, 3 x 8.5 x 2.5 in, 7.5 x 22.1 x 6.5 cm Provenance: Balshine Collection 308 Unidentified Artist GREENLAND Two-Headed Mythical Creature c. 1972, stone, 2.75 x 8.75 x 1.5 in, 7.2 x 22.4 x 3.7 cm Provenance: Balshine Collection 309 Unidentified Artist GREENLAND Standing Male Figure c. 1950, stone, 5.5 x 2 x 2 in, 14.3 x 5 x 5.4 cm Provenance: Balshine Collection |
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