THIS IS A COMPLETED SALE
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Inuit & First Nations Art Auction of November 22, 2017
Previous Page Listing ID#: 53133
Auction Location |
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Ottawa, ON K1V 1B8 Full Address Available on Tuesday, Nov 21 |
Auction Dates and Times |
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Wednesday Nov 22, 2017 Completed |
Auction Type |
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Live Auction with Online Bidding VIEW ONLINE CATALOG |
Company Information |
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Walker's Fine Art & Estate Auctioneers Website: walkersauctions.com GoToAuction.com ID#: 3284 View company information and listings |
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Listing Terms and Conditions |
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The following are Walker's standard Terms & Sales conditions which apply to all buyers and agents intending to purchase at any sales.
TERMS AND CONDITIONS
1. DEFINITIONS: The term "Auctioneer", wherever used in this catalogue, means Walker's Fine Art & Estate Auctioneers Inc.
2. PROPERTY INSPECTION: Prospective bidders should inspect the property before bidding to determine its size, condition and whether or not it has been repaired, restored or altered. We strongly recommend that all lots be viewed personally. Imperfections are not necessarily stated in any version of the auction catalogue, however, specific condition reports are provided upon request. (All statements are solely the opinion of the Auctioneer who is neither a professional restorer nor conservator).
3. ACCURACY OF INFORMATION: The Auctioneer has made a reasonable attempt to ensure accuracy in the description of every lot to be sold. However, guarantee is not made as to the correctness of the catalogue entries and no sale shall be set aside on account of any imperfections not noted. Each lot is sold on an "AS IS," "WHERE IS" basis.
4. BID INCREMENTS: Prospective buyers are required to know and understand the bid increment schedule below, before bidding on any lot. The auctioneer may vary the increments at his/her direction.
BID RANGE -- > BID INCREMENT
$0 - $100 -- > $10
$100 - $500 -- > $25
$500 - $1,000 -- > $50
$1,000 - $2,000 -- > $100
$2,000 - $5,000 -- > $250
$5,000 - $10,000 -- > $500
$10,000 - $20,000 -- > $1,000
$20,000 - $50,000 -- > $2,500
$50,000 - $100,000 -- > $5,000
$100,000 - $200,000 -- > $10,000
$200,000 and above -- > $20,000
5. AUCTIONEER'S RIGHTS:
a) All bids are per lot as listed in the catalogue. However, the Auctioneer reserves the right to divide or join lots, without prior warning, as they may see fit upon announcement of same.
b) The Auctioneer reserves the right to withdraw or add to the items as listed in prepared catalogues without notice.
c) The Auctioneer has the right to advance the bidding at their absolute discretion. The highest bidder is to be deemed the Buyer. If a dispute arises, the Auctioneer may, at their discretion, resell the lot or announce a decision immediately.
d) The Auctioneer may refuse to accept a bid from any individual or party at their absolute discretion.
e) The Auctioneer has the right to restrict attendance or participation in the auction rooms or during preview or to any party without explanation.
f) The Auctioneer shall have the right to bid or commission their staff to bid on behalf of any consignor up to the reserve price if applicable, but not above.
6. TITLE: Title to the offered lot immediately passes to the highest bidder upon full payment by the Buyer to the Auctioneer; however, the Buyer assumes full risk and responsibility from the fall of the auction hammer.
7. FAULTS AND DEFECTS: All lots are sold by the Auctioneer with all faults and defects, with all errors of description and are to be paid for whether genuine and authentic or not. No compensation shall be paid for same. Frames on artwork are not included as part of purchase or condition. The auctioneer does not warrant the condition or availability of frames or any associated glass.
8. DETERMINATION OF FORGERY: Notwithstanding the previous conditions of sale, if within (14) fourteen days after the auction the Buyer gives notice in writing to the Auctioneer that the lot sold is a deliberate forgery and within (7) seven days of such notification the Buyer returns the same to the Auctioneer in the same condition as at the time of sale and satisfies the Auctioneer that the claim is justified, pursuant to any special requests the Auctioneer may make, then the sale of the lot will be rescinded and the purchase price, Buyer's premium & sales tax on the purchase price of the same will be refunded. All action and decisions made by the Auctioneer are final and will not be influenced by the opinion of either the seller or Buyer. (All packing, handling, customs fees, taxes, insurance, valuations, opinions, lodging or travel directly or indirectly related to any returned & refunded lots will be the sole responsibility of the Buyer and no compensation will be paid for same). Any judicial proceedings deemed necessary to resolve a dispute or claim will be settled in the Province of Ontario, jurisdiction of Ottawa.
9. BUYER'S PREMIUM: Each lot is sold subject to a Buyer's premium payable by all Buyers in addition to the purchase price. This premium is expressed as a percentage of the purchase(hammer) price and varies according to type of auction and whether bidding is live, absentee, telephone or by internet. Refer to either our website or the absentee bid form for the specific auction to determine the actual amount of the Buyer's premium. This premium is also announced by the Auctioneer at the start of each auction.
10. SALES TAXES: The Buyer must pay Ontario Harmonized Sales Tax (HST - 13%) on the total purchase price (aggregate of hammer price & Buyer's premium) if the Buyer takes possession of their purchase at the time of the auction, or if they are resident in Ontario and have their purchase shipped to a location in Ontario, or if they pick up their purchase at the Auctioneer's offices in Ottawa after the sale. If the Buyer is from another province in Canada and have their purchase shipped to them by registered carrier, then the appropriate HST/GST (Goods and Services Tax) applicable to their province will be charged. Buyers not resident in Canada are exempt from paying HST or GST on the purchase price of property IF the lot(s) is shipped by registered carrier directly from the Auctioneer to the Buyer's address outside of Canada.
11. PAYMENT OPTIONS: Payment is to be made by cash, pre-approved cheque, Visa, MasterCard, Interac/Debit Card or wire transfer, and within 72 hours (3 business days) after the auction ends. For each wire transfer, there is an additional charge of $25 to cover bank administration charges. Property is released only after all funds have cleared our bank. Local purchases must be removed immediately after the sale provided payment has been received by the Auctioneer. Items sold to foreign and non-local Buyers will be transported to our offices where they must be removed within three (3) working days. Buyers not known to the Auctioneer are required to provide financial and banking details at least three (3) days prior to the auction. The Auctioneer will send an invoice by email or fax after the auction but your credit card may be used immediately to settle your purchase account. A maximum of $20,000 per client per auction may be paid using a credit card if presenting the card in person with photo identification; $5,000 is the maximum for 'not in person' credit card payments within North America.
12. FINANCE CHARGE: If the Buyer's account is not settled in full with regard to fore-mentioned conditions, then a finance charge of 5% per month above the Bank of Canada base rate will be applied to the purchase price until settled in addition to a 2% monthly charge for storage and insurance. If in the opinion of the Auctioneer the lot or lots must be resold then any deficiencies or handling charges against same will be charged to the original Buyer.
13. CULTURAL PROPERTY: In order to export certain property from Canada, a Cultural Property Export Permit may be required. Various objects and values are affected and it is incumbent on a prospective Buyer to fully understand any restrictions prior to sale. It is the Buyer's responsibility to obtain the required permit(s). No sale shall be rescinded if a Cultural Property Export Permit cannot be obtained.
Without limitation, and further to the terms of paragraph 12 above, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). Based on certain criteria including, but not limited to, value and the length of time in which an object has been in Canada, a Cultural Property Export permit may be required in order to temporarily or permanently export an object from Canada. The buyer must pay for all purchases whether an export permit is issued or declined.
14. RESTRICTED MATERIALS: Under the Convention on International Trade in Endangered Species of Wild Fauna and Flora Agreement (CITES), items offered for sale which contain restricted materials such as ivory, tortoiseshell, whalebone, sealskin, rhinoceros horn or other animal parts are not allowed by law to leave Canada or to be imported to most countries. It is the Buyer's responsibility to verify whether this restriction applies to their purchases prior to bidding. No sale shall be rescinded if the Buyer is remiss in this regard. You must ensure that you have reviewed your country's laws before you purchase or ship any works made from, or containing parts made from these restricted materials. It is your responsibility to obtain any necessary permits. No sale shall be rescinded if a permit (CITES or otherwise) cannot be obtained. We encourage you to visit the CITES website www.cites.org. If you wish us to apply for a CITES permit on your behalf after the auction, there is a $50 charge for each application. Submitting an application does not guarantee the issuance of a CITES permit.
15. DIGITAL IMAGES: Colour balance may vary with the digital photos posted to any of our online auction catalogues. We strongly recommend inspecting the object in person as you will notice a variance.
16. ESTIMATES: Pre-sale auction estimates are educated approximations based upon the sale of similar items. These are not necessarily selling prices, as the final bid may be above or below any estimate.
17. LIABILITY: Persons attending a preview, the auction or collecting goods, assume all risks of damage of or loss to person and property and specifically release the Auctioneer from liability. Neither the Auctioneer nor his principle shall be liable by reason of any defect in or condition of the premises on which the sale is held.
18. REGISTRATION: All bidders are required to provide full name, address, phone number(s) and postal code in addition to government issued photo identification. The registrant is fully and solely responsible for all bids placed using their bidding number. Registered Buyers are not permitted to bid for third parties or to transfer purchased lots from one account to another. The Auctioneer reserves the right to determine credit worthiness prior to registering a Buyer and may require banking or credit information and/or credit card information when doing so.
19. REMOVAL OF GOODS: Once the Buyer's account is settled, the Buyer then has the responsibility for the removal of their purchases. This transaction is separate from the purchase transaction.
The Auctioneer may provide assistance to the buyer with packing or removing goods from the auction floor once sold but we are not responsible for any damage which may occur during that time. Clients are further advised that removal of large furniture, rugs, sets of china and crystal, large paintings, etc. may only be removed at the end of the sale session. It is the responsibility of the buyer to bring sufficient wrapping material and boxes, etc. In the event of fire or theft of goods the Auctioneer's liability will be to the amount of the hammer price only.
All purchases must be removed from the Auctioneer's premises within ten (10) days of the date of the sale. After this time, storage charges in the amount of $5 per lot per day will accrue and other charges may be incurred. We are not responsible for the security of goods left after the removal deadline.
20. PACKING and SHIPPING OF GOODS: The Auctioneer offers a packing and shipping service as a beneficial service to its Buyers. This is an optional service and Buyers should feel free to have others handle their packing and shipping needs provided the purchased item(s) are picked up within tem (10) working days of the date of sale. Our packing and shipping service is provided on a 'Best Efforts' basis and turnaround times will vary depending on the volume of lots sold during the various times of the year. There will be fees for this service and the Auctioneer or handler will proceed only at the Buyer's risk and expense. Please inquire directly with the Auctioneer for a packing/shipping/insurance estimate prior to sale. All estimates are provided on a best-efforts basis and the actual packing and shipping charge may be greater or less than the estimate. There is a minimum charge of $30 plus applicable sales taxes per shipment.
Customs duty, sales taxes and brokerage fees as assessed by Government or third party firms are separate from any shipping quote the Auctioneer may provide and are the sole responsibility of the Buyer. For international shipments leaving Canada, WALKERS will only state the actual value of an item on Customs documentation. It is illegal in Canada to declare a false value for an item knowing the item has a higher value (as shown by recent sale). Lots damaged in transit as a result of Customs or Government inspection or improper repacking are not covered by any insurance offered by the Auctioneer or shipper regardless if insurance has been paid for or not.
All shipping inquires should be directed to: shipping@walkersauctions.com.
21. ABANDONMENT: It is a Buyer's responsibility to either pick up their item(s) within ten (10) days of the date of sale, or to arrange shipping of their item(s) with our shipping department or using a shipper of the Buyer's choice. In the event purchased item(s) are still in our warehouse and in our possession six (6) months after the auction end date, regardless of payment being received or not, the item(s) will be considered to be 'abandoned' and 'surrendered' to the Auctioneer. The Auctioneer shall have the right to sell or donate the item(s) as he sees fit with any proceeds from sale going to the account of the Auctioneer.
22. CONSIGNOR COVENANT: On no account is a consignor of goods to Auctioneer, allowed to bid on his or her own merchandise.
23. CONDITION STATEMENTS: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition reports/statements are provided by request as a courtesy to Walker's clients and should be considered as an opinion only. Walker's are not professional conservators and no warranty is expressed through issuing condition statements. Prospective bidders are encouraged to inspect objects personally or have their conservator inspect objects on their behalf. All lots are offered for sale subject to Walker's conditions of business.
24. JURISDICTION: Ontario law applies and jurisdiction and venue over all disputes involving these Terms and Conditions shall be adjudicated at Ottawa, Ontario, Canada.
25. ACKNOWLEDGEMENT: All bidders and others attending this sale agree that they have read and have full knowledge and understanding of these Terms and Conditions of Business, and agree to be bound by same.
--- Revised: November 17, 2017 ---
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Listing Information |
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Walker's is pleased to present another auction of Inuit and First Nations art, Wednesday, November 22, 2017 in Ottawa. We are proud to bring to our clients another outstanding selection of works from dozens of collections across Canada and the U.S.
We are happy to offer another treasure trove of masterpieces from several important American collections: the Albrecht Collection in Scottsdale, the Sam Wagonfeld Collection in Denver, and the Joshua Pruzansky Collection in New York. We are also pleased to offer for the first time important works from the Daniel and Jackie Snajdman Collection in Hamilton, Ontario. As always, we are grateful to all of our consignors who have entrusted their treasures to us.
Among the many exceptional Inuit sculptures on offer this fall we would like to highlight some key pieces: an impressive and stunning Dancing Bear by the great Pauta Saila; an important Davidialuk Alasua Amittu legend sculpture; Two Figures, a masterpiece by John Pangnark; the gorgeous Head by Karoo Ashevak; the spectacular Mother Holding a Sleeping Child and the lovely Caribou by Osuitok Ipeelee; and a superb unidentified Inukjuak Mother and Child from c. 1953-54. In addition there are outstanding sculptures by Andy Miki, George Tatanniq, Judas Ullulaq, Kiugak Ashoona, Henry Evaluardjuk, John Kavik, Lucy Tasseor, Kiakshuk, Latcholassie Akesuk, Mathew Aqigaaq and many others. Also included are several great sculptures by Barnabus Arnasungaaq, who sadly passed away this year. The sculptural arts also offer a number of outstanding prehistoric and Historic Period works from Alaska, Canada and Greenland.
In the graphic arts we are pleased to offer an especially large selection of outstanding original drawings. They include beautiful and rare works by Niviaqsi, Kenojuak Ashevak, Jessie Oonark, Parr, Luke Anguhadluq, John Kavik, Kiakshuk, Janet Kigusiuq and many others. We are also offering an exceptional group of textile hangings and clothing this season. They include a highly important 1970 untitled hanging by Jessie Oonark as well as lovely works by other Baker Lake textile artists; a rare 1930s beaded hanging; a 1950 bird skin hanging; and three amazing parkas, each one rare and unusual in its own way.
One of the cornerstones of this season's auction is a selection of paintings by Norval Morrisseau. Of special mention is his rare and compelling Sacred Beaver on birchbark, but the collection also includes important works on paper and canvas from the mid 1960s, 1974 and 1989. Other First Nations art highlights include a beautiful canvas by Daphne Odjig and lovely 19th century argillite sculptures.
As always we at Walker's are grateful for the support of our growing list of consigning and buying clients. We hope that you will enjoy viewing and reading this latest catalogue. Your questions, comments and suggestions are always welcome.
Ingo Hessel
Head, Inuit & First Nations Art
ingo@walkersauctions.com
1.613.818.2100 1 Aisa Ajagutaina Tukala (1905-1977) m. Puvirnituq, Seated Otter, mid 1950s, stone, signed with disc no., 4.5 x 4.75 x 1.75 in, 11.4 x 12 x 4.2 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or c... 2 Lucassie Kattuk (1928-d) Sanikiluaq, Goose, mid-late 1950s, stone, signed with disc no., 2.25 x 5 x 1.5 in, 6 x 12.5 x 4 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completel... 3 Ennutsiak (1896-1967) m Iqaluit (Frobisher Bay), Bird Feeding Her Hungry Chicks, late 1950s, stone and antler, signed with disc no., 2.75 x 6.25 x 5 in, 7 x 16 x 12.7 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply ... 4 Mina Mannuk (1934-) Sanikiluaq, Woman with Qulliq, c. 1960, stone and ivory, signed with disc no., 3.75 x 3.75 x 6.5 in, 9.5 x 9.8 x 16.7 cm Provenance: Albrecht Collection; The Snow Goose, Ottawa Published: this work is illustrated in Swinton (1972/92) fig. 221. NOTE... 5 Pauloosie Akitirq (1935-1995) Arctic Bay, Standing Woman or Girl, mid-late 1960s, stone, signed "AKITRK" and with disc no., 4.75 x 2.25 x 1.5 in, 12.3 x 5.8 x 3.8 cm Provenance: Pruzansky Collection; Walker's May 2016 (Lot 64); Albrecht Collection; Albers Gallery DISCLAIMER: The ... 6 Elizabeth Nutaraaluk Aulatjut (1914-1998) Arviat (Eskimo Point), Kneeling Woman and Bird, 1969, stone and antler, 5.75 x 3.5 x 2.25 in, 14.5 x 8.7 x 6 cm Provenance: a Quebec private collection; purchased at the co-op in Arviat DISCLAIMER: The absence of a condition statement does not imply ... 7 Isa Aqiattusuk Smiler (1921-1986) m. Inukjuak (Port Harrison), Composition: Bird, Walrus, Bear and Fish, 1953, stone and ivory, dated and signed "ISA" and with syllabics and disc no., 4 x 5 x 2.25 in, 10 x 12.6 x 6 cm Provenance: Pruzansky Collection; Galerie Elca London References: for... 8 Unidentified Artist Inukjuak (Port Harrison) or Puvirnituq, Standing Woman, c. 1950-51, stone and ivory, 4 x 2.75 x 1.75 in, 10 x 6.8 x 4.3 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2007 NOTE: This lot contains restricted material(s) which may prohibit the... 9 Unidentified Artist Pangnirtung, Hunter Carrying a Captured Caribou, c. 1960, stone, ivory and sealskin, 9.5 x 5.5 x 5.75 in, 24 x 14 x 14.5 cm Provenance: Albrecht Collection; an Ontario private collection Exhibited and published: Hessel, Arctic Spirit (2006) cat. 31. ... 10 Paulusi Angmarlik (1911-d) m. Pangnirtung, Hunter and Pack Dog, late 1950s, stone, sealskin and bone or ivory, signed "PAULOSEE" and with disc no., 4.25 x 5.5 x 2.5 in, 11 x 14.2 x 6.3 cm Provenance: a Quebec private collection NOTE: This lot contains restricted material(s) which... 11 Possibly Timothy Kutchaka (1924-d) Inukjuak (Port Harrison), Man and Bear Embracing, c. late 1950s, stone and antler, 8 x 9 x 4.75 in, 20.3 x 23 x 12 cm Provenance: an American private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect ... 12 Unidentified Artist Nunavik (Arctic Quebec) or Baffin Island, Kneeling Pregnant Woman, c. 1960, stone, 5 x 6.25 x 3.25 in, 12.4 x 16 x 8.4 cm Provenance: Pruzansky Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condit... 13 Unidentified Artist Salluit, Mother Pulling a Child Out of Her Hood, c. mid-late 1950s, stone, 7.75 x 2.75 x 3.5 in, 19.4 x 7.2 x 8.7 cm Provenance: an Ottawa private collection References: several similar sculptures by various Salluit artists are illustrated in Céline... 14 Unidentified Artist Nunavik (Arctic Quebec) Woman with Water Pail, c. 1950, stone, ivory, tar, sinew and pigment, 6.5 x 2.5 x 3.75 in, 16.3 x 6.5 x 9.5 cm Provenance: Pruzansky Collection NOTE: This lot contains restricted material(s) which may prohibit the export of i... 15 Paulusi Passau Aupalu (1918-d) m. Puvirnituq/Akulivik, Hunter and Seal, c. late 1950s, stone, signed with disc no., 2.5 x 5 x 3.5 in, 6.1 x 12.8 x 9 cm Provenance: an American private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect ... 16 Niviaqsi (Niviaksiak) (1908-1959) m. Cape Dorset, The Family Hunting, c. 1957-58, graphite drawing on cerlox bound notepad paper, 11 x 8.5 in, 28 x 21.5 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: for other drawings by the artist see Inuit Modern (2010) pp. 72-73. ... 17 Niviaqsi (Niviaksiak) (1908-1959) m. Cape Dorset, Untitled, c. 1957-58, graphite drawing on cerlox bound notepad paper, 11 x 8.5 in, 28 x 21.5 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: for related drawings by the artist see Inuit Modern (2010) pp. 72-73. DISCLAIM... 18 Niviaqsi (Niviaksiak) (1908-1959) m. Printmaker: Eegyvudluk Pootoogook (1931-1999) m., Cape Dorset, Sled and Seal Cached on Snow Blocks, 1960 #46, stencil, 29/50, 10 x 21 in, 25.2 x 53.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; ex Macmillan-Bloedel Collection DISCLAI... 19 Josephie Pootoogook (1887-1958) Printmaker: Kananginak Pootoogook RCA (1935-2010) m., Cape Dorset, Igloo Builder, 1959 #30, stonecut or linocut and stencil, 45/50, framed, 10.75 x 20.5 in, 27.4 x 52 cm Provenance: Wagonfeld Collection Reference: image illustrated in Christine Lalo... 20 Davidialuk Alasua Amittu (1910-1976) m. Puvirnituq, Legend of the Woman Who Adopted a Caterpillar, c. early 1960s, stone, signed "DEVIDEALOK", 6.25 x 6.5 x 5.5 in, 16 x 16.2 x 14 cm Provenance: Wagonfeld Collection; Waddington's Nov. 1999 Exhibited and published: Loveland Museum Gallery, S... 21 Andy Miki (1918-1983) Arviat (Eskimo Point), Dog, c. 1965-68, stone, signed in syllabics, 5.25 x 8.75 x 1.75 in, 13.3 x 22.3 x 4.6 cm Provenance: Pruzansky Collection; Galerie Elca London References: for a dog by Miki from the early 1960s see Hessel, Inuit Art, p. 103 or ... 22 George Tatanniq (1919-1991) Baker Lake, Standing Woman, c. 1970-71, stone, signed in syllabics, 10.5 x 5.75 x 4.75 in, 27 x 14.5 x 12 cm Provenance: a BC private collection References: for a similar contemporaneous work by Tatanniq, formerly in the Robertson Collection, see Wal... 23 Mathew Aqigaaq (1940-2010) Baker Lake, Muskox, late 1960s, stone, signed in syllabics, 6 x 10.75 x 4.75 in, 15.3 x 27.5 x 12.3 cm Provenance: an Ottawa private collection Reference: for another fine example of an Aqigaaq muskox from 1969 see Walker’s Nov. 2016 (Lot 19). DIS... 24 Samson Kayuryuk (1927-1983) Baker Lake, Standing Bird, late 1960s, stone, signed in syllabics, 5.5 x 7 x 2.25 in, 14 x 17.5 x 5.5 cm Provenance: an American private collection; The Shop, Minneapolis Reference: for a superb Kneeling Woman and Child, carved either by Kayuryuk or ... 25 Kenojuak Ashevak CC RCA (1927-2013) f. Cape Dorset, Composition: Owl, Fish, Ravens and Skin Tent, c. 1998-99, ink drawing, signed in syllabics, 20 x 26.25 in, 50.5 x 66.5 cm Provenance: Albrecht Collection; Feheley Fine Arts DISCLAIMER: The absence of a condition statement does not imply ... 26 Kenojuak Ashevak CC RCA (1927-2013) f. Cape Dorset, Composition: Two Birds on Pebbles, c. 1994-95, ink drawing, signed in syllabics, 16.75 x 26.25 in, 42.7 x 66.5 cm Provenance: Albrecht Collection; Feheley Fine Arts DISCLAIMER: The absence of a condition statement does not imply that a l... 27 Lucy Qinnuayuak (1915-1982) Printmaker: Iyola Kingwatsiak (1933-2,000) m., Cape Dorset, Dancing Bird, 1967 #22, stonecut, 6/50, 18.75 x 23.75 in, 47.6 x 60.6 cm Provenance: Albrecht Collection; an Ottawa private collection Exhibited and published: Hessel, Cape Dorset Art, (2008... 28 Lucy Qinnuayuak (1915-1982) Printmaker: Pee Mikkigak (1940-1996) f., Cape Dorset, Nanupauja (Large Bear), 1979 #29, stonecut, 1/50, 23.5 x 31.5 in, 60 x 80 cm Provenance: Albrecht Collection; Waddington's April 2007 DISCLAIMER: The absence of a condition statement does not impl... 29 Lucy Qinnuayuak (1915-1982) Printmaker: Eegyvudluk Pootoogook (1931-1999) m., Cape Dorset, Hunter and Woman Approaching Two Spirits, 1965 (1966#18), stonecut, 43/50, framed, 14.25 x 22.75 in, 36.5 x 58 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a c... 30 Parr (1893-1969) m. Cape Dorset, Untitled (Three Hunters, Two Dogs and a Seal), c. 1964-65, coloured pencil drawing, framed, signed in syllabics, 20 x 25.75 in, 50.7 x 65.3 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Muse... 31 John Kavik (1897-1993) Rankin Inlet, Men and Muskoxen, c. 1981-83, coloured pencil and ink drawing, framed, 12 x 18 in, 30.5 x 45.5 cm Provenance: Wagonfeld Collection; Ookpiktuyuk Art Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 100. Ref... 32 Luke Anguhadluq (1895-1982) Baker Lake, Hunter and Two Caribou, 1969, graphite drawing, framed, 22.25 x 18 in, 56.2 x 46 cm Provenance: Wagonfeld Collection; Feheley Fine Arts; ex Jack and Sheila Butler Collection Exhibited and published: Loveland Museum Gallery, Survival: Inui... 33 Luke Anguhadluq (1895-1982) Baker Lake, Four Male Figures, c. 1969-70, graphite drawing, framed, signed in syllabics, 22 x 16.25 in, 56 x 41 cm (sight) Provenance: Wagonfeld Collection; Waddington's Nov. 1999 References: for similar drawings see Feheley Fine Arts, The Butler Co... 34 Luke Iksiktaaryuk (1909-1977) Printmaker: Cecilia Kiyurut (1955-), Baker Lake, Dog and Caribou Fighting, 1975 #25, stonecut and stencil, framed, 18.75 x 25 in, 47.5 x 63.2 cm Provenance: Wagonfeld Collection; Spirit Wrestler DISCLAIMER: The absence of a condition statement does n... 35 Unidentified Artist Inukjuak (Port Harrison), Mother and Child, c. 1953-54, stone and ivory, 8.75 x 6.75 x 9.75 in, 22 x 17 x 24.7 cm Provenance: an American private collection; Galerie Elca London; a New York City private collection NOTE: This lot contains restricted m... 36 Maria Chesterfield Inlet, Baby Girl’s Inner Parka, 1903, fabric, felt, ivory, caribou skin, wool yarn, beads, sinew and thread, 21.25 x 13.5 in, 54 x 34 cm Provenance: an Ontario private collection; originally commissioned from the artist by a Mrs. Mina ... 37 Possibly Maria Chesterfield Inlet, Untitled Wall Hanging, c. 1935, felt, fabric, beads and thread 54.25 x 14.25 in, 138 x 36 cm Provenance: an Ontario private collection; purchased from the artist in Chesterfield Inlet by RCMP Cpl. E. Scholfield c. 1935; by descent... 38 Andy Miki (1918-1983) Arviat (Eskimo Point), Leaping Fox, 1968, antler and hide, 2.5 x 7.75 x 2.25 in, 6.5 x 19.7 x 5.7 cm Provenance: a Quebec private collection; purchased at the Arviat co-op in 1968 References: for two similar antler works by Miki (one antler, one ston... 39 Mary Kahootsuak Miki (1920-1993) Arviat (Eskimo Point), Figure of a Woman, c. 1988, antler and beads, 6 x 1.5 x 2.25 in, 15.5 x 3.9 x 6 cm Provenance: Albrecht Collection; Upstairs Gallery, Winnipeg Exhibited and published: Upstairs Gallery, Special Small Sculptures, 1999, cat. 18. ... 40 Romeo Eekerkik (1923-1983) Arviat (Eskimo Point), Family, early 1970s, antler and sinew, signed in syllabics, 9 x 10.5 x 5 in, 22.7 x 26.5 x 12.6 cm Provenance: a Montreal private collection References: for similar works by the artist see Routledge (1979) cat. 22, and Inuit Mo... 41 Probably Punuk Culture Bering Sea, Alaska, Human Head, c. A.D. 500-1200, ivory, 2.5 x 1.75 x 1.5 in, 6.2 x 4.4 x 4 cm Provenance: a Toronto corporate collection; Innuit Gallery of Eskimo Art Exhibited and published: Innuit Gallery of Eskimo Art, Early Art and Artifacts of ... 42 Probably Punuk Culture Alaska, Ulu, c. A.D. 500-1200, ivory and slate, 2.5 x 4.25 x 0.5 in, 6.5 x 10.5 x 1.1 cm Provenance: a Toronto corporate collection NOTE: This lot contains restricted material(s) which may prohibit the export of it from Canada. Please review clause 1... 43 Old Bering Sea II St. Lawrence Island, Alaska, Polar Bear, c. A.D. 100-300, ivory, 1.5 x 5.25 x 1 in, 3.5 x 13.3 x 2.3 cm Provenance: Albrecht Collection; Alaska on Madison References: for similar Old Bering Sea II bears see Walker’s Nov. 2015 (Lot 42) and May 2016 ... 44 Probably Thule Culture Foxe Peninsula, Baffin Island, Figure of a Pregnant Woman, c. 1100-1700, ivory, 1.5 x 0.5 x 0.25 in, 4 x 1.1 x 0.9 cm Provenance: a Toronto private collection; found on the land in the vicinity of Cape Dorset in the 1960s References: for illustration... 45 Probably Thule Culture Foxe Peninsula, Baffin Island, Amulet, c. 1100-1700, ivory, 1.5 x 0.5 x 0.25 in, 4 x 1 x 0.9 cm Provenance: a Toronto private collection; found on the land in the vicinity of Cape Dorset in the 1960s NOTE: This lot contains restricted material(s) whi... 46 Unidentified Yup’ik Artist Kuskokwim River, Alaska, Woman's Dance Fan ("Finger Mask"), late 19th century, wood, caribou hair, feathers, pigment, 11.75 x 17.25 x 0.5 in, 30 x 44 x 1.5 cm Provenance: a Toronto corporate collection; Innuit Gallery of Eskimo Art Exhibited and publ... 47 Unidentified Yup’ik Artist possibly Kuskokwim River, Alaska, Janus-Faced Doll, probably mid-late 19th century, wood and inserts, 5.75 x 2 x 1 in, 14.7 x 5.1 x 2.6 cm Provenance: Albrecht Collection; Marion Scott Gallery; Skinner Auctions June 1993 Reference: for similar exampl... 48 Unidentified Artist Alaska, Doll (Human Figure), probably mid-late 19th century, wood, 9 x 2.25 x 1.5 in, 23 x 6 x 3.5 cm Provenance: Albrecht Collection; Morning Star Gallery DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 49 Unidentified Artist Nunivak Island, Alaska, Carved Tusk, c. 1920s, ivory and pigment, 17.75 x 2.25 x 2 in, 45 x 6 x 5.3 cm Provenance: a Toronto corporate collection References: for several examples of Nunivak style carved tusks and cribbage boards, see Dorothy Jean Ray... 50 Unidentified Yup’ik Artist Southern Alaska, Snow Goggles, c. 1900, wood, hide and pigment, 1.25 x 6 x 2 in, 3.3 x 15.2 x 5 cm Provenance: a Toronto corporate collection; Innuit Gallery of Eskimo Art Exhibited and published: Innuit Gallery of Eskimo Art, Early Art and Artifacts... 51 Unidentified Artist Alaska, Belt, late 19th century, hide and sinew, estimated overall length: 36 in, 91 cm; as displayed: 15.25 x 1.75 in, 38.5 x 4.5 cm Provenance: a Toronto corporate collection; Innuit Gallery of Eskimo Art Exhibited and published: Innuit Gallery of ... 52 Judas Ullulaq (1937-1999) Gjoa Haven, Dancing Bear Shaman, c. 1990, stone, antler and cord, signed in syllabics, 10.5 x 8.75 x 6.5 in, 26.8 x 22.5 x 16.5 cm Provenance: an American private collection DISCLAIMER: The absence of a condition statement does not imply that a lot i... 53 Judas Ullulaq (1937-1999) Gjoa Haven, Bird with Prey and Ice Worm, late 1970s, stone, signed in syllabics, 3.75 x 3 x 3.25 in, 9.4 x 7.8 x 8 cm Provenance: Albrecht Collection; an Ontario private collection Reference: for a work of similar subject and style by Ullulaq see Gus... 54 Karoo Ashevak (1940-1974) m. Taloyoak (Spence Bay), Head, c. 1971, whale bone, signed in syllabics, 11 x 5.5 x 4.75 in, 27.8 x 14 x 12 cm Provenance: a Toronto private collection Exhibited and published: Jean Blodgett, Karoo Ashevak, Winnipeg Art Gallery, 1977, cat. 15. Referenc... 55 Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m. Cape Dorset, The First Christian, 1986, stone, signed in syllabics, 20.5 x 8.75 x 9 in, 52 x 22 x 23 cm Provenance: a Toronto private collection; Houston North Gallery Reference: for a related work, Man with Bible from 1985 in the Sarick Collection a... 56 Kiugak (Kiawak) Ashoona OC RCA (1933-2014) m. Cape Dorset, Four Falcons, c. 1985, stone, signed in syllabics, 6 x 6.5 x 4.75 in, 15.1 x 16.3 x 12 cm Provenance: a Toronto private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or comp... 57 Sharky Nuna (1918-1979) m. Cape Dorset, Three Seals, 1968, stone, signed "SARKE" and with disc no., 3.25 x 8.75 x 6 in, 8.5 x 22 x 15 cm Provenance: an American private collection; Miriam Berke & Associates Published: Swinton, Sculpture of the Inuit, (1972/92) fig. 432. DISCL... 58 Unidentified Artist Ungava Region, Nunavik (Arctic Quebec), Mat, c. 1950, eider duck and loon skins, fabric backing, 39.25 x 28.75 in, 100 x 73 cm Provenance: an Ottawa private collection; Canadian Guild of Crafts References: for a similar work see Canadian Guild of Cra... 59 Germaine Arnaktauyok (1946-) Igloolik/Yellowknife, Amautiq Frontlet, early 2000s, felt pen drawing, signed "GERMAINE ARNAKTAUYOK" and in syllabics, 22.5 x 14 in, 57 x 35.6 cm Provenance: Albrecht Collection Reference: for several similar drawings by the artist see Arnaktauyok an... 60 Germaine Arnaktauyok (1946-) Igloolik/Yellowknife, Utilitarian Objects from the Albrecht Collection, 2006, felt pen drawing, signed "GERMAINE ARNAKTAUYOK" and in syllabics, 13.75 x 15 in, 34.8 x 38.3 cm Provenance: Albrecht Collection; commissioned from the artist References: Ar... 61 Rachel Uyarasuk (1914-d) Igloolik, Replica of the Igloolik Shaman Qingailisaq’s Coat and Cap, c. 2002, caribou skin, coat: 41 x 39 x 20 in, 104 x 99 x 51 cm as shown; cap: 11 x 10 x 9 in, 28 x 25.5 x 23 cm as shown Provenance: Albrecht Collection; commissioned from the art... 62 Pauta Saila RCA (1916-2009) m. Cape Dorset, Dancing Bear, mid 1980s, stone and ivory, signed in syllabics, 19.25 x 13.25 x 9.75 in, 49 x 33.5 x 24.5 cm Provenance: Daniel and Jackie Snajdman Collection References: for similar important works by Pauta see Hessel, Inuit Art, front c... 63 Mark Tungilik (1913-1986) Repulse Bay, Muskox, 1972, stone and antler, signed in syllabics, 5.5 x 8.5 x 3.25 in, 14.1 x 21.5 x 8 cm Provenance: Pruzansky Collection; Walker's Nov. 2015; Albrecht Collection; Marion Scott Gallery; Zepp-Varga Collection Reference: see a similar ... 64 Mark Tungilik (1913-1986) Repulse Bay, Legend of the Muskox and Walrus, mid-late 1970s, stone, bone and ivory, 4.25 x 7 x 6 in, 11 x 18 x 15.5 cm Provenance: a Toronto private collection NOTE: This lot contains restricted material(s) which may prohibit the export of it from C... 65 Barnabus Arnasungaaq (1924-2017) Baker Lake, Muskox and Muskox-Shaman, c. 1990, stone, signed in syllabics, 9.5 x 13.25 x 8 in, 24 x 33.5 x 20.5 cm Provenance: an American private collection References: for related images by the artist see Hessel, Arctic Spirit (2006) cat. 40, and M... 66 Norval Morrisseau CM (1931-2007) Anishnaabe, Shaman and Snakes, c. mid 1960s, acrylic on brown kraft paper, framed, 46.5 x 32 in, 118 x 82 cm (sight) Provenance: a succession of Toronto corporate collections References: see related contemporaneous works in Walker’s May 2017 (Lot 1... 67 Norval Morrisseau CM (1931-2007) Anishnaabe, Otter and Two Fish, c. mid 1960s, acrylic on brown kraft paper, framed, 31.25 x 41.5 in, 79.4 x 105.4 cm (sight) Provenance: a succession of Toronto corporate collections References: for similar contemporaneous works by Morrisseau see Wal... 68 Norval Morrisseau CM (1931-2007) Anishnaabe, Sacred Buffalo, c. mid 1960s, acrylic on brown kraft paper, framed, 27 x 40.75 in, 68.5 x 103.5 cm (sight) Provenances: a succession of Toronto corporate collections References: for similar contemporaneous subjects by the artist see Sincl... 69 Unidentified Artist Chesterfield Inlet, Cribbage Board, c. 1935, ivory, signed “A-JI” in syllabics, 4 x 20 x 3.5 in, 10 x 50.5 x 9 cm Provenance: an Ontario private collection; collected in Chesterfield Inlet by an RCMP officer; by descent to current owners NOTE: Th... 70 Unidentified Artist probably Nome, Alaska, Duck, c. 1920s, ivory and pigment, 2.5 x 2 x 1 in, 6.5 x 5.2 x 2.6 cm Provenance: a Toronto corporate collection Reference: for a carving of a goose, in the same style but dating from c. 1950, see Smith, Arctic Art: Eskimo Ivor... 71 Unidentified Artist probably Lower Kuskokwim, Alaska, Model Pocket Knife, c. 1900-1910, ivory and metal, dimensions as shown: 2.5 x 4.5 x 0.25 in, 6.5 x 11.6 x 0.8 cm Provenance: a Toronto corporate collection Reference: Dorothy Jean Ray, Aleut and Eskimo Art (1981) fig... 72 Unidentified Artist Pangnirtung, Cribbage Board in the Form of a Walrus, c. 1930s, ivory and pigment, 2 x 11.25 x 1.5 in, 4.8 x 28.5 x 3.9 cm Provenance: an Ottawa private collection Reference: see a cribbage board of very similar form, inscribed “1937,” in Waddingt... 73 Aksayook Etooangat (1901-1995) m. Pangnirtung, Model Dog Team and Sled, before 1977, ivory, hide and pigment, 2.25 x 22.5 x 4.75 in, 5.7 x 57.2 x 12.2 cm Provenance: Balshine Collection; Walker's May 2012 (Lot 132); Sotheby’s Feb. 1981 References: for a dog team and sled by this ar... 74 Unidentified Artist possibly St. Lawrence Island, Alaska, Caribou-Wolf Transformation, c. 1880-1900, ivory, 1.5 x 3.75 x .75 in, 4 x 9.6 x 1.8 cm Provenance: a Montreal private collection Reference: for small ivory animals carved in a very similar style see Dorothy Jean... 75 Unidentified Artists Eastern Canadian Arctic, Three Polar Bears, early 20th century, ivory, largest: 1.25 x 2.75 x 1 in, 3 x 7 x 2.5 cm Provenance: a BC private collection NOTE: This lot contains restricted material(s) which may prohibit the export of it from Canada. Ple... 76 Jessie Oonark OC RCA (1906-1985) Baker Lake, Untitled (Drummers, Faces, Figures, Bird-Humans and Birds), c. 1970, wool stroud, felt and embroidery floss, signed in syllabics, 25.25 x 59 in, 64 x 150 cm Provenance: a Toronto private collection References: for wall hangings by Oonark ... 77 Jessie Oonark OC RCA (1906-1985) Baker Lake, Untitled (Three Figures), late 1970s, coloured pencil drawing, signed in syllabics, 22 x 30 in, 56 x 76.3 cm Provenance: a Swiss private collection Reference: for a similar drawing by Oonark see Jackson et al, Qamanittuaq (1995) cat. 13. ... 78 Jessie Oonark OC RCA (1906-1985) Baker Lake, Untitled (Two Ulu-Women and Man), late 1970s, coloured pencil drawing, signed in syllabics, 22 x 30 in, 56 x 76.3 cm Provenance: a Swiss private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in p... 79 Tudlik (1890-1966) m. Printmaker: Lukta Qiatsuk (1928-2004) m., Cape Dorset, Excited Man Forgets His Weapon, 1959 #25, stonecut, 49/50, 12 x 18 in, 30.6 x 46 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: image illustrated in Christine Lalonde, Uuturauti... 80 Mungitok Kellypalik (1940-2014) m. Printmakers: Joanassie Salomonie (1938-1998) and Kananginak Pootoogook RCA (1935-2010) m., Cape Dorset, Canada Geese, 1959 #34, linocut, 12/50, 20.25 x 27.5 in, 51.4 x 69.7 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery References: image... 81 Kiakshuk (1886-1966) m. Printmaker: Iyola Kingwatsiak (1933-2000) m., Cape Dorset, Strange Scene, 1964/65 #21, stonecut, 28/50, 23.5 x 30 in, 59.5 x 76 cm Provenance: Albrecht Collection; Waddington's April 2007 References: image reproduced in James Houston, Eskimo Prints (... 82 Kalingo Cape Dorset, Canada Goose, 1957, stonecut, 4/30, framed, 9 x 5 in, 23 x 13 cm Provenance: an Alberta private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear an... 83 Mathew Aqigaaq (1940-2010) Baker Lake, Mother and Child, late 1960s, stone, signed in syllabics, 9.5 x 10.25 x 8 in, 24.3 x 26 x 20.5 cm Provenance: a Swiss private collection References: for similarly impressive contemporaneous sculptures by the artist see Sculpture/Inuit (19... 84 George Tatanniq (1919-1991) Baker Lake, Kneeling Woman with Snow Shovel, c. 1970-72, stone and antler, signed in syllabics, 5.75 x 3.75 x 5.75 in, 14.8 x 9.5 x 14.8 cm Provenance: Albrecht Collection; Waddington's Nov. 2001 Reference: for a work with a very similar style see Ze... 85 Luke Iksiktaaryuk (1909-1977) Baker Lake, Mother Carrying a Child, c. 1973, antler, 5 x 4.5 x 5.5 in, 12.5 x 11.4 x 14 cm Provenance: Albrecht Collection; Marion Scott Gallery; ex collection of Nelda Swinton; ex Butler Collection Reference: for a similar work by Iksiktaaryuk see ... 86 Johnny Kahagrenik (1902-1978) Baker Lake, Two Geese, mid 1960s, antler, signed in syllabics, 7.75 x 5 x 3.5 in, 19.5 x 12.5 x 9 cm Provenance: Albrecht Collection; Images Art Gallery References: for a very similar work by the artist see Zepp and Williamson (1987) cat. 3; see also... 87 Josiah Nuilaalik RCA (1928-2005) Baker Lake, Running Fox and Winged Spirit Fox, early-mid 1990s, ivory and antler, one signed in syllabics; larger: 3 x 2 x 0.75 in, 7.4 x 4.9 x 2.1 cm Provenance: a Toronto collection References: for similar works by the artist see Walker’s Nov. 20... 88 Unidentified Artist Inukjuak (Port Harrison), Standing Hunter with Spear and Knife, c. 1952-53, stone, antler and ivory, 10.5 x 6 x 7 in, 26.5 x 15 x 17.5 cm Provenance: Wagonfeld Collection; Waddington's Nov. 1999; Waddington’s Fall 1993 Exhibited and published: Love... 89 Akeeaktashuk (1898-1954) m. Inukjuak (Port Harrison), Hunter Capturing a Beluga Whale, c. 1952, stone, ivory and sinew, hunter: 6.5 x 3.75 x 2.5 in, 16.5 x 9.5 x 6.5 cm Provenance: Wagonfeld Collection Reference: for a hunter and captured seal by Akeeaktashuk see Walker’s May... 90 Attributed to Abraham Nastapoka (1900-1981) Inukjuak (Port Harrison), Seated Hunter with Fox, early-mid 1950s, stone and ivory, 6.25 x 3.75 x 7.75 in, 15.6 x 9.5 x 19.7 cm Provenance: a Montreal private collection Reference: for a very similar, later work by Nastapoka see Wight, The Jerry Twom... 91 Henry Evaluardjuk (1923-2007) Iqaluit (Frobisher Bay), Prowling Bear, mid 1980s, stone, signed "HENRY" and in syllabics, 9 x 16 x 6 in, 22.8 x 40.5 x 15.5 cm Provenance: Daniel and Jackie Snajdman Collection DISCLAIMER: The absence of a condition statement does not imply that a l... 92 Osuitok Ipeelee RCA (1922-2005) m. Cape Dorset, Caribou, early 1980s, stone and antler, signed "OSAHWETOK IPLEE" and in syllabics, 10.5 x 8.75 x 3.25 in, 26.5 x 22.3 x 8.3 cm Provenance: Daniel and Jackie Snajdman Collection Reference: see a caribou by Osuitok of similar size and styl... 93 John Pangnark (1920-1980) Arviat (Eskimo Point), Two Figures, c. 1972-74, stone, signed in syllabics, 7.75 x 9.25 x 6.25 in, 20 x 23.5 x 16 cm Provenance: a Montreal private collection; Waddington’s Nov. 2004 Reference: for a work in a similar style by the artist see Hessel... 94 Lucy Tasseor Tutsweetok (1934-2012) Arviat (Eskimo Point), Family, c. 1970, stone, signed in syllabics, 6.25 x 5.5 x 2.5 in, 16 x 14 x 6.5 cm Provenance: a Montreal private collection References: for works in a similar style see Walker’s Nov. 2016 (Lot 7) and Nov. 2015 (Lot 33); Dris... 95 Probably Margo Atatloak Angnayuinak (1919-1987) Arviat (Eskimo Point), Family, late 1960s, stone, 11 x 7 x 5.25 in, 27.7 x 18 x 13.3 cm Provenance: a Swiss private collection Reference: for a work by Atatloak in the Twomey Collection at the WAG see Wight (2003) p. 94. DISCLAIMER: The absence of a... 96 Norval Morrisseau CM (1931-2007) Anishnaabe, Stained Glass Effect, 1989, acrylic on canvas, framed, signed in syllabics, 48 x 36 in, 122 x 91.4 cm Provenance: an Ottawa private collection; Leona Lattimer Gallery References: for works by Morrisseau with similar imagery and/or style s... 97 Daphne Odjig CM OBC RCA (1919-2016) Odawa-Ojibwa, The Lament, 1980, acrylic on canvas, signed "odjig" and dated, framed, 40 x 32 in, 101.6 x 81.3 cm Provenance: an Ottawa private collection; Robertson Galleries Exhibited: Robertson Galleries, Ottawa, Behind the Mask, 1980. Published: O... 98 John Tiktak RCA (1916-1981) Rankin Inlet, Cluster of Human Heads, c. 1967-68, stone, signed in syllabics, 4.75 x 4.75 x 4.75 in, 12.2 x 12.3 x 12 cm Provenance: a BC private collection; purchased at the Rankin Inlet craft shop, 1968 References: for similar contemporaneous works... 99 John Kavik (1897-1993) Rankin Inlet, Standing Man, mid-late 1960s, stone, 9.75 x 6.75 x 3.25 in, 25 x 17 x 8.5 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994 Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 99. DISCLAIMER: The a... 100 John Kavik (1897-1993) Rankin Inlet, Hunters and Seal, early 1970s, stone, signed in syllabics, 5.25 x 7 x 4.25 in, 13.5 x 17.8 x 11 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p.10... 101 John Kavik (1897-1993) Rankin Inlet, Head, c. 1965, stone, signed in syllabics, 6.25 x 5 x 2.75 in, 16 x 12.5 x 7 cm Provenance: an Ottawa private collection Reference: for a sculpture by Kavik with similar facial features see Walker’s Nov. 2014 (Lot 91). DISCLAIMER: Th... 102 Possibly Elijassiapik (1912-1972) m. Inukjuak (Port Harrison), Seated Hunter, c. 1954, stone, ivory, inlay and pigment, 5.25 x 3.25 x 5 in, 13.5 x 8.5 x 13 cm Provenance: Albrecht Collection; Aboriginart; Robertson Collection Exhibited and published: Jean Blodgett, Selections from the J... 103 Unidentified Artist (Possibly Pilipusi Novalinga) (Possibly Pilipusi Novalinga 1906-1987), Inukjuak (Port Harrison), Sea Goddess, early 1950s, stone and ivory, 3 x 4.75 x 2.5 in, 7.8 x 12.3 x 6.3 cm Provenance: Wagonfeld Collection; Waddington's Apr. 2007 Reference: for a small stone sea goddess by ... 104 Davidialuk Alasua Amittu (1910-1976) Puvirnituq, Sleeping Family, late 1950s, stone, signed "Daviritiailook" in cursive and with disc no., 1.75 x 4.25 x 4.75 in, 4.4 x 11 x 12 cm Provenance: a Quebec private collection References: with its low-slung format, this work by Davidialuk is re... 105 Joe Talirunili (1893-1976) Puvirnituq, Hunter with Harpoon, c. mid 1960s, stone, wood and embroidery floss, signed "JOE", 6.75 x 3.25 x 1.5 in, 17 x 8 x 3.5 cm Provenance: Pruzansky Collection; Galerie Elca London DISCLAIMER: The absence of a condition statement does not imply... 106 Kiakshuk (1886-1966) m. Cape Dorset, Mother and Child, mid 1950s, stone, 12.5 x 6.5 x 4.5 in, 31.5 x 16.5 x 11.5 cm Provenance: a Montreal private collection Reference: for another important sculpture by Kiakshuk, Standing Woman with Kamik, c. 1955, see Walker’s Nov. 2015... 107 Possibly Sarah Meeko Nastapoka (1925-d) Inukjuak (Port Harrison), Mother and Child, c. 1951-52, stone, wood, ivory, antler and hide, 9 x 7.25 x 6 in, 23 x 18.5 x 15 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2008 Reference: a similar work by Sarah Meeko Nastapoka in Wight, Earl... 108 Kenojuak Ashevak CC RCA (1927-2013) f. Cape Dorset, Untitled (Two Owls), c. 1962, graphite drawing, 18 x 24.25 in, 46 x 61.5 cm Provenance: a Hamilton, Ontario collection Reference: for a similar early drawing by Kenojuak see Walker’s May 2015 (Lot 16). DISCLAIMER: The absence of a con... 109 Kiakshuk (1886-1966) m. Cape Dorset, Driving Moulting Geese into Stone Pens, c. 1959, graphite drawing (drawing for 1960 print), 16.5 x 21 in, 42.1 x 53.5 cm Provenance: Albrecht Collection; Feheley Fine Arts DISCLAIMER: The absence of a condition statement does not imply t... 111 Latcholassie Akesuk (1919-2000) m. Cape Dorset, Bear-Owl, early 1970s, stone, 15 x 14.5 x 8 in, 38.1 x 36.8 x 20.3 cm Provenance: Wagonfeld Collection; Walker's Nov. 2013 (Lot 23); an American private collection; Lippel Gallery Exhibited and published: Lippel Gallery, Montreal, Inuit ... 112 Kenojuak Ashevak CC RCA (1927-2013) f. Cape Dorset, Resting Bird, c. mid 1980s, stone, signed in syllabics, 5 x 10.25 x 4.5 in, 13 x 26 x 11.5 cm Provenance: an American private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition o... 113 Osuitok Ipeelee RCA (1922-2005) m. Cape Dorset, Bust of a Young Woman (Portrait of Kenojuak), c. 1968-69, stone, signed in syllabics, 13 x 10.5 x 3.5 in, 33 x 26.5 x 9 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery; ex Macmillan-Bloedel Collection; ex collection of Paul D... 114 Probably Kuppapik Ragee (1931-) m. Cape Dorset, Mother and Child, early 1960s, stone, 10.5 x 5.5 x 4.25 in, 26.8 x 14 x 10.5 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver Reference: see a contemporaneous work by this artist in Sculpture/Inuit (1971) fig. 251. DISCLAI... 115 Aoudla Pee (1920-1988) m. Cape Dorset, Spirit Beings, c. 1977, stone, signed in syllabics, 4.75 x 15 x 4.5 in, 12 x 38 x 11.3 cm Provenance: an Ontario private collection References: for an early 1960s Spirit Creature by this artist see Walker’s Nov. 2014 (Lot 23); for thre... 116 Barnabus Arnasungaaq (1924-2017) Baker Lake, Hunter Attacked by a Bear, 1975, stone, signed in syllabics and dated, 16.25 x 9.25 x 9.75 in, 41 x 23.5 x 24.5 cm Provenance: a Montreal private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in ... 117 George Tatanniq (1919-1991) Baker Lake, Man with Knife and Pipe, mid 1970s, stone and antler, 6.5 x 3.75 x 3.25 in, 16.2 x 9.8 x 8.5 cm Provenance: Pruzansky Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or complet... 118 Mathew Aqigaaq (1940-2010) Baker Lake, Boy with Knife, c. 1980, stone and antler, signed in syllabics, 6.75 x 4.25 x 4 in, 17.4 x 10.5 x 10.3 cm Provenance: Albrecht Collection; Marion Scott Gallery DISCLAIMER: The absence of a condition statement does not imply that a lot is ... 119 Unidentified Artist Haida, Female Shaman Figure, c. 1880s, argillite and bone, 9.5 x 3.25 x 2.75 in, 24.4 x 8.4 x 6.8 cm Provenance: a BC private collection References: for a wooden figure of a similar female shaman in the Royal BC Museum see Inverarity (1950) fig. 227;... 120 Unidentified Artist Haida, Panel Pipe, c. 1860-1880, argillite, 3 x 9.75 x 0.75 in, 7.6 x 25 x 1.8 cm Provenance: an Ontario private collection References: for other examples of Haida-motif panel pipes see MacNair and Hoover (1984/2002) pp. 26-38, and Drew and Wilson (1... 121 Unidentified Artist Haida, European Style Plate, c. 1840-1860, argillite, 12.5 x 12.5 x 2.25 in, 32 x 32 x 6 cm Provenance: a Montreal private collection References: see the section on western-style tableware with examples in Macnair and Hoover (1984/2002) pp. 62-65; fo... 122 Unidentified Artist Haida, Model Totem Pole, c. 1900-1910, argillite, 12.75 x 2.75 x 2.5 in, 32.5 x 7 x 6.2 cm Provenance: a BC private collection References: for other examples of poles with a shark as the topmost figure see Macnair and Hoover (1984/2002) p. 131 and Dr... 123 Unidentified Artist Haida, Pipe, c. 1840-50, argillite, 1.25 x 6.75 x 0.5 in, 3.1 x 17.4 x 1.4 cm Provenance: a BC private collection References: for similar pipes see Macnair and Hoover (1984/2002) pp. 72-75; Drew and Wilson (1980) pp. 160-161; Sheehan (1981) cat. 44. ... 125 Unidentified Artist Haida or Tsimshian, Model Totem Pole, c. 1890-1910, wood and pigment, 18.25 x 3.5 x 3.25 in, 46.5 x 8.7 x 8.3 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 126 Unidentified Maker probably British, Great Lakes/Woodlands Presentation Tomahawk, c. late 18th – early 19th century, iron/steel, ash and lead or pewter, 21.25 x 7 x 1.25 in, 54 x 18 x 3 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condit... 127 Norval Morrisseau CM (1931-2007) Anishnaabe, Sacred Beaver with Lines of Power, c. early 1960s, acrylic on birchbark, framed, signed in syllabics, 32 x 46 in, 81.3 x 116.8 cm Provenance: a Toronto corporate collection References: for other important Morrisseau works on birchbark see... 128 Kenojuak Ashevak CC RCA (1927-2013) f. Cape Dorset, Untitled (Running Bird), c. 1997-98, ink and coloured pencil drawing, framed, signed in syllabics, 19 x 25.5 in, 48.5 x 65 cm Provenance: Wagonfeld Collection; Spirit Wrestler Exhibited and published: Loveland Museum Gallery, Survival: I... 129 Kenojuak Ashevak CC RCA (1927-2013) f. Printmaker: Timothy Ottochie (1904-1982), Cape Dorset, Spirit Bird, 1971 #21, stonecut, 34/50, framed, 20 x 27 in, 51 x 68.8 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in ... 130 Kenojuak Ashevak CC RCA (1927-2013) f. Printmaker: Pootoogook Qiatsuk (1959-) m., Cape Dorset, Bird Landscape, 1982 #L9, lithograph, 43/50, 20 x 26 in, 51 x 66.2 cm Provenance: Albrecht Collection; Galerie Vincent Exhibited and published: Hessel, Arctic Spirit (2006) cat. 67. DISCLAIMER:... 131 Pudlo Pudlat (1916-1992) m. Printmaker: Iyola Kingwatsiak (1933-2000) m., Cape Dorset, Fish Line, 1965 (1966 #38), stonecut, 27/50, framed, 14.75 x 23.25 in, 37.6 x 59.3 cm Provenance: a Toronto corporate collection Reference: the original graphite drawing for this print is ill... 132 Pudlo Pudlat (1916-1992) m. Printmaker: Lukta Qiatsuk (1928-2004) m., Cape Dorset, Ecclesiast, 1969 #52, stonecut, 25/50, 21.5 x 24.5 in, 54.5 x 62 cm Provenance: Albrecht Collection; Waddington's Nov. 2005 Reference: image exhibited and illustrated in The Inuit Print (1977) ca... 133 Pudlo Pudlat (1916-1992) m. Cape Dorset, Untitled (Bird, Airplanes, Sailboats and Canoes), 1990, ink and coloured pencil drawing, framed, signed in syllabics, 19.75 x 25.75 in, 50 x 65.1 cm Provenance: Wagonfeld Collection; Feheley Fine Arts Exhibited and published: Loveland Mu... 134 Unidentified Artist Baker Lake, Untitled (Birds, Hunters and Caribou), 1965, linocut and stencil, 11 x 13.75 in, 28 x 35 cm Provenance: Albrecht Collection; ex collection of a retired RCMP officer Reference: for an early Baker Lake experimental print by Effie Angali’t... 135 Possibly Vital Makpaaq or Dominic Kingilik Possibly Vital Makpaaq (1922-1978) or Dominic Kingilik (1939-1990), Baker Lake, Spearing Walrus, 1965, stonecut, 11.25 x 17 in, 28.5 x 43.3 cm Provenance: Albrecht Collection; ex collection of a retired RCMP officer DISCLAIMER: The absence of a condi... 136 Hannah Kigusiuq (1931-1995) Printmaker: Thomas Sivuraq (1935-), Baker Lake, Inuttuit, 1974 #22, stonecut, 16/46, 25.25 x 37.25 in, 64 x 94.5 cm Provenance: Albrecht Collection; Waddington's Nov. 2004 References: image exhibited and illustrated in The Inuit Print (1977) cat. 133... 137 Agnes Nanogak Goose (1925-2001) Ulukhaktok (Holman), Woman’s Dance Parka, c. 1994, ground squirrel skins trimmed with wolf, wolverine, rabbit and beaver fur, caribou hair, decorative thread and cotton thread, lined with satin, 56 x 39 x 20 in, 142 x 99 x 51 cm as shown Provenance... 138 Unidentified Artist possibly Igloolik, Composition: Shaman and Animals, c. 1971-73, whale bone and ivory, 24 x 44 x 16 in, 61 x 111.5 x 40.5 cm Provenance: a Toronto corporate collection References: for large-scale whale bone sculptures from Igloolik see Driscoll (1985)... 139 Unidentified Artist probably Pangnirtung or Arctic Bay, Hunter with Two Whales, early 1970s, whale bone, 19.25 x 22.75 x 14.5 in, 49 x 58 x 37 cm Provenance: a Toronto corporate collection NOTE: This lot contains restricted material(s) which may prohibit the export of i... 140 Nick Sikkuark (1943-2014) Kugaaruk (Pelly Bay), Shaman and Fish Spirit, c. mid 1990s, caribou skulls, antler, whale bone, muskox hair and caribou hair, 9.5 x 6.5 x 7 in, 24 x 16.5 x 17.5 cm Provenance: a Toronto private collection References: for related works by Sikkuark see... 141 Unidentified Artist probably Taloyoak (Spence Bay), Janus-Faced Composition: Shaman and Walrus Spirit, 1970s, whale bone, ivory and stone, 5.5 x 5.25 x 2.75 in, 14 x 13.5 x 7.2 cm Provenance: an American private collection; a BC private collection References: several wo... 142 Possibly Abraham Kingmiaqtuq (1933-c. 1990) Taloyoak (Spence Bay), Man with Human and Animal Spirits, late 1960s or early 1970s, whale bone, 15.25 x 10.75 x 5.75 in, 38.5 x 27 x 14.5 cm Provenance: an Ontario private collection Reference: for a similar whale bone composition see Wight, Art & E... 143 Osuitok Ipeelee RCA (1922-2005) m. Cape Dorset, Mother Holding a Sleeping Child, c. 1970, stone, 33 x 24 x 30 in, 83.5 x 61 x 76 cm Provenance: an Ottawa private collection; ex Jack Greenwald Collection, Montreal. Mr. Greenwald, one of the original principals of Arctic Ventures in Iqa... 145 John Pangnark (1920-1980) Arviat (Eskimo Point), Figure, c. 1970-72, stone, signed in syllabics, 4.25 x 3.25 x 2.5 in, 10.5 x 8.4 x 6.6 cm Provenance: a Toronto collection References: for similarly posed figures by Pangnark see Zepp, Pure Vision (1986) cat. 27, and Walker’s... 146 Andy Miki (1918-1983) Arviat (Eskimo Point), Reclining Animal, early 1970s, stone, signed in syllabics, 1.25 x 2 x 2 in, 3.2 x 5.2 x 4.8 cm Provenance: Albrecht Collection; Waddington's April 2005; Klamer Family Collection Exhibited and published: Hessel, Arctic Spirit (2... 147 Lucy Tasseor Tutsweetok (1934-2012) Arviat (Eskimo Point), Faces Emerging from Stone, c. 1975, stone, 11 x 15.25 x 6.5 in, 28 x 39 x 16.5 cm Provenance: a Toronto collection; Marion Scott Gallery; Zepp-Varga Collection Exhibited and published: Vision and Form: The Norman Zepp-Judith Va... 148 Luke Anowtalik (1932-2006) Arviat (Eskimo Point), Composition: Birds, Dog and Humans, 1980s, antler, sinew and graphite, 4.75 x 15.25 x 4.75 in, 12 x 38.5 x 12 cm Provenance: Albrecht Collection; Waddington's Nov. 2007 References: for other antler compositions by Anowtalik see... 149 Jacob Irkok (1937-2011) Arviat (Eskimo Point), Three Swimming Caribou, 2001, antler, each signed "IRKOK" and in syllabics, largest: 5.25 x 12.5 x 3 in, 13.5 x 31.5 x 7.5 cm Provenance: Albrecht Collection; Marion Scott Gallery Exhibited and published: Hessel, Arctic Spirit ... 150 Andy Miki (1918-1983) Arviat (Eskimo Point), Pair of Animal Figures, early 1970s, antler, 5.5 x 2.25 x 1.25 in, 14 x 6 x 3.2 cm Provenance: a Quebec private collection References: for similar animals in stone by Miki see Zepp, Pure Vision (1986) cat. 16, and Walker’s Ma... 151 Judas Ullulaq (1937-1999) Gjoa Haven, Spirit Archer, mid-late 1980s, stone and antler, signed in syllabics, 15 x 10.75 x 9.75 in, 38.2 x 27.5 x 24.5 cm Provenance: Pruzansky Collection; Galerie Elca London DISCLAIMER: The absence of a condition statement does not imply that a... 152 Judas Ullulaq (1937-1999) Gjoa Haven, Composition with Bird Hunter, early 1980s, muskox horn, stone, antler, plastic and sinew, signed in syllabics, 13.5 x 16.5 x 8.25 in, 34.1 x 42 x 21.2 cm Provenance: Albrecht Collection; Alaska on Madison Reference: see a very different b... 153 Uriash Puqiqnak CM (1946-) m. Gjoa Haven, Muskox Shaman, c. early-mid 1990s, stone, muskox horn, antler, hide and wood, signed in syllabics and "UP", 19.5 x 14 x 12.5 in, 49.5 x 35.5 x 31.7 cm Provenance: Pruzansky Collection; Waddington's April 2010 References: see the section o... 154 Marion Tuu'luq RCA (1910-2002) Baker Lake, The Community, c. mid-late 1970s, wool stroud, felt and embroidery floss, signed in syllabics, 26.25 x 29.5 in, 66.5 x 75 cm Provenance: Albrecht Collection Reference: see the National Gallery of Canada solo exhibition catalogue by Routle... 155 Fanny Algaalakaq Avatituq (1950-) Baker Lake, Untitled (Geese Flying Over Tundra), c. 1990, wool stroud, felt and embroidery floss, signed in syllabics, 35.75 x 20.5 in, 91 x 52 cm Provenance: a Toronto collection DISCLAIMER: The absence of a condition statement does not imply that a... 156 Jessie Oonark OC RCA (1906-1985) Printmaker: Martha Noah (1943-), Baker Lake, Fish Woman, 1979 #22, stencil, 28/55, 29.75 x 36.5 in, 75.3 x 93 cm Provenance: Albrecht Collection; Upstairs Gallery Reference: for a related drawing by Oonark see Jackson and Nasby (1987) cat. 61. DISCL... 157 Jessie Oonark OC RCA (1906-1985) Printmaker: William Ukpatiku (1935-2014), Baker Lake, Polar Bear Stealing Wolf's Pup, 1975 #6, silkscreen, 21/50, framed, 19.25 x 26.75 in, 48.8 x 68 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condition statement does ... 158 Barnabus Arnasungaaq (1924-2017) Baker Lake, Bear Attacking a Father and Son, early 1970s, stone, 12 x 10 x 7.75 in, 30.5 x 25.3 x 20 cm Provenance: a Toronto corporate collection Reference: for a similarly styled contemporaneous work by the artist see Walker’s May 2017 (Lot 102);... 159 Paul Toolooktook (1947-2003) Baker Lake, Transforming Shaman, early 1990s, stone and antler, signed in syllabics, 10.25 x 10.75 x 5 in, 26 x 27 x 12.5 cm Provenance: an American private collection; Ancient Traditions Gallery DISCLAIMER: The absence of a condition statement does ... 160 Tuna Iquliq (1935-2015) m. Baker Lake, Composition: Faces, Figures and Animals, c. 2000, stone, 14.75 x 20.25 x 4.75 in, 37.5 x 51.4 x 12.1 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect cond... 161 George Tatanniq (1919-1991) Baker Lake, Seated Woman, c. 1970-72, stone, signed in syllabics, 3.75 x 2.25 x 3 in, 9.8 x 5.5 x 7.5 cm Provenance: Pruzansky Collection; Inuit Images DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition... 162 Thomas Sivuraq (1941-) Baker Lake, Bird, c. 1963-65, stone, signed in syllabics, 7.75 x 4.75 x 5.5 in, 20 x 12 x 14 cm Provenance: a Toronto private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely ... 163 Jacoposie Oopakak (1948-2015) m. Iqaluit (Frobisher Bay), Tribute to Polar Bears, c. 2005, polar bear jaw bone, signed "JACKOPOSIE", 6.25 x 6.5 x 3.75 in, 16 x 16.5 x 9.5 cm Provenance: Balshine Collection References: for similar works by the artist see Walker’s May 2017 (Lot 46) ... 164 Jacobie Adamie (1938-) Iqaluit (Frobisher Bay), Grazing Caribou, 1990s, ivory, antler and inlay, signed "J. ADAMIE", 2.5 x 3.75 x 1.25 in, 6.4 x 9.5 x 3.2 cm Provenance: Webster Collection, Iqaluit; purchased from the artist NOTE: This lot contains restricted material(s) w... 165 Unidentified Artist(s) Chukchi, Siberia, Bracelet and Pendant, early 1990s, ivory and pigment, bracelet: 2.5 x 1.5 x 0.75 in, 6.5 x 3.5 x 2.1 cm Provenance: Webster Collection, Iqaluit; collected in Siberia during preparations for the Masters of the Arctic exhibition NOTE:... 166 Bunnee Kattork (1929-d) ), Pond Inlet, Tusk Engraved with Scenes of Travelling, Hunting, and Camp Life, 1969, ivory and stone, signed "B. KATTORK" and with disc no., dated, 6.25 x 19.75 x 2.75 in, 15.7 x 50 x 7.3 cm Provenance: an Ottawa private collection NOTE: This lot co... 167 Ilkok Oopakak (1917-d) m. Iqaluit (Frobisher Bay), Prowling Bear, 1970s, ivory, 1.75 x 4.75 x 1 in, 4.6 x 12.3 x 2.8 cm Provenance: Webster Collection, Iqaluit; purchased from the artist Reference: see Lot 265 for an earlier work by the artist, probably carved when he was sti... 168 Tommy Onalik (1929-) Iqaluit (Frobisher Bay), Engraved Composition with Beluga, 1970s, ivory and pigment, signed in syllabics, 3.25 x 3.75 x 1.5 in, 8 x 9.5 x 3.5 cm Provenance: Webster Collection, Iqaluit; purchased from the artist NOTE: This lot contains restricted mat... 169 Norval Morrisseau CM (1931-2007) Anishnaabe, Lily of the Mohawk, 1974, acrylic on canvas board, signed in syllabics, 35.5 x 23.5 in, 90 x 59.5 cm Provenance: an Ottawa private collection; Pollock Gallery Reference: for Morrisseau’s other version of this image, also from 1974, see ... 169 Benjamin Chee Chee (1944-1977) Ojibwa, Crested Birds, 1976, acrylic or gouache on paper, signed and dated, 22 x 30 in, 55.9 x 76.2 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or comp... 170 Allen Sapp OC SOM (1928-2015) Red Pheasant Cree, Making Pie, 1969, acrylic on canvas, signed, 18 x 23.75 in, 45.8 x 60.5 cm Provenance: an Ottawa private collection; Robertson Galleries DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 171 Gerald McMaster CM (1953-) Red Pheasant Cree and Blackfoot, Untitled Diptych (Two Figures), 1987, acrylic on paper, framed, signed and dated, each: 7.75 x 7.75 in, 20 x 20 cm Provenance: an Ottawa private collection; Ufundi Gallery DISCLAIMER: The absence of a condition statem... 172 Robert Houle RCA (1947-) Salteaux, Parfleche, mid 1990s, acrylic on canvas, framed, 8.75 x 14.5 in, 22.4 x 36.6 cm Provenance: an Ottawa private collection; purchased from the artist DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect con... 173 Robert Davidson CM OBC (1946-) Haida, Massett/White Rock, Eagle's Call, 2013, epoxy powder-coated aluminum, edition 6/12, granite base, 14.75 x 18.25 x 6.25 in, 37.5 x 46.5 x 16 cm Provenance: a Toronto collection Reference: Karen Duffek, Robert Davidson: The Abstract Edge (2004).... 174 Ed Russ (1953-2006) Haida, Vancouver/Massett, Plate, 1996, argillite, signed "Ed Russ" and dated, 7.75 x 7.75 x 0.75 in, 20 x 19.4 x 1.7 cm Provenance: Albrecht Collection Reference: for two plates by the artist from the late 1970s see Drew and Wilson (1980) pp. 139 and... 175 Lionel Samuels (1963-) Haida, Old Massett/Vancouver, Frog Bowl, mid 1990s, argillite, signed "SAMUELS", 4.5 x 4 x 6.25 in, 11.5 x 10 x 15.6 cm Provenance: Albrecht Collection; Tribalcrafts References: see the section on this artist in Carol Sheehan, Breathing Stone (2008),... 176 Greg White Lightbown (1953-) Haida, Prince Rupert, Family Group (Volcano Woman), 1990s, argillite, signed "GREG LIGHTBOWN", 6.25 x 2.25 x 4 in, 16 x 6 x 10 cm Provenance: Pruzansky Collection; an American private collection; Marion Scott Gallery DISCLAIMER: The absence of a cond... 177 Lionel Samuels (1963-) Haida, Frog Pipe, mid 1990s, argillite and abalone, 1.75 x 3.25 x 1.75 in, 4.3 x 8.4 x 4.5 cm Provenance: Albrecht Collection; Tribalcrafts DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or complete... 178 Pauta Saila RCA (1916-2009) m. Cape Dorset, Standing Bear, c. 1973-75, stone, signed "PAOUTA", 6.75 x 4.75 x 2.75 in, 17.2 x 12.1 x 7.1 cm Provenance: Pruzansky Collection; Waddington's Nov. 2001 References: for contemporaneous and similarly sized bears by Pauta see Walker’s May... 179 Latcholassie Akesuk (1919-2000) m. Cape Dorset, Reclining, Waving Owl, c. 1973-75, stone, 4.25 x 6 x 1.25 in, 10.9 x 15 x 3.1 cm Provenance: Pruzansky Collection; Waddington's DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or complet... 179 Latcholassie Akesuk (1919-2000) m. Cape Dorset, Bird, late 1960s, stone, 5.75 x 5.75 x 5.25 in, 14.7 x 14.5 x 13.5 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear... 180 Tye Adla (1936-1990) f. Cape Dorset, Owl-Man Transformation, c. 1969, stone, signed in syllabics, 8 x 4.75 x 3 in, 20.5 x 12 x 7.5 cm Provenance: a Toronto private collection; Feheley Fine Arts; ex Terry Ryan Collection Exhibited and published: Feheley Fine Arts (2001) cat.... 181 Eelee Simigak (1931-d) m. Cape Dorset, Spirit Owl, 1970s, stone, 9.5 x 9.25 x 4.75 in, 24 x 23.5 x 12 cm Provenance: an American private collection; The Shop, Minneapolis Reference: for a related sculpture by the artist see Swinton (1972/92) fig. 491. DISCLAIMER: The absence... 182 Parr (1893-1969) m. Printmaker: Lukta Qiatsuk (1928-2004) m., Cape Dorset, Another Time, 1964 (released 1999 #23), stonecut, 24/50, 24.5 x 26.25 in, 62.5 x 66.5 cm Provenance: Albrecht Collection; Galerie Vincent Reference: see Parr’s The Hunters from 1962 in Roch (19... 183 Kiakshuk (1886-1966) m. Cape Dorset, Hunting Seals and Polar Bears, c. 1962, graphite drawing, framed, 16.5 x 21.75 in, 41.6 x 55.4 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 29.... 184 Kiakshuk (1886-1966) m. Cape Dorset, Hunters, 1963 #28, engraving, 14/50, 12.25 x 17.75 in, 31 x 45 cm, framed Provenance: Wagonfeld Collection; Brigitte Schluger Gallery DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or c... 185 Sheelaky Tapungai (1902-1985) f. Printmaker: Iyola Kingwatsiak (1933-2000) m., Cape Dorset, Sea Spirit, 1968 (released 1999 #26), stonecut, 24/50, 8.25 x 12.25 in, 20.8 x 30.8 cm Provenance: Albrecht Collection; Galerie Vincent DISCLAIMER: The absence of a condition statement does n... 186 Anirnik Oshuitoq (1902-1983) f. Printmaker: Qavaroak Qatsiya (1942-) f., Cape Dorset, Seabeast, 1974 #46, stonecut, 12/50, framed, 17.25 x 24.75 in, 44 x 63 cm Provenance: Wagonfeld Collection; Waddington's June 1994 DISCLAIMER: The absence of a condition statement does not imply t... 187 Victoria Mamnguqsualuk (1930-2016) Baker Lake, Kiviuq Legend, 2002, wool stroud, felt and embroidery floss, signed in syllabics, 24.75 x 57.25 in, 62.8 x 145.5 cm Provenance: Albrecht Collection; Marion Scott Gallery Exhibited and published: Hessel, Arctic Spirit (2006) cat. 185. DIS... 188 Annie Piklak Taipanak (1931-) Baker Lake, Untitled, c. early-mid 1990s, wool duffel, felt and embroidery floss, signed in syllabics, 40.5 x 57.5 in, 103 x 146 cm Provenance: a Toronto collection Reference: for another fine example of Annie Piklak’s textile artistry, from the Al... 189 Janet Kigusiuq RCA (1926-2005) Baker Lake, Hermann River, 1997, coloured pencil drawing, signed in syllabics and with disc no., 22.25 x 30 in, 56.8 x 76.4 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver References: for similar landscapes by Kigusiuq see Cynthia Waye... 190 Janet Kigusiuq RCA (1926-2005) Baker Lake, Family in Summer Tent, 2001, coloured pencil and graphite drawing, signed in syllabics and with disc no., 22.25 x 29.75 in, 56.4 x 75.8 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: for other Kigusiuq drawings of tents ... 191 Sarah Meeko Nastapoka (1925-d) Inukjuak (Port Harrison), Kneeling Woman with Avataq, c. 1960, stone, signed with disc no., 11 x 6.25 x 8.5 in, 28.2 x 16 x 21.5 cm Provenance: a Montreal private collection References: for other fine examples of this artist’s work see Walker’s M... 192 Abraham Nastapoka (1900-1981) Inukjuak (Port Harrison), Hunter with Avataq, c. 1960, stone, signed in syllabics and with disc no., 14.25 x 7.5 x 6.75 in, 36 x 19 x 17 cm Provenance: Pruzansky Collection; Waddington's Nov. 2008 References: for a work in a quite similar style by Na... 193 Joe Talirunili (1893-1976) Puvirnituq, Owl, late 1960s, stone, signed "JOE", 5 x 1.75 x 2.5 in, 12.4 x 4.5 x 6.4 cm Provenance: Pruzansky Collection; a Nova Scotia private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 194 Joe Talirunili (1893-1976) Puvirnituq, Loon, c. 1970, stone, signed "JOE", 4.25 x 6.25 x 2.25 in, 10.5 x 16 x 6 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 114. DISCLAIMER: The abse... 195 Isa Oomayoualook (1915-1976) m. Inukjuak (Port Harrison), Owl with Bird Spirit, mid-late 1950s, wood and ivory, signed with disc no., 6.25 x 4.5 x 2.25 in, 16 x 11.5 x 6 cm Provenance: Albrecht Collection; Galerie Vincent NOTE: This lot contains restricted material(s) which may pro... 196 Oviloo Tunnillie RCA (1949-2014) f. Cape Dorset, Sea Goddess and Beluga, late 1990s or early 2000s, stone, signed in syllabics, 15 x 28.5 x 8.25 in, 38 x 72.5 x 21 cm Provenance: an Ottawa private collection Reference: Darlene Wight’s Oviloo Tunnillie catalogue (WAG, 2016) illustrate... 197 Pauloosie Adamie (1942-1996) Iqaluit (Frobisher Bay), Sedna, c. late 1970s, stone, signed "PAULOOSIE ADAMIE ALLEN ISLANDS CAMP", 7 x 2.5 x 4.5 in, 18 x 6.5 x 11.5 cm Provenance: a Toronto collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in... 198 Osuitok Ipeelee RCA (1922-2005) m. Cape Dorset, Composition in Totem Form, c. 1970-75, stone, 29.25 x 6.5 x 9.5 in, 74 x 16.5 x 24 cm Provenance: Pruzansky Collection; Waddington's Nov. 2011; Feheley Fine Arts; ex an American private collection; Theo Waddington Gallery, NYC DISCLAIMER... 199 Tuckyashuk (1898-1972) m. Cape Dorset, Seal, early-mid 1960s, stone, signed in syllabics, 4.25 x 15 x 4.25 in, 10.6 x 38 x 10.5 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or co... 200 Simeonie Quppapik (1909-1995) m. Cape Dorset, Fish, early-mid 1960s, stone, signed in syllabics, 5 x 9.75 x 1.75 in, 12.7 x 24.5 x 4.7 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or co... 201 Michael Massie CM RCA (1962-) Happy Valley-Goose Bay/Kippens, Nfld., together for tea, tea set #i, 1997, silver, olive wood, tagua nut and baleen, tray: 2.25 x 12.25 x 12 in, 5.8 x 31.2 x 30.5 cm, teapot: 5.25 x 10.75 x 4 in, 13.5 x 27.3 x 10.2 cm Provenance: Albrecht Collection;... 202 Abraham Anghik Ruben OC (1951-) Paulatuk/Salt Spring Island, Apprentice (Running Shaman), 1977, stone, signed "A.A. ANGHIK" and dated, 18 x 12 x 8 in, 45.8 x 30.2 x 20.5 cm Provenance: an Ottawa private collection Exhibited and published: Jean Blodgett, The Coming and Going of the ... 203 Manasie Akpaliapik (1955-) m. Arctic Bay/Ottawa, Loving Couple, 1983, stone, dated and signed "M AKPALIAPIK" and in syllabics, 6.25 x 18.75 x 6.5 in, 16 x 47.5 x 16.5 cm Provenance: Wagonfeld Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is... 204 Eegyvadluk Ragee (1920-1983) f. Printmaker: Iyola Kingwatsiak (1933-2000) m., Cape Dorset, Water Baby and Sea Dog, 1961 #36, stonecut, 12/50, 14 x 17.5 in, 35.7 x 44.6 cm Provenance: Albrecht Collection; Alaska on Madison DISCLAIMER: The absence of a condition statement does not im... 205 Eegyvadluk Ragee (1920-1983) f. Printmaker: Iyola Kingwatsiak (1933-2000) m., Cape Dorset, Birdwoman, 1970 # 23, stonecut, 21/50, framed, 20.75 x 29.25 in, 52.5 x 74 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2000 DISCLAIMER: The absence of a condition statement does no... 206 Eegyvadluk Ragee (1920-1983) f. Cape Dorset, Owl Spirits, c. 1981-82, acrylic and coloured pencil drawing, framed, signed in syllabics, 22.25 x 22.25 in, 56.3 x 56.6 cm Provenance: Wagonfeld Collection; Inuit Gallery of Vancouver Reference: see several “paintings” by Egevadluq ... 207 Mary Qayuaryuk (1908-1982) Printmaker: Ningeosak Pudlat (1937-) m., Cape Dorset, Sky Spirit, 1977 #35, stonecut, 26/50, framed, 20 x 24.75 in, 51 x 62.8 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condition statement does not imply that a lot is ... 208 Eegyvadluk Ragee (1920-1983) f. Printmaker: Sagiatuk Sagiatuk (1932-) m., Cape Dorset, Fisherwoman, 1977 #2, stonecut, 28/50, framed, 22.25 x 30.75 in, 56.3 x 78 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condition statement does not imply that a lot... 209 Peter Pitseolak (1902-1973) Cape Dorset, Demon Chasing Hunter, c. 1970-72, graphite and felt pen drawing, framed, signed in syllabics, 17 x 23.5 in, 43.3 x 59.6 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery DISCLAIMER: The absence of a condition statement does not ... 210 Toonoo Sharky RCA (1970-) m. Cape Dorset, Bird Shaman, 1995, stone, signed in syllabics and dated, 11.5 x 17 x 4 in, 29 x 43 x 10 cm Provenance: Pruzansky Collection; Galerie Elca London Reference: for a very similar work by the artist in the WAG Collection, also from 1995, see ... 211 Toonoo Sharky RCA (1970-) m. Cape Dorset, Spirit Bird, 2005, stone, signed in syllabics and dated, 11.5 x 7 x 3.5 in, 29.2 x 18 x 9 cm Provenance: Wagonfeld Collection; Inuit Gallery of Vancouver DISCLAIMER: The absence of a condition statement does not imply that a lot is in pe... 212 Pitseolak Niviaqsi (1947-2015) m. Cape Dorset, Sea Goddess and Daughter, late 1990s, stone, signed in syllabics, 11.5 x 6.25 x 9.5 in, 29 x 16 x 24 cm Provenance: Pruzansky Collection; Galerie Elca London Reference: Spirit Wrestler Gallery, The Lyrical World of Pitseolak Niviaqsi (20... 213 Davie Atchealak (1947-2006) Pangnirtung, Spirit, c. mid-late 1980s, stone, signed "DAVIE ATCHEALAK", 13 x 9.5 x 10.75 in, 33 x 24 x 27 cm Provenance: Pruzansky Collection; Galerie Elca London Reference: for a related work see Walker’s Nov. 2013 (Lot 218). DISCLAIMER: The abs... 214 John Pangnark (1920-1980) Arviat (Eskimo Point), Figure, c. 1970-72, stone, 4 x 1.5 x 4.5 in, 10 x 4.1 x 11.2 cm Provenance: Albrecht Collection; a Chicago private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or... 215 Andy Miki (1918-1983) Arviat (Eskimo Point), Animal, c. 1975, stone, signed in syllabics, 5.5 x 3.5 x 1.75 in, 14 x 9 x 4.5 cm Provenance: Wagonfeld Collection; Galerie Elca London Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 78. Referen... 216 John Pangnark (1920-1980) Arviat (Eskimo Point), Seal Figure, c. mid-late 1970s, stone, signed in syllabics, 2.75 x 2.5 x 1.5 in, 7 x 6.4 x 4 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1994 Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (200... 217 Lucy Tasseor Tutsweetok (1934-2012) Arviat (Eskimo Point), Family, c. 2000, stone, 17 x 14 x 11 in, 43.2 x 35.5 x 28 cm Provenance: a Toronto collection Reference: for a similar contemporaneous work by Tasseor see Walker’s May 2016 (Lot 50). DISCLAIMER: The absence of a condition st... 218 Elizabeth Nutaraaluk Aulatjut (1914-1998) Arviat (Eskimo Point), Kneeling Mother and Two Children, late 1970s, stone, signed in syllabics, 3.75 x 2 x 3.5 in, 9.5 x 4.9 x 8.9 cm Provenance: Albrecht Collection; The Snow Goose DISCLAIMER: The absence of a condition statement does not imply tha... 219 Andy Miki (1918-1983) Arviat (Eskimo Point), Animal, c. 1969, stone, signed in syllabics, 6 x 3.5 x 1 in, 15.5 x 9 x 2.8 cm Provenance: a BC private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely... 220 Noah Echalook (1946-) Inukjuak (Port Harrison), Mother with a Child in Her Hood, 1991, stone and antler, signed in syllabics and dated, 9.25 x 7.5 x 11.25 in, 23.5 x 19 x 28.5 cm Provenance: Albrecht Collection; Feheley Fine Arts Exhibited and published: Hessel, Arctic Sp... 221 Probably Isa Oomayoualook (1915-1976) m. Inukjuak (Port Harrison), Seated Hunter, c. 1960s, stone, ivory, sinew and pigment, 10.5 x 6.25 x 9 in, 26.5 x 16 x 23 cm Provenance: Pruzansky Collection; Waddington's Apr. 2012; a Toronto private collection References: for a mid 1950s work by Oomay... 222 Johnny Inukpuk RCA (1911-2007) Inukjuak (Port Harrison), Seated Mother and Child, Scraping a Sealskin, early 1970s, stone, signed in syllabics and with disc no., 10.5 x 7 x 11.5 in, 26.5 x 18 x 29 cm Provenance: Wagonfeld Collection; Inuit Gallery of Vancouver DISCLAIMER: The abse... 223 Juanisialuk Irqumia (1912-1977) m. Puvirnituq, Woman Scraping a Skin, c. 1958-60, stone, signed "JOANISIALUK", 6.5 x 6.25 x 9.75 in, 16.3 x 15.8 x 25 cm Provenance: an Ottawa private collection References: for two mid 1950s sculptures see Swinton (1972/92), fig. 335, 340; see also The... 224 Probably Luke Airut (1942-) Igloolik, Hunter and Bear, c. mid-late 1970s, stone and ivory, 11 x 12.25 x 12.5 in, 28 x 31 x 32 cm Provenance: a Toronto corporate collection References: for somewhat later works by the artist see Wight (2015), pp. 23-25; for a similar composition ... 225 Marc Alikaswa (1928-2007) Arviat (Eskimo Point), Man and Bear, late 1970s or early 1980s, stone, 9.25 x 8.75 x 4 in, 23.7 x 22.5 x 10.3 cm Provenance: Pruzansky Collection References: for typical figural works by Alikaswa see Walker’s May 2017 (Lot 179) and Nov. 2014 (Lot 9... 226 Jacob Irkok (1937-2011) Arviat (Eskimo Point), Wounded Bear, c. 1980, stone and antler, signed "JACOB IRKOK" and in syllabics and with disc no., 11 x 9.75 x 4.75 in, 28 x 24.5 x 11.8 cm Provenance: a Montreal private collection Reference: for a similar work by the artist se... 227 Andy Mamgark (1930-1997) Arviat (Eskimo Point), Sitting Bear, early 1990s, stone and ivory, signed in syllabics, 4 x 4.5 x 3.25 in, 10.2 x 11.7 x 8.4 cm Provenance: Pruzansky Collection; Inuit Gallery of Vancouver NOTE: This lot contains restricted material(s) which may proh... 228 Pitaloosie Saila RCA (1942-) f. Printmaker: Pitseolak Niviaqsi (1947-2015) m., Cape Dorset, Four Generations, 1998, lithograph, 11/50, 35.5 x 26.25 in, 90 x 66.7 cm Provenance: Albrecht Collection; Orca Aart Exhibited and published: Hessel, Arctic Spirit (2006) cat. 162. DISCLAIME... 229 Pitaloosie Saila RCA (1942-) f. Cape Dorset, Untitled (Composition: Two Birds and Fantasy Animal), late 1960s, ink and coloured pencil drawing, framed, signed in syllabics, 20.25 x 26 in, 51.3 x 66 cm Provenance: an Ottawa private collection; Walker's Nov. 2011; ex Robertson Collec... 230 Napatchie Pootoogook (1938-2002) f. Cape Dorset, Sedna Breastfeeding Her Child, 2000, ink drawing, framed, signed in syllabics, 26 x 20 in, 66 x 50.6 cm Provenance: Wagonfeld Collection; Feheley Fine Arts References: for a related drawing by the artist see Walker’s May 2017 (Lot 31).... 231 Kananginak Pootoogook RCA (1935-2010) m. Printmaker: Kavavaow Mannomee (1958-) m., Cape Dorset, Panniq (Bull Caribou), 2000 #6, stonecut & stencil, 14/50, 22.25 x 26 in, 56.3 x 66 cm Provenance: Albrecht Collection; Galerie Vincent DISCLAIMER: The absence of a condition statement does not i... 232 Kananginak Pootoogook RCA (1935-2010) m. Printmaker: Qiatsuq Niviaqsi (1941-) m., Cape Dorset, Protecting the Herd, 2000 #5, stonecut & stencil, 14/50, 19.5 x 24.5 in, 49.7 x 62.3 cm Provenance: Albrecht Collection; Galerie Vincent DISCLAIMER: The absence of a condition statement does not i... 233 Kananginak Pootoogook RCA (1935-2010) m. Cape Dorset, Kikavik (Falcon), 1970 #81, engraving, 8/50, framed, 12.25 x 9.75 in, 31.3 x 25 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely ... 234 Kananginak Pootoogook RCA (1935-2010) m. Baker Lake, Muskox, stone, signed in syllabics, 9.5 x 14.5 x 7.5 in, 24.1 x 36.8 x 19 cm Provenance: Daniel and Jackie Snajdman Collection References: for similar works by Kananginak see Norton and Reading (2005), p. 85; Blodgett, (1991) p. 127; Walk... 235 Henry Evaluardjuk (1923-2007) Iqaluit (Frobisher Bay), Bear, c. mid-late 1980s, stone, signed "HENRY" and in syllabics, 4 x 8.25 x 3 in, 10.2 x 21 x 7.5 cm Provenance: Pruzansky Collection; a Montreal collection DISCLAIMER: The absence of a condition statement does not imply that... 236 Aqjangaju (Axangayu) Shaa RCA (1937-) m. Cape Dorset, Dancing Walrus, c. late 1980s, stone and antler, 14.25 x 12.25 x 11 in, 36.5 x 31 x 28 cm Provenance: Pruzansky Collection; Feheley Fine Arts References: for similar walrus sculptures by Aqjangaju see Walker’s May 2015 (Lot 157) and No... 237 Paulassie Pootoogook RCA (1927-2006) Cape Dorset, Muskox, c. 1991-92, stone and antler, signed in syllabics, 10 x 19 x 6 in, 25.3 x 48.5 x 15.5 cm Provenance: an Iqaluit private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition... 238 Shorty Killiktee (1949-1993) m. Cape Dorset/Kimmirut, Standing Bear, 1992, stone, signed in syllabics and dated, 15 x 8 x 5.75 in, 38 x 20.5 x 14.5 cm Provenance: an Iqaluit private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect ... 239 Ashevak Tunnillie (1956-) m. Cape Dorset, Bird, c. 2012, stone, signed in syllabics, 14.25 x 9.5 x 6.5 in, 36 x 24 x 16.5 cm Provenance: Webster Collection, Iqaluit DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely f... 240 Paul Malliki (1956-) Repulse Bay, Grazing Caribou, mid 1980s, stone and antler, signed "PAUL MALLIKI", 6 x 12.75 x 2.25 in, 15.5 x 32.5 x 5.8 cm Provenance: Albrecht Collection; Marion Scott Gallery References: for similar works by the artist see Walker’s Nov. 2015 (Lo... 241 Lucassie Nowdluk (1925-d) Iqaluit (Frobisher Bay), Standing Bear, c. early 1970s, stone, signed in syllabics and with disc no., 13.5 x 6 x 6 in, 34.6 x 15 x 15.4 cm Provenance: a Montreal private collection DISCLAIMER: The absence of a condition statement does not imply that ... 242 Abraham Anghik Ruben OC (1951-) Paulatuk/Salt Spring Island, Sleeping Bird, c. mid-late 1980s, stone, 1.5 x 8.75 x 2.25 in, 3.5 x 22.5 x 6 cm Provenance: Wagonfeld Collection; Waddington's Dec. 1995 Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 34.... 243 Samuellie Tunnillie (1918-d) Cape Dorset, Owl, late 1960s, stone, signed in syllabics, 14 x 18 x 15.75 in, 35.5 x 45.5 x 40 cm Provenance: an Ottawa private collection; Robertson Galleries Exhibited: Robertson Galleries, Ottawa, Eskimo Sculpture ‘69 DISCLAIMER: The absence of... 244 Bill Nasogaluak (1953-) Tuktoyaktuk/Toronto, Bear Drummer, 2013, stone, wood and antler, signed "BILL NASOGALUAK" and dated, 22.5 x 15.25 x 9.75 in, 57 x 39 x 25 cm Provenance: a Toronto collection References: Nasogaluak’s ideas and works were featured in a thoughtful 199... 245 Bill Nasogaluak (1953-) Tuktoyaktuk/Toronto, Bear Inside a Rotting Igloo, 2012, stone, barbed wire and paint, signed and dated, 4.75 x 10.5 x 6 in, 12 x 26.5 x 15.5 cm Provenance: a Toronto collection Reference: for a similar composition by the artist, Bear Falling Through ... 246 David Ruben Piqtoukun (1950-) Paulatuk/Ontario, Drum Dancer on Inukshuk, 1997, stone, antler and metal, signed "DAVID RUBEN PIQTOUKUN" and dated, 25.5 x 15.5 x 8 in, 64.5 x 39.3 x 20.2 cm Provenance: Wagonfeld Collection; Images Art Gallery Exhibited and published: Loveland Museu... 247 Abraham Anghik Ruben OC (1951-) Paulatuk/Salt Spring Island, Bird Spirit in Kayak, mid-late 1990s, stone and wood, 5.75 x 26.5 x 18.5 in, 14.5 x 67.5 x 47 cm Provenance: a Toronto collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect co... 248 Unidentified Artist Greenland, Composition: Animals on a Base, c. 1880, ivory and wood, 2.5 x 4.75 x 4.5 in, 6.5 x 12 x 11.2 cm Provenance: a Toronto corporate collection NOTE: This lot contains restricted material(s) which may prohibit the export of it from Canada. Ple... 249 Unidentified Artist probably East Greenland, Ladle or Spoon in the form of a Bird-Headed Skeletal Figure, late 19th or early 20th century (before 1915), ivory or bone, 4.75 x 1.75 x 0.75 in, 12 x 4.5 x 2 cm Provenance: Balshine Collection; collected by the captain of a ... 250 Aron Kleist (1923-1989) Qaqortoq (Julianehab), Greenland, Bird Angakok, 1970, ivory, signed "AK", 4.25 x 2.25 x 2 in, 11.1 x 6 x 5.1 cm Provenance: Balshine Collection Reference: for similar works by the artist see Haagen (2014) p. 21, 26. See also Haagen, Aron Kleist and C... 251 Cecilie Kleist (1948-1987) Qaqortoq (Julianehab), Greenland, Bird Spirit, 1975, ivory, signed "CK", 4.25 x 1.75 x 1.5 in, 10.9 x 4.5 x 3.5 cm Provenance: Balshine Collection Reference: for similar works by the artist see Haagen (2014) p. 23. See also the Greenland chapter in M... 252 Cecilie Kleist (1948-1987) Qaqortoq (Julianehab), Greenland, Hunter with Knife, 1975, ivory, signed "CK", 2.5 x 1 x 0.75 in, 6.1 x 2.7 x 2.1 cm Provenance: Balshine Collection Reference: see a similar figure by the artist in Macduff and Galpin (1982) p. 133. NOTE: This lot con... 253 Anton Utuak, Kulusuk (Kap Dan) Greenland, Tupilak: Naalikkaatseeq (Naligateq) Figure, c. 1972, ivory, 6.5 x 1.75 x 2.5 in, 16.3 x 4.4 x 6.4 cm Provenance: Balshine Collection References: for similar works see the chapter on this imagery in Haagen (2014) pp. 44-53. NOTE: This lot c... 254 Ole Kreutzmann (1898-1983) Kangaamiut, Greenland, Smiling Nude Woman, c. 1949, ivory, signed "OK", 4 x 1.5 x 1.5 in, 10 x 3.8 x 3.6 cm Provenance: Balshine Collection Reference: see the section on Ole Kreutzmann in Petersen and Haagen (Tinok 2009) pp. 121-127. NOTE: This lot c... 255 Unidentified Artist Greenland, Grinning Spirit Figure, c. 1970, bone, 3.75 x 1.5 x 1.5 in, 9.6 x 3.7 x 3.5 cm Provenance: Balshine Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear ... 256 Jens Kleist Qaqortoq (Julianehab), Greenland, Crouching Figure, c. 1950, stone, 3 x 4.25 x 2.25 in, 7.5 x 11 x 6 cm Provenance: Balshine Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely f... 257 Seth Amaktangnek Greenland, Tupilak, c. 1960, stone, 7.25 x 4.25 x 1.75 in, 18.6 x 10.5 x 4.3 cm Provenance: Balshine Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear and tear, ... 258 Aron Berthelsen (1933-2009) Kangaamiut, Greenland, Grotesque Figure, 1959, stone, signed "AB" and dated, 6 x 2.5 x 1.5 in, 15.4 x 6.1 x 3.8 cm Provenance: Balshine Collection Reference: see the section on Aron Berthelsen in Petersen and Haagen (Tinok 2009) pp. 162-164. DISCLA... 259 John Kavik (1897-1993) Rankin Inlet, Figure, early 1970s, stone, signed in syllabics, 8.75 x 3.5 x 1.75 in, 22.3 x 9 x 4.2 cm Provenance: Albrecht Collection; an Ontario private collection References: for similarly styled figures by Tiktak see Swinton (1970) cat. 34, 35. ... 260 John Kavik (1897-1993) Rankin Inlet, Kneeling Woman, c. 1965-67, ceramic, signed in syllabics, 6.75 x 7 x 8.25 in, 17 x 17.5 x 21 cm Provenance: Wagonfeld Collection; Waddington's Nov. 1999 Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 97.... 261 Possibly Ennutsiak (1896-1967) m. Iqaluit (Frobisher Bay), Hunter and Bear Prey, mid-late 1950s, stone, bone, sinew and metal, 7 x 3.75 x 7.25 in, 18 x 9.5 x 18.6 cm Provenance: a Montreal private collection DISCLAIMER: The absence of a condition statement does not imply that a lot i... 262 Teddy Novoligak (1921-d) Kugluktuk (Coppermine), Bookends with Male and Female Portrait Heads, early 1960s, stone, signed "DEDDY NOVOLIGAK", 5.25 x 2.75 x 5 in, 13.5 x 7.3 x 12.5 cm Provenance: Wagonfeld Collection; Waddington's Nov. 2007 DISCLAIMER: The absence of a conditi... 263 Bessie Kakagon (1914-1958) Kugluktuk (Coppermine), Woman and Child, Carrying a Water Pail, early-mid 1950s, stone and sinew, 3.25 x 1.75 x 1.5 in, 8.2 x 4.7 x 4 cm Provenance: Pruzansky Collection References: see a work by Kakagon in Sculpture/Inuit (1971) fig. 295, and Swinto... 264 Phillipa Aningnerk Iksiraq (1944-) Baker Lake, Mother and Child, late 1960s, stone, 3 x 1.5 x 0.5 in, 7.5 x 3.8 x 1.5 cm Provenance: a Toronto private collection; The Snow Goose DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or compl... 265 Ilkok Oopakak (1917-d) m. Iqaluit (Frobisher Bay), Man Holding Plaque with Image of a Bird, c. 1960, wood and ivory, 3.75 x 1.25 x 1.25 in, 9.6 x 3.2 x 3.4 cm Provenance: Albrecht Collection; Feheley Fine Arts NOTE: This lot contains restricted material(s) which may prohibit ... 266 Mark Tungilik (1913-1986) Repulse Bay, Man with Owl Helping Spirit, c. mid 1970s, ivory and stone, signed in syllabics, 2.75 x 1.25 x 1.5 in, 7 x 3.2 x 3.6 cm Provenance: a Toronto private collection Reference: similar subjects illustrated in Blodgett (1978) p. 54. NOTE: This... 267 Henry Evaluardjuk (1923-2007) Iqaluit (Frobisher Bay), Crouching Bear, c. 1980, stone, 1 x 2.5 x 1.5 in, 2.5 x 6.2 x 4 cm Provenance: Webster Collection, Iqaluit; purchased from the artist Reference: for another miniature bear by the artist see Walker’s May 2017 (Lot 203). DIS... 268 John Pangnark (1920-1980) Arviat (Eskimo Point), Figure, mid 1970s, stone, 2.25 x 0.75 x 2 in, 6 x 1.7 x 5 cm Provenance: an American private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from ... 269 Henry Evaluardjuk (1923-2007) Iqaluit (Frobisher Bay), Pendant in the Form of a Woman's face, c. 1980, stone, signed "HENRY" and in syllabics, 2 x 1.5 x 0.5 in, 5.3 x 3.5 x 1 cm Provenance: Webster Collection, Iqaluit; purchased from the artist DISCLAIMER: The absence of a condit... 270 Pudloo Josephie (1931-) m. Iqaluit (Frobisher Bay), Owl, 1970s, ivory and inlay, 2 x 1.25 x 1.25 in, 4.8 x 3.1 x 3.3 cm Provenance: Webster Collection, Iqaluit; purchased from the artist NOTE: This lot contains restricted material(s) which may prohibit the export of it from Ca... 271 Towatuga Sagouk (1934-1996) m. Iqaluit (Frobisher Bay), Bear with Raised Paw, late 1970s, stone, signed "TOWATOGU", 1.5 x 3 x 1.75 in, 4 x 7.6 x 4.4 cm Provenance: Webster Collection, Iqaluit; purchased from the artist DISCLAIMER: The absence of a condition statement does not impl... 272 Judas Ullulaq (1937-1999) Gjoa Haven, Man Being Swallowed by a Giant Worm, 1987, stone and antler, signed in syllabics, 21.25 x 5.5 x 7.5 in, 54 x 14 x 19 cm Provenance: Albrecht Collection; Marion Scott Gallery DISCLAIMER: The absence of a condition statement does not imply ... 273 Nelson Takkiruq (1930-1999) Gjoa Haven, Shaman Drum Dancer, early 1990s, stone and antler, signed in syllabics, 6.75 x 5.75 x 4 in, 17 x 14.7 x 10 cm Provenance: Pruzansky Collection Reference: see the section on Nelson Takkiruq in Wight, Art & Expression of the Netsilik (2000)... 274 Charlie Ugyuk (1931-1999) Taloyoak (Spence Bay), Beluga Hunter with Bird Spirit, c. early 1980s, stone, signed in syllabics, 12 x 7.25 x 4.25 in, 30.5 x 18.3 x 10.8 cm Provenance: Albrecht Collection References: for two other examples of bird spirits perched atop the heads of... 275 Sakkiassee Anaija (1913-1980) m. Taloyoak (Spence Bay), Two Men: Squatting and Jumping, c. 1970, stone and antler, 7.5 x 4 x 2.75 in, 18.8 x 10.2 x 7 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery DISCLAIMER: The absence of a condition statement does not imply that a lo... 276 Andrew Palongayak (1946-) Gjoa Haven, Excited Fisherman, early 1990s, whale bone, antler and sinew, signed in syllabics, 8.5 x 5 x 7.5 in, 21.3 x 12.5 x 19 cm Provenance: a Toronto private collection NOTE: This lot contains restricted material(s) which may prohibit the export... 277 Jessie Oonark OC RCA (1906-1985) Printmaker: David Mannik (1918-d), Baker Lake, Hands and Feet Like Ulut, 1981 #8, stencil, 21/30, framed, 20.75 x 26 in, 53 x 66 cm Provenance: Wagonfeld Collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perf... 278 Victoria Mamnguqsualuk (1930-2016) Baker Lake, Untitled (Fighting Wild Animals, Travelling by Sled and Igloo Building), 1979, coloured pencil and graphite drawing), signed in syllabics, 22.25 x 30 in, 56.5 x 76.5 cm Provenance: Albrecht Collection; Mazlak McLeod Gallery DISCLAIMER: Th... 279 Simon Tookoome (1934-2010) Printmaker: Phillipa Iqsiraq (1944), Baker Lake, Kiviuk Crossing the Sea, 1982 #27, stonecut and stencil, A/P 1/7, 24 x 31.5 in, 61 x 80 cm Provenance: Wagonfeld Collection; Images Art Gallery Exhibited and published: Loveland Museum Gallery, Surviva... 280 Ruth Qaulluaryuk (1932-) Baker Lake, Untitled (Caribou, Muskoxen and Wolves in a Landscape), 2001, coloured pencil and graphite drawing, signed in syllabics, 22.75 x 30.25 in, 57.5 x 77 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: for a drawing by Qaullua... 281 Nancy Pukingrnak Aupaluktuq (1940-) Baker Lake, Untitled (Camp Attacked by Green Monsters), 1988, coloured pencil and graphite drawing, framed, signed in syllabics and dated, 22.25 x 30 in, 56.3 x 76 cm Provenance: Wagonfeld Collection Reference: Jackson and Nasby, Contemporary Inuit D... 282 Bessie Iquginnaaq Scottie (1912-2009) Baker Lake, Men Fighting Over a Woman, c. 1982, graphite and coloured pencil drawing, 14.5 x 21.75 in, 36.8 x 55 cm Provenance: Wagonfeld Collection; Marion Scott Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p.... 283 Noah Echalook (1946-) Inukjuak (Port Harrison), Mother and Child, mid-late 1970s, stone, signed in syllabics, 21 x 10.5 x 18.5 in, 53 x 27 x 47 cm Provenance: a Toronto corporate collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in p... 284 Adamie Puvirnituq, Birthing Scene, possibly late 1950s or 1960s, stone, signed in syllabics, 1.75 x 4.25 x 2 in, 4.5 x 11 x 4.8 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art ... 285 Syollie (Sarollie) Weetaluktuk (1906-1962) m. Inukjuak (Port Harrison), Man Skinning a Goose, 1958-60, stone, signed with disc no., 3.25 x 2.25 x 3 in, 8.5 x 5.5 x 7.7 cm Provenance: Wagonfeld Collection; Walker's May 2016 (Lot 101); Balshine Collection DISCLAIMER: The absence of a condition sta... 286 Isa Aqiattusuk Smiler (1921-1986) m. Inukjuak (Port Harrison), Fish, mid 1950s, stone, signed "ISA" and with disc no., 2.25 x 6 x 1.75 in, 5.5 x 15 x 4.6 cm Provenance: a BC private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 287 Kooyoo Etidlui (1947-) f. Ivujivik/Cape Dorset, Woman Making a Kamik (Boot), c. mid 1960s, stone, signed in syllabics, 6 x 3 x 5 in, 15 x 7.8 x 12.5 cm Provenance: Albrecht Collection; Upstairs Gallery, Winnipeg Exhibited and published: Upstairs Gallery, Special Small Sculptu... 288 Unidentified Artist Puvirnituq, Hunter at Seal Hole, c. 1950, stone, ivory, sealskin and pigment, 3.25 x 2.5 x 3.5 in, 8.5 x 6.3 x 9.2 cm Provenance: Albrecht Collection; Feheley Fine Arts NOTE: This lot contains restricted material(s) which may prohibit the export of i... 289 Thomassie Tukai (1937-d) Puvirnituq, Hunter and Bear, c. 1958-60, stone, signed in syllabics and with disc no., 3.5 x 8.75 x 2.5 in, 8.9 x 22.5 x 6.3 cm Provenance: Pruzansky Collection; Walker's Nov. 2013 (Lot 180) DISCLAIMER: The absence of a condition statement does not i... 290 Possibly Lucassie Kumarluk (1921-d) Inukjuak (Port Harrison), Kneeling Woman, c. mid 1950s, stone, 7.25 x 5.25 x 6 in, 18.5 x 13.5 x 15.5 cm Provenance: an Ottawa private collection; ex an American private collection DISCLAIMER: The absence of a condition statement does not imply that ... 291 Unidentified Artist probably Nunavik (Arctic Quebec), Seated Mother and Child, c. 1960s, stone, 7.75 x 6 x 7 in, 20 x 15.3 x 17.7 cm Provenance: a Montreal private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condit... 292 Possibly Louisa Kupirkrualuk Pauyungie (1907-d) Salluit (Sugluk), Woman Making a Kamik (Boot), late 1950s or early 1960s, stone, signed with indistinct disc no., 6.25 x 2.75 x 4.75 in, 16 x 7 x 12 cm Provenance: Pruzansky Collection; a Canadian private collection DISCLAIMER: The absence of a condi... 293 Allie Tuttu (Awp) Amittu (1926-1983) m. Puvirnituq, Mother and Child, c. late 1960s, stone, signed "Allie Awp," 10 x 7 x 3.5 in, 25.5 x 18 x 9.2 cm Provenance: a Montreal private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition o... 294 Barnabus Arnasungaaq (1924-2017) Baker Lake, Mother Bear and Cub, mid 1960s, stone, signed in syllabics, 10 x 3.5 x 6.5 in, 25.4 x 9.2 x 16.5 cm Provenance: an Ottawa private collection Reference: for a standing bear by Arnasungaaq from the early 1960s see Walker’s May 2013 (Lot 8... 295 Miriam Nanurluk Qiyuk (1933) Baker Lake, Mother and Children with Birds, early-mid 1990s, stone, signed "MIRIAM QIYUK", 9 x 7 x 4.25 in, 22.8 x 18 x 11 cm Provenance: Webster Collection, Iqaluit Reference: for a similar work by the artist see Walker’s Nov. 2015 (Lot 147). DIS... 296 Mathew Aqigaaq (1940-2010) Baker Lake, Muskox and Bird, c. mid 1980s, stone, signed in syllabics, 6 x 7 x 3.5 in, 15.5 x 18 x 9 cm Provenance: a Toronto collection Reference: see a similar subject by Aqigaaq’s brother David Ikutaaq (1929-1984) in Walker’s May 2013 (Lot 123... 297 Barnabus Arnasungaaq (1924-2017) Baker Lake, Man and Bird, c. late 1980s, stone, 7.5 x 7.5 x 5.75 in, 19.2 x 19 x 14.5 cm Provenance: a Toronto collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or completely free from wear ... 298 Tuna Iquliq (1935-2015) m. Baker Lake, Quizzical Owl, c. 2000, stone, 10 x 8 x 8.5 in, 25.5 x 20.5 x 21.5 cm Provenance: a Toronto private collection References: for early examples by the artist see Swinton (1972/92) figs. 671-672; for a small later work see Walker’s May 201... 299 Ada Eyetoaq (1934-) Baker Lake, Family, 1974, stone, signed in syllabics and dated, 4.25 x 3.75 x 2.75 in, 10.5 x 9.3 x 6.7 cm Provenance: a Montreal private collection Reference: for a similarly styled work from the same year in the Zazelenchuk Collection see Blodgett ... 300 David Ikutaaq (1929-1984) Baker Lake, Man with Pipe, 1980, stone and antler, signed in syllabics and dated, 4.75 x 3 x 2 in, 12 x 7.5 x 5 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condi... 301 Joe Talirunili (1893-1976) Printer: Isarah Novalinga (1923-d) m., Puvirnituq, Hunting Caribou on Way to Trading Post, 1965 (1966 #309), stonecut, 17/30, framed, 14.75 x 14 in, 37.5 x 35.7 cm Provenance: Wagonfeld Collection; Waddington's Nov. 1999 Exhibited and published: Love... 302 Joe Talirunili (1893-1976) Puvirnituq, Two Joes Go Whale Hunting, 1972 #6, stonecut, A/P IX, framed, 11.5 x 14.5 in, 29.3 x 36.6 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or co... 303 Isa Aqiattusuk Smiler (1921-1986) m. Inukjuak (Port Harrison), Untitled (Hunting Ducks), 1985, felt pen, graphite and coloured pencil drawing, dated and signed "ISA SMILER", 18 x 24 in, 45.6 x 61 cm Provenance: Albrecht Collection; Inuit Gallery of Vancouver DISCLAIMER: The absence of a... 304 Nick Sikkuark (1943-2014) Kugaaruk (Pelly Bay), Inuk Removing His Tooth, 2003, coloured pencil, pastel and graphite drawing, signed "Nick Sikkuark", 14 x 16.25 in, 35.8 x 41.3 cm Provenance: Albrecht Collection; Marion Scott Gallery Exhibited and published: Marion Scott Galle... 305 Nick Sikkuark (1943-2014) Kugaaruk (Pelly Bay), Abstract Composition, 2005, ink drawing, signed "Nick Sikkuark" and dated, 23.25 x 18 in, 59.3 x 45.8 cm Provenance: Albrecht Collection; purchased from the artist DISCLAIMER: The absence of a condition statement does not imply ... 306 Maudie Rachel Okittuq (1944-) Taloyoak (Spence Bay), Transformation, 2005, graphite and coloured pencil drawing, signed in syllabics, 14 x 11 in, 35.6 x 28 cm Provenance: Albrecht Collection; purchased from the artist DISCLAIMER: The absence of a condition statement does not impl... 307 Davie Atchealak (1947-2006) Pangnirtung/Iqaluit, Bear Cub, 2000, coloured pencil and ink drawing, signed "DAVIE ATchealak" and dated, 13.75 x 17 in, 34.8 x 43.3 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery DISCLAIMER: The absence of a condition statement does not... 308 Arnaqu Ashevak (1956-2009) m. Cape Dorset, Playful Belugas, 1995, ink and graphite drawing, 20 x 26 in, 51 x 66 cm Provenance: Albrecht Collection; Feheley Fine Arts Reference: for a closely related image see the print Qilalugannguat Tunniit/Tattooed Whales from 1996 (#2) in Lesl... 309 Annie Pootoogook (1969-2016) Printmaker: Niveaksie Quvianaqtuliaq (1970-) m., Cape Dorset, Brief Case, 2005 #1, lithograph, 11/50, 17.25 x 17.25 in, 43.5 x 43.5 cm Provenance: Albrecht Collection; Canadian Guild of Crafts References: image illustrated in Leslie Boyd Ryan, Cape D... 310 Annie Pootoogook (1969-2016) Printmaker: Sylvia Bendzsa, Cape Dorset, Pitseolak's Glasses, 2006 (special edition for Feheley Fine Arts), collagraph, 18/25, 13 x 19.75 in, 33 x 50.4 cm Provenance: Albrecht Collection; Feheley Fine Arts DISCLAIMER: The absence of a condition state... 311 Arnaqu Ashevak (1956-2009) m. Cape Dorset, Hanging By a Thread, c. 2007-08, stone, antler and sinew, signed in syllabics, 12.5 x 7 x 9.25 in, 32 x 17.8 x 23.5 cm Provenance: Albrecht Collection; Spirit Wrestler Gallery Reference: see Patricia Feheley’s article “A Filtered Vis... 312 Isaci Etidloi (1972-2014) m. Cape Dorset, Skier, 1990s, stone and antler, 7 x 5.75 x 7.25 in, 18 x 14.5 x 18.5 cm Provenance: Webster Collection, Iqaluit; purchased from the artist Reference: for a carving of an ice skater by the artist see Walker’s Nov. 2014 (Lot 331). DISCL... 313 Jacobie Adamie (1938-) Iqaluit (Frobisher Bay), Life in the North and South, c. late 1960s, stone, wood, antler and hide, signed "JACOBIE ADAMIE", 7 x 11.25 x 5 in, 18 x 28.5 x 12.5 cm Provenance: Pruzansky Collection; Waddington's Dec. 1994 DISCLAIMER: The absence of a co... 314 Unidentified Artist Kugluktuk (Coppermine), Man and Bear, late 1950s or early 1960s, stone, 4 x 4 x 2.25 in, 10.1 x 10.1 x 5.4 cm Provenance: Pruzansky Collection Reference: for a similar composition by Bessie Kakagon (1914-1958) from Kugluktuk, see Walker’s Nov. 2012... 315 Unidentified Artist Repulse Bay, Mother and Child, late 1950s, stone and ivory, 4.25 x 1.5 x 2 in, 10.7 x 4 x 5 cm Provenance: an Ottawa private collection NOTE: This lot contains restricted material(s) which may prohibit the export of it from Canada. Please review clau... 316 Unidentified Artist Kugluktuk (Coppermine), Drummer, mid-late 1950s, stone and antler, 3.75 x 2.25 x 2.25 in, 9.3 x 6 x 5.8 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or c... 317 Regilee Piungituq (1953-) f. Clyde River, Drummer and Dancer, late 1970s, whale bone and leather, 6.75 x 6 x 4.25 in, 17.3 x 15.5 x 10.5 cm Provenance: Webster Collection, Iqaluit; purchased from the artist NOTE: This lot contains restricted material(s) which may prohibit the ex... 318 Johnnyboo Ulluakulluk (1923-d) m. Kimmirut (Lake Harbour), Head of an Arctic Hare, c. 1975, walrus jawbone and inlay, 2 x 4.5 x 4.75 in, 5.2 x 11.2 x 12 cm Provenance: Webster Collection, Iqaluit; purchased from the artist DISCLAIMER: The absence of a condition statement does not imp... 319 Pudloo Josephie (1931-) m. Iqaluit (Frobisher Bay), Muskox, early 1980s, stone, antler and ivory, signed in syllabics, 2.5 x 3.25 x 1.25 in, 6.1 x 8.1 x 3 cm Provenance: Webster Collection, Iqaluit; purchased from the artist NOTE: This lot contains restricted material(s) which... 320 Simon Tookoome (1934-2010) Baker Lake, Muskox, 1997, stone, signed in syllabics, 4 x 7 x 1.75 in, 10 x 18 x 4.3 cm Provenance: Wagonfeld Collection; Isaacs/Innuit Gallery Exhibited and published: Loveland Museum Gallery, Survival: Inuit Art (2004) p. 26. DISCLAIMER: The absen... 321 Lily Uijakki Okituk (1933-) Salluit (Sugluk), Woman Scraping a Skin, 1976, stone, signed "LILY" and dated, 3.25 x 3 x 4.25 in, 8 x 7.5 x 10.6 cm Provenance: an American private collection Reference: for a very similar work by the artist and a short biography see Roberts (1976) ... 322 Lydia Tukai (1928-) and Silassie Tukai (1919-1994) Inukjuak (Port Harrison), Basket with Human Figure Finial, 1991, grass and stone, 12.5 x 11.25 x 11.25 in, 32 x 28.5 x 28.5 cm Provenance: Webster Collection, Iqaluit DISCLAIMER: The absence of a condition statement does not imply that a lot is in pe... 323 Unidentified Makers VARIOUS ARCTIC REGIONS, Implements and Ajagaq Game, early-mid 20th century, bone, antler, stone, ivory, metal, hide and sinew, whip handle: 12.5 x 1.5 x 1.5 in, 32 x 4 x 4 cm Provenance: a Toronto private collection NOTE: This lot contains restricted... 324 Unidentified Maker SOUTHERN BAFFIN ISLAND, Harpoon Head Dagger, early 20th century, ivory and metal, 7.75 x 1.5 x 1.25 in, 19.5 x 3.5 x 3 cm Provenance: Webster Collection, Iqaluit NOTE: This lot contains restricted material(s) which may prohibit the export of it from ... 325 Willie Pamialok Peeala and an Unidentified Artist, KUGLUKTUK (COPPERMINE), TALOYOAK (SPENCE BAY, AND UNKNOWN COMMUNITY, Two Fishing Scenes and an Igloo Camp Scene, c. late 1950s, wood and fur, one signed "WILLIE PAMIALOK" and another "PEEALA"; igloo scene: 4.5 x 9.2... 326 Unidentified Artist(s) probably from SOUTHERN BAFFIN ISLAND, Man and Woman, c. mid 1950s to early 1960s, stone, man: 8 x 3.5 x 1.75 in, 20.5 x 9 x 4.5 cm Provenance: an Ottawa private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is... 327 Unidentified Artist probably Kugluktuk (Coppermine), Polar Bear, 1950s, stone, 2.5 x 5.75 x 1.75 in, 6.5 x 14.3 x 4.5 cm Provenance: a Quebec private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or comple... 328 Seepee Ipellie (1940-2000) m. Iqaluit (Frobisher Bay), Owl, c. 1975, stone, signed "SEEPEE" and with disc no., 3.75 x 4 x 5.5 in, 9.5 x 10.2 x 14.1 cm Provenance: Pruzansky Collection; Galerie Elca London DISCLAIMER: The absence of a condition statement does not imply that a lot... 329 Unidentified Artist Arviat (Eskimo Point), Man, Whale and Seal, early 1970s, stone, 4 x 13.75 x 3.25 in, 10 x 34.8 x 8.5 cm Provenance: an Ontario private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in perfect condition or c... 330 June Ohokak (1935-) Kugluktuk (Coppermine), Model Igloo, 1985, stone, wood and metal, signed "J OHOKAK" and dated, 2.5 x 2.75 x 3.5 in, 6.2 x 7.1 x 9 cm Provenance: a BC private collection DISCLAIMER: The absence of a condition statement does not imply that a lot is in... |
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